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217 articles
Article
Sickert’s coster girls: some American connections
06/2022 | 1431 | 164
Pages: 582-585
related names
Author:
Farey, Luke (Farey, Luke)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
12. Louie (or Flower girl), by Walter Sickert. 1911. Oil on canvas, 38.1 by 30.5 cm. (Private collection; courtesy Christie’s; Bridgeman Images).
Attributed works:
13. Le Corsage Violet, by Walter Sickert. 1907–08. Oil on canvas, 50.8 by 40.2 cm. (Private collection).
Attributed works:
14. Lou! Lou! I Love You, by Walter Sickert. 1911. Lithograph, 33.2 by 22 cm. (Tate Archive).
Attributed works:
15. The hat-pin, by Walter Sickert. 1907–08. Black and white chalk with transfer grid in red ink on paper, 33.5 by 26 cm. (Courtesy Duncan Miller Fine Arts).
Attributed works:
16. Mother and Daughter, by Walter Sickert. 1911. Oil on canvas, 46.2 by 35.5 cm. (Private collection; courtesy Bonhams).
Article
Pollonera and Raffele in the Alps with Sargent, 1903–10
09/2021 | 1422 | 163
Pages: 812-821
related names
Author:
Amedei, Michele (Amedei, Michele)
Subjects
dates:
Illustrations
Attributed works:
1. April, by Antonio Fontanesi. 1872–73. Oil on canvas, 171 by 254.8 cm. (Galleria Civica d’Arte Moderna, Turin).
Attributed works:
10. Pinewood, Purtud, by Carlo Pollonera. 1903. Oil on card, 35.5 by 45 cm. (From A. Picco: Carlo Pollonera, Turin 1998, fig.90).
Attributed works:
11. Torrente Azzurro, Purtud, by Carlo Pollonera. 1903. Oil on card, 34.3 by 48 cm. (From A. Picco: Carlo Pollonera, Turin, 1998, fig.91).
Attributed works:
12. A waterfall, by John Singer Sargent. 1910. Oil on canvas, 113 by 72.4 cm. (Philadelphia Museum of Art).
Attributed works:
13. A waterfall at Simplon, by Carlo Pollonera. 1910. Oil on card, 71 by 51 cm. (From exh. cat: Carlo Pollonera Turin (Teatro Regio), 1974, fig.21).
Attributed works:
14. Glacier streams, by Carlo Pollonera. c.1910.
Attributed works:
15. At the peaks, by Carlo Pollonera. c.1910–11. Oil on card. (From A. Picco: Carlo Pollonera, Turin 1998, fig.157).
Attributed works:
16. Simplon Pass, the foreground, by John Singer Sargent. c.1910. Watercolour on paper, 35.6 by 50.8 cm. (Museum of Fine Arts, Boston).
Attributed works:
17. Glacier streams, by John Singer Sargent. 1909. Oil on canvas, 88 by 113.7 cm. (The Michele and Donald d’Amour Museum of Fine Arts, Springfield MA).
Attributed works:
18. Carrara: wet quarries, by John Singer Sargent. 1911. Watercolour on paper, 40 by 52.9 cm. (Museum of Fine Arts, Boston).
Attributed works:
19. Carrara: wet quarries, by Carlo Pollonera. 1911. Oil on card, 39.3 by 52 cm. (From A. Picco: Carlo Pollonera, Turin 1998, fig.163).
Attributed works:
2. Ambrogio Raffele (left) and Carlo Pollonera (right) in a hayloft, by John Singer Sargent. 1904. Watercolour on paper, 40.6 by 30.5 cm. (Brooklyn Museum, New York).
Attributed works:
3. Source of the River Dora, Purtud, by Carlo Pollonera. 1903–04. Oil on card, 38 by 46 cm. (Private collection).
Attributed works:
4. Painter (Raffele?) working on a bank of the River Dora at Purtud, by Carlo Pollonera. 1903–04. Oil on card, 35 by 48 cm. (From A. Picco: Carlo Pollonera, Turin 1998, fig.95).
Attributed works:
5. John Singer Sargent, Carlo Pollonera and Ambrogio Raffele at Purtud, Val D’Aosta, Italy. Photograph, August 1907. (Private collection).
Attributed works:
6. Alpine pool, by John Singer Sargent. 1907 or c.1903–04(?). Oil on canvas, 69.9 by 96.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Val d’Aosta, stepping stones, by John Singer Sargent. 1907 or 1903–04(?). Oil on canvas, 56.5 by 71.8 cm. (Private collection).
Attributed works:
8. Bed of the Dora, Purtud, by John Singer Sargent. 1907 or 1903–04(?). Watercolour on paper, 36.8 by 53 cm. (Private collection).
Attributed works:
9. Pinewoods, Purtud, by John Singer Sargent. 1907 or 1903–04(?). Watercolour on paper, 31.8 by 47 cm. (Private collection).
Short Notice
A continuous line in Boccioni drawings at the Metropolitan Museum of Art, New York
03/2020 | 1404 | 162
Pages: 219-224
related names
Author:
McKever, Rosalind (McKever, Rosalind)
Subjects
dates:
styles:
subjects:
Illustrations
Attributed works:
10. Seated woman, by Umberto Boccioni. c.1908–9. Graphite on paper, 38.1 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Seated male nude, by Umberto Boccioni. c.1908–09. Graphite on paper, 38.1 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Study for ‘The dream – Paolo and Francesca’, by Umberto Boccioni. 1908–10. Graphite, charcoal, colored pencil, and wash on paper, 23.2 by 46.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Study for ‘The city rises’, by Umberto Boccioni. 1910. Graphite on paper, 14 by 21 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Study for ‘Female figure’, by Umberto Boccioni. 1911. Graphite on paper, 61 by 48.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Female figure, by Umberto Boccioni. 1911. Oil on canvas, 135 by 93 cm. (Museo del Novecento, Milan; Bridgeman Images).
