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359 articles
Book Review
Iconophilia: Politics, Religion, Preaching, and the Use of Images in Rome, c.680–880
01/2022 | 1426 | 164
Pages: 84-85
related names
Reviewer:
Hamburger, Jeffrey (Hamburger, Jeffrey)
Subjects
places:
Reviewed Items
subjects:
Iconophilia: Politics, Religion, Preaching, and the Use of Images in Rome, c.680–880 By Francesca Dell’Acqua. 444 pp. incl. 32 col. + 103 b. & w. ills. (Routledge, London and New York, 2020), £130. ISBN 978–0–415–79372–8. | :
Illustrations
Western art unattributed:
2. Theotokos and Pope Paschal I, detail from the apse, S. Maria in Domnica, Rome. 818–19. Mosaic. (Photograph Francesca Dell’Acqua).
Book Review
Venice Illuminated: Power and Painting in Renaissance Manuscripts. By Helena Katalin Szépe
02/2019 | 1391 | 161
Pages: 168-169
related names
Reviewer:
Humfrey, Peter (Humfrey, Peter)
Subjects
dates:
places:
Illustrations
Western art unattributed:
4. Girolamo Zane as Procurator and as Captain General of the Sea. 1568. Vellum, 29.5 by 21 cm. (British Library, London; King’s MS 156 fols.11v–12v).
Article
The medieval glazing of Westminster Abbey: new discoveries
01/2019 | 1390 | 161
Pages: 9-17
related names
Author:
Marks, Richard (Marks, Richard)
Subjects
places:
Illustrations
Attributed works:
1. Sorting the stained glass fragments in The Cathedral Studios, Canterbury. (© The Dean and Chapter of Westminster).
Attributed works:
2. The fragments displayed in The Queen’s Diamond Jubilee Galleries, Westminster Abbey. (© The Dean and Chapter of Westminster).
Western art unattributed:
10. Fragment of initial ‘I’. c.1246–90. Yellow stained glass, 9 by 5.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
11. Fragment of initial ‘I’. c.1246–90. Grisaille glass, 8.5 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
12. Fragment of grisaille glass, c.1246–90. Stained glass, 5.2 by 9.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
13. Fragment of grisaille glass. c.1246–90. Stained glass, 5.5 by 9.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
14. Example of borderwork, leaf. c.1260–90. Stained glass, 10 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
15. Example of borderwork, leaf. c.1260–90. Stained glass, 8.5 by 4.8 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
16. Quarry with rosette design. c.1246–90. Stained glass, 11.2 by 6.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
17. Panel of grisaille glass. c.1246–90. Stained glass, 734 by 610 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
18. Fragment of background decoration. c.1330–50. Stained glass, 9.3 by 7 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
19. Fragment of garment and neck. c.1330–50. Stained glass, 8 by 8.3 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
20. Head of a prophet from the west window of Canterbury Cathedral. c.1396–1411. Stained glass, approx. 2.2 by 16 cm. (© The Cathedral Studios, Canterbury Cathedral).
Western art unattributed:
21. Fragment of a male head. c.1400. Stained glass, 6.5 by 7.7 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
22. Head of the Virgin. c.1430–50. Stained glass, 9 by 11.2 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
23. Fragment from a Pentecost scene. Late fifteenth century. Stained glass, 5.8 by 9.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
24. Fragment of a scene depicting the Temptation of St Anthony of Egypt. Late fifteenth to early sixteenth century. Stained glass, 6 by 14.2 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
25. Fragments of a figure of an angel. Fifteenth century. Stained glass, 13.8 by 10.4 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
26. Angel. Fifteenth century. Stained glass, 48 by 23.6 cm. (St Mary the Virgin, Martham, Norfolk; © Chris Parkinson).
Western art unattributed:
27. Panel from a window depicting the Nine Orders of Angels. Fifteenth century. Stained glass, 80 by 56 cm. (All Saints, North Street, York; © York Glaziers Trust).
Western art unattributed:
3. Tonsured head. c.1246–90. Stained glass, 5.5 by 4.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
4. Fragment of garment. c.1246–90. Stained glass, 7.7 by 7.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. Fragment of garment. c.1246–90. Stained glass, 5.5 by 6 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Descent of the Holy Spirit. c.1246–90. Stained glass, 62.9 by 49.9 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
7. The head of a lion from a shield of the royal arms of England. c.1246–90. Stained glass, 9.8 by 5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
8. Winged beast (with tail). c.1246–90. Stained glass, 8.8 by 11.5 cm. (© The Dean and Chapter of Westminster).
Western art unattributed:
9. Winged beast. c.1246–90. Stained glass, 9.3 by 8.3 cm. (© The Dean and Chapter of Westminster).
Book Review
Worlds Within: Opening the Medieval Shrine Madonna, E. Gertsman
03/2016 | 1356 | 158
Pages: 205-206
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
dates:
Illustrations
Western art unattributed:
53. Shrine Madonna. Lower Rhenish (probably Cologne), c.1300 (Metropolitan Museum of Art, New York)
Article
Barocci’s cartoon for the ‘Madonna del popolo'
03/2015 | 1344 | 157
Pages: 161-168
related names
Author:
Bambach, Carmen C. (Bambach, Carmen C.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Cartoon for the upper-left quadrant of the Madonna del popolo, by Federico Barocci (Private collection, United States; photograph: Tim Nighswander/IMAGING4ART))
Attributed works:
11. Madonna del popolo, by Federico Barocci (Galleria degli Uffizi, Florence)
Attributed works:
12. Detail in ultraviolet light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
13. Detail of Fig.10
Attributed works:
14. Structural assembly of the sheets of paper in Barocci's cartoon (Fig.10), by Ronald E. Street
Attributed works:
15. Detail of Fig.10
Attributed works:
16. Detail of Fig.10
Attributed works:
17. Detail in raking light of Fig.10 (Photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
18. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
19. Study of a boy for the angel in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
20. Studies of arms of an infant for the flying putto at the upper left in the Madonna del Popolo, by Federico Barocci (Gabinetto Disegni e Stampe degli Uffizi, Florence)
Attributed works:
21. Modello for the Madonna del popolo, by Federico Barocci (Collection of Ann Searle Bent, Chicago)
Attributed works:
22. Studies of infants for the flying putti at the upper left and upper right in the Madonna del Popolo, by Federico Barocci (Private collection, United States; photograph by Tim Nighswander/IMAGING4ART)
Attributed works:
23. Studies of infants for the flying putti at the upper left in the Madonna del Popolo, by Federico Barocci. Verso of Fig.22
Article
Rethinking ‘the oldest surviving amber in the West’
11/2013 | 1328 | 155
Pages: 756-762
related names
Author:
King, Rachel (King, Rachel)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
12. Der goldener Tafel, illustration in M.S. Hosmann: Fürtreffliches Denck-Mahl, Leipzig 1700
Western art unattributed:
11. Enthroned Virgin. Prussia, c.1400. Amber (Kestner Museum, Hannover)
Western art unattributed:
13. Nativity. Possibly Königsberg or Marienburg. c.1400. Amber (Kunsthistorisches Museum, Sammlungen Schloss Ambras, Vienna/Innsbruck)
Western art unattributed:
14. Chandelier with St Catherine. Possibly Königsberg or Marienburg, c.1400 (Mestké Muzéum, Bratislava)
Western art unattributed:
15. Front and back of mounted Vera icon. Bruges or Königsberg, 1380-1400 (Bayerisches nationalmuseum, Munich)
Western art unattributed:
16. Mounted Vera icon. Bruges or Königsberg, 1380-1400 (Wallace Collection, London)
Western art unattributed:
17. Vera icon. Bruges or Königsberg, 1380-1400. Amber (Metropolitan Museum of Art, New York)
Book Review
Glaube und Macht. Die mittelalterliche Bildsymbolik der trinitarischen Marienkrönung
08/2010 | 1289 | 152
Pages: 547-548
related names
Reviewer:
Kauffmann, C. M. (Kauffmann, C. M.; K., C. M.)
Subjects
dates:
print:
Reviewed Items
subjects:
Glaube und Macht. Die mittelalterliche Bildsymbolik der trinitarischen Marienkrönung | author: Flor, Ingrid
Article
A rediscovered prototype by Quinten Metsys: ‘Christ blessing with the Virgin in adoration’
02/2010 | 1283 | 152
Pages: 76-81
related names
Author:
Platt, Hugo (Platt, Hugo)
Author:
Stainer-Hutchins, Kiffy (Stainer-Hutchins, Kiffy)
Author:
Watney, Simon (Watney, Simon)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Christ blessing, here attributed to Quinten Metsys. c.1491–1505. Panel, 37.6 by 30.4 cm. (Holy Trinity Church, Bradford-on-Avon, Wiltshire).
Attributed works:
10. Christ, by the workshop of Quinten Metsys. c.1510–25. Panel, 60.2 by 34.6 cm. (National Gallery, London).
Attributed works:
11. Virgin, by the workshop of Quinten Metsys. c.1510–25. Panel, 60.3 by 34.7 cm. (National Gallery, London).
Attributed works:
2. The Virgin in adoration, by Quinten Metsys. c.1491–1505. Panel, 34.7 by 26.5 cm. (Trustees of the Rt. Hon. Olive, Countess Fitzwilliam’s Chattels Settlement; Lady Juliet Tadgell).
Attributed works:
3. Reconstruction of the original state of Figs.1 and 2.
Attributed works:
4. Detail of Fig.1.
Attributed works:
5. Detail of Fig.1.
Attributed works:
6. Detail of Fig.2.
Attributed works:
7. Detail of Fig.2.
Attributed works:
8. Virgin at prayer, by Quinten Metsys and workshop. c.1505. Panel, 40.9 by 30.6 cm. (Koninklijk Mus­eum voor Schone Kunsten, Antwerp).
Attributed works:
9. Christ as saviour, by Quinten Metsys and workshop. c.1505. Panel, 40.9 by 30.8 cm. (Koninklijk Mus­eum voor Schone Kunsten, Antwerp).
Publication Received
Icons and Power. The Mother of God in Byzantium
11/2008 | 1268 | 150
Pages: 777-778
related names
Reviewer:
Brisby, Claire (Brisby, Claire)
Subjects
dates:
museums and institutions:
print:
Reviewed Items
subjects:
Icons and Power. The Mother of God in Byzantium | author: Pentcheva, Bissera V.
Publication Received
A Gothic Sermon. Making a Contract with the Mother of God, Saint Mary of Amiens.
08/2005 | 1229 | 147
Pages: 565
related names
Reviewer:
Coldstream, Nicola (Coldstream, Nicola; C., N.)
Subjects
dates:
Reviewed Items
subjects:
A Gothic Sermon. Making a Contract with the Mother of God, Saint Mary of Amiens. | author: Murray, Stephen
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