Drawing the Italian Renaissance
The King’s Gallery, Buckingham
Palace, London
1st November 2024–9th March 2025 |
:
subjects:
Italian Renaissance Drawings
from Museum Boijmans Van
Beuningen
Fondation Custodia – Collection
Frits Lugt, Paris
12th October 2024–12th January 2025 |
:
Illustrations
Attributed works:
1. Study for the
head of a young
saint, attributed
to Lorenzo di
Credi or Agnolo
di Donnino
del Mazziere.
c.1480–1500.
Metalpoint on
paper, 17.1
by 14.2 cm.
(Museum
Boijmans Van
Beuningen,
Rotterdam;
exh. Fondation
Custodia, Paris).
Attributed works:
2. Study for a
Virgin with the
Christ Child and
the infant St John
the Baptist, by
Fra Bartolommeo
(Baccio della
Porta), c.1515.
Red and black
chalk on paper,
27.4 by 20.5 cm.
(Museum Boijmans
Van Beuningen,
Rotterdam;
exh. Fondation
Custodia, Paris).
Attributed works:
3. Installation
view of Drawing
the Italian
Renaissance at
the King’s Gallery,
London, 2024–25,
showing the Nash
Gallery.
Book Review
Statues and Busts (The Paper Museum
of Cassiano dal Pozzo, Series A:
Antiquities and Architecture, Part 4)
Statues and Busts (The Paper Museum
of Cassiano dal Pozzo, Series A:
Antiquities and Architecture, Part 4)
By Amanda Claridge and Eloisa Dodero.
448 pp. incl. 268 col. + 60 b. & w. ills. (Brepols,
Turnhout, 2023), €115. ISBN 978–1–912554–57–7. |
:
Illustrations
Attributed works:
5. Left hand wearing a ‘caestus’ and holding
weights, by Vincenzo Leonardi. Pen, dark
brown ink and greyish-brown wash over
black chalk on paper, 39.7 by 29.3 cm.
(Royal Library, Windsor).
Michelangelo, Leonardo,
Raphael: Florence, c.1504
Royal Academy of Arts, London
9th November 2024–16th February
2025 |
:
Illustrations
Attributed works:
13. Virgin and
Child with St Anne
and the infant St
John the Baptist
(Burlington
House cartoon),
by Leonardo da
Vinci. Here dated
to c.1506–08.
Charcoal with
black and white
chalk on 8 sheets
of paper, mounted
on canvas, 141.5
by 104.6 cm.
(National Gallery,
London; exh. Royal
Academy of Arts,
London).
Attributed works:
14. Virgin and
Child with the
infant St John
the Baptist
(Taddei tondo),
by Michelangelo
Buonarroti.
c.1504–05.
Marble, diameter
106.8 cm. (Royal
Academy of Arts,
London).
Attributed works:
15. Studies
for the Virgin
and Child,
by Raphael.
c.1506–07. Pen
and brown ink
over red chalk,
25.3 by 18.3 cm.
(British Museum,
London; exh.
Royal Academy
of Arts, London).
Exhibition Review
Federico Barocci Urbino: L’emozione della pittura moderna
Federico Barocci Urbino:
L’emozione della pittura moderna
Palazzo Ducale, Urbino
20th June–6th October |
:
Illustrations
Attributed works:
14. Deposition,
by Federico
Barocci. 1567–69.
Oil on canvas,
412 by 232 cm.
(Cathedral of
Perugia; exh.
Palazzo Ducale,
Urbino).
Attributed works:
15. Presentation
of the Virgin to
the Temple, by
Federico Barocci.
1593–1603. Oil on
canvas, 381 by
284 cm. (S. Maria
in Vallicella, Rome;
exh. Palazzo
Ducale, Urbino).
Attributed works:
16. Study of a
cat, by Federico
Barocci. c.1582–
84. Red and black
chalk on paper,
11.5 by 14.6 cm.
(Gallerie degli
Uffizi, Florence;
exh. Palazzo
Ducale, Urbino).
Book Review
Sublime Ideas: Drawings by Giovanni Battista Piranesi
Sublime Ideas: Drawings by
Giovanni Battista Piranesi
By John Marciari. 224 pp. incl. 207 col.
ills. (Morgan Library & Museum, New
York, and Paul Holberton Publishing,
London, 2023), £40. ISBN 978–1–
913645–38–0. |
:
Illustrations
Attributed works:
4. Church
interior with
tombs, urns and
a freestanding
monument, by
Giovanni Battista
Piranesi. c.1742–
43, with later
reworking. Pen,
brown ink, brown
and grey wash
and black and red
chalk on paper.
18.7 by 24.6 cm.
(Morgan Library
& Museum,
New York).
Attributed works:
5. Study of one
of the Newdigate
candelabra,
workshop of
Giovanni Battista
Piranesi. c.1774–75.
Black and red chalk
with pen and brown
ink, 77.7 by 56.2
cm. (Staatliche
Kunsthalle,
Karlsruhe).
