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538 articles
Letter
A sleeping apostolado at Wentworth Woodhouse
05/2025 | 1466 | 167
Pages: 428-9
related names
Author:
Burchard, Wolfgang (Burchard, Wolfgang)
Author:
Drury, Martin (Drury, Martin)
Author:
Penny, Nicholas (Penny, Nicholas)
Author:
Petitgas, Amanda (Petitgas, Amanda)
Author:
Rosenberg, Pierre (Rosenberg, Pierre; R., P.)
Compiler:
Rowell, Christopher (Rowell, Christopher)
Subjects
artists:
Illustrations
Attributed works:
1. Wentworth Woodhouse from the east. (Courtesy Wentworth Woodhouse).
Attributed works:
2. Detail of St Andrew, by Gérard Seghers, showing test-cleaned area. 17th century. Oil on canvas. (Wentworth Woodhouse; photograph Martin Wyld).
Attributed works:
3. The chapel at Wentworth Woodhouse in 2025. (Photograph Martin Drury).
Article
Michelangelo’s Bruges Madonna: its patron, material and meaning
11/2024 | 1460 | 166
Pages: 1123–1139
related names
Author:
Nuttall, Paula (Nuttall, Paula)
Subjects
artists:
buildings:
dates:
Illustrations
Attributed works:
1. The Bruges Madonna in situ in the Chapel of the Holy Sacrament, Church of Our Lady, Bruges. (Photograph the author).
Attributed works:
10. Virgin and Child, by Benedetto da Maiano. Before 1497, completed 1575. Marble, height 140 cm. (Oratorio della Misericordia, Florence).
Attributed works:
11. Detail of the Barbadori Altarpiece, by Filippo Lippi. 1438. Tempera on panel. (Musée du Louvre, Paris).
Attributed works:
12. Detail of Fig.2. (Photograph the author).
Attributed works:
13. Virgin and Child, by Gentile da Fabriano. 1425. Fresco. (Orvieto Cathedral; photograph Jeff Cotton).
Attributed works:
14. Detail of Fig.13, showing left hands of the Virgin and Child. (Photograph Jeff Cotton).
Attributed works:
15. Detail of Fig.2, showing the hands of the Virgin and Child. (Photograph the author).
Attributed works:
16. Virgin and Child, by Tino da Camaino. 1320–21. Marble, height 78 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
18. Studies for the Apostles, Battle of Cascina, the Bruges Madonna and an architectural element, by Michelangelo. c.1503–04. Black chalk, dark brown ink, pen and lead point on paper, 27.3 by 26.2 cm. (Galleria degli Uffizi, Florence).
Attributed works:
19. Detail of Fig.18 (top right of sheet), showing a study for the Bruges Madonna.
Attributed works:
2. Madonna and Child (the Bruges Madonna), by Michelangelo. 1504–05. Marble, height 128 cm. (Church of Our Lady, Bruges; Bridgeman Images).
Attributed works:
20. Detail of Fig.18 (centre of sheet), showing a study for the Bruges Madonna.
Attributed works:
21. Detail of Fig.18 (top of left-hand edge), showing a study for the Bruges Madonna.
Attributed works:
22. Detail of Fig.18 (centre and bottom of left-hand edge), showing studies for the Bruges Madonna.
Attributed works:
23. Three studies of nude men and the Virgin and Child, by Michelangelo. c.1504–05. Black chalk, dark and light brown ink, pen and lead point on paper, 31.5 by 27.7 cm. (British Museum, London).
Attributed works:
24. Tomb of Pieter Moscron. 1829, with original sixteenth-century brass coats-of-arms. (Chapel of the Holy Sacrament, Church of Our Lady, Bruges; photograph Brit Vanraepenbusch).
Attributed works:
25. Detail of Fig.23, showing a study for the Bruges Madonna.
Attributed works:
26. Detail of Fig.1, showing the Moscron coat-of-arms, here attributed to Joost Aerts and Jan de Smet. c.1558–65. (Photograph the author).
