III. North end of the dining room at Hestercombe House, c.1872, showing one example from each set of Bampfylde's pier glasses (Somerset Heritage Centre C/FB 32)
Western art unattributed:
IV. South end of the dining room at Hestercombe House, c.1872, showing the smaller of Bampfylde's two pairs of pier glasses surrounded by family portraits (Somerset Heritage Centre C/FB 32)
1. Design for pier glasses for Hestercombe House, Somerset, by Thomas Chippendale. c.1765 (Metropolitan Museum of Art, New York)
Attributed works:
2. Design for a bed, by Thomas Chippendale. c.1759 (Metropolitan Museum of Art, New York)
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3. Design for horse fire screens, by Thomas Chippendale. c.1754 (Metropolitan Museum of Art, New York)
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4. One of a pair of pier glasses, attributed to Thomas Chippendale. c.1765 (Present whereabouts unknown; photograph Sotheby's, London)
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5. Design for pier glasses for Nostell Priory, Yorkshire, by Thomas Chippendale. c.1765 (National Trust, Nostell Priory)
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6. One of a pair of pier glasses, by Thomas Chippendale. 1767 (National Trust, Nostell Priory)
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7. Overmantel frame, by Thomas Chippendale. 1759 (Dumfries House; photograph Christie's)
Attributed works:
9. Design for pier glass frame, by John Linnell. c.1760 (Victoria and Albert Museum, London)
Western art unattributed:
8. One of a pair of pier glasses following Chippendale's design for Hestercombe House, by an anonymous craftsman. c.1765 (Private collection; photograph G. Sergeant Antiques)