Attributed works:
6. Ruins of
Pozzuoli, by
Giovanni Battista
Piranesi and
Benedetto Mori
(?). c.1776–77.
Pen, brown ink
and black chalk
on paper, 49.1
by 76.2 cm.
(Morgan Library
& Museum, New
York).
Exhibition Review
L’Autoritratto di Leonardo: Storia e contemporaneità di un capolavoro
L’Autoritratto di Leonardo:
Storia e contemporaneità di
un capolavoro
Biblioteca Reale, Turin
28th March–30th June
Galleria Sabauda, Turin
28th March–28 July |
:
Illustrations
Attributed works:
10. Bearded old
man, by Leonardo
da Vinci.
c.1491–95. Red
chalk on paper,
33.3 by 21.3 cm.
(Biblioteca Reale,
Turin).
The Architectural Drawings of Antonio
da Sangallo and His Circle (Vol.III:
Antiquity and Theory)
Edited by Christoph Luitpold Frommel and
Georg Schelbert. 2 vols, 584 pp. incl. 526 b. & w.
ills. (Harvey Miller Publishers, London, 2022),
£210. ISBN 978–1–912554–39–3. |
:
Illustrations
Attributed works:
1. Plan of the Colosseum, by Antonio da
Sangallo the Younger. c.1505 or after 1513.
Pen on parchment, 18.7 by 22.7 cm.
(Gallerie degli Uffizi, Florence).
Book Review
I disegni di Antonio e Piero del Pollaiolo (Corpus der italienischen Zeichnungen 1300–1550, I, Toscana, 16)
I disegni di Antonio e Piero del Pollaiolo
(Corpus der italienischen Zeichnungen
1300–1550, I, Toscana, 16)
By Lorenza Melli. 455 pp. incl. 728 col. ills.
(Michael Imhof Verlag, Petersberg, 2023),
€99. ISBN 978–3–7319–1237–8. |
:
Illustrations
Attributed works:
1. Studies of horsemen and foot soldiers
for the ‘Martyrdom of St. Sebastian’, by
Antonio and Piero del Pollaiuolo. c.1470–75.
Pen and brown ink and wash with traces of
black chalk on brown tinted paper, 16.4 by
28.6 cm. (Gallerie degli Uffizi, Florence).
Attributed works:
2. Blind Cupid, detail of central fragment
from a larger sheet, by Antonio del Pollaiuolo.
c.1460–65. Pen and brown ink with wash
and traces of black chalk on paper, 14.8
by 4.2 cm. (Gallerie degli Uffizi, Florence)
Book Review
Magie kresby: Italská kresba
vrcholné renesance a manýrismu
v ceských a moravských verejných
sbírkách / The Magic of Drawing:
Italian Drawing of the High
Renaissance and Mannerism
from Bohemian and Moravian
Public Collections
Magie kresby: Italská kresba
vrcholné renesance a manýrismu
v ceských a moravských verejných
sbírkách / The Magic of Drawing:
Italian Drawing of the High
Renaissance and Mannerism
from Bohemian and Moravian
Public Collections
By Zdenek Kazlepka and Martin
Zlatohlávek. 346 pp. incl. 119 col. + b.
& w. ills. (Katoliká teologická fakulta,
Univerzity Karlova and Muzeum
umení, Olomouc 2023), €71.
ISBN 978–80–87922–35–4. |
:
Illustrations
Attributed works:
10. Two male
figures in
antique cloaks,
by Giovanni
Bellini. 1506–
08. Brush,
white and black
tempera, with
brown pen wash,
40 by 24 cm.
(Archdiocesan
Museum,
Kromeríž).
Attributed works:
11. Study for St
Peter visiting
St Agatha in
prison, by Giulio
Campi. 1537. Pen
in brown, 14 by
10 cm. (National
Gallery, Prague).
Attributed works:
9. Jupiter and
Juno, by Giulio
Romano. 1530–
32. Pen in brown,
wash, heightened
with white,
over traces of
black chalk,
44 by 57 cm.
(Archdiocesan
Museum,
Kromeríž).
Botticelli Drawings
Legion of Honor, San Francisco
19th November 2023–11th February
2024 |
:
Illustrations
Attributed works:
11. Study for
a portrait of
a woman, by
Botticelli. c.1480.
Metalpoint
heightened with
white, 34 by 23
cm. (Ashmolean
Museum, Oxford;
exh. Legion
of Honor, San
Francisco).
Attributed works:
12. Study for a
standing man or
St Sebastian, by
Botticelli. c.1473.
Metalpoint
heightened with
white, 18.4 by 9.3
cm. (Musée du
Louvre, Paris;
exh. Legion
of Honor, San
Francisco).
Attributed works:
13. Head of a
youth looking
up, by Botticelli.
c.1465–68.
Metalpoint
heightened with
white, 16.7 by 13.5
cm. (Kupferstichkabinett,
Dresden; exh.
Legion of Honor,
San Francisco).