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Article

Influences in Post-Byzantine Icon Painting

09/1929 | 318 | 55

Pages: 115-117+120-121

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related names

Author:

Casson, Stanley (Casson, Stanley; Casson, S.)

Subjects

artists:

Damaskenos, Nicholas

artists:

Theophanes the Greek

artists:

Rublyov, Andrey

artists:

Poulakis, Theodoros

dates:

1450-1499

places:

Turkey / Russia / Greece

subjects:

Greek (modern) painting / Byzantine art / Influence

subjects:

Icons

subjects:

Christian iconography / Mary, Virgin / Mary, Virgin: Hodegetria

subjects:

Jesus Christ / Jesus Christ: Crucifixion

subjects:

Painted crosses

Illustrations

Non-western art unattributed:

Plate II. A-Christ Pantokiator. Seventeenth Century Icon of the Anatolian School (All in Private Possession). Influences in Post-Byzantine Icon Painting

Western art unattributed:

Plate I. A-Mosaic dome in Fetiyeh Djami (Constantinople); B-Head of a Bishop. Panel icon (Kaiser Friedrich Museum, Berlin); C-Brush holder of a Byzantine painter, from Egypt (Kaiser Friedrich Museum, Berlin); D-Russian icon of the Kieff school; early sixteenth century (M. Zolotrycki); E-Greek icon of the seventeenth century, in occidental style (Private possession). Influences in Post-Byzantine Icon Painting

Western art unattributed:

Plate II. B-Christ. Greek Icon in the Manner of Nicolas Damaskenos (All in Private Possession). Influences in Post-Byzantine Icon Painting

Western art unattributed:

Plate II. C-Virgin and Child. Greek Icon of the Seventeenth Century Island School (All in Private Possession). Influences in Post-Byzantine Icon Painting

Western art unattributed:

Plate II. D-Virgin and Child. Italo-Greek Icon of the Late Seventeenth Century (All in Private Possession). Influences in Post-Byzantine Icon Painting

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