• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
74 articles
Article
The industry and ingenuity of William Ince and John Mayhew
09/2023 | 1446 | 165
Pages: 996-1001
Buy / subscribe
related names
Author:
Wood, Lucy (Wood, Lucy)
Subjects
artists:
Ince, William / Mayhew, John / Chippendale, Thomas I, 1718-1779
dates:
1760-1769 / 1770-1779 / 1780-1789 / 1780-1829
subjects:
Furniture makers / British architecture / Cabinetmakers / Marquetry / Beds (furniture) / Chairs / Tapestries
Illustrations
Attributed works:
1. Bed, by Ince and Mayhew. 1768. Mahogany and other woods, with original blue silk ‘flowered tabby’ in the ‘Large Antique Headboard’, tester and cornice, height 356 cm. (The Burghley House Collection, Stamford).
Attributed works:
2. Commode, by Ince and Mayhew, designed by Robert Adam. 1775. Veneered in harewood, tulipwood, satinwood and other woods, with painted decoration and ormolu mounts, 93 by 137 by 53.5 cm. (The Derby Collection).
Attributed works:
3. Commode (one of a pair and ensuite with a pair of corner cupboards), by Ince and Mayhew. 1767. Reworked seventeenth-century marquetry with ormolu mounts, 98 by 10 by 72 cm. (The Burghley House Collection, Stamford).
Attributed works:
4. Commode, by Ince and Mayhew. 1765. Veneered in yew, holly and marquetry, with ebonised mouldings and ormolu mounts, 82 by 136 by 58 cm. (Private collection; Christie’s Images; Bridgeman Images).
Attributed works:
5. Detail of a commode (one of a pair) by Ince and Mayhew, showing a shaded and engraved husk festoon in ‘yellow wood’ inlaid on a mahogany ground, passing over and under a frieze moulding and a chequered line border. 1767. (The Burghley House Collection, Stamford).
Attributed works:
6. Boulle cabinet, on a table stand by Ince and Mayhew. Cabinet early eighteenth century, attributed to André-Charles Boulle; stand c.1780. Cabinet veneered in tortoiseshell and horn, inlaid with brass, with ormolu mounts; stand giltwood; overall height 209 cm., height of stand 94 cm. (The Buccleuch Collections, Boughton, Northamptonshire; by kind permission of the Duke of Buccleuch and Queensberry, KT).
Attributed works:
7. Two armchairs decorated with profiles of George III and Queen Charlotte, probably part of an original set of ten, supplied by Ince and Mayhew to Warren Hastings. c.1790. Painted wood, approx. 93 by 53.5 by 60 cm. (The Harrowby Collection).
Advertisements
Advertisements (front)
06/2023 | 1443 | 165
Pages: i-xxxvi
Buy / subscribe
Subjects
advertisements:
Agnew's, London, Great Britain / Robilant and Voena, London, Great Britain / London Art Week / Trinity Fine Art Ltd, London, Great Britain / Stuart Lochhead Sculpture, London, Great Britain / Ongpin, Stephen / John Mitchell, London, Great Britain / Bazaart Ltd, Justin Raccanello & Camille Leprince, London / Kupferstichkabinett, Dresden, Germany / Princeton University Press, New Jersey, United States / H. Blairman & Sons Ltd (dealer), London, Great Britain / Bernard Quaritch (book dealer), London, Great Britain / Abbott & Holder, London, Great Britain / Nonesuch Gallery, London, Great Britain / Print Quarterly, London / Irish Arts Review / Wildenstein & Co., Inc., New York, United States / Simiolus, Art Journal, The Netherlands / The Art Newspaper, London / Francis Haskell Memorial Fund, London, Great Britain / Christie's, London
advertisements:
Im Kinsky (auction house), Vienna, Austria / The Treasure House Fair, London, Great Britain / Heritage Auctions, Dallas, United States / British Art Fair (London) / Aguttes (auction house), Neuilly-sur-Seine, France / Paul Mellon Centre for Studies in British Art, London, Great Britain / Getty Trust Publications , Great Britain / Peter Finer (antique arms), London, Great Britain / The-saleroom.com / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Trinity Fine Art Ltd, London, Great Britain / French and Company Art, New York, United States / Master Drawings (quarterly magazine), New York, United States / Sloane Street Auctions, London, Great Britain / Moretti Fine Art, London, Great Britain
artists:
Cézanne, Paul / Dyck, Anthony van / Wiley, Kehinde / Giambologna / Lawrence, Thomas / Ayres, Gillian / Wicar, Jean Baptiste Joseph / Doré, Gustave / Longhi, Pietro / Monet, Claude / Moss, Marlow / Girtin, Thomas / Peake, Robert, the elder, 1551-1619 / Degas, Edgar / Angelico, Fra / Bonington, Richard Parkes / Pugin, Augustus Welby Northmore / Newton, Algernon Cecil / Dughet, Gaspard / Gros, Antoine-Jean / Puget, Pierre / Bouguereau, William-Adolphe / Lamerie, Paul de / Holsoe, Carl Vilhelm / Chadwick, Lynn / Chippendale, Thomas I, 1718-1779 / Bomberg, David / Sickert, Walter / Pichler, Luigi / Hockney, David / Gentileschi, Artemisia
artists:
Wiley, Kehinde / Böhm, Adolf Michael / Glaize, Barthelemey / Müller, Leopold Carl / Heath, Adrian / Meyer, Wilhelm Christian / Landseer, Thomas / Smith, Thomas, of Derby
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Article
Three drawings by Thomas Chippendale junior
08/2020 | 1409 | 162
Pages: 673-677
Buy / subscribe
related names
Author:
Bowett, Adam (Bowett, Adam)
Subjects
artists:
Chippendale, Thomas I, 1718-1779 / Chippendale, Thomas II, 1749-1822
dates:
1770-1779
styles:
Neo-classicism
subjects:
Furniture makers / Furniture / Drawings / Designers / Pianos / Bookcases / Ornament / Marquetry
subjects:
Chippendale, Haig & co. (firm)
Illustrations
Attributed works:
1. Design for a bookcase, attributed to Thomas Chippendale junior. c.1774. Pen and ink on paper, 31 by 26 cm. (The Chippendale Society).
Attributed works:
10–12. Details of Figs.1, 2 and 9, showing the similar treatment of the laurel-draped urn.
Attributed works:
2. Detail of A plan of the River Hull, by William Cresswell, showing a tablet drawn and signed by Thomas Chippendale junior. 1772. Ink and coloured wash on paper, 45 by 78.8 cm. (The National Archives, London).
Attributed works:
3. Frontispiece from Sketches of Ornament, by Thomas Chippendale junior. 1779. Etching, 21 by 18.4 cm. (Victoria and Albert Museum, London).
Attributed works:
4. Design for a piano case, attributed to Thomas Chippendale junior. c.1774. Pen and ink on paper, 31 by 26 cm. (The Chippendale Society).
Attributed works:
5. Pedestal for a lantern, by Chippendale, Haig & Co. 1774. Painted deal, 156 by 43 by 43 cm. (Harewood House, Leeds)..
Attributed works:
6. Design for a lantern and pedestal, attributed to Thomas Chippendale junior. c.1774. Pen and ink on paper, 31.5 by 25 cm. (The Chippendale Society).
Attributed works:
7. Painted bookcase or china cabinet, attributed to Chippendale, Haig & Co. c.1770−75. 256.5 by 159 by 43.2 cm. (Sotheby’s, New York).
Attributed works:
8. Bookcase door, from the Little Library, Harewood House, Yorkshire. c.1771. Mahogany. 168 by 72 by 2.5 cm. (Harewood House Trust, Leeds).
Attributed works:
9. Design for ornament, by Thomas Chippendale junior. 1779. Etching, 21 by 18.5 cm. (Victoria and Albert Museum, London).
Article
Neo-classicism in technicolour: the Melbourne cabinets
06/2019 | 1395 | 161
Pages: 464-473
Buy / subscribe
related names
Author:
Bowett, Adam (Bowett, Adam)
Author:
Savill, Rosalind (Savill, Rosalind)
Subjects
artists:
Chippendale, Thomas I, 1718-1779
dates:
1770-1779
media:
Furniture / Ceramics
museums and institutions:
Firle Place, East Sussex, Great Britain
patrons:
Lamb, Peniston, 1st Viscount Melbourne
styles:
Neo-classicism
subjects:
Cabinets (furniture) / Digital technology / Marquetry / Interior design
works:
Melbourne Cabinets (Panshanger Cabinets) / Melbourne Sèvres dinner service
Illustrations
Attributed works:
1. Cabinet, one of a pair, attributed to Thomas Chippendale. c.1772. Mahogany, deal and oak, with veneers of holly and other woods, 238 by 114 by 53 cm. (Firle Place, East Sussex).
Attributed works:
10. Square compotier, one of four. 1770–71. Sèvres soft-paste porcelain, 21 by 21 cm. (Firle Place, East Sussex).
Attributed works:
11. Shell-shaped compotier, one of four. 1770–71. Sèvres soft-paste porcelain, width 22 cm. (Firle Place, East Sussex).
Attributed works:
12. Round compotier, one of four. 1770–71. Sèvres soft-paste porcelain, diameter 21 cm. (Firle Place, East Sussex).
Attributed works:
13. Oval compotier (jatte Anglaise), one of four. 1770–71. Sèvres softpaste porcelain, 31 by 23.5 centimetres. (Firle Place, East Sussex).
