By using this website you agree to our Cookie policy

Search

505 articles
Article
Bravery, ingenuity and aerial post: an enamelled bowl by Joséphine-Arthurine Blot
05/2025 | 1466 | 167
Pages: 471–77
related names
Author:
Kisluk-Grosheide, Daniëlle O. (Kisluk-Grosheide, Daniëlle O.)
Subjects
Illustrations
Attributed works:
1. Bowl honouring Gaston Tissandier, by Joséphine-Arthurine Blot. c.1871. Enamel and foil on copper, diameter 16.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Lucretia, by Raphael. 1508–10. Pen and brown ink over chalk on paper, 39.7 by 29.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Emblêmes patriotiques, by Jean-Adolphe Bocquin. c.1870. Lithograph. (Tissandier Collection, Library of Congress Prints and Photographs Division, Washington).
Attributed works:
2. Interior of the Palace of Liberal Arts at the Exposition Universelle of 1889, showing a hot air balloon and a hydrogen balloon. 1889. Photograph. (Tissandier Collection, Library of Congress Prints and Photographs Division, Washington).
Attributed works:
3. Detail of the reverse of Fig.1, showing the artist’s signature.
Attributed works:
4. Model for a proposed monument to commemorate the invention of the balloon, by Clodion. c.1784. Terracotta, 109.5 by 62.9 by 51.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Nadar with his wife, Ernestine, in a balloon, by Nadar. c.1865, printed 1890s. Gelatin silver print from glass negative, 9 by 7.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Reverse of Fig.1.
Attributed works:
7. Letter sent par ballon monté addressed to Henry Reynolds- Moreton, 3rd Earl of Ducie at Tortworth Court, near Thornbury, South Gloucestershire, England. Written by I.W. on 15th December 1870. Ink on paper, 13.6 by 20.1 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Drawing for an illustration in Voyages du Flandre, by Albert-Charles Tissandier. Late 19th century. Graphite and wash on paper, 14 by 14 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Gaston Tissandier in his study, by Dornac. c.1891. Photograph. (Archives Larousse, Paris; Bridgeman Images).
Editorial
Fashionistas
05/2025 | 1466 | 167
Pages: 417
Exhibition Review
Caspar David Friedrich: The Soul of Nature
05/2025 | 1466 | 167
Pages: 491–3
related names
Reviewer:
Amstutz, Nina (Amstutz, Nina)
Subjects
Reviewed Items
museums and institutions:
Caspar David Friedrich: The Soul of Nature Metropolitan Museum of Art, New York 8th February–11th May | :
Illustrations
Attributed works:
10. Ruins at Oybin, by Caspar David Friedrich. c.1812. Oil on canvas, 65 by 47 cm. (Hamburger Kunsthalle; exh. Metropolitan Museum of Art, New York).
Attributed works:
11. The Watzmann, by Caspar David Friedrich. 1824–25. Oil on canvas, 135 by 170 cm. (Alte Nationalgalerie, Berlin; exh. Metropolitan Museum of Art, New York).
Attributed works:
12. The Watzmann, by August Heinrich. 1820–22. Watercolour over charcoal on wove paper, 15.5 by 25.1 cm. (Metropolitan Museum of Art, New York).
Supplement
Recent acquisitions (2014–24) of European decorative arts at the Metropolitan Museum of Art
03/2025 | 1464 | 167
Pages: 305–24
related names
Author:
Lawrence, Sarah E. (Lawrence, Sarah E.)
Subjects
Illustrations
Attributed works:
10. ‘Elephant’ armchair, designed by Christopher Dresser. c.1880. Ebonised mahogany with incised and painted decoration, 75 by 64.8 by 43.2 cm., seat height 37.5 cm. Purchase, Barrie A. and Deedee Wigmore Foundation Gift, 2024 (2024.167).
Attributed works:
11. Inkstand in the form of a pomegranate, made by either the Chantilly or Villeroy factory. Porcelain c.1735, mounts c.1740–50 and later. Soft-paste porcelain and gilded bronze, body 13.7 by 26.2 by 17.8 cm., lid 2.7 by 4.4 cm., overall dimensions (with lid) 15.1 by 27.8 by 17.8 cm. Bequest of Mrs Charles Wrightsman, 2019 (2019.283.55a, b).