Attributed works:
27. Detail of Fig.1, showing the 17th-century swag above the central niche. (Photograph the author).
Attributed works:
3. Margaret of York and Mary of Burgundy kneeling before a white statue of St Anne, fol.2v of the Register of the Guild of St Anne, by Circle of Vienna Master of Mary of Burgundy. c.1476. Gold and bodycolour on vellum, height 33 cm. (Royal Collection Trust; © Royal Collection Enterprises Limited, 2024; Bridgeman Images).
Attributed works:
4. White Virgin of Jean de Berry. French, c.1400. Marble, height 146 cm. (Bourges Cathedral; Alamy Stock Photo).
Attributed works:
5. Detail of a cast of the Bruges Madonna, showing the different treatment of the front and back of the base. 1871. Plaster. (Victoria and Albert Museum, London; photograph the author).
Attributed works:
6. Detail of Fig.2, showing the chisel marks on the base. (Photograph the author).
Attributed works:
7. Detail of Fig.2, seen from the left. (Photograph the author).
Attributed works:
8. Detail of Fig.2. (Photograph the author).
Attributed works:
9. Detail of Judith and Holofernes, by Donatello. c.1456. Bronze. (Palazzo Vecchio, Florence; Photo Scala, Florence).
Western art unattributed:
17. Our Lady of Leuven. Netherlandish, 13th century (reworked 1442). Polychromed and gilded wood and rock crystal, height 160 cm. (Church of St Peter, Leuven).
Article
No sorrow like unto my sorrow: Philip the Bold, the Great Cross at Champmol and the Battle of Nicopolis
10/2024 | 1459 | 166
Pages: 997–1027
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. David and Jeremiah on the Well of Moses (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone with traces of gilding and polychromy, height approx.5 m. from ground level. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
10. Detail of the Well of Moses, showing the scroll held by David. (Photograph the author).
Attributed works:
11. Detail of the Well of Moses, showing the scroll held by Jeremiah. (Photograph the author).
Attributed works:
12. Detail of the Well of Moses, showing the angel over the left shoulder of Jeremiah. (Photograph the author).
Attributed works:
13. Mourner from the tomb of Philip the Bold. Completed by 1411. Alabaster, height 41 cm. (Musée des Beaux-Arts, Dijon; photograph the author).
Attributed works:
14a–d. Details of the Well of Moses showing the scrolls held by (a) Zechariah, (b) Isaiah, (c) Daniel and (d) Moses. (Photographs the author).
Attributed works:
15. Crucifixion, fol.17 of the Biblia Pauperum. Northern Netherlands, c.1395–1400. Illumination on parchment. (British Library, London, Kings MS 5; Alamy Stock Photo).
Attributed works:
16. Ring with a portrait of John the Fearless. Paris, c.1410. Gold, agate(?), jet, emerald and ruby, 2.3 by 1.5 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; Jean-Gilles Berizzi).
Attributed works:
17. Detail of the Well of Moses, showing the angel between Daniel and Isaiah.
Attributed works:
19. Jeremiah and Peter, fol.2r of the Petites Heures of Jean de Berry. Paris, c.1375–90. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Lat.18014; photograph BnF).
Attributed works:
2. Daniel and Isaiah on the Well of Moses (base of the Great Cross). (Photograph the author).
Attributed works:
20. Prophet Micah, fol.29v of the Psalter of Jean de Berry by André Beauneveu. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.13091; photograph BnF).
Attributed works:
22a–c. Details of the Well of Moses, showing (a) David’s robe and tassels; (b) Daniel’s sleeves, robe and belt; and (c) Isaiah’s bag, belt and robe. (Photographs the author).
Attributed works:
23 a–c. Details of the Well of Moses, showing (a) Daniel, (b) Isaiah and (c) Jeremiah’s shoes. (Photograph the author).
Attributed works:
24. Detail of the Well of Moses, showing the pocket and hem on David’s robe. (Photograph the author).
Attributed works:
25. Detail of the Well of Moses, showing the pattern of Isaiah’s robe. (Photograph the author).
Attributed works:
27. Detail of the Well of Moses, showing the pseudo-Arabic script on edge of Jeremiah’s robe. (Photograph the author).
Attributed works:
28. Virgin and Child with Butterflies, attributed to Jean Malouel. c.1410. Oil on cloth, 107.5 by 80.9 cm. (Gemäldegalerie, Berlin).
