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43 articles
Exhibition Review
Drawing the Italian Renaissance Italian Renaissance Drawings from Museum Boijmans Van Beuningen
03/2025 | 1464 | 167
Pages: 266–8
related names
Reviewer:
Whistler, Catherine (Whistler, Catherine; Whistler, Caroline)
Subjects
dates:
Reviewed Items
subjects:
Drawing the Italian Renaissance The King’s Gallery, Buckingham Palace, London 1st November 2024–9th March 2025 | :
subjects:
Italian Renaissance Drawings from Museum Boijmans Van Beuningen Fondation Custodia – Collection Frits Lugt, Paris 12th October 2024–12th January 2025 | :
Illustrations
Attributed works:
1. Study for the head of a young saint, attributed to Lorenzo di Credi or Agnolo di Donnino del Mazziere. c.1480–1500. Metalpoint on paper, 17.1 by 14.2 cm. (Museum Boijmans Van Beuningen, Rotterdam; exh. Fondation Custodia, Paris).
Attributed works:
2. Study for a Virgin with the Christ Child and the infant St John the Baptist, by Fra Bartolommeo (Baccio della Porta), c.1515. Red and black chalk on paper, 27.4 by 20.5 cm. (Museum Boijmans Van Beuningen, Rotterdam; exh. Fondation Custodia, Paris).
Attributed works:
3. Installation view of Drawing the Italian Renaissance at the King’s Gallery, London, 2024–25, showing the Nash Gallery.
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09/2024 | 1458 | 166
Pages: i-xv
Subjects
Illustrations
Attributed works:
An important Italian demilune commode by Henry Thomas Peters (Windsor 1792-Genoa 1852) after a design by Carl Randoni (Turin 1755-1831) for the Royal Genoese Palace in 1821. Its twin is in Attingham Park, Shropshire. [Burzio/BIAF]
Attributed works:
Antonio de Medici, by Alessandro Allori (1535–1607). Early 1590s. Oil on panel, 107.3 by 86.4 cm. [DICKINSON, LONDON/BIAF]
Attributed works:
DAVID DES GRANGES (1611–1672) Portrait miniature of Charles II (1630–85), as King of Scotland; 1651 Watercolour on vellum Set into the original gold locket, enamelled with designs on base and lid, the lid set with diamonds Oval, 41mm (1 5⁄8in) high [The Limner Company]
Attributed works:
Figure studies, by Henry Moore (1898–1986). c.1948. Watercolour, ink, wash and wax resist, 28 by 21.5 cm. [CHRISTOPHER KINGZETT, LONDON/British Art Fair]
Attributed works:
GIACOMO CERUTI (1698–1767) A Lady in Costume (possibly Mary, Queen of Scots), mid-18th century Recently acquired by the Pinacoteca di Brera, Milan [Robilant + Voena]
Attributed works:
Head of the Bishop Andrea de’ Mozzi, attributed to a collaborator of Arnolfo di Cambio (c.1245–1302). c.1296–c.1300. Serena Pietra with traces of polychrome, height 39 cm. [BOTTICELLI ANTICHITÀ, FLORENCE/BIAF]
Attributed works:
Leaping man, by Elisabeth Frink (1930–93). 1985. Bronze with a brown patina, 40 by 37 by 15 cm. [PORTLAND GALLERY, LONDON/British Art Fair]
Attributed works:
M.G.F.A. Choiseul-Gouffier. Voyage pittoresque de la Grèce. 2 vol. in 3. Paris 1782-1824. [Venator & Hanstein]
Attributed works:
Madonna with Child and St Mary Magdalene, by Tiziano Vecellio, known as Titian, and workshop (c.1488/90–1576). c.1555–60. Oil on canvas, 104 by 92.5 cm. [CARLO ORSI, MILAN/BIAF]
Attributed works:
Madonna with Child, by Agnolo di Cosimo, called Bronzino (1503–72). 1525–26. Oil on panel, 75 by 62 cm. [GALERIE CANESSO, PARIS/BIAF]
Attributed works:
Meeting point, by L.S. Lowry (1887–1976). 1973. Offset lithograph printed in colours on wove, 47 by 71 cm. [HIDDEN GALLERY, BATH AND BRISTOL/British Art Fair]
Attributed works:
Mr Rochester, by Paula Rego (1935– 2022). 2001. Unique hand-painted lithograph, 89.5 by 67 cm. [JAMES HYMAN GALLERY, LONDON/British Art Fair]
Attributed works:
Munnie and Janette, by William Crosbie (1915–99). 1937. Oil on paper, 58.5 by 66 cm. [THE FINE ART SOCIETY, EDINBURGH/British Art Fair]
Attributed works:
Paul Nash (1889-1946) Studio, 1929 Watercolour, 57.3 by 41.3cm [Patrick Bourne & Co/British Art Fair]
Attributed works:
Pordenone, Mary Magdalene, circa 1530-1532 Museum Boijmans Van Beuningen, Rotterdam. Loan Stichting Boijmans Van Beuningen (former Koenigs collection) [Fondation Custodia]
Attributed works:
Portrait of Achille Fontanelli, by Andrea Appiani (1754–1817). 1813. Oil on canvas, 125 by 96 cm. [ROBILANT+VOENA, LONDON, MILAN, PARIS and NEW YORK/BIAF]
Attributed works:
River Stour, Essex, by Algernon Newton (1880–1968). 1938. Oil on board, 12 by 17 cm. [AUSTIN / DESMOND FINE ART, LONDON/British Art Fair]
Attributed works:
Rue du Mortier d’Or, by Walter Sickert (1860–1942). 1903. Oil on canvas, 33.5 by 41 cm. [BROWSE & DARBY, LONDON/British Art Fair]
Attributed works:
Simone di Filippo, called Simone dei Crocifissi (Bologna, documented between 1354 -1399) Virgin and Child between Saints John the Baptist and Bartholomew (central panel); Archangel Gabriel, Saint Petronius, Saint Christopher and Saint Anthony (left panel); Virgin Annunciate, Saint Jerome, a Bishop Saint (Ambrose?) and Saint Florian (right panel) [Moretti]
Attributed works:
Sir Horace Mann, by Prince Hoare (1711–69). c.1749. Terracotta, height 51.5 cm. [WALTER PADOVANI, MILAN/BIAF]
Attributed works:
Soldiers in a billet, by Keith Vaughan (1912–77). 1942. Pen, brush and ink, 25.5 by 35 cm. [ABBOTT AND HOLDER, LONDON/British Art Fair]
Attributed works:
Spring time, by William Nicholson (I872–1949). 1922. Pen, ink, watercolour and crayon, 21 by 16 cm. [PATRICK BOURNE & CO, LONDON/British Art Fair]
Attributed works:
Still life with flowers in a glass vase, by Giovanna Garzoni (1600–70). c.1640–50. Tempera painted on vellum with traces of black pencil, 44.8 by 37.5 cm. [COLNAGHI, LONDON, MADRID, BRUSSELS and NEW YORK/BIAF]
Attributed works:
Study of Francis Bacon, no.3, by Clive Barker (b.1940). 1978. Polished bronze, 10.5 by 18.5 cm. [WHITFORD FINE ART, LONDON/British Art Fair]
Attributed works:
The Bruno of Cologne table, by Pietro Piffetti (1701–77). c.1750. Burr walnut and other precious woods, 104.5 by 55 by 83 cm. [BURZIO, LONDON/BIAF]
Attributed works:
The escape of the naked young man after the capture of Christ, by Giusto Fiammingo (active Rome c.1615–25). Oil on canvas, 220 by 290 cm. [ROB SMEETS OLD MASTER PAINTINGS, GENEVA/BIAF]
Attributed works:
The players, by John Bellany (1942–2013). 1967. Oil on board, 161 by 183 cm. [CASTLEGATE HOUSE GALLERY, COCKERMOUTH/British Art Fair]
Attributed works:
Three children with a dog in an interior, by Peter Edward Stroehling (1768–1826). 1789. Oil on copper, 38 by 48 cm. [PAOLO ANTONACCI, ROME/BIAF]
Attributed works:
Untitled, from the Black Balloon Archive, by Liz Johnson Artur. Chromogenic print, 50.8 by 61 cm. (© Liz Johnson Artur; Victoria and Albert Museum, London). [The Burlington Magazine]
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08/2023 | 1445 | 165
Pages: i-xii
Subjects
artists:
Illustrations
Attributed works:
Carlo Maratta Portrait of Gasparo Marcaccioni c.1672–74 Oil on canvas, 98 × 72 cm [Trinity Fine Art]
Attributed works:
From ‘Knottings, nothings, knots and no things’, by Emma McNally. 2023. (Commissioned for Burlington Contemporary Journal Issue 8).
