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206 articles
Book Review
Résistances à l’idée d’art moderne dans la peinture: Paris, Londres, New York, 1848–1931
03/2025 | 1464 | 167
Pages: 300–301
related names
Reviewer:
Deltour, Louis (Deltour, Louis)
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Reviewed Items
subjects:
Résistances à l’idée d’art moderne dans la peinture: Paris, Londres, New York, 1848–1931 By Pierre Sérié. 449 pp. incl. 59 col. + b. & w. ills. (Presses Universitaires Blaise-Pascal, Clermont- Ferrand, 2023), €26. ISBN 978–2–38377–222–4. | :
Illustrations
Attributed works:
8. Le repos à Tonnerre, by Émile Bernard. 1904. Oil on canvas, 120 by 150 cm. (Private collection).
Book Review
Objects in Exile: Modern Art and Design across Borders, 1930–1960
02/2025 | 1463 | 167
Pages: 196–197
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Reviewer:
Dianat, Alborz (Dianat, Alborz)
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Reviewed Items
subjects:
Objects in Exile: Modern Art and Design across Borders, 1930–1960 By Robin Schuldenfrei. 352 pp. incl. 76 col. + 82 b. & w. ills. (Princeton University Press, 2024), £55. ISBN 978–0–691–23266–9. | :
Illustrations
Attributed works:
6. Isokon long chair, by Marcel Breuer. 1936. Bent plywood and laminated birch veneers, 77.5 by 130 by 61.5 cm. (Harvard Art Museums).
Book Review
Art and Modernism in Socialist China: Unexplored International Encounters, 1949–1979
01/2025 | 1462 | 167
Pages: 74
related names
Reviewer:
Baecker, Angie C. (Baecker, Angie C.)
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Reviewed Items
subjects:
Art and Modernism in Socialist China: Unexplored International Encounters, 1949–1979 Edited by Shuyu Kong, Julia F. Andrews and Shengtian Zheng. 248 pp. incl. 19 col. + 31 b. & w. ills. (Routledge, New York and London, 2024), £135. ISBN 978–1–03–258529–1. | :
Exhibition Review
Tropical Modernism: Architecture and Independence
07/2024 | 1456 | 166
Pages: 743–5
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Reviewer:
Croft, Catherine (Croft, Catherine)
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Tropical Modernism: Architecture and Independence 2nd March–22nd September Victoria and Albert Museum, London | :
Illustrations
Attributed works:
21. Jane Drew and Maxwell Fry with a model of one of their buildings for the Gold Coast (now Cape Coast) Education Department, Ghana, in 1945. (RIBA Collections, London).
Attributed works:
22. The model for the High Court, Capitol Complex, Sector 1, Chandigarh, by Pierre Jeanneret. c.1951–65. Photograph. (Canadian Centre for Architecture, Montreal)
Attributed works:
23. Detail of the pre-cast concrete screening on the veranda of the library, University College, Ibadan, designed by Fry Drew and Partners. 1955. (RIBA Collections, London).
Exhibition Review
Ruth Asawa Through Line
07/2024 | 1456 | 166
Pages: 738–40
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Reviewer:
Harren, Natilee (Harren, Natilee)
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Ruth Asawa Through Line Menil Drawing Institute, Houston 22nd March–21st July | :
Illustrations
Attributed works:
15. Untitled (MI.153, seven Thonet-style bentwood chairs), by Ruth Asawa. c.1950s. Felt-tip pen on paper, 106.7 by 152.4 cm. (© Ruth Asawa Lanier and Artists Rights Society, New York; Glenstone Museum, Potomac; courtesy David Zwirner; photograph Stephen Arnold; exh. Menil Drawing Institute, Houston).
Attributed works:
16. Untitled (SF.045a, potato print – branches, magenta/orange), by Ruth Asawa. c.1951–52. Stamped ink on Japanese paper, 36.2 by 26 cm. (© Ruth Asawa Lanier and Artists Rights Society, New York; Fine Arts Museums of San Francisco; courtesy David Zwirner; photograph Jorge Bachmann; exh. Menil Drawing Institute, Houston).
Attributed works:
17. Adam’s ranunculus (PF.1107, bouquet from Adam Lanier with snail), by Ruth Asawa. 1999. Ink on Japanese paper, 61 by 42.9 cm. (Private collection; exh. Menil Drawing Institute, Houston).
Book Review
Totality: Abstraction and Meaning in the Art of Barnett Newman
06/2024 | 1455 | 166
Pages: 659–661
related names
Reviewer:
Fried, Michael (Fried, Michael)
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Totality: Abstraction and Meaning in the Art of Barnett Newman By Michael Schreyach. 296 pp. incl. 43 col. + 22 b. & w. ills. (University of California Press, Oakland, 2023), £34. ISBN 978–0–520–37951–0 | :
Illustrations
Attributed works:
9. Onement 1, by Barnett Newman. 1948. Oil on canvas and masking tape, 69.2 by 41.3 cm. (© The Barnett Newman Foundation, New York and DACS, London 2024; Museum of Modern Art, New York).