Attributed works:
14. Sugar bowl, one of a pair. 1770–71. Sèvres soft-paste porcelain, Bowl 12 by 15 cm., platter 23 by 18.5 cm. (Firle Place, East Sussex).
Attributed works:
15. Liqueur cooler, one of a pair. 1770–71. Sèvres soft-paste porcelain, 31 by 31 by 14.5 cm. (Firle Place, East Sussex).
Attributed works:
16. Wine bottle cooler, one of a pair. 1770–71. Sèvres soft-paste porcelain, 15 by 20 cm. (Firle Place, East Sussex).
Attributed works:
2. One of the cabinets, photographed at Panshanger, Hertfordshire, in 1935. (Country Life Picture Library).
Attributed works:
3. Commode, attributed to Thomas Chippendale. c.1772. Mahogany, deal and oak, with veneers of holly and other woods, 94 by 226 by 62.5 cm. (Renishaw Hall, Derbyshire, reproduced by kind permission of Mrs Alexandra Hayward).
Attributed works:
4. Detail of Fig.6, showing the ram’s head tripods in mulberry. (Oliver Bowett).
Attributed works:
5. Detail of Fig.6. (Oliver Bowett).
Attributed works:
6. Opposite Digital reconstruction of the original marquetry colours of the cabinet illustrated in Fig.1, based on UV-Vis analysis. (Oliver Bowett).
Attributed works:
7. Detail of Fig.16, showing a cherub with a copy of Hamlet.
Attributed works:
8. Detail of Fig.13, showing a trophy of arms and armour.
Attributed works:
9. Salad bowl, one of two. 1770–71. Sèvres soft-paste porcelain, diameter 23 cm. (Firle Place, East Sussex).
Book Review
The Life and Work of Thomas Chippendale Junior. By Judith Goodison
03/2019 | 1392 | 161
Pages: 252-253
Buy / subscribe
related names
Reviewer:
Saunt, Jenny (Saunt, Jenny)
Subjects
art literature:
Lomax, James / Bowett, Adam
artists:
Chippendale, Thomas II, 1749-1822 / Chippendale, Thomas I, 1718-1779 / Adam, Robert, 1728-1792
dates:
1750-1849
styles:
British / British architecture
subjects:
Furniture makers / Designers
Reviewed Items
subjects:
The Life and Work of Thomas Chippendale Junior | :
Illustrations
Attributed works:
1. Armchair, one of a set of six, attributed to Thomas Chippendale Jr. c.1773. Mahogany and beech, 95.2 by 59.5 by 52 cm. (The Chippendale Society).
Attributed works:
2. Armchair, one of a set of six, by Thomas Chippendale Sr. 1768. Mahogany, 95 by 62 by 62 cm. (The National Trust, Nostell Priory, Yorkshire).
Book Review
Chinese Wallpaper in Britain and Ireland. By Emile de Bruijn
10/2018 | 1387 | 160
Pages: 868-869
Subscribe to read
related names
Reviewer:
Wells-Cole, Anthony (Wells-Cole, Anthony; Cole, Anthony Wells-)
Subjects
artists:
Chippendale, Thomas I, 1718-1779
buildings:
Saltram Park, Nr Plympton, Devon, Great Britain / Temple Newsam House, Leeds, Great Britain / Drayton House, Kettering, Great Britain / Harewood House, Harewood, Leeds, Great Britain / Wentworth Woodhouse, Wentworh, South Yorkshire, Great Britain
dates:
1700-1799 / 1800-1899
media:
Wallpaper / Interiors
museums and institutions:
National Trust
places:
Great Britain / Ireland / China / Guangzhou
subjects:
Interior design / Decorative arts / Chinese painting / Chinese export / Chinese / East-West trade / East India Company / Country houses / Iconography / Conservation
Illustrations
Attributed works:
1. Detail of a wallpaper, by Wang Zhengyue. Probably 1877. Ink and watercolour on thirty-two rolls of paper, largest roll 322.6 by 113 cm. (Temple Newsam, Leeds).