Attributed works:
12. Longcase equation regulator, by Ferdinand Berthoud and Balthazar Lieutaud. c.1752. Oak veneered with satinwood and kingwood, gilded bronze, glass, enamel, steel and brass, 219 by 63 by 30 cm. Purchase, Acquisitions Fund, and Annette de la Renta, Mercedes T. Bass, Beatrice Stern, Susan Weber, William Lie Zeckendorf, Alexis Gregory and John and Susan Gutfreund Gifts, in honour of Mrs Charles Wrightsman, 2015 (2016.28a–e).
Attributed works:
13. ‘Beckford-Behague’ ewer, design attributed to Jean Guillaume Moitte, made by Henri Auguste. 1790. Gold, ebonised fruitwood and gilt-tooled red Morocco leather, height 29 cm. Wrightsman Fund, 2023 (2023.434a, b).
Attributed works:
14. Orrery clock, by Louis Thouverez. 1790. Cast and gilded bronze, Carrara marble, copper, brass, steel and enamel, 48.3 by 24.1 cm. Bequest of Mrs Charles Wrightsman, 2019 (2019.283.73).
Attributed works:
15. Pair of eight-light candelabra, designed by Aimé Chenavard, made by Guillaume Denière; figures by Jean-Jacques Feuchère, and semi-precious and hardstone ornaments by M. Combettes. 1834–39. Gilt bronze, rock crystal and carnelian, 109.2 by 55.9 cm. Gift of Tobias Meyer and Mark Fletcher, 2020 (2020.96.1, 2).
Attributed works:
16. Basin with snake, ferns and bark, by Charles-Jean Avisseau. 1850–55. Glazed earthenware, 9.5 by 65.1 by 53.3 cm. Gift of Wallis Katz, in memory of Marshall Katz, and in celebration of the Museum’s 150th anniversary, 2020 (2020.86.15).
Attributed works:
17. Cabinet, designed by Louis-Constant Sévin, made by Maison Barbedienne. 1867. Brass with polychrome cloisonné enamel and velvet, 63.5 by 69.2 by 39.4 cm. Purchase, Bequest of John L. Cadwalader, by exchange, 2017 (2017.666).
Attributed works:
19. Dish with a landscape, by Jacopo da Pesaro. c.1545–50. Tin-glazed earthenware painted with dark blue and white highlights on berettino ground, 5.7 by 45.7 by 45.7 cm. Johnston Fund, 2017 (2017.129).
Attributed works:
2. Mother and child, by the Chelsea Porcelain Manufactory. c.1749–50. Soft-paste porcelain with polychrome enamel decoration, 22.5 by 15.2 by 11.7 cm. Purchase, Larry and Ann Burns Gift, in honour of Austin B. Chinn, 2023 (2023.433).
Attributed works:
20. Monumental vase with scenes from ‘Jerusalem Delivered’ (front and back), probably by Pietro Papi. 1670. Tin-glazed earthenware, 80 by 48 by 35 cm. Purchase, Wrightsman Fellows and Friends of European Sculpture and Decorative Arts Gifts, 2022 (2022.492.2) (one of a pair).
Attributed works:
21. Commode, by Pietro Piffetti, gilt-bronze mounts attributed to Francesco Ladatte. c.1760. Marquetry of ebony, boxwood, walnut and fruitwood; poplar (alberone) carcass; gilded bronze and iron, 83.7 by 125 by 60.6 cm. Bequest of Errol M. Rudman, 2020 (2020.371).
Attributed works:
22. Book cover for Mahzor prayer book with leather case, by Giuseppe Merlini. 1755–57. Chased and embossed silver, 17.5 by 13 by 6.4 cm. Purchase, Manda and Albert Kalimian Gift, in memory of Victoria and Rouhollah Kalimian, 2024 (2024.380a–c).
Attributed works:
25. Honour from the series The Honours, design attributed to Bernard van Orley and workshop, with collaborators. Designed before 1520, woven between 1525 and 1532. Wool and silk, 462.5 by 799 cm. (6–7 warp threads per cm.). Purchase, 2014 Benefit and Director’s Funds, several members of The Chairman’s Council Gifts, Brooke Russell Astor Bequest, Ambassador and Mrs W.L. Lyons Brown, Mr and Mrs Richard L. Chilton Jr, and Josephine Jackson Foundation Gifts, 2015 (2015.396).