Exhibition Review
Villa Flora, Winterthur
06/2024 | 1455 | 166
Pages: 645–647
related names
Reviewer:
zelger, franz (zelger, franz; Zelger, Franz)
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museums and institutions:
Reviewed Items
subjects:
Villa Flora, Winterthur From 23rd March | :
Illustrations
Attributed works:
27. La blanche et la noire, by Félix Vallotton. 1913. Oil on canvas, 114 by 147 cm. (Kunst Museum Winterthur, Villa Flora).
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28. Installation view of Bienvenue! Masterpieces by Cézanne, van Gogh and Manet back in Winterthur at the Villa Flora, Winterthur, 2024. (Courtesy Kunst Museum Winterthur, Villa Flora).
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29. Le bateau rouge, by Odilon Redon. c.1910. Oil on canvas, 54 by 73 cm. (Kunst Museum Winterthur, Villa Flora).
Exhibition Review
Buffalo AKG Art Museum
01/2024 | 1450 | 166
Pages: 87–91
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Reviewer:
Pergam, Elizabeth (Pergam, Elizabeth)
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Buffalo AKG Art Museum From June 2023 | :
Illustrations
Attributed works:
29. Buffalo AKG Art Museum: from left to right, the Jeffrey E. Gundlach Building, the Albright Bridge and the Robert and Elizabeth Wilmers Building. (Photograph Marco Cappelletti).
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30. The Ralph Wilson Town Square at Buffalo AKG Art Museum, showing Common Sky, by Studio Other Spaces (Olafur Eliasson and Sebastian Behmann). 2022. (Photograph Marco Cappelletti).
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31. A gallery in the Robert and Elizabeth Wilmers Building at Buffalo AKG Art Museum with, in the foreground, two sculptures by Auguste Rodin, Eve (After the Fall) (1881), and The Age of Bronze (1875–76, cast 1911). (Photograph Marco Cappelletti).
Attributed works:
32. Installation view of Clyfford Still: A Legacy for Buffalo in the Jeffrey E. Gundlach Building, Buffalo AKG Museum of Art, 2023. (Photograph Marco Cappelletti).
Attributed works:
33. A gallery in the Robert and Elizabeth Wilmers Building at the Buffalo AKG Museum of Art, showing, from left to right, Lovers, by Rosalyn Drexler (1963); Tom Thumb, by Marisol (1997); 100 cans, by Andy Warhol (1962); and Head – Red and Yellow, by Roy Lichtenstein (1962). (Photograph Marco Cappelletti).
Exhibition Review
Grete Ring. Dealing in Modernism: From Cézanne and Renoir to Liebermann and Kokoschka
12/2023 | 1449 | 165
Pages: 1359–1361
related names
Reviewer:
Soika, Aya (Soika, Aya)
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art literature:
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Reviewed Items
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Grete Ring. Dealing in Modernism: From Cézanne and Renoir to Liebermann and Kokoschka Liebermann Villa am Wannsee, Berlin 30th September 2023– 22nd January 2024 | :
Illustrations
Attributed works:
28. Grete Ring with her poodle in British exile, c.1942. (Private collection; exh. Liebermann Villa am Wannsee, Berlin).
Attributed works:
29. Childhood portrait of Grete Ring, by Dora Hitz. c.1895. Oil on canvas, 103 by 113.5 cm. (Private collection; exh. Liebermann Villa am Wannsee, Berlin).
Attributed works:
30. Sower, by Leonhard Wacker (?), c.1928. Oil on canvas, 58.5 by 75 cm. (Private collection; exh. Liebermann Villa am Wannsee, Berlin).
Exhibition Review
Futurism and Europe: The Aesthetics of a New World
08/2023 | 1445 | 165
Pages: 906–908
related names
Reviewer:
Kwartler, Talia (Kwartler, Talia)
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dates:
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Futurism and Europe: The Aesthetics of a New World Kröller-Müller Museum, Otterlo 29th April–3rd September | :
Illustrations
Attributed works:
19. The new city. Detail, by Antonio Sant’Elia. 1914. Pencil and ink on paper, 52.5 by 51.5 cm. (Pinacoteca Civica, Como; exh. Kröller-Müller Museum, Otterlo).
Attributed works:
20. Unique forms of continuity in space, by Umberto Boccioni. 1913, cast in 1972. Bronze, 117 by 30.5 by 87.5 cm. (Kröller- Müller Museum, Otterlo).
Attributed works:
21. Installation view of Futurism and Europe: The Aesthetics of a New World at the Kröller- Müller Museum, Otterlo, 2023. (photograph Studio Goedewaagen Fotografie).
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