Attributed works:
Jan Brueghel the Elder, River Landscape (detail), 1612. Indianapolis Museum of Art at Newfields, The Clowes Collection, 2000.343
Attributed works:
Jeff Koons, Gazing Ball ( Centaur and Lapith Maiden), 2013. Plaster and glass, 249.2 x 226.4 x 80 cm [Robilant and Voena].
Western art unattributed:
A West-Indian emancipated wedding party of Free People of Colour, in affluent and fashionable dress Circa 1850 The British Virgin Islands £10,000-£15,000 [Sloane Street Auctions]
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07/2023 | 1444 | 165
Pages: i-xii
Book Review
Dessins français du XIXe siècle and Léon Bonvin 1834–1866: Drawn to the Everyday. Catalogue Raisonné
06/2023 | 1443 | 165
Pages: 668-670
related names
Reviewer:
Munro, Jane (Munro, Jane; Munro, Janie)
Subjects
art literature:
Reviewed Items
subjects:
Dessins français du XIXe siècle Edited by Juliette Parmentier-Courreau, with contributions by Rhea Sylvia Blok, Antoine Cortes, Maud Guichané, Marie- Noëlle Grison, Ger Luijten, Laurence Lhinares and Marie-Claire Nathan. 351 pp. incl. 145 col. ills. (Fondation Custodia, Paris, 2022), €40. ISBN 978–2–9583234–2–4. | :
subjects:
Léon Bonvin 1834–1866: Drawn to the Everyday. Catalogue Raisonné Edited by Maud Guichané and Gabriel P. Weisberg, with contributions by Jo Briggs, Ger Luijten and Michèle Quentin, translated by Caroline Beamish. 304 pp. incl. 152 col. + 35 b. & w. ills. (Fondation Custodia, Paris, 2022), £30. ISBN 978–2–9583234–0–0. | :
Illustrations
Attributed works:
5. The cloakroom, by James Tissot. Graphite on paper, 33.9 by 42.6 cm. (Fondation Custodia, Paris).
Obituary
Ger Luijten (1956–2022)
06/2023 | 1443 | 165
Pages: 675-676
related names
Author:
Hecht, Peter (Hecht, Peter)
Subjects
art literature:
Illustrations
Attributed works:
Ger Luijten in October 2019. (Photograph by Gijsbert van der Wal).
Exhibition Review
True to Nature: Open-Air Painting in Europe 1780–1870
03/2022 | 1428 | 164
Pages: 298-300
related names
Reviewer:
Olsson, Carl-Johan (Olsson, Carl-Johan)
Subjects
dates:
Reviewed Items
subjects:
True to Nature: Open-Air Painting in Europe 1780–1870 Fondation Custodia, Paris 3rd December 2021–3rd April 2022 | :
Illustrations
Attributed works:
18. The oak and the reed, by Achille Etna Michallon. 1816. Oil on canvas, 43.5 by 53.5 cm. (Fitzwilliam Museum, Cambridge; exh. Fondation Custodia, Paris).
Attributed works:
19. Olive trees near Tivoli, by Janus La Cour. 1869. Oil on canvas, 37.4 by 60.5 cm. (Fondation Custodia, Paris).
Attributed works:
20. Landscape in the Haute- Savoie, with an artist working in the open air, by Vilhelm Kyhn. 1850. Oil on paper, 42 by 33.3 cm. (Private collection; exh. Fondation Custodia, Paris).
