Francesca Woodman and Julia
Margaret Cameron: Portraits
to Dream In
National Portrait Gallery, London
21st March–16th June |
:
Illustrations
Attributed works:
24. Self-portrait
at thirteen,
by Francesca
Woodman. c.1972.
Gelatin silver
print, 17.1 by 17
cm. (Woodman
Family Foundation;
DACS, London; exh.
National Portrait
Gallery, London).
Attributed works:
25. Annie, my
first success, by
Julia Margaret
Cameron. 1864.
Albumen print,
18 by 14.3 cm.
(National Science
and Media
Museum; Science
and Society
Picture Library;
exh. National
Portrait Gallery,
London).
Attributed works:
from the series
Caryatid, by
Francesca
Woodman. 1980.
Diazotype,
201.9 by 92.1
cm. (Woodman
Family
Foundation;
DACS, London;
exh. National
Portrait Gallery,
London).
Book Review
Thoroughly Modern: The Pioneering Life of Barbara Ker-Seymer, Photographer, and her Brilliant Bohemian Friends
Thoroughly Modern: The
Pioneering Life of Barbara Ker-
Seymer, Photographer, and her
Brilliant Bohemian Friends
By Sarah Knights. 336 pp. incl. numerous
b. & w. ills. (Virago, London, 2023), £22.
ISBN 978–0–349–01151–6. |
:
Yevonde: Life and Colour
National Portrait Gallery, London
22nd June–15th October |
:
Illustrations
Attributed works:
19. Lord and
Lady Derwent
(Comtesse Sabine
Czaykowska and
George Harcourt
Vanden-Bampde-
Johnstone, 3rd
Baron Derwent),
by Yevonde. (Mark
Evans Picture
Library; exh.
National Portrait
Gallery, London).
Attributed works:
20. Muhammadu
Kabir Usman
(son of Usman
Nagogo) and
Ibrahim (son of
Yusifu Lamba),
grandsons of
Muhammadu
Dikko, Emir
of Katsina, by
Yevonde. 1933.
Tri-colour
separation
negative, modern
print exhibited.
(National
Portrait Gallery,
London).
Attributed works:
21. Self-portrait
with Vivex One-
Shot Camera, by
Yevonde. 1937. Tricolour
separation
negative, modern
print exhibited.
(National Portrait
Gallery, London).
Attributed works:
22. Venus
surrounded
by mask and
deep sea fish,
by Yevonde.
1938. Tri-colour
separation
negative, modern
print exhibited.
(National
Portrait Gallery,
London).
Article
One short trip to New York: Bill Jay and Tony Ray-Jones
1. Untitled (Street parade, New York), by Bill Jay. 1968. Scan
from a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
10. Photographs by Tony Ray-Jones in a spread from Creative Camera
(April 1969), pp.140–41.
Attributed works:
2. Bill Jay, photographed in c.1966. (Bill Jay Estate, Tempe).
Attributed works:
3. Tony Ray-Jones, by Bill Jay. 1968. Scan from a vintage negative.
(Bill Jay Estate, Tempe).
Attributed works:
4. Weegee, by Bill Jay. 1968. Gelatin silver print, 27.9 by 19.1 cm.
(Bill Jay Estate, Tempe; Museum of Fine Arts, Houston).
Attributed works:
5. Contact sheet of photographs taken in New York, including frames
showing Weegee in his New York apartment, by Bill Jay. 1968. Vintage
contact sheet, 20.3 by 25.4 cm. (Bill Jay Estate, Tempe).
Attributed works:
6. Weegee in his New York apartment, by Bill Jay. 1968. Scan from
a vintage negative. (Bill Jay Estate, Tempe).
Attributed works:
7. Robert Frank’s ‘Letter from New York’, in a spread from Creative
Camera (July 1969), pp.234–35.
Attributed works:
8. Contact sheet of photographs taken in New York, showing a street
parade, by Bill Jay. 1968. Vintage contact sheet, 20.3 by 25.4 cm.
(Bill Jay Estate, Tempe).
Attributed works:
9. Lee Friedlander’s ‘Five portraits’ in a spread from Creative Camera
(May 1969), pp.178–81.
Short Notice
Soft, feminine and forgotten: Kate Smith’s autochromes
1. Still life with grapefruit and wine, by Norah
E. Parish. c.1910. Autochrome, 8.2 by 10.7
cm. (Royal Photographic Society Collection,
Victoria and Albert Museum, London, inv.
no.RPS.1626-2020).
Attributed works:
2. Blue and pink, by Kate Smith. c.1910–20.
Autochrome, 10.5 by 8 cm. (Royal Photographic
Society Collection, Victoria and Albert
Museum, London, inv. no.RPS.1058-2021).
Attributed works:
3. A beautiful weed, by Kate Smith. c.1910–20.
Autochrome, 10.5 by 8 cm. (Royal Photographic
Society Collection, Victoria and Albert
Museum, London, inv. no.RPS.1057-2021).
Attributed works:
4. Profile, by Kate Smith. c.1929. (From The
Photographic Journal 69 (August 1929), p.182).
Book Review
The Idea of Italy: Photography and the British Imagination, 1840–1900
In Light of Rome: Early Photography in the Capital of the Art World, 1842–1871
In Light of Rome: Early Photography in
the Capital of the Art World, 1842–1871
By John F. McGuigan Jr and Frank H. Goodyear
III. 272 pp. incl. 135 col. ills. (Bowdoin College
Museum of Art, Brunswick MA, and Pennsylvania
State University Press, University Park PA, 2023),
£60.95. ISBN 978–0–271–09488–5. |
:
subjects:
The Idea of Italy: Photography and
the British Imagination, 1840–1900
Edited by Maria Antonella Pelizzari and Scott
Wilcox. 288 pp. incl. 180 col. ills. (Yale Centre
for British Art, New Haven, and Yale University
Press, New Haven and London, 2022), £40.
ISBN 978–0–300–26383–1. |
:
Illustrations
Attributed works:
1. Cloud study with Trinità dei Monti, by
Carlo Baldassare Simelli. c.1860. Untrimmed
albumen print from a glass negative, 23.3
by 26.1 cm. (Private collection).