Attributed works:
29. Portal of Chartreuse de Champmol, by Claus Sluter and workshop. 1389–98. Asnières stone. (Chartreuse de Champmol, Dijon).
Attributed works:
3. Reconstruction of two views of the Great Cross. (Drawings by Matilde Grimaldi; © the author).
Attributed works:
30. Detail of Fig.29, showing prophets on corbels below St John the Baptist.
Attributed works:
31. Detail of Fig.29, showing prophets on corbels below St Catherine.
Attributed works:
32 a–c. Details of the Well of Moses, showing the ermine on the robes of (a) David, (b) Jeremiah and (c) Zechariah. (Photograph the author).
Attributed works:
33. Trinity with the last communion and martyrdom of St Denis, by Jean Malouel and Henry Bellechose. Begun 1398, completed 1416. Oil on panel transferred to canvas, 162 by 211 cm. (Musée du Louvre, Paris; photograph RMN-Louvre; Tony Querrec).
Attributed works:
34. The crosses or ‘Montjoies’ of St Denis. French, 17th century. Ink on paper. (BnF Cabinet d’Estamps, Paris, Est. coll. Lallement de Betz, Vx 16 fol.115).
Attributed works:
35. Fol.64 of the Grandes Heures of Philip the Bold. 1370s. (Bibliothèque Royale de Belgique, Brussels, MS 11035–37).
Attributed works:
36. Fols.226v–227r of the Grandes Heures of Philip the Bold. 1370s. (Fitzwilliam Museum, Cambridge, MS 3-1954).
Attributed works:
37. Detail of the Well of Moses, showing the text in Jeremiah’s open book. (Photograph the author).
Attributed works:
38. Detail of the Well of Moses, showing the sunburst motif in tin relief moulding behind the angel between David and Moses. (Photograph the author).
Attributed works:
39. Detail of the Well of Moses, showing the remains of painted sunbursts around circular coats of arms on the pillar. (Photograph the author)
Attributed works:
4. View of the Chartreuse de Champmol, by Aimé Piron. 1686. (Portfueille de la Chartreuse; Bibliotheque Municipale, Dijon).
Attributed works:
40. The Well of Moses, by Emile Sagot. 1839. Engraving, 42 by 36 cm. (BnF Cabinet d’Estamps, Paris, Est.H 117 558 Va21 topographie).
Attributed works:
41. Oak, hawthorn and hops forming the vault in tower of Jean sans Peur, Hôtel d’Artois, Paris. 1408–11. (Photograph the author).
Attributed works:
42. Detail of the Well of Moses, showing the thistle on the corbel below Jeremiah. (Photograph the author).
Attributed works:
43. Votive reliquary of Charles the Bold, by Gerard Loyet. 1467–71. Gold and enamel, 53 by 32 by 17.5 cm. (Cathedral Treasury, Liège).
Attributed works:
44. Detail of the Well of Moses, showing showing the span of the well; the original viewing distance would be outside the brick walls. (Photograph the author).
Attributed works:
5. View of building constructed in 1638 around the Well of Moses. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
6. Massacre of the prisoners after the battle of Nicopolis, fol.607v of Chroniques de Froissart, Bruges, c.1460. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.2646).
Attributed works:
7. Payment of the ransom to Bayezid, fol.267v of the Passages oultremer de Sébastien Mamerot by Jean Colombe. c.1474–75. Illumination on parchment. (Bibliothèque nationale de France, Paris, S Fr.5594).
Attributed works:
8. Detail of the Well of Moses, showing the book and scroll held by Jeremiah. (Photograph the author).
Attributed works:
9. Pietà, by Enguerrand Quarton. c.1450. Oil on panel, 163 by 219 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; René-Gabriel Ojeda).
Western art unattributed:
18. Tile showing sheep sheltering under a tree. Burgundian, c.1385–90. Glazed terracotta with engobe decoration, 13 by 13 cm. (Germolles Chateau; photograph the author).
Western art unattributed:
21. Detail of the Calvary of Philip the Bold showing Christ at the column with prophets. Paris, 1403. Gold, enamel and precious stones. (Cathedral Treasury, Esztergom; photograph Attila Mudrák).