Attributed works:
28. Apothecary cabinet, by Nicolaus I Kolb. 1617–18. Ebonised pearwood (Pyrus communis), ebony, partially gilded silver, conifer, red silk, red silk velvet, gold, partially gilded brass, glass, low-carbon steel and leather, 28 by 28 by 23 cm. Purchase, Anna-Maria and Stephen Kellen Acquisitions Fund, 2019 (2019.229.1a–c–.32a, b).
Attributed works:
29. Orpheus cup, figures attributed to Jan Vermeyen, painted enamel by Johann Wilhelm Baur, goldsmith work by Hans Georg Bramer, enamel scene on interior of cup lid by unknown Viennese enamel painter. c.1600 and 1641–42. Cast, embossed and engraved gold, rubies and ronde-bosse and painted enamel, 18.1 by 13 by 8.9 cm. Purchase, Anna-Maria and Stephen Kellen Acquisitions Fund, 2020 (2020.400a, b).
Attributed works:
3. Botanical plate with spray of lilies, by the Chelsea Porcelain Manufactory. c.1755. Soft-paste porcelain with enamel decoration, 3.2 by 27.9 by 27.9 cm. Purchase, Sidney R. Knafel Gift, in honour of Jeffrey Munger, 2016 (2016.223).
Attributed works:
30. Ewer with scenes depicting the legend of Marcus Curtius, by Adam van Vianen. 1619. Silver, 23 by 12.7 by 12.1 cm. Purchase, Lila Acheson Wallace and Howard S. and Nancy Marks Gifts; Gift of Irwin Untermyer and funds from various donors, by exchange; From the Marion E. and Leonard A. Cohn Collection, Bequest of Marion E. Cohn, by exchange; Bequest of Bernard M. Baruch and Gift of Mrs Robert M. Hillas, by exchange; Bequest of John L. Cadwalader and Gifts of Lewis Einstein and William H. Weintraub, by exchange; From the Collection of Mrs Lathrop Colgate Harper, Bequest of Mabel Herbert Harper and Bequest of Alexandrine Sinsheimer, by exchange, 2018 (2018.194a, b).
Attributed works:
31. Vase with cover, made by the Meissen Manufactory. c.1725. Hard-paste porcelain, 43 by 14.6 by 14.6 cm. Bequest of Henry H. Arnhold, 2018 (2019.139.2a, b).
Attributed works:
32. Bust of Baron Schmiedel, made by the Meissen Manufactory, modelled by Johann Joachim Kändler. 1739. Hard-paste porcelain, 48 by 36.5 by 25.6 cm. Purchase, Marina Kellen French Gift, 2023 (2023.385).
Attributed works:
33. Strongbox with clockwork, by Alexander Fromery and Christian Ludwig von der Fecht. 1750. Iron, steel, copper, partially silvered and gilded brass, glass and red silk velvet, 54.6 by 57.5 by 35.2 cm. Purchase, Anna-Maria and Stephen Kellen Acquisitions Fund, 2022 (2022.366a–d).
Attributed works:
34. Obelisk clock with a Franklin movement, by David Roentgen (case) and Peter Kinzing (clock). c.1785–90. Oak, thuya burl wood, gilded bronze, silver and steel, 190.5 by 53.7 by 19.3 cm. Purchase, Anna-Maria and Stephen Kellen Acquisitions Fund, in honour of Wolfram Koeppe, 2015 (2015.504a–d).
Attributed works:
35. Writing table, by David Roentgen. c.1790. Mahogany and gilded bronze, 77.5 by 80.6 by 54 cm. Bequest of Mrs Charles Wrightsman, 2019 (2019.283.10).
Attributed works:
4. Pair of tea caddies and a sugar box in a case, by Paul de Lamerie. 1738/39. Silver, oak, and rosewood with boxwood and ebony inlay, case 19 by 33.7 by 14 cm., sugar box height 15.2 cm., caddies height 13.3 cm. Wrightsman Fund, 2022 (2022.254a–g).