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
09/2018 | 1386 | 160
Pages: 734-739
Subscribe to read
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
art literature:
Coleridge, Anthony / Nicholson, Ben / Gilbert, Christopher / Goodison, Judith / Heckscher, Morrison H.
artists:
Chippendale, Thomas I, 1718-1779 / Webb, Aston / Hodge, Albert / Brown, Capability / Adam, Robert, 1728-1792
artists:
Linnell, William, cabinetmaker, d. 1763 / Linnell, John, cabinetmaker, ca.1729-1796 / Gillows / Ince, William / Mayhew, John
buildings:
Dumfries House, Cumnock, Great Britain / Nostell Priory, Nostell, West Yorkshire, Great Britain / Harewood House, Harewood, Leeds, Great Britain / Newby Hall, Ripon, Great Britain
buildings:
Burton Constable, Yorkshire, Great Britain / Aske Hall, Richmond, Great Britain / Paxton House, Berwick-upon-Tweed, Great Britain / Weston Park, Shropshire, Great Britain / Wedderburn Castle, Berwickshire, Great Britain
dates:
1700-1799 / 1950-1999 / 2000-2009 / 2010-2019
media:
Furniture / Drawings / Architecture / Inlays / Marquetry / Lacquerware / Metalwork / Interiors / Textiles / Wallpaper / Carpets
museums and institutions:
Temple Newsam House, Leeds, Great Britain / Furniture History Society / University of London, London, Great Britain / Metropolitan Museum of Art, New York, United States / Victoria and Albert Museum, London, Great Britain
museums and institutions:
Leeds City Museum, Leeds, Great Britain
patrons:
Winn, Rowland, Fifth Baronet of Nostell, 1739–1785 / Dalrymple-Crichton, William, Fifth Earl of Dumfries, 1699-1768 / Constable, William, 1721-1791 / Dundas, Laurence, 1st Baronet / Garrick, David, 1717-1779 / Home, Ninian / Home, Patrick / Lamb, Peniston, 1st Viscount Melbourne / Lascelles, Edwin, 1st Baron Harewood / Weddell, William
places:
Great Britain
subjects:
Cabinetmakers / Cabinets (furniture) / The gentleman and cabinet-maker's director (1754) / Chippendale / Rococo / Chinese / Gothic Revival / Neo-classicism / Workshops (Organisations) / Country houses / Periodicals / Inventories / Monographs / Correspondence / Archives / Burlington Magazine / Identification / Exhibitions / Patronage / Lectures / Restoration (process) / Upholsterers / Scientific analysis / Technical analysis / Taste (aesthetics) / Influence
Illustrations
Attributed works:
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
Exhibition Review
Thomas Chippendale
05/2018 | 1382 | 160
Pages: 414-416
Read now
Subjects
artists:
Chippendale, Thomas I, 1718-1779 / Adam, Robert, 1728-1792
buildings:
Harewood House, Harewood, Leeds, Great Britain
dates:
2010-2019
media:
Furniture / Frames / Silks / Wallpaper / Drawings / Engravings / Books / Tapestries
media:
Marquetry
places:
Great Britain / Leeds
subjects:
Furnishings / British architecture / Cabinets (furniture) / Carvings / Chinoiserie / Neo-classicism / Rococo / Chippendale
subjects:
Chairs / Tables (support furniture)
Illustrations
Attributed works:
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
Article
New light on Chippendale at Hestercombe House
07/2015 | 1348 | 157
Pages: 452-459
Subscribe to read
related names
Reviewer:
Lindfield, Peter N. (Lindfield, Peter N.)
Subjects
artists:
Chippendale, Thomas I, 1718-1779
artists:
Bampfylde, Coplestone Warre
buildings:
Hestercombe House, Cheddon Fitzpaine, Taunton, Great Britain
museums and institutions:
Metropolitan Museum of Art, New York, United States
subjects:
Furniture / Frames / Mirrors / Drawings / Albums
Illustrations
Attributed works:
1. Design for pier glasses for Hestercombe House, Somerset, by Thomas Chippendale. c.1765 (Metropolitan Museum of Art, New York)
Attributed works:
2. Design for a bed, by Thomas Chippendale. c.1759 (Metropolitan Museum of Art, New York)
Attributed works:
3. Design for horse fire screens, by Thomas Chippendale. c.1754 (Metropolitan Museum of Art, New York)
Attributed works:
4. One of a pair of pier glasses, attributed to Thomas Chippendale. c.1765 (Present whereabouts unknown; photograph Sotheby's, London)
Attributed works:
5. Design for pier glasses for Nostell Priory, Yorkshire, by Thomas Chippendale. c.1765 (National Trust, Nostell Priory)
Attributed works:
6. One of a pair of pier glasses, by Thomas Chippendale. 1767 (National Trust, Nostell Priory)
Attributed works:
7. Overmantel frame, by Thomas Chippendale. 1759 (Dumfries House; photograph Christie's)
Attributed works:
9. Design for pier glass frame, by John Linnell. c.1760 (Victoria and Albert Museum, London)
Western art unattributed:
8. One of a pair of pier glasses following Chippendale's design for Hestercombe House, by an anonymous craftsman. c.1765 (Private collection; photograph G. Sergeant Antiques)
Advertisements
Advertisements June 2011 (front)
06/2011 | 1299 | 153
Pages: s.p.