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12/2021 | 1425 | 163
Pages: IFC- viii
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03/2021 | 1416 | 163
Pages: i-xii
Subjects
Illustrations
Attributed works:
Carlos Verger Fioretti, Phalaena (detail), 1920. Zamora, Museo de Zamora, long-term loan from Museo Nacional del Prado. [Prado]
Attributed works:
Hubert ROBERT (Paris 1733 –1808) Capriccio with Monuments of Nîmes Oil on canvas, H. 67 cm; W. 98 cm Signed and dated lower right ‘HUBERTUS / ROBERT / 1788’ [Eric Coatalem]
Attributed works:
K.F. Schinkel. Collection of theatre decorations. Berlin 1819-47. Series of 35 aquatint etchings.[Venator & Hanstein]
Attributed works:
Sir John Everett Millais by Alexander Munro Marble and slate relief, 1853. [Stuart Lochhead]
Western art unattributed:
Two lance tips with the finest blue-green ‘emerald’ patina Late Bronze age, 13th-11th Century BC Provenance: Private collection, South Germany Private collection, Switzerland. [Peter Finer]
Supplement
Recent acquisitions (2012–20) at the Fondation Custodia, Frits Lugt Collection, Paris
02/2021 | 1415 | 163
Pages: 197-216
related names
Author:
Luijten, Ger (Luijten, Ger)
Subjects
subjects:
Illustrations
Attributed works:
1. Rear façade of Hôtel Turgot, Paris (1743), home of the Fondation Custodia since 1953, restored in 2019–20. (Photograph Jannes Linders).
Attributed works:
11. Diana, bust-length, looking down to the left, a crescent moon on her head, by Bernardino Cavallino (1616–56). c.1650. Red chalk, diameter 15 cm. Purchased 2020, inv. no.2021-T.6.
Attributed works:
12. The eruption of a volcano, by Angeluccio (1620/25–45/50). c.1645.Brush and grey ink, gouache in white, rose and red on cream-coloured paper, 19.4 by 12.5 cm. Purchased 2020, inv. no.2021-T.5.
Attributed works:
13. Sketch of a peacock and hunting trophies, by Jan Weenix (1640–1719). 1708. Oil on canvas, laid down on panel, 23.8 by 20.3 cm. Purchased 2019, inv. no.2019-S.55.
Attributed works:
14–15. Lambert Schatter, aged 22 and Eva van Beresteyn, aged 19, by Jan de Braij (1626/28–97). 1662. Oil on panel, each 26.3 by 19.1 cm. Purchased 2012, inv. no.2012-S.18a–b.
Attributed works:
16. Aeneas fleeing from the burning city of Troy with Anchises and Ascanius, by Esaias van de Velde (1587–1630). 1626. Oil on panel, 20 by 15.5 cm. Purchased 2018, inv. no.2018-S.40.
Attributed works:
17. View of the city wall of Utrecht from the south, at the Mariawaterpoort, by Herman Saftleven (1609–85). 1645. Oil on panel, 26.2 by 21.1 cm. Purchased 2018, inv. no.2018-S.38.
Attributed works:
18. Wooded river landscape with shepherds driving a cow, by Adam Pynacker (1620/22–73). c.1660. Oil on panel, 40,1 by 46 cm. Purchased 2014, inv. no.2014-S.18.
Attributed works:
19. Cabinet with two painted doors and a painted lid, by Johann Wilhelm Baur (1607–42). c.1640. Ebony, 160 by 74 by 40.5 cm. Purchased 2018, inv. no.2018-M.1.
Attributed works:
2. Portrait of Anne Robert Jacques Turgot (1727–81), after Jean-Antoine Houdon (1741–1828). 1810. Terracotta, 53 by 50 by 35 cm. Purchased 2013, inv. no.2013-B.3.