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
related names
Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
dates:
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
Book Review
The Mosaics of Roger II in Sicily: Visualising sacred authority
02/2024 | 1451 | 166
Pages: 210–211
related names
Reviewer:
James, Liz (James, Liz)
Subjects
places:
Reviewed Items
subjects:
The Mosaics of Roger II in Sicily: Visualising sacred authority by Beat Brenk. 179 pp. incl. 159 col. + 14 b. & w. ills. (Reichert Verlag, Wiesbaden, 2022), €98. ISBN 978–3–7520–0019–1. | :
Illustrations
Attributed works:
3. Mosaic decoration of the presbytery, Cefalù Cathedral. (Photograph Beat Brenk).
Article
Avignon as 'nova Roma'
01/2024 | 1450 | 166
Pages: 5–15
related names
Author:
Bolgia, Claudia (Bolgia, Claudia)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Chamber of the Stag, Papal Palace, Avignon. 1343. (Photograph Domenico Ventura).
Attributed works:
11. Detail of the Stefaneschi polyptych, showing the Crucifixion of St Peter, by Giotto. c.1320. Tempera on panel. (Pinacoteca Vaticana, Vatican City; Bridgeman Images).
Attributed works:
13. Crucifixion of St Peter, copy of a detail in the lost fresco cycle in the atrium of Old St Peter’s, Rome (Biblioteca Apostolica Vaticana, MS A64ter (Grimaldi Album), fol. 39).
Attributed works:
14. Duke Stephen in Rome, imploring St Peter to absolve his sins, by Matteo Giovannetti. 1344–45. Fresco. (Scene M, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
15. Detail of Fig.14, showing Stephen, Duke of south-west France, receiving absolution from St Peter.
Attributed works:
16. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Ventura).
Attributed works:
17. Alpinianus cures the sick by imposing on them the sudarium of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Scene U, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
18. Detail of Fig.17, showing the imposition of the sudarium.
Attributed works:
2. Detail of the ceiling of the Chamber of the Stag, showing the she-wolf with her twins and the hen with her chicks. 1343. (Papal Palace, Avignon; photograph Fabrice Lepeltier).
Attributed works:
4. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Attributed works:
5. Ground plan of the Papal Palace, Avignon.
Attributed works:
6. Christ ordering St Peter to send St Martial to preach in Gaul and St Peter communicating Christ’s will to Martial and his disciples, by Matteo Giovannetti. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
7. Martial receives the staff from St Peter and Resurrection of Austriclianus, by Matteo Giovannetti. 1344–45. Fresco. (Scene C, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
8. Chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Ventura).
Attributed works:
9. Christ showing to St Martial in a vision the martyrdom of St Peter and St Paul in Rome, by Matteo Giovannetti. 1344–45. Fresco. (Scene P, lunette, west wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Western art unattributed:
10. Crucifixion of St Peter. c.1277–80. Fresco. (Sancta Sanctorum, Rome).
Western art unattributed:
12. Rooster. Italian, 9th–12th century. Gilded bronze. (Museo Storico- Artistico del Tesoro di S. Pietro, Vatican City).
Western art unattributed:
3. Stone relief of the she-wolf with her twins, Maria Saal Cathedral. (Wikimedia Commons).
Article
Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville
12/2023 | 1449 | 165
Pages: 1290–1299
related names
Author:
Prieto Navarrete, Benito (Prieto Navarrete, Benito)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29. Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco. 1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120 cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29. Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross (Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628– 29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Exhibition Review
The Lost Mirror: Jews and Conversos in Medieval Spain
12/2023 | 1449 | 165
Pages: 1345–1348
related names
Reviewer:
Castano Martinez, Mireia (Castano Martinez, Mireia)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
The Lost Mirror: Jews and Conversos in Medieval Spain Museo Nacional del Prado, Madrid 10th October 2023– 14th January 2024 | :
Illustrations
Attributed works:
13. Detail of the Altarpiece of the Eucharist, by Llorenç Saragossà (?). c.1370–80. Tempera on panel, 255 by 234 cm. (Church of the Nativity of the Virgin, Villahermosa del Río, Castellón; exh. Museo Nacional del Prado, Madrid).
