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04/2025 | 1465 | 167
Pages: i-xii
Subjects
Illustrations
Attributed works:
Anna Tonelli (c.1763-1846) Portrait of Honor Edgeworth, nee Sneyd (Guy Peppiatt Fine Art and the Limner Company)
Attributed works:
Henry Parsons Riviere, The Girandola at the Castel Sant'Angelo, Rome (Nonesuch Gallery)
Attributed works:
JMW Turner, Inverary Pier, Loch Fyne, Morning, c. 1845 (detail). Oil on canvas, (Yale Center for British Art, Paul Mellon Collection)
Attributed works:
JMW Turner, The Lauerzersee with the Ruins of Schwanau and the Mythens. watercolour over an underdrawing in pencil 227 x 287 mm. (Stephen Ongpin)
Attributed works:
John Smart (1741-1811) Portrait miniature of a lady. (Guy Peppiatt Fine Art & the Limner Company)
Attributed works:
Luca Cambiaso, Diana and Callisto, oil on canvas, 230 x 185.5 cm (Dorotheum)
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01/2025 | 1462 | 167
Pages: i-xvi
Subjects
Illustrations
Attributed works:
2417.Hypholoma, by Julien Alphonse Lignier (1872–1932). c.1925. Watercolour and ink on paper, 29.8 by 25.1 cm. VICTORIA MUNROE FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
A panel design with Cupid and Psyche, by Jules-Frédéric Bouchet (1799–1860). 1850. Watercolour with pen and ink and gouache, 30 by 20 cm. [NONESUCH GALLERY, LONDON/ Master Drawings New York]
Attributed works:
A woman and her son as Venus and Cupid, by Jacob van Loo (1614–70). c.1670. Oil on canvas, 87.5 by 77.5 cm. [GALERIE LOWET DE WOTRENGE, ANTWERP/Brafa]
Attributed works:
ATTRIBUTED TO GIOVANNI DA UD INE Udine, 1487 - Rome, 1560 A STUDY FOR THE FRESCO ON THE PILASTER BETWEEN THE SEVENTH & EIGHTH BAYS OF RAPHAEL'S DECORATIONS IN THE PAPAL LOGGIE AT THE VATICAN Pen & ink on laid paper 406 x 207 mm | 16 x 8 in ] [Nonesuch Gallery]
Attributed works:
Bahram Gur facing the dragon, by School of Muhammad Zaman. Central Iran, probably Isfahan, c.1675. Brush drawing, opaque pigments and gold on card, 16.2 by 25.1 cm (painting). [SAM FOGG, LONDON/Master Drawings New York]
Attributed works:
Cluny’ and ‘Senlis’ vases, by René Lalique (1860–1945). c.1925. Moulded glass with bronze handles, height each 26 cm. [GALERIE BG ARTS, SAINT-OUEN SUR SEINE/Brafa]
Attributed works:
Composition, by Jacoba van Heemskerck (1876–1923). 1916. Woodblock print, 20 by 28 cm. [PERSPECTIVE FINE ART, AMSTERDAM/Master Drawings New York]
Attributed works:
Dancer in the café, by Jean Metzinger (1883– 1956). 1912. Ink and watercolour on paper, 45 by 37 cm. [GALERIE MARC JEAN-FRANÇOIS CAZEAU, PARIS/Brafa]
Attributed works:
Denial of St Peter, by Bartolomeo Manfredi (1582–1622). c.1618–20. Oil on canvas, 125 by 183 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/Brafa]
Attributed works:
Fox and hare on floral ground. Southern Netherlands, possibly Saint-Trond. 2nd quarter 16th century. Wool and silk, 103 by 236 cm. [DE WIT FINE TAPESTRIES, MECHELEN/BRAFA]
Attributed works:
Girl, by André Lhote (1885–1962). 1909–10. Oil on paper laid down on board, 48.8 by 31.8 cm. [DR NÖTH KUNSTHANDEL + GALERIE, ANSBACH/Brafa]
Attributed works:
GIUSEPPE MOLTENI (1800–1867) The Chimney Sweep, c. 1838 Recently acquired by the Galleria d’Arte Moderna, Milan [Robilant & Voena]
Attributed works:
Head of a bearded man, by Giuseppe Cesari, called Arpino (1568–1640). Pen and brown ink, 15.5 by 13 cm. [RATTON AND LADRIÈRE, PARIS/Master Drawings New York]
Attributed works:
José Álvarez Cubero (1768 – Priego de Cordoba – 1827) The composer Gioachino Rossini (1792–1868) Rome, c.1819–1827. 68 cm high [Desmet/Brafa]
Attributed works:
Monumental bed in Egyptomania style. by Louis Malard. 19th century. Walnut with polychromy, 271 by 232 by 260 cm. [GALERIE MARC MAISON, PARIS/Brafa]
Attributed works:
Nathaniel Dance-Holland (1735-1811) Pencil. c.1767. 12.5 inches (Diam).[Abbott and Holder]
Attributed works:
Pair of staggering and pacing horses, attributed to Francesco Fanelli (1577–1653). 1625– 50. Bronze, black lacquer patina, height 15 cm. and 16.5 cm. [GALERIE DESMET, BRUSSELS/Brafa]
Attributed works:
Portrait of a woman seated under a tree, by John Hoppner (1758–1810). c.1780. Red and black chalks, 31.8 by 26.7 cm. [ABBOTT AND HOLDER, LONDON/Master Drawings New York]
Attributed works:
St Cecilia, by Edward Reginald Frampton (1872–1923). 1917. Watercolour and tempera on board, 73.7 by 120 cm. [THE MAAS GALLERY, LONDON/Master Drawings New York]
Attributed works:
TADDEO ZUCCARO (1529-1566) Design for a Pendentive with Saint Luke Pen and brown ink and brown wash, with touches of white heightening, and squared in red chalk, on blue paper. 147 x 142 mm. (5³⁄₄ x 5⁵⁄₈ in.) at greatest dimensions. A study for Taddeo Zuccaro’s most important surviving work, the fresco decoration of the Mattei Chapel in the Roman church of Santa Maria della Consolazione, painted between 1553 and 1556. An early preparatory study,this drawing depicts one of the four Evangelists painted by Zuccaro on the pendentives of the vault. [Stephen Ongpin]
Attributed works:
The Triumph of Silenus, by Jean- Baptiste Greuze (1725–1805). c.1760– 70. Pen and brown and black ink and grey wash, over an underdrawing in black chalk, laid down on an 18th century French mount, 53.8 by 37.8 cm. [STEPHEN ONGPIN FINE ART, LONDON/Master Drawings New York]
Attributed works:
The Triumph of David, from a Book of Hours, by the Berlin Master of Mary of Burgundy. Southern Netherlands, possibly Ghent, c.1480. Miniature on parchment, 15.3 by 11 cm. [ENLUMINURES, CHICAGO, PARIS AND NEW YORK/Master Drawings New York]
Attributed works:
Travellers on donkeys approaching a ruined city gate, by Bartolomé Esteban Murillo (1617–82). Pen and brown ink with brown wash, 21.4 by 13.5 cm. [CHRISTIE’S, NEW YORK/Master Drawings New York]
Attributed works:
Two Capucin monkeys, by Christophe Huet (1700–59). 1737. Oil on canvas, 45.4 by 56.4 cm. [COSTERMANS, BRUSSELS/BRAFA]
Western art unattributed:
Salver. Portugal, late 16th century. Silver, diameter 33 cm. [J. BAPTISTA, LISBON/Brafa]
Western art unattributed:
THE NERO AND AUGUSTUS ALDOBRANDINI TAZZA Probably Netherlandish, 1587–99 15¾ in (40 cm) high; 14¾ in (37.3 cm) diameter Estimate: US$2,000,000–3,000,000 [Christie's New York]
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12/2024 | 1461 | 166
Pages: i-xii
Subjects
Illustrations
Attributed works:
Charles Wild (1781–1835), Carlton House – The Blue Velvet Room. c.1816. Watercolour. Royal Collection Trust © His Majesty King Charles III, 2024. [Attingham Trust]
Attributed works:
Claude-Joseph Vernet (French, 1714-1789) The grand cascade at Tivoli, 1753 Oil on canvas | 39 x 53 inches (99.1 x 134.6 cm) Property from the Estate of Toni Chapman Brinker, Dallas, Texas Estimate: $200,000 - $300,000 [Heritage Auctions]
Attributed works:
Ghosts, by Salman Toor (b.1984). 2023. Charcoal, ink and gouache on paper, 45.5 by 61 cm. LUHRING AUGUSTINE, NEW YORK [Art Basel Miami Beach]
Attributed works:
Giovanni Battista Benvenuti, called L’Ortolano (Ferrara c. 1487/88–c. 1525/27) The Virgin and Child Oil on panel 38.2 by 31.2 cm. Painted c.1510–20 [Agnews]
Attributed works:
Self portrait, by Émilie Charmy (1878–1974). 1921. Oil on canvas, 116 by 89 cm. GALERIE BERNARD BOUCHE, PARIS [Art Basel Miami Beach]
Attributed works:
Studio Mirror (_DSF0587), by Paul Mpagi Sepuya (b.1982). 2023. Archival pigment print, 152.4 by 114.3 cm. DOCUMENT, CHICAGO AND LISBON [Art Basel Miami Beach]
Attributed works:
Untitled, by Evgeny Antufi ev (b.1986). 2023. Bronze, patina, garnet and enamel, 50 by 32 by 32 cm. EMALIN, LONDON [Art Basel Miami Beach]
Attributed works:
Untitled, by Joanna Piotrowska (b.1985). 2022. Gelatin silver print, 130 by 160 cm. MADRAGOA, LISBON [Art Basel Miami Beach]
Editorial
The National Gallery
03/2024 | 1452 | 166
Pages: 223
Subjects
art literature:
museums and institutions:
subjects:
Article
Edith Hoffmann’s early years in England, 1934–38
12/2023 | 1449 | 165
Pages: 1320–1329
related names
Author:
Yapou-Kromholz, Yonna (Yapou-Kromholz, Yonna)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Edith Hoffmann, photograph by Franz Pfemfert, Photo Dorit, Paris. c.1937–38. (Edith Hoffmann family collection, Jerusalem).
Attributed works:
2. Elizabeth Senior. Photograph, c.1935. (Courtesy of Sally Senior Mellersh).
Attributed works:
3. Eliezer Yapou. Photograph, 1938. (Edith Hoffmann family collection, Jerusalem).
Attributed works:
4. Herbert Read, by Howard Coster. Photograph, 1934. (National Portrait Gallery, London).
Attributed works:
5. The Exhibition of 20th Century German Art, New Burlington Galleries, London, by Ewan Phillips. 1938. Gelatin silver print, 16.4 by 23.2 cm. (© The Estate of Ewan Phillips; Tate Archive; M03751).
Attributed works:
6. The Exhibition of 20th Century German Art, New Burlington Galleries, London, by Ewan Phillips. 1938. Gelatin silver print, 16.4 by 23.2 cm. (© The Estate of Ewan Phillips; Tate Archive; M03754).
Attributed works:
7 and 8. Details of Figs.5 and 6, showing Edith in the New Burlington Galleries.
Attributed works:
9. Edith Hoffmann and Eliezer Yapou in Paris. Photograph, 1935. (Edith Hoffmann family collection, Jerusalem).
Exhibition Review
Grete Ring. Dealing in Modernism: From Cézanne and Renoir to Liebermann and Kokoschka
12/2023 | 1449 | 165
Pages: 1359–1361
related names
Reviewer:
Soika, Aya (Soika, Aya)
Subjects
art literature:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Grete Ring. Dealing in Modernism: From Cézanne and Renoir to Liebermann and Kokoschka Liebermann Villa am Wannsee, Berlin 30th September 2023– 22nd January 2024 | :
Illustrations
Attributed works:
28. Grete Ring with her poodle in British exile, c.1942. (Private collection; exh. Liebermann Villa am Wannsee, Berlin).
Attributed works:
29. Childhood portrait of Grete Ring, by Dora Hitz. c.1895. Oil on canvas, 103 by 113.5 cm. (Private collection; exh. Liebermann Villa am Wannsee, Berlin).