Attributed works:
20. View of the Vredeveldt mansion, by Hendrik Schepper (1741–94). 1761. Oil on panel, 43.3 by 51.8 cm. Gift of Hans van der Ven, The Hague, 2018, inv. no.2018-S.44.
Attributed works:
21. Interior of the artist’s kitchen, by Petrus van Schendel (1806–70). c.1835. Oil on canvas, 66.5 by 53.7 cm. Purchased 2015, inv. no.2015-S.13.
Attributed works:
22. View near Sorrento, by Pierre-Louis Dubourcq (1815–73). 1843. Oil on paper, laid down on panel, 16.1 by 52.4 cm. Purchased 2018, inv. no.2018-S.9.
Attributed works:
23–24. Studies of goats, by Pieter Gerardus van Os (1776–1839). 1817. Oil on paper, 15.4 by 18.9 cm. Purchased 2020, inv. no.2020-S.27(1–2).
Attributed works:
25. View of the Trinità dei Monti in Rome, by Louis Dupré (1789–1837). c.1817. Oil on paper, laid down on canvas, 25.3 by 46 cm. Gift of Brigitte and Jacques Gairard, Lyon, 2016, inv. no.2016-S.24.
Attributed works:
26. View of rooftops in Paris, by Pierre-Antoine Mongin (1761–1827). c.1823. Oil on paper, laid down on canvas, 44.5 by 33 cm. Gift of Gerhard Greidanus, Amsterdam, to commemorate his friend Jan Maarten Boll, 2020, inv. no.2020-S.68.
Attributed works:
27. Portrait of an unknown woman, by Antoine Berjon (1754–1843). 1799–1800. Watercolour and gouache on ivory, diameter 8 cm. Purchased 2015, inv. no.2015-PM.1.
Attributed works:
28. Self-portrait, by Jean-Baptiste Wicar (1762–1834). c.1795. Oil on canvas, 24.4 by 19.1 cm. Purchased 2014, inv. no.2014-S.16.
Attributed works:
29. View of Solfatara, by Claude Joseph Vernet (1714–89). c.1740. Red chalk, 28.4 by 43.4 cm. Purchased 2019, inv. no.2019-T.69.
Attributed works:
3. Portrait of Anne Robert Jacques Turgot (1727–81), by François-Hubert Drouais (1727–75). c.1775. Oil on canvas, 73 by 69.7 cm. Purchased 2016, inv. no.2016-S.23.
Attributed works:
30. Ruins in the Campagna Romana, by Thomas Dessoulavy (1801–69). 1836. Pen and brown ink with brown wash, heightened with white gouache, 16.4 by 23.6 cm. Purchased 2019, inv. no.2019-T.72.
Attributed works:
31. The forest of Rochecardon, by Jean-Michel Grobon (1770–1853). 1800. Etching, engraving and roulette on light-blue paper, 23.2 by 29.5 cm. Purchased 2017, inv. no.2017-P.5.
Attributed works:
32. Letter to Marquess Enzo Bentivoglio Giovanni Mannozzi, called Giovanni da San Giovanni (1592–1636). Rome, 16th July 1627. Purchased 2013, inv. no.2013-A.1.
Attributed works:
33. Letter to Leocadia Zorilla, by Francisco Goya y Lucientes (1746–1828). Madrid, 23rd July 1827. Purchased 2019, inv. no.2019-A.363.
Attributed works:
34. Album with forty-three letters to Félix Bracquemond, by Edouard Manet (1832–83). 1864–82. Purchased 2017 with the support of Jean-Luc Baroni, London, inv. no.2017-A.1.
Attributed works:
35. Letter to Pierre-Joseph Dedreux-Dorcy, by Théodore Géricault (1791–1824). London, 12th February 1821. Purchased 2019, inv. no.2019-A.245.
Attributed works:
36. Letter to Catulle Mendès, by Auguste Renoir (1841–1919). Paris, before 25th April 1888. Purchased 2019, inv. no.2019-A.767.
Attributed works:
37. Letter to Gustave Kahn, by Henri Matisse (1869–1954). Issy-les-Moulineaux, 4th January 1916. Purchased 2020, inv. no.2020-A.1.