Subscribe to read
Subjects
advertisements:
Agnew's, London, Great Britain
advertisements:
Julian Hartnoll (dealer), London, Great Britain
advertisements:
Jane Kahan Gallery, New York, United States
advertisements:
Tai Modern, Santa Fe, United States
advertisements:
Adrian Sassoon, London, Great Britain
advertisements:
Sotheby's, London, Great Britain
advertisements:
Granocchia Fine Art srl, Cortina D'Ampezzo, Italy
advertisements:
Kaye Michie Fine Art, Richmond, Surrey, Great Britain
advertisements:
Rolleston Antiques, London, Great Britain
advertisements:
Holly Johnson Antiques, Macclesfield, Great Britain
advertisements:
Anita Gray (dealer), London, Great Britain
advertisements:
Erik Thomsen (dealer), New York, United States
advertisements:
Sotheby's, Paris, France
advertisements:
Jean-Luc Baroni, London, Great Britain
advertisements:
Trinity Fine Art Ltd, London, Great Britain
advertisements:
Tomasso Brothers Fine Art, Leeds, Great Britain
advertisements:
Christie, Manson & Woods, London, Great Britain
advertisements:
Day and Faber, London, Great Britain
advertisements:
Hill-Stone Inc., New York, United States
advertisements:
Fine Art Society, London, Great Britain
advertisements:
Emanuel Von Baeyer, London, Great Britain
advertisements:
Didier Aaron Ltd, London, Great Britain
advertisements:
José de la Mano Galería de Arte, Madrid, Spain
advertisements:
Air Gallery, London, Great Britain
advertisements:
Dulwich Picture Gallery, London, Great Britain
advertisements:
Gagosian Gallery, London, Great Britain
advertisements:
Master Paintings Week (London)
advertisements:
Charles Beddington Ltd., London, Great Britain
advertisements:
Galleria Moretti, Florence, Italy
advertisements:
Fischer Fine Art, London, Great Britain
advertisements:
Hazlitt Holland-Hibbert, London, Great Britain
advertisements:
Galerie Neuse, Bremen, Germany
advertisements:
Stair Sainty, London, Great Britain
advertisements:
Rafael Valls, London, Great Britain
advertisements:
Wildenstein & Co., Inc., New York, United States
advertisements:
Ronald Phillips (dealer), London, Great Britain
advertisements:
Peter Finer (antique arms), London, Great Britain
advertisements:
Antonacci Lapiccirella Fine Art, Florence, Italy
advertisements:
Francesca Antonacci (dealer), Rome, Italy
advertisements:
Portland Gallery, London, Great Britain
advertisements:
Robilant and Voena, London, Great Britain
advertisements:
Daniel Katz Ltd (dealers), London, Great Britain
advertisements:
Simon Dickinson, London, Great Britain
advertisements:
Masterpiece London
advertisements:
Bonhams, London, Great Britain
advertisements:
Johnny van Haeften, London, Great Britain
advertisements:
Whitfield Fine Art, London, Great Britain
advertisements:
Ben Elwes Fine Art, London, Great Britain
advertisements:
Ivan Samarine (Russian art consultancy), London, Great Britain
advertisements:
Jean-Luc Baroni, London, Great Britain
advertisements:
Galerie Canesso, Paris, France
advertisements:
MacDougall Arts Ltd, London, Great Britain
advertisements:
Sphinx Fine Art, London, Great Britain
advertisements:
Alessandro Cesati, Milan, Italy
advertisements:
Charly Bailly Fine Art, Geneva, Switzerland
advertisements:
Art Antiques London
artists:
Sokolov, Vladimir Ivanovich / Ceruti, Giacomo / Bruegel, Pieter, the Elder
artists:
Kondo, Takahiro, b. 1958 / Chippendale, Thomas I, 1718-1779 / Corot, Jean-Baptiste-Camille
