1. Still life with grapefruit and wine, by Norah
E. Parish. c.1910. Autochrome, 8.2 by 10.7
cm. (Royal Photographic Society Collection,
Victoria and Albert Museum, London, inv.
no.RPS.1626-2020).
Attributed works:
2. Blue and pink, by Kate Smith. c.1910–20.
Autochrome, 10.5 by 8 cm. (Royal Photographic
Society Collection, Victoria and Albert
Museum, London, inv. no.RPS.1058-2021).
Attributed works:
3. A beautiful weed, by Kate Smith. c.1910–20.
Autochrome, 10.5 by 8 cm. (Royal Photographic
Society Collection, Victoria and Albert
Museum, London, inv. no.RPS.1057-2021).
Attributed works:
4. Profile, by Kate Smith. c.1929. (From The
Photographic Journal 69 (August 1929), p.182).
Book Review
Das Autochrom in Großbritannien: Revolution in der Farbfotografie. By Caroline Fuchs
Das Autochrom in Großbritannien:
Revolution in der Farbfotografie
By Caroline Fuchs. 324 pp. incl. 127 col. ills.
(De Gruyter, Berlin and Boston, 2017), £72.50.
ISBN 978–3–11–056683–3. |
:
Illustrations
Attributed works:
6. Lady Ottoline Morrell, by Adolph de Meyer.
1907–09. Autochrome, 16.5 by 10.8 cm.
(National Portrait Gallery, London).