Attributed works:
14. The desecrated image of the Virgin (Cantiga 34) from the Cantigas de Santa María. 1270–80. Illuminated parchment, 49 by 32.6 cm. (Real Biblioteca del Monasterio de El Escorial, MS T-I-1, fol.50r; exh. Museo Nacional del Prado, Madrid).
Attributed works:
15. Domingo de Guzmán presiding over an autoda- fé, by Pedro Berruguete. c.1491–99. Oil on panel, 154 by 92 cm. (Museo Nacional del Prado, Madrid).
Article
A medallion of Abbess Jacqueline de Lalaing of Flines
11/2023 | 1448 | 165
Pages: 1173-1181
related names
Author:
Carter, Michael (Carter, Michael)
Author:
Koopstra, Anna (Koopstra, Anna)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. St Peter encountering Christ leaving the gates of Rome (Domine, quo vadis?), attributed to Martin Bellegambe. 1539. Oil on panel, 48 by 33.3 cm. (Musée de la Chartreuse, Douai).
Attributed works:
11. Annunciation triptych (closed), by Jean Bellegambe. c.1525. Oil on panel, each panel 103 by 33 cm. (State Hermitage Museum, St Petersburg; Photo Scala, Florence).
Attributed works:
12. Le Cellier altarpiece (closed), by Jean Bellegambe. c.1510. Oil on panel, each panel 101.6 by 61 cm. (Metropolitan Museum of Art, New York).
Attributed works:
13. Monstrance, by Jehan De Raisse. Mid-sixteenth century. Silver, 30.5 by 19 cm. (Musée de la Chartreuse, Douai).
Attributed works:
5. Le Cellier altarpiece (open), by Jean Bellegambe. c.1510. Oil on panel, central panel 101.6 by 61 cm.; left wing 95.9 by 25.4 cm.; right wing 95.3 by 24.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Reverse of the right side of a diptych with the Virgin and Child and the donor Willem van Bibaut, attributed to the Master of the Magdalen Legend. 1523. Oil on panel, exterior panel 30.4 by 20.7 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Wounds of Christ, by Hans Weiditz. 1520. Woodcut on paper, 7 by 6 cm. (From T. à Kempis: Gebet und betrachtungen des lebens des mitlers gotes Jesu Christi, Augsburg 1520, the German edition of Devotissimae Meditationes; British Museum, London).
Western art unattributed:
1 Devotional medallion depicting Jacqueline de Lalaing, abbess of Flines. 1536. Silver, diameter 5.5 cm. (Private collection).
Western art unattributed:
2. The reverse of the medallion illustrated in Fig.1, showing the Wounds of Christ, the abbess’s name and the date 1536.
Western art unattributed:
3. The reverse of the medallion illustrated in Fig.1.
Western art unattributed:
4. The medallion illustrated in Fig.1.
Western art unattributed:
8 Education of the Virgin, from the breviary of Jacqueline de Lalaing. c.1532. Tempera, colour and ink on parchment, 17 by 10.8 cm. (Current location unknown).
Western art unattributed:
9. Lamentation with Sts Hubert and Blaise. 1535. Embroidered antependium, 94.3 by 200.6 cm. (Musée des Beaux-Arts, Lille; photograph RMN-Grand Palais (PBA, Lille); photograph Hervé Lewandowski).
Book Review
Inventing Late Antique Reliquaries: Reception, Material History, and Dynamics of Interaction (4th–6th centuries CE)
09/2023 | 1446 | 165
Pages: 1033-35
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
places:
subjects:
Reviewed Items
subjects:
Inventing Late Antique Reliquaries: Reception, Material History, and Dynamics of Interaction (4th–6th centuries CE) By Adrien Palladino. 312 pp. incl. 18 col. + 88 b. & w. ills. (Viella, Rome, and Masaryk University Press, Brno, 2022), €48. ISBN 978–88–331–3867–1. | :
Illustrations
Western art unattributed:
2. The lid of the S. Nazaro casket, showing the Christogram. Milan, before AD 386. Silver, 20.5 by 20.5 cm. (Museo del Duomo, Milan).
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