artists:
Dedreux, Alfred / Burne-Jones, Edward / Malone, Kate
artists:
Delaunay, Robert, 1885-1941 / Masao, Ueno, b. 1949 / Knight, Laura
artists:
Mathsson, Bruno / Troy, Jean-François de, 1679-1752 / Rodin, Auguste
artists:
Takashi, Kamewari, 1901-1981 / Ghezzi, Pier Leone / Blondel, Merry Joseph
artists:
Turner, Joseph Mallord William / Saint-Aubin, Augustin de / Watteau, Antoine
artists:
Ruskin, John / Barbieri, Giovanni Francesco, called Il Guercino / Conchillos Falcó, Juan
artists:
Grigor'yev, Boris Dmitriyevitch / Weenix, Jan, 1642-1719 / Goya y Lucientes, Francisco José de
artists:
Rembrandt van Rijn / Twombly, Cy / Poussin, Nicolas
artists:
Vries, Adriaen de / Bellotto, Bernardo / Stubbs, George
artists:
Lorenzo di Credi / Guardi, Francesco / Taylor, John, 1735-1806
artists:
Schedoni, Bartolomeo / Carracci, Lodovico / Sweerts, Michael
artists:
Nicholson, William, 1872-1949 / Fabris, Pietro / Spranger, Bartholomaeus
artists:
Spencer, Stanley / Valmier, Georges / Albrizzi, Orazio
artists:
Orlovsky, Vladimir Donatovitch / Picasso, Pablo / Porden, William
artists:
Gillows of Lancaster (furniture firm) / Skovgaard, P.C. / Gibson, John
artists:
Joli, Antonio / Bacon, Francis, 1909-1992 / Peter, Wenzel
artists:
Kern, Leonhard / Hepworth, Barbara / Riley, Bridget, London , Great Britain
collectors and dealers:
Frost, Honor
collectors and dealers:
Evill, Wilfrid
museums and institutions:
Crystal Bridges Museum of American Art, Bentonville, Arkansas, United States
subjects:
Advertisements
Illustrations
Attributed works:
[Adrian Sasson, London. Takahiro heads, by Takahiro Kondo. Taken from a large series of sculptures based on the artist's own head. Each has a unique, precious metal-based surface glaze and colour]
Attributed works:
[Adrian Sassoon. A large oval dream forest flower, by Kate Malone. 2010. Crystalline-glazed stoneware. Height: 32 cm. Width: 41 cm. Depth: 39 cm.]
Attributed works:
[Agnew's, 35 Albemarle Street. Holy Family with the infant St. John the Baptist, by Bartolomeo Schedoni (1578 - 1615). Oil on walnut panel, 35.5 by 25.5 cm]
Attributed works:
[Agnew's, 35 Albemarle Street. Sisteron, by J.M.W Turner (1775-1851). Watercolour, 13.3 by 19 cm]
Attributed works:
[Ben Elwes Fine Art, 45 Maddox Street. Sixteen designs for playing cards, by William Nicholson (1872-1949). c.1901. Graphite, gouache and white heightening on card, 13.5 by 10 cm each.]
Attributed works:
[Ben Elwes. 45 Maddox Street. London W1S 2PE. John Taylor (American, 1735-1806). A wooded classical landscape at evening with figures in the foreground, 1772. Oil on canvas, 40 x 50 inches (121.5 x 127 cm), oval. Signed and dated lower right 'JTaylor 1772']
Attributed works:
[bonhams, 101 New Bond Street. View of Naples Looling south from Posillipo towards Vesuvius, by Pietro Fabris (1740-92). Oil on canvas, 91.5 by 152.5 cm.]
Attributed works:
[Charles Beddington, 16 Saville Row. A capriccio of a Renaissance palace with a soldier and townsfolk, by Bernardo Bellotto (1722-80). Oil on canvas, 107 by 115.5 cm]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Pierre Alfred de Dreux (Paris 1810-1860). Le Saut de la Barrière: cavalier en habit rouge at amazone (Jumping the fence: horseman in red riding habit and sidesaddle rider). Oil on canvas, 39 x 50 cm. (15 1/2 by 19 3/4 in) Signed on the bottom right: Alfred De Dreux.]