Attributed works:
38. Letter to Maria Schmidt-Hell, by Ernst Ludwig Kirchner (1880–1938). Wilmersdorf near Berlin, 25th September 1912. Purchased 2020, inv. no.2020-A.2.
Attributed works:
39. View of the Vesuvius from the ruins of Pompeii, by André Giroux (1801–79). c.1827. Oil on paper, laid down on canvas, 20.7 by 38.8 cm. Purchased 2015, inv. no.2015-S.1.
Attributed works:
4. Album with views of Ile-de-France, near Longuetoise, by Albert Flamen (c.1615–74 or later). c.1634–64. Pen and brown ink, 11.7 by 17.5 cm. Purchased 2018, inv. no.2018-T.5.
Attributed works:
40. Two monks near the Pièce d’Eau des Suisses in Versailles, by François Marius Granet (1775–1849). c.1843. Oil on canvas, 26.9 by 35.4 cm. Gift of Bertrand Talabardon and Bertrand Gautier, Paris, 2015, inv. no.2015-S.31.
Attributed works:
41. View of Fécamps from the beach of Yport, by Camille Corot (1796–1875). 1871. Oil on cardboard, 11.3 by 18.7 cm. Purchased 2018, inv. no.2018-S.3.
Attributed works:
42. Boulders near Lohmen, Saxony, by Johan Christian Dahl (1788–1857). 1825. Oil on paper, laid down on cardboard, 12.7 by 15.7 cm. Purchased 2019, inv. no.2019-S.31.
Attributed works:
43. View of the Baltic Coast, by Carl Blechen (1798–1840). c.1828. Oil on panel, 8.2 by 19.1 cm. Purchased 2014, inv. no.2014-S.40.
Attributed works:
44. Vines seen through a window, by Max Hauschild (1810–95). c.1860. Oil on paper, 13.2 by 12.1 cm. Purchased 2014, inv. no.2014-S.23.
Attributed works:
45. Portrait of the sculptor Bertel Thorvaldsen (1770–1844), by Alessandro Puttinati (1801–72). c.1835. Plaster, 43.1 by 23.1 by 18.1 cm. Purchased 2014, inv. no.2014-B.2.
Attributed works:
46–47. Virgin and Child with St John the Baptist and Christ blessing the children, by Bertel Thorvaldsen (1770–1844). Both c.1810–15. White marble, 61.8 by 50.6 cm. Purchased 2012 and 2013, inv. nos.2012-B.1 and 2013-B.1, respectively.
Attributed works:
48. Castello Caetani in Sermoneta, by Martinus Rørbye (1803–48). 1834. Oil on paper, laid down on canvas, 32.1 by 42.3 cm. Purchased 2018, inv. no.2018-S.17.
Attributed works:
49. The white cliffs of Møn, by Peter Christian Thamsen Skovgaard (1817–75). c.1850. Oil on canvas, 40.3 by 30.7 cm. Purchased 2013, inv. no.2013-S.14.
Attributed works:
5. Collapsed house, by Cornelis Saftleven (1607–81). c.1646. Black chalk, with a framing line in brown ink, 19.5 by 30.1 cm. Purchased 2018, inv. no.2018-T.1.
Attributed works:
50. Rooftops, by Frederik Niels Martin Rohde (1816–86). Oil on canvas, 25.4 by 22.2 cm. Purchased 2014, inv. no.2014-S.41.
Attributed works:
51–52. The crater on the summit of Mount Vesuvius and Rocky promontory on the Sorrentine coast, by Thomas Jones (1730–1803). Both c.1778. Oil on canvas, 36 by 44.1 cm. and 35.2 by 43.7 cm. Purchased 2019 and 2020, inv. nos.2019-S.61 and 2020-S.9, respectively.
Attributed works:
53. Sketching at the Baths of Caracalla, Rome, by Joseph Severn (1793–1879). 1838. Oil on paper, 26.2 by 40.5 cm. Purchased 2019, inv. no.2019-S.33.