Attributed works:
5. Teapot, designed by Christopher Dresser. c.1879. Silverplate and ebony, 12.7 by 22.9 by 13.3 cm. Gift of Lawrence A. and Janet Y. Larose, 2021 (2021.153.2).
Attributed works:
6. Brooch in the form of a dove on an olive branch, designed by Edward Burne-Jones. c.1895. Gold, coral, turquoise, seed pearl, ruby and red and green translucent enamel, 4.1 by 3.8 cm. Gift of Judith H. Siegel, 2015 (2015.409).
Attributed works:
7. Clutha vase, designed by Christopher Dresser. c.1888. Glass, 39.2 by 17.3 by 17.3 cm. Purchase, Friends of European Sculpture and Decorative Arts Gifts, 2015 (2015.250).
Attributed works:
8. Bench, designed by Thomas Hope. Before 1807. Gilded mahogany, modern wool cover and silk trims, 75.1 by 127 by 62.2 cm., width at feet 116.2 cm. Purchase, The James Parker Charitable Foundation Gift, 2014 (2014.136).
Attributed works:
9. Pair of tripod candlestands or torchères, designed by Thomas Chippendale. c.1760. Carved and gilded wood (pine?), 137.2 by 63.5 by 63.5 cm. Gift of Mrs Irene Roosevelt Aitken, 2023 (2023.488.1, .2).
Western art unattributed:
1. Bearing cloth. England. c.1600. Silk satin embroidered with silver and gilded silver metal-wrapped threads, 166.5 by 108 cm. Purchase, Friends of European Sculpture and Decorative Arts Gifts, 2016 (2016.526).
Western art unattributed:
18. Leather box. Venice. c.1490. Incised, tooled and stamped leather (cuir bouilli), 12.9 by 22.5 by 21 cm., lid 4.1 by 22.5 by 21 cm. Purchase, Wrightsman Fellows Gift, 2024 (2024.204a, b).
Western art unattributed:
23. Pair of Torah finials (Rimmonim). Galicia (present-day Poland and Ukraine). 1775–90. Partially gilded silver, rubies, emeralds, freshwater pearls, enamel and coloured glass, height 16.5 cm. Purchase, Dina Axelrad Perry and Ruth and Andrew Suzman Gifts, 2023 (2023.732.1, .2).
Western art unattributed:
24. Torah finials and crown, by Andrea Zambelli. c.1740–50. Partially gilded silver, Torah finials 67.5 by 15.7 by 15.2 cm. (2016.416) and 67.8 by 15.2 by 15.2 cm. (2016.417), Torah crown 27.5 by 31.4 by 31.4 cm. Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, 2016 (2016.416, .417); and purchase, Director’s Fund, 2013 (2013.443).
Western art unattributed:
26. Claudius Tazza. Possibly Antwerp. c.1587–99. Gilded silver, height approx. 40.6 cm., diameter approx. 38.1 cm. Wrightsman Fund, 2024 (2024.436).
Western art unattributed:
27. Tankard. Prague. c.1585–90. Gilded, cast, embossed, engraved and chased silver, rock crystal and garnets. Height 21 cm., diameter of foot 13 cm., diameter of rim 8 cm. Purchase, Anna-Maria and Stephen Kellen Acquisitions Fund, 2017 (2017.231).
Book Review
Hidden Faces: Covered Portraits of the Renaissance
12/2024 | 1461 | 166
Pages: 1267–70
related names
Reviewer:
Schmitter, Monika (Schmitter, Monika)
Subjects
art literature:
dates:
Reviewed Items
subjects:
Hidden Faces: Covered Portraits of the Renaissance Edited by Alison Manges Nogueira. 232 pp. incl. 203 col. ills. (Metropolitan Museum of Art, New York, 2024), £40. ISBN 978–15–883–9775–1. | :
Illustrations
Attributed works:
4. Portrait cover with an allegory, by Lorenzo Lotto. c.1505. Oil on panel, 42.9 by 33.7 cm. (National Gallery of Art, Washington).
Attributed works:
5. Portrait cover with an allegory, by Lorenzo Lotto. 1505. Oil on panel, 56.2 by 42.2 cm. (National Gallery of Art, Washington).