Attributed works:
[Christie's, 8 King Street. Gimcrack on Newmarket Heath, with a trainer, a stable-lad and a jockey, by George Stubbs (1724-1806). Oil on canvas, 101.6 by 193.6 cm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. A bronze mythological figure supporting he globe by Adriaen de Vries (died 1626), 1626. 43 in. (109 cm) high]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Francisco Jose de Goya Y Licientes (1746-1828). Hutiles Trabajos (Useful work/detail). Pencil, grey wash. 10 3/8 x 7 3/8 in. (26.3 x 18.6 cm) 263 x 186 mm]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Rembrandt Harmensz. van Rijn (1605-1669). The Agony in the Garden (B. Holl. 75. H. 293) (detail). Etching with drypoint, 1657. P.112 x 85 mm]
Attributed works:
[Daniel Katz, London. Marcus Aurelius on horseback, by Orazio Albrizzi (1612-51). Signed and dated 1624. Bronze. Height: 73.7 cm. Length: 63.5 cm]
Attributed works:
[Day & Faber, 14 Old Bond Street. A little girl, seated in a large wicker chair, reading a book, by Augustin de Saint-Aubin (1736-1807). Black chalk, 19 by 13.9 cm]
Attributed works:
[Dickinson, London and New York. 'Le Sémaphore', by George Valmier, 1921. Signed and dated lower right. Inscribed on the reverse by Valmier'sdaughter. Tempera and oil on panel, 54 by 73 cm]
Attributed works:
[Dickinson, London and New York. Citrons et verre, by Pablo Picasso (1881-1973). Signed centre left: Picasso. Dated on the reverse: 14.1.44. Oil on canvas, 27 by 41 cm]
Attributed works:
[Didier Aaron, Clifford House, 15 Clifford Street. Recto: Study for the figure of St. Laurence in The Virgin with child appearing to St. Laurence, verso: Study of a foot, by Giovanni Francesco Barbieri, called Il Guercino (1591-1666). c. 1624. Black and white chalk on paper, 18.8 by 23.7 cm]
Attributed works:
[Didier Aaron, London, Paris and New York. A Gothic revival mahogany arm chair. Design attributed to William Porden. Possibly make by Gillow & Co., London or Lancaster. Regency period. England, c.1815. Height: 95 cm. Width: 64 cm. Depth: 70 cm]
Attributed works:
[Emanuel von Baeyer, Exhibiting at: 14 Old Bond Street. Sheet of Studies, by John Ruskin (1819-1900). 1836. Inscribed verso: 'Baden 17th December 1836. One o'clock (morning)'. Pen and ink in grey and black, 28.4 by 22.8 cm]
Attributed works:
[Erik Thomsen. Regrets for the departing spring, by Kamewari Takashi (1901-81). Ink, mineral colours, gofun and silver wash on silk, 213.4 by 243.8 cm]
Attributed works:
[Fisher. Haldenstrasse 19. Lucerne. Vladimir Donatovitch Orlovsky (Kiev 1842-1914). Evening mood on the seashore. Signed <<W. Orlowsky.>> Lower left and dated <<(18)70>> lower right. Oil on canvas, 32.4 x 63.3 cm (detail)]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Johann Wenzel Peter (Karlsbad 1745 - Roma 1829). A Lion and Tiger that dispute over a Deer, 1809]
Attributed works:
[Francesca Antonacci, Rome. A view of Rome from the Pincio, by P.C. Skovgaard (1817-1875). Oil on canvas, 65 by 150 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giacomo Ceruti, called Il Pitocchetto. Milan, 1698-1767. Portrait of a Capuchin Friar. Oil on canvas, 93 x78 cm (36 5/8 x 30 11/16 in)]
Attributed works:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Leonhard Kern (Forchtenberg 1588 - 1662 Schwabisch Hall). ca. 1635-45. Fruitwood. Height: 23 cm, lenght: 19.5 cm]
Attributed works:
[Granocchia FIne Art. An 18 carat white gold broach in the shape of a leaf mounted with diamond and ruby 'serti Mesterieux'. 1940s. Signed: 'vca Paris']
Attributed works:
[Hill-Stone, Inc. Exhibiting at: The Fine Art Society, 148 New Bond Street. Two actors standing on an ornamental platform, by Jean-Antoine Watteau (1684-1721). Drawing in red chalk, 36.4 by 23.3 cm]
Attributed works:
[Holly Johnson Antiques. A pair of red leather Jetson chairs with chrome plated steel base, by Bruno Mathsson (1907-88) for DUX. c.1970. Height: 100 cm. Width: 64 cm. Depth: 46 cm]
Attributed works:
[Jane Kahan Gallery. Rythme, by Robert Delaunay (1938-1974). Aubusson Tapestry, 233.7 by 167.6 cm]
Attributed works:
[Jean-Luc Baroni, 7-8- Manson's Yard. Lady seen from behind, by Auguste Rodin (1840-1917). Signed: 'A Rodin' at lower right. Watercolour over black chalk, 32.5 by 25 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Jan Weenix. 1642 - Amsterdam - 1719. A Squirrel Monkey. Oil on canvas: 29.9 x 25.9 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Vladimir Sokolov. 1872-1946. The Trinity Monastery of Saint Sergius. Signed and dated 1924. Ink: 30.5 x 45 cm]
Attributed works:
[Johnny Van Haften Ltd, 13 Duke Street. A portrait of a gentleman, by Michael Sweerts (1618-64). Oil on canvas, 64.1 by 51.4 cm]
Attributed works:
[Jose de la Mano, Exhibiting at: The Art Gallery (Lower), 32 Dover Street. Academic study, by Huan Conchillos Falcó (1641-1711). c.1691-1704. Charcoal and white lead on blue-tinted paper, 39.2 by 25.5 cm]
Attributed works:
[Julian Hartnoll. Portrait of a girl, by Edward Burne-Jones (1833-98). 1880. Red chalk, 50.8 by 40.6]
Attributed works:
[Kay Michie. The skater, by Laura Knight (1877-1970). Watercolour and gouache, 55.8 by 83.8 cm]
Attributed works:
[MacDougall’s Fine Art Auction. 30° Charles II St. London.Robert Walker Weir. The Two Marys at the Sepulchre.]
