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469 articles
Article
‘Two boys with a bladder’ in the J. Paul Getty Museum and Joseph Wright of Derby’s early candlelights
03/2025 | 1464 | 167
Pages: 242–57
related names
Author:
Siemon, Julia (Siemon, Julia)
Subjects
dates:
Illustrations
Attributed works:
1. Two boys with a bladder, by Joseph Wright of Derby. 1767. Oil on canvas, 92.7 by 73 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Self-portrait, by Joseph Wright of Derby. c.1765–68. Oil on canvas, 70.2 by 58.7 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
11. Portrait of a man, known as the ‘Indian Captain’, by Joseph Wright of Derby. 1767. Oil on canvas, 229.2 by 138.4 cm. (Yale Center for British Art, New Haven).
Attributed works:
12. Self-portrait in a fur cap, by Joseph Wright of Derby. c.1765–68. Grisaille on blue-grey laid paper, 42.5 by 29.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
13. Portrait of a gentleman in a red fur-trimmed coat, frogged waistcoat and a white turban, by Joseph Wright of Derby. Late 1760s. Oil on canvas, 63.5 by 53.5 cm. (Private collection).
Attributed works:
14. Girl reading with a man looking over her shoulder, by Joseph Wright of Derby. 1768. Oil on canvas, 91.4 by 71.1 cm. (Private collection; Bridgeman Images).
Attributed works:
15. Two boys fighting over a bladder, by Joseph Wright of Derby. 1768. Oil on canvas, 91.4 by 71.1 cm. (Private collection).
Attributed works:
16. Study of a girl in a turban with pompom and frilled collar, by Joseph Wright of Derby. c.1767. Black and white chalk and stump on grey paper, 43.8 by 29.2 cm. (Private collection; photograph Lucas Olivet).
Attributed works:
17. Study of a boy reading, by Joseph Wright of Derby. c.1766. Grisaille pastel with touches of black chalk on blue paper, 48 by 28 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
18. An experiment on a bird in the air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 76.2 by 63.5 (Derby Museum and Art Gallery).
Attributed works:
2. Three persons viewing the Gladiator by candle-light, by Joseph Wright of Derby. 1765. Oil on canvas, 102.5 by 122 cm. (Walker Art Gallery, National Museums Liverpool; Bridgeman Images).
Attributed works:
3. A philosopher giving that lecture on the orrery, in which a lamp is put in place of the sun, by Joseph Wright of Derby. 1766. Oil on canvas, 147.3 by 203.2 cm. (Derby Museum and Art Gallery; Bridgeman Images).
Attributed works:
4. An experiment on a bird in the air pump, by Joseph Wright of Derby. 1768. Oil on canvas, 183 by 244 cm. (National Gallery, London).
Attributed works:
5. An academy by lamplight, by Joseph Wright of Derby. Late 1760s. Oil on canvas, 127 by 101.6 cm. (Private collection).
Attributed works:
6. An academy by lamplight, by Joseph Wright of Derby. 1769. Oil on canvas, 127 by 101 cm. (Yale Center for British Art, New Haven; Bridgeman Images).
Attributed works:
7. Hermit, by Joseph Wright of Derby. 1769. Oil on canvas, 128.2 by 102.9 cm. (Derby Museum and Art Gallery; Bridgeman Images).
Attributed works:
8. Two girls dressing a kitten by candlelight, by Joseph Wright of Derby. 1767. Oil on canvas, 90.8 by 72.4 cm. (Kenwood House, London; Bridgeman Images).
Attributed works:
9. Two boys by candlelight, blowing a bladder, by Joseph Wright of Derby and studio. c.1767–73. Oil on canvas, 91.4 by 72.1 cm. (Huntington Library and Art Museum, San Marino).
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Article
A portrait of an unknown woman by Titian
03/2025 | 1464 | 167
Pages: 212–17
related names
Author:
Humfrey, Peter (Humfrey, Peter)
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Portrait of a woman in a green dress, by Titian. c.1550–55(?). Oil on canvas, 86 by 70.4 cm. (Private collection).
Attributed works:
2. Detail of the back of the canvas of Fig.1.
Attributed works:
3. X-radiograph of Fig.1.
Attributed works:
4. Portrait of a woman, by Paolo Veronese. c.1555. Oil on canvas, 106 by 87 cm. (Musée de la Chartreuse, Douai; photograph Hugo Maertens).
Attributed works:
5. Portrait of a woman. Venice. c.1555(?). Oil on canvas, 101 by 77 cm. (Musée des Beaux-Arts, Béziers).
Short Notice
‘Victory at San Pietro in Casale’ in the Galleria Doria Pamphilj, Rome
02/2025 | 1463 | 167
Pages: 154–157
related names
Author:
C. Leone, Stephanie (C. Leone, Stephanie)
Author:
Serrani, Alessandro (Serrani, Alessandro)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Victory at San Pietro in Casale, here attributed to Giovanni Andrea Sirani and others. 1649–51. Oil on canvas, 188 by 275 cm. (© ADP s.r.l.; Galleria Doria Pamphilj, Rome).
Attributed works:
3. Supper at the house of Simon the Pharisee, by Giovanni Andrea Sirani. 1652. Oil on canvas, 380 by 490 cm. (S. Girolamo alla Certosa, Bologna; su concessione del Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
2. View of the siege of Castro. 1641 or later. Engraving, 34.6 by 48.5 cm. (© His Majesty King Charles III, 2025; Royal Collection Trust).