Attributed works:
6. Triumph of love, by Titian. c.1543–46. Oil on canvas, diameter 88.3 cm. (Ashmolean Museum, Oxford).
Exhibition Review
Paris through the Eyes of Saint-Aubin
12/2024 | 1461 | 166
Pages: 1249–50
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Paris through the Eyes of Saint-Aubin Metropolitan Museum of Art, New York 26th September 2024–5th February 2025 | :
Illustrations
Attributed works:
13. Statue of Louis XV seen through the arcade of the Garde-Meuble, by Gabriel de Saint-Aubin. 1763. Pen, ink and grey wash over black chalk on paper, 17 by 11.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Allegory of Louis XV as patron of the arts with paintings and sculpture from the Salon of 1769, by Gabriel de Saint-Aubin. 1769. Oil over black chalk on paper mounted on pasteboard, 21.3 by 14.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
15. Macartney, governor of the Island of Grenada, surrendering his sword to the comte d’Estaing, by Gabriel de Saint-Aubin. 1779. Pen, black ink and grey and blue wash over black chalk on paper, 16.5 by 21.5 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Collecting Inspiration: Edward C. Moore at Tiffany & Co.
10/2024 | 1459 | 166
Pages: 1062–4
related names
Reviewer:
Falino, Jeannine (Falino, Jeannine)
Subjects
artists:
dates:
Reviewed Items
subjects:
Collecting Inspiration: Edward C. Moore at Tiffany & Co. Metropolitan Museum of Art, New York | :
Illustrations
Attributed works:
7. Vase, by Tiffany & Co. 1879. Silver, copper, gold and silver-copperzinc alloy, 29.2 by 16.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
9. Swan centrepiece, by Tiffany & Co. 1874. Silver with gilding, 36.8 by 34.3 by 61 cm. (Rough Point Collection/Doris Duke, Newport Restoration Fund, Newport, Rhode Island; exh. Metropolitan Museum of Art, New York).
Non-western art unattributed:
8. Footed bowl with an eagle emblem. Probably Syria, mid-thirteenth century. Dipmoulded, blown, enamelled and gilded glass, 18.3 by 20.3 cm. (Metropolitan Museum of Art, New York).
Article
From storeroom to stardom: the revelations of two Sèvres porcelain trays
08/2024 | 1457 | 166
Pages: 834–847
related names
Author:
Savill, Rosalind (Savill, Rosalind)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
1. Worktable mounted with two trays, attributed to Bernard II van Risenburgh. Table c.1761–63; trays c.1761. Table: wood, green varnish and gilt-bronze mounts, 68.6 by 36.8 by 30.5 cm.; trays: Sèvres soft-paste porcelain, green ground, enamel colours and gilding, 32 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Top row: details of Figs.8, 2 and 7, comparing the images of Mademoiselle Madeleine de Courteille aged twelve (left) and eighteen (right), with her probable portrait aged fourteen (centre).
Attributed works:
11. Centre row: details of Figs.2 and 7, showing the face of Madame de Courteille aged thirty-four and thirty-eight respectively.
Attributed works:
12. Bottom row: details of Figs.2 and 7, showing the green ringneck parakeet.
Attributed works:
13. Plateau ‘Courteille’ from a déjeuner ‘Courteille’, by André-Vincent Vielliard. 1758 (date letter E). Sèvres soft-paste porcelain, rose ground, enamel colours and gilding, 23.2 by 32.7 cm. (Wadsworth Atheneum Museum, Hartford).
Attributed works:
14. Detail of Fig.13, showing the central scene of a child painter and sitter.
Attributed works:
15. Snuff box design, probably Henry-Joseph Mongenot. Second quarter 18th century. Pen and ink, watercolour and wash on paper, 5 by 7.6 cm. (Victoria and Albert Museum, London).
Attributed works:
16. Bottom panel of a snuff box, by Noël Hardivilliers. 1757–58. Gold and enamel, 3.5 by 7 by 5.1 cm. (Wallace Collection, London).
Attributed works:
17. Painting from the series Les Arts, by Carle van Loo. 1752–53. Oil on canvas, 87.5 by 84 cm. (Fine Arts Museums of San Francisco).
