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593 articles
Exhibition Review
Buffalo AKG Art Museum
01/2024 | 1450 | 166
Pages: 87–91
related names
Reviewer:
Pergam, Elizabeth (Pergam, Elizabeth)
Subjects
dates:
Reviewed Items
subjects:
Buffalo AKG Art Museum From June 2023 | :
Illustrations
Attributed works:
29. Buffalo AKG Art Museum: from left to right, the Jeffrey E. Gundlach Building, the Albright Bridge and the Robert and Elizabeth Wilmers Building. (Photograph Marco Cappelletti).
Attributed works:
30. The Ralph Wilson Town Square at Buffalo AKG Art Museum, showing Common Sky, by Studio Other Spaces (Olafur Eliasson and Sebastian Behmann). 2022. (Photograph Marco Cappelletti).
Attributed works:
31. A gallery in the Robert and Elizabeth Wilmers Building at Buffalo AKG Art Museum with, in the foreground, two sculptures by Auguste Rodin, Eve (After the Fall) (1881), and The Age of Bronze (1875–76, cast 1911). (Photograph Marco Cappelletti).
Attributed works:
32. Installation view of Clyfford Still: A Legacy for Buffalo in the Jeffrey E. Gundlach Building, Buffalo AKG Museum of Art, 2023. (Photograph Marco Cappelletti).
Attributed works:
33. A gallery in the Robert and Elizabeth Wilmers Building at the Buffalo AKG Museum of Art, showing, from left to right, Lovers, by Rosalyn Drexler (1963); Tom Thumb, by Marisol (1997); 100 cans, by Andy Warhol (1962); and Head – Red and Yellow, by Roy Lichtenstein (1962). (Photograph Marco Cappelletti).
Exhibition Review
Postwar Modern: New Art in Britain 1945–1965
06/2022 | 1431 | 164
Pages: 615-619
related names
Reviewer:
Cranfield, Ben (Cranfield, Ben)
Subjects
dates:
Reviewed Items
subjects:
Postwar Modern: New Art in Britain 1945–1965 Barbican Art Gallery, London 3rd March–26th June | :
Illustrations
Attributed works:
29. Figure 59, by Magda Cordell. c.1958. Oil and acrylic on Masonite, 243.8 by 152.4 cm. (Albright Knox Art Gallery, Buffalo; exh. Barbican Art Gallery, London).
Attributed works:
30. Lee Miller in Hitler’s bath, by Lee Miller with David E. Scherman. 1945. Gelatin silver print from original negative, 40 by 30 cm. (Lee Miller Estate; exh. Barbican Art Gallery, London).
Attributed works:
31. Mr Sebastian, by Francis Newton Souza. 1955. Oil on board, 78.8 by 63.5 cm. (Kiran Nadar Museum of Art, New Delhi; © Estate of FN Souza; DACS 2021; courtesy Grosvenor Gallery, London; photograph Justin Piperger; exh. Barbican Art Gallery, London).
Attributed works:
32. Eleven persons and one donkey moving forward, by Franciszka Themerson. 1947. Oil on canvas, 68.6 by 83.8 cm. (© Themerson Estate; exh. Barbican Art Gallery, London).
Book Review
The Collector: The Story of Sergei Shchukin and His Lost Masterpieces
04/2019 | 1393 | 161
Pages: 357-358
related names
Reviewer:
Pavlenko, Ksenia (Pavlenko, Ksenia)
Subjects
dates:
places:
Reviewed Items
subjects:
The Collector: The Story of Sergei Shchukin and His Lost Masterpieces By Natalya Semenova, with André Delocque. | :
Exhibition Review
Modern sculpture. Yorkshire
08/2017 | 1373 | 159
Pages: 658-659
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
66. People in the wind, by Kenneth Armitage. 1950 (Victoria Art Gallery, Bath; exh. Stanley & Audrey Burton Gallery, University of Leeds)
Attributed works:
67. Points of view, by Tony Cragg. 2013 (Courtesy the artist; exh. Yorkshire Sculpture Park)
Attributed works:
68. Installation view of Kaleidoscope: Colour and Sequence in 1960s British Art at the Longside Gallery, Yorkshire Sculpture Park, showing Thebes (1966; Arts Council Collection), by William Tucker (foreground) and Quinquereme (1966; Arts Council Collection), by Tim Scott (upper right)
Book Review
Modern Art in America 1908–86. By William C. Agee
06/2017 | 1371 | 159
Pages: 485-486
related names
Reviewer:
Taylor, A. J. (Taylor, A. J.)
Subjects
dates:
Illustrations
Attributed works:
39. Owh! In San Paõ, by Stuart Davis. 1951 (Whitney Museum of American Art, New York)
Publication Received
Modern Art and St Ives. By Paul Denison, Sara Matson, Rachel Smith, Chris Stephens and Michael White.
05/2015 | 1346 | 157
Pages: 359
related names
Reviewer:
Bond, Timothy (Bond, Timothy)
Subjects
museums and institutions:
subjects:
Book Review
Biennials and Beyond – Exhibitions That Made Art History. 1962–2002, ­B. Altshuler, ed.
04/2015 | 1345 | 157
Pages: 275-276
related names
Reviewer:
Pearson, Jeremy (Pearson, Jeremy)
Subjects
Publication Received
Show Time. The 50 Most Influential Exhibitions of Contemporary Art. By Jens Hoffmann.
03/2015 | 1344 | 157
Pages: 201
related names
Reviewer:
Hall, Lachlan (Hall, Lachlan)
Subjects
dates:
subjects:
Exhibition Review
Art Expanded: 1958–1978
03/2015 | 1344 | 157
Pages: 217-218
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
subjects:
Illustrations
Attributed works:
84. Trio A, by Yvonne Rainer (Walker Art Center Archives, Minneapolis)
Attributed works:
85. (Left). Ben's window, by Ben Vautier (Walker Art Center Minneapolis)
Attributed works:
86. (Right). TV cello, by Nam June Paik (Walker Art Center, Minneapolis)
Exhibition Review
Post Pop: East meets West
03/2015 | 1344 | 157
Pages: 204-206
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
places:
Illustrations
Attributed works:
60. Hero, Leader, God, by Alexander Kosolapov (Courtesy of the artist; exh. Saatchi Gallery, London)
Attributed works:
61. Hardware, by Lisa Milroy (Courtesy of the artist; exh. Saatchi Gallery, London)
Attributed works:
62. The lowly are the most intelligent, the elite are the most ignorant, by Yu Youhan (Private collection, Hong Kong; exh. Saatchi Gallery, London)
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