Attributed works:
30. Sower, by Leonhard Wacker (?), c.1928. Oil on canvas, 58.5 by 75 cm. (Private collection; exh. Liebermann Villa am Wannsee, Berlin).
Obituary
Duncan Robinson (1943–2022)
05/2023 | 1442 | 165
Pages: 578-580
related names
Author:
Pergam, Elizabeth (Pergam, Elizabeth)
Subjects
art literature:
Illustrations
Attributed works:
1. Duncan Robinson, by Peter Mennim. 2011. Oil on canvas, 81.3 by 61 cm. (Magdalene College, Cambridge).
Attributed works:
2. Nude in an interior, by Harold Gilman. c.1911. Oil on canvas, 50.5 by 35.4 cm. (Yale Center for British Art, New Haven; Bridgeman Images).
Attributed works:
3. A folio from the Macclesfield Psalter, showing a historiated initial containing the Annunciation to the Shepherds. England, c.1330–40. Tempera and gold on vellum, 17 by 6.2 cm. (Fitzwilliam Museum, Cambridge, MS 1-2005, fol.139v; Bridgeman Images).
Book Review
Toppling Statues: Papers from the 2020 PSSA Webinar Co-hosted by The Burlington Magazine
10/2022 | 1435 | 164
Pages: 1044-1045
related names
Reviewer:
Akinsha, Konstantin (Akinsha, Konstantin)
Subjects
sources:
Reviewed Items
subjects:
Toppling Statues: Papers from the 2020 PSSA Webinar Co-hosted by The Burlington Magazine Edited by Marjorie Trusted and Joanna Barnes. 160 pp. incl. numerous b. & w. ills. (Public Statues and Sculpture Association, Watford, 2021), £16. ISBN 978–1–83839–760–9. | :
Article
Edith Coulson James, Francesco Francia and ‘The Burlington Magazine’, 1911–17
01/2022 | 1426 | 164
Pages: 41-49
related names
Author:
Alambritis, Maria (Alambritis, Maria)
Subjects
art literature:
Illustrations
Attributed works:
1. Detail from a photograph of Edith E. Coulson James (far left) with her brother’s family. c.1927. Silver gelatin print, 10 by 7.5 cm. (Courtesy John Barnard).
Attributed works:
2. Pietà (lunette from the Buonvisi Altarpiece), by Francesco Francia. 1510–12. Oil on wood, 94 by 184.5 cm. (National Gallery, London).
Attributed works:
3. St John the Baptist, by Francesco Francia. (From THE BURLINGTON MAGAZINE 20 (1911), p.10, pl.1); photograph Edith E. Coulson James).
Attributed works:
4. Portrait of Francesco Francia, after the painter’s self-portrait, by Carlo Faucci after Francesco Francia. 1763. Etching and engraving, 44.1 by 26.5 cm. (British Museum, London).
Attributed works:
5. Portrait of a man with a ring, attributed by Edith E. Coulson James to Francesco Francia. c.1472–77. Oil on panel, 38.5 by 27.5 cm. (Museo Nacional Thyssen-Bornemisza, Madrid).
Attributed works:
6. St Sebastian, by Lorenzo Costa. 1480–85. Tempera on panel, 171.7 by 58.4 cm. (Gëmaldegalerie Alte Meister, Dresden).
Attributed works:
7. Portrait of Francesco Francia, by Domenico Santi. Mid-to-late 17th century. Engraving. (From the Connoisseur 65 (1923), p.88, pl.1).
Editorial
Nicholas Goodison and The Burlington Magazine
09/2021 | 1422 | 163
Pages: 779
Subjects
art literature:
collectors and dealers:
subjects:
Illustrations
Attributed works:
Nicholas Goodison at the Fitzwilliam Museum, Cambridge, in 2013, with items from the Goodison Gift of British contemporary crafts. (Photograph © Fitzwilliam Museum, Cambridge).
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