Article
Annibale Carracci and the forgotten Magdalene
10/2024 | 1459 | 166
Pages: 1028–35
related names
Author:
Willer, Jacob (Willer, Jacob)
Subjects
dates:
Illustrations
Attributed works:
1. Penitent Mary Magdalene in a landscape, here attributed to Annibale Carracci. c.1601-03. Oil on copper, 37.4 by 29.2 cm. (National Trust; Kedleston Hall, Derbyshire).
Attributed works:
10. Detail of Fig.9.
Attributed works:
11. Detail of Fig.1.
Attributed works:
12. Detail of Fig.1, showing the face of the Magdalen.
Attributed works:
13. Detail of Fig.14, showing the face of the Virgin.
Attributed works:
14. Pietà with two angels, by Annibale Carracci. c.1603. Oil on copper, 41.3 by 60.7 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
2. Penitent Mary Magdalene, by Carlo Faucci. c.1758. Engraving, 39 by 30 cm. (Wellcome Collection, London).
Attributed works:
3. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on copper, 32.4 by 43 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
4. Penitent Mary Magdalene, here attributed to the studio of Annibale Carracci. c.1603. Oil on canvas, 51.5 by 67 cm. (Palazzo Doria Pamphilj, Rome).
Attributed works:
5. Penitent Mary Magdalene, copy after Annibale Carracci. 18th century? Oil on canvas, 41.9 by 32 cm. (Thorvaldsens Museum, Copenhagen).
Attributed works:
6. Detail of Fig.3, showing the pentimento around the Magdalene’s toes.
Attributed works:
7. Sleeping Ariadne. Roman, 1st century CE. Marble. (Vatican Museums, Vatican City; Photo Scala, Florence).
Attributed works:
8. The sleep of Venus, here attributed to the studio of Annibale (and Agostino?) Carracci. c.1600–02. Oil on canvas, 190 by 328 cm. (Musée Condé, Chantilly; Bridgeman Images).
Attributed works:
9. Christ appearing to St Peter on the Appian Way, by Annibale Carracci. 1601–02. oil on wood, 77.4 by 56.3 cm. (National Gallery, London; Bridgeman Images).
Short Notice
Leonardo da Vinci’s Burlington House Cartoon: a new hypothesis
09/2024 | 1458 | 166
Pages: 928-31
related names
Shorter Notice by:
Rumberg, Per (Rumberg, Per)
Subjects
dates:
museums and institutions:
places:
sources:
subjects:
Illustrations
Attributed works:
1. Virgin and Child with St Anne and the infant St John the Baptist (the Burlington House Cartoon), by Leonardo da Vinci. c.1506–08. Charcoal with white chalk on paper, mounted on canvas, 141.5 by 104.6 cm. (National Gallery, London).
Attributed works:
2. Virgin and Child with St Anne and the infant St John the Baptist, surrounded by ten saints (the Pala del Gran Consiglio), by Fra Bartolommeo. 1510–13. Oil on panel, 444 by 308 cm. (Museo Nazionale di San Marco, Florence).
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Short Notice
A history painting by Willem van der Vliet
07/2024 | 1456 | 166
Pages: 713–15
related names
Author:
Borgogelli, Tommaso (Borgogelli, Tommaso)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. A teacher with his pupils, by Willem van der Vliet. 1626. Oil on canvas, 124.9 by 111.4 cm. (Brodie Castle, Forres).
Attributed works:
2. Solon and Croesus, by Gerrit van Honthorst. 1624. Oil on canvas, 170 by 215 cm. (Kunsthalle, Hamburg; Bridgeman Images).
Attributed works:
3. King David rebuked by Nathan, here attributed to Willem van der Vliet. c.1626. Oil on canvas. (Current whereabouts unknown; photograph Fondazione Zeri).
Attributed works:
4. Allegorical scene, by Willem van der Vliet. 1627. Oil on canvas, 112 by 149 cm. (Private collection).
Short Notice
The earliest documented work of Marinus van Reymerswale
07/2024 | 1456 | 166
Pages: 704–7
related names
Author:
Parada López de Corselas, Manuel (Parada López de Corselas, Manuel)
Author:
Seidel, Christine (Seidel, Christine)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Parable of the unjust steward, by Marinus van Reymerswale. c.1530?. Oil on panel, 77 by 96.5 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverband).
Attributed works:
2. The so-called Money changer and his wife, by Marinus van Reymerswale. 1539. Oil on panel, 83 by 97 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
3. Banquet in the house of Nicolaas Rockox, by Frans Francken the Younger. c.1630–35. Oil on panel, 62.3 by 96.5 cm. (Alte Pinakothek, Munich).
Attributed works:
4. St Jerome in his study, by Marinus van Reymerswale. 1533. Oil on panel, 80 by 108 cm. (Real Academia de Bellas Artes de San Fernando, Madrid; Bridgeman Images). del Prado, Madrid).
Exhibition Review
L’Autoritratto di Leonardo: Storia e contemporaneità di un capolavoro
06/2024 | 1455 | 166
Pages: 629–631
related names
Reviewer:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
L’Autoritratto di Leonardo: Storia e contemporaneità di un capolavoro Biblioteca Reale, Turin 28th March–30th June Galleria Sabauda, Turin 28th March–28 July | :
Illustrations
Attributed works:
10. Bearded old man, by Leonardo da Vinci. c.1491–95. Red chalk on paper, 33.3 by 21.3 cm. (Biblioteca Reale, Turin).
Attributed works:
11. Leonardo da Vinci, attributed to Francesco Melzi. c.1515. Red chalk on paper, 27.5 by 19 cm. (© 2024 His Majesty King Charles III / Royal Collection Trust).
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