Attributed works:
18. Details of Figs.14 and 2, showing the young girls.
Attributed works:
19. Cuvette à fleurs ‘Verdun’ painted with a Teniers scene, by André-Vincent Vielliard. 1760 (date letter G). Sèvres soft-paste porcelain, turquoise ground, enamel colours and gilding, 11.8 by 23.5 cm. (Victoria and Albert Museum, London).
Attributed works:
2. Top tray of Fig.1.
Attributed works:
20. Blue Drawing Room at Camelford House, London. Photograph, 1891. (From Christie’s: Catalogue of the Furniture, Porcelain, Pictures, &c. at Camelford House, Park Lane, The town residence of Lord Hillingdon, London 1891, p.34).
Attributed works:
21. Charles Mills and his family at Hillingdon Court. Photograph, late 1850s. (Hillingdon Council, Museums and Archives Services, Uxbridge Library).
Attributed works:
22. Plateau ‘carré painted in the manner of André-Vincent Vielliard from déjeuner ‘carré (matching cup and saucer missing). 1760 (date letter G). Sèvres soft-paste porcelain, rose and green ground, enamel colours and gilding, 10.8 by 10.8 cm. (Private collection; photograph Millon).
Attributed works:
23. Minton drawing of the border and gilded patterns on Fig.4. 1763. Watercolour, paint, pen, ink and pencil on paper, 47 by 34.5 cm. (sheet). (Minton Archives, ‘Old Sevres Copies’).
Attributed works:
3. Detail of the bottom tray of Fig.1.
Attributed works:
4. Worktable mounted with two trays, attributed to Bernard II van Risenburgh. Table c.1761–63; top tray 1763 (date letter K), bottom tray c.1850. Table: wood, green varnish and gilt-bronze mounts, 67.6 by 35.9 by 30.5 cm.; top tray: Sèvres soft-paste porcelain; bottom tray: Minton bone china, green ground, enamel colours and gilding, 32 by 26 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Reverse of Fig.7, showing inscription and factory mark (upside down).
Attributed works:
6. Fig.7 shown framed as hung by the marquis de Courteille in his study in his Parisian hôtel from 1765–67. 1765. Gilded wood (frame), 35 by 38 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Picture plaque, by Charles-Nicolas Dodin. 1765 (date letter M). Sèvres soft-paste porcelain and enamel colours, 23.5 by 26 cm. (Victoria and Albert Museum, London).
Attributed works:
8. Portrait of Madeleine-Mélanie Henriette de Courteille, by Jean- Baptiste Greuze. 1759. Oil on canvas, 79 by 64 cm. (Herzog Anton Ulrich Museum, Braunschweig).
Attributed works:
9. Cuvette à fleurs ‘Courteille’, probably by Charles-Nicolas Dodin. 1759 (date letter F). Sèvres soft-paste porcelain, blue and green ground, enamel colours and gilding, 19.7 by 32.5 cm. (Private collection).
Letter
The new Northern Renaissance gallery in New York
07/2024 | 1456 | 166
Pages: 669
related names
Author:
Hall, James (Hall, James)
Subjects
Illustrations
Attributed works:
2. Kuttenberg silver mine, by Matthaus of Kuttenberg. c.1480. Tempera on parchment, 14.5 by 24.7 cm. (Frontispiece, Kuttenberger Kantoniale, Codex 15501; Österreichische Nationalbibliothek, Vienna).
Exhibition Review
Northern Renaissance gallery Metropolitan Museum of Art, New York
04/2024 | 1453 | 166
Pages: 395–398
related names
Reviewer:
Boivin, Katherine (Boivin, Katherine)
Subjects
dates:
Reviewed Items
subjects:
Northern Renaissance gallery Metropolitan Museum of Art, New York From 3rd October 2023 | :
Illustrations
Attributed works:
5. Orpheus cup, by Hans Georg Bramer, Johann Wilhelm Baur, Jan Vermeyen and others. 1641– 42. Gold, enamel and ruby, 18.1 by 13 by 8.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Installation view of the Northern Renaissance gallery at the Metropolitan Museum of Art, New York. 2023. (photograph Anna-Marie Kellen).
Western art unattributed:
7. Kneeling Black woman. Early 17th century. Brazilian rosewood, lapis lazuli, marble and gilded metal, height 11.7 cm. (Metropolitan Museum of Art, New York).
load more