Attributed works:
54. View of gardens at Hampstead, with an elder tree, by John Constable (1776–1837). c.1821–22. Oil on cardboard, 17.6 by 14 cm. Purchased 2019, inv. no.2019-S.58.
Attributed works:
55. View of Box Hill, Surrey, by Samuel Palmer (1805–81). 1848. Oil on paper, l aid down on cardboard, 24.1 by 41.4 cm. Purchased 2018, inv. no.2018-S.16.
Attributed works:
56. A cottage garden, by Augustus Leopold Egg (1816–63). 1863. Oil on panel, 25.4 by 25.4 cm. Purchased 2020, inv. no.2020-S.4.
Attributed works:
57–58. View of Capri and View of the Faraglioni at Capri, by August Kopisch (1799–1853). c.1826. Oil on panel, 25.9 by 37.5 cm. and 26.1 by 37.5 cm. Purchased 2019, inv. nos.2019-S.24 and 2019-S.25, respectively.
Attributed works:
59. The cloakroom: study of hanging coats and hats, with a cello case, by James Tissot (1836–1902). c.1885. Graphite, 33.9 by 42.6 cm. Purchased 2019, inv. no.2019-T.25.
Attributed works:
6. Landscape, probably in the Roman campagna, by Gaspar van Wittel (1652/53–1736). c.1690. Pen and brown ink with grey wash on blue paper, 42 by 55.4 cm. Purchased 2020, inv. no.2020-T.18.
Attributed works:
60. Flower pot, by Léon Bonvin (1834–66). 1865. Watercolour and bodycolour over graphite, 14.3 by 12.8 cm. Purchased 2019, inv. no.2019-T.49.
Attributed works:
61–62. Portrait of Philippe Burty (1830–90) and Portrait of Madeleine Burty (1860–1900), by Henri Cros (1840–1907). 1873 and 1872. Wax, 10 by 8.7 cm. and 15 by 10.5 cm. Purchased 2020 and 2018, inv. nos.2020-B.1 and 2018-B.1, respectively.
Attributed works:
63. Promotion médicale, by Louis Jean Desprez (1743–1804). c.1790. Etching, coloured with brush and watercolour, laid down on paper, 55.5 by 88 cm. Purchased 2013, inv. no.2013-P.2.
Attributed works:
64. Le Zendale, by Giovanni David (1743–90). 1775. Etching and aquatint; second state, 24 by 16.2 cm. Purchased 2014, inv. no.2014-P.9.
Attributed works:
65. Child at a window. Germany c.1590. Engraving, 40.9 by 27 cm. Purchased 2014, inv. no.2014-P.5.
Attributed works:
66. Self-portrait, by Arthur Pond (1701–58). 1739. Dry-point; fourth state, 18.3 by 14 cm. Purchased 2018, inv. no.2018-P.64.
Attributed works:
67. Portrait of Jean-Baptiste Lampe (1812–88), by Jean Baptiste Lodewijk Maes Canini (1794–1856). 1829. Oil on panel, 13 by 10.7 cm. Purchased 2019, inv. no.2019-S.52.
Attributed works:
68. Album Staring-Niemeijer. Eighteenth century. Brown leather binding, marbled covers, blue paper, 67.3 by 55.5 by 6.5 cm. Gift of Wous Niemeijer, Broek in Waterland, 2017, inv. no.2017-R.1.
Attributed works:
69. Portrait of Anton Raphaël Mengs (1728–79), by Christian Friedrich Boëtius (1706–82) after a self-portrait drawing dated 1759. 1770. Engraving (crayon manner) on blue paper, 23.5 by 18.1 cm. Purchased 2020, inv. no.2020-P.13.
Attributed works:
7–10. The Four Elements: Water, Air, Earth and Fire, by Gerrit van Honthorst (1592–1656). c.1650. Pen and brown ink, with grey wash and some red chalk, heightened with white gouache, over a sketch in black chalk on greyish-brown cartridge paper; contours incised for transfer, sheets 38.7 by 26.3 cm. Purchased 2016, inv. no.2016-T.10-13.
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