Attributed works:
8. Study for ‘States of mind: The farewells’, by Umberto Boccioni. 1911. Graphite on paper, 48.6 by 61 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. The dream – Paolo and Francesca, by Umberto Boccioni. 1908–09. Oil on canvas, 140 by 130 cm. (Private collection).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Article
Benjamin Altman’s loans to the 1909 Hudson–Fulton exhibition at the Metropolitan Museum of Art
04/2018 | 1381 | 160
Pages: 305-310
related names
Author:
Mascolo, Marco M. (Mascolo, Marco M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Portrait of a man (‘The Auctioneer’), by Rembrandt van Rijn. c.1658. Canvas, 108.6 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Man with a magnifying glass, by Rembrandt van Rijn. c.1660. Canvas, 91.4 by 74.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Woman with a pink, by Rembrandt van Rijn. c.1660. Canvas, 92.1 by 74.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. Wheat fields, by Jacob van Ruisdael. c.1670. Canvas, 100 by 130.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Merrymakers at Shrovetide, by Frans Hals. c.1616–17. Canvas, 131.4 by 99.7 cm (Metropolitan Museum of Art, New York).
Attributed works:
6. A maid asleep, by Johannes Vermeer. c.1656–57. Canvas, 87.6 by 76.5 cm. (Metropolitan Museum of Art, New York).
Article
The Modigliani Technical Research Study. The catalogues raisonnés of Amedeo Modigliani
03/2018 | 1380 | 160
Pages: 189-195
related names
Author:
Ceroni, Anna (Ceroni, Anna)
Author:
Fraquelli, Simonetta (Fraquelli, Simonetta)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Portrait of Léopold Zborowski, by Amedeo Modigliani. 1916–19. Canvas, 100 by 65 cm. (Museu de Arte de São Paulo).
Attributed works:
3. Portrait of Paul Alexandre in front of a window, by Amedeo Modigliani. 1913. Canvas, 81 by 45.6 cm. (Musée des Beaux-Arts, Rouen).
Attributed works:
4. Front cover of A. Ceroni: I dipinti de Modigliani, introduced by L. Piccioni, Milan 1970. 31.5 by 24 cm. (Private collection).
Attributed works:
5. Portrait of a Dušan Janković, by Amedeo Modigliani. 1917. Pencil on paper, dimensions unknown. (Ambrogio Ceroni catalogue, 1958, p.23).
Western art unattributed:
2. Installation view of the Amedeo Modigliani exhibition at the Galerie Bing & Cie, Paris. 1925. Previously unpublished photograph, dimensions unknown. (Courtesy Anna Ceroni).
Article
The Modigliani Technical Research Study. An introduction to Modigliani’s materials and techniques
03/2018 | 1380 | 160
Pages: 182-188
related names
Author:
Fraquelli, Simonetta (Fraquelli, Simonetta)
Author:
Ireson, Nancy (Ireson, Nancy)
Author:
King, Annette (King, Annette)
Author:
Townsend, Joyce H. (Townsend, Joyce H.)
Subjects
dates:
media:
places:
subjects:
Illustrations
Attributed works:
1. Béatrice (Portrait of Beatrice Hastings), by Amedeo Modigliani. 1916. Canvas with newsprint, 55.2 by 38.2 cm. (Barnes Foundation, Philadelphia).
Attributed works:
2. Female nude, by Amedeo Modigliani. c.1916. Canvas, 92 by 60 cm. (Courtauld Gallery, London).
Attributed works:
3. The little peasant (‘Le petit paysan’), by Amedeo Modigliani. c.1918. Canvas, 100 by 64.5 cm. (Tate, London).
Attributed works:
4. Self-portrait, by Amedeo Modigliani. 1919. Canvas, 100 by 64.5 cm. (Museu de Arte Comtemporânea da Universidade de São Paolo, Brazil).
Attributed works:
5. Portrait of a girl, by Amedeo Modigliani. c.1917. Canvas, 80.8 by 60 cm. (Tate, London).
Attributed works:
6. X-radiograph showing the earlier figure beneath the surface of Fig.5.
Attributed works:
7. Nude study, by Amedeo Modigliani. 1908. Canvas, 81.9 by 54 cm. (Private collection).
Attributed works:
8. Photomicrograph of the right eye from Fig.2.
Attributed works:
9. Photomicrograph of the left eye from Fig.5.
Editorial
Modigliani, taste and the canon
03/2018 | 1380 | 160
Pages: 181
Book Review
Max Klinger: ‘. . . schon der leiseste Zwang nimmt mir die Luft’. Edited by Hans-Werner Schmidt and Jeannette Stoschek
03/2018 | 1380 | 160
Pages: 259-260
related names
Reviewer:
Morton, Marsha (Morton, Marsha)
Subjects
artists:
dates:
places:
Book Review
Egon Schiele: The Complete Paintings 1909–1918. Edited by Tobias G. Natter
01/2018 | 1378 | 160
Pages: 71-72
related names
Reviewer:
Clegg, Elizabeth (Clegg, Elizabeth)
Subjects
artists:
dates:
media:
styles:
subjects:
Illustrations
Attributed works:
7. Man and woman I (Lovers I), by Egon Schiele. 1914. (Private collection, New York).
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