Attributed works:
[Moretti FIne Art Ltd, 43-44 New Bond Street. St. Antonius, by Lorenzo di Credi (c. 1456-1536). Oil on panel, 31.1 by 19.3 cm]
Attributed works:
[Portland Gallery, London. Still-Life, broken statue and shadow, by Francis Bacon (1909-1992). 1984. Titled, signed and dated 1984 on the reverse. Oil on canvas, 190 by 147 cm]
Attributed works:
[Robilant + Voena, London and Milan. A View of Whitehall with the banqueting house and the Holbein Gate, by Antonio Joli. (c.1700-1777). c.1744-48. Oil on canvas,41.9 by 71.1 cm]
Attributed works:
[Ronald Phillips. 26 Bruton Street. London. A magnificent George III Mahogany bookcase attributed to Thomas Chippendale]
Attributed works:
[Sotheby's, 34-35 New Bond Street. Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, Francesco Guardi. (1712-93). 120 by 203.7 cm]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Jean-François de Troy. The Crowing of Esther.]
Attributed works:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. Sir Stanley Spencer. Workmen in the house, 1935.]
Attributed works:
[Sphinx Fine Art, Exhibiting at Frost & Reed, 2-4 King Street. Cattle at rest, by Boris Dmitrievich Grigoriev (1886-1929). Signed 'Boris Grigoriev'. Gouache on paper, 40 by 55.5 cm]
Attributed works:
[Sphinx Fine Arts, Exhibiting at: 2-4 King Street. The suffering of Christ, by Bartholomaus Spranger (1546-1611). Oil on copper, 29.5 by 22 cm]
Attributed works:
[Tai Gallery. Bon appetit: A feast for the eyes, by Ueno Masao. 2010. Madake, gold dust and gold leaf. Height: 23.5 cm. Width: 14 cm. Depth: 16 cm]
Attributed works:
[Tomasso Brothers, London and Leeds. Female classical bust, by John Gibson (1790-1866). White marble. Height: 49.2 cm]
Attributed works:
[Trinity Fine Art, 29 Bruton Street. Portrait of a man in a soft cap, possibly Gian Vincenzo Gravina, by Pier Leone Ghezzi (1674-1755). Pen and brown ink, 25 by 20.1 cm]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Merry-Joseph Blondel (Paris, 1781-1853). Portrait of Pierre-Jean-George Cabanis (1757-1808). Oil on canvas, 125.5 x 92 cm.]
Attributed works:
[Whitfield Fine Art, 23 Dering Street. Holy Family with St. Catherine, by Ludovico Carracci (1555-1619). Oil on canvas, 52 by 63 cm]
Attributed works:
[Wildenstein & Co. Inc. 19 East 64th Street. New York, NY 10021. Jean-Baptiste-Camille Corot. Un Ruisseau sous bois, c.1855-60. Oil on canvas: 58.4 x 45.1 cm]
Non-western art unattributed:
[Anita Gray. A pair of large Chinese blue and white Kangxi bowls, each on a short round moulded foot, painted in brilliant underglaze blue enamels. 1662-1722. Diameter: 34 cm]
Western art unattributed:
[Brian Rolleston Antiques. An important William and Mary escritoire inlaid throughout with flowers, leaves and birds. English, c. 1685. Width: 114 cm. Depth: 52 cm. Height: 167 cm]
Western art unattributed:
[Christie's, Old Master and British Drawings and Watercolours, 5th July 2011. Portrait of a young man, bust-length, wearing a hat. Netherlandish school. c.1450-1500. With inscriptions: 'hugo' (recto) and 'Lucas van Leyden' (verso). Metalpoint, on light grey prepared paper, unframed. 16.2 by 12.2 cm]
Western art unattributed:
[MacDougall’s Fine Art Auction. 30° Charles II St. London. Follower of Pieter Brueghel the Elder. The Fight Between Carnival and Lent.]
Western art unattributed:
[Peter Finer, London. A corinthian helmet, c.580-520 BC. Greek.]
Western art unattributed:
[Sotheby’s & Co., 34-35 New Bond Street, London, W.1. A pair of Italian carved giltwood settees from the Palazzo Carrega-Cataldi. Genovese, circa 1740-1744.]
Western art unattributed:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. The Albani Faun. 18th Century Roman School. White Marble.]
next
load more