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Article
Chiloé’s ‘St Michael’: reconsidering sources for the Hispano-Chilote school of sculpture
11/2021 | 1424 | 163
Pages: 1020-1027
related names
Author:
Gillett, Molly-Claire (Gillett, Molly-Claire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. St Michael, here attributed to a pupil of José Brasanelli and dated c.1720–60. Polychrome wood. (San Francisco, Castro, Chiloé; photograph the author).
Attributed works:
10. St Gabriel, attributed to José Brasanelli. c.1722. Polychrome wood, height 139 cm. (Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
11. Detail of Fig.1, showing the carving of the face and neck.
Attributed works:
12. Detail of Angel, by José Brasanelli, showing the carving of the face and neck. c.1710–20. Polychrome wood. (Museo Julio Castilhos, Porte Alegre).
Attributed works:
3. St Michael, by José Brasanelli. c.1710. Polychrome wood. (Itauguá, Paraguay).
Attributed works:
4. St Joaquim, attributed to Johannes Bitterich. c.1718–20. Polychrome wood, 95 by 30 by 50 cm. (Sacristy, Santiago Cathedral; photograph the author).
Attributed works:
5. Dying St Francis Xavier, attributed to Jacob Kelner. c.1748–67. Polychrome wood, 50 by 170 by 80 cm. (Cathedral, Santiago; photograph the author).
Attributed works:
6. Detail of Fig.1, showing the carving of the skirt.
Attributed works:
7. Detail of Fig.4, showing the carving of the skirt.
Attributed works:
8. Virgin Immaculate, attributed to José Brasanelli. c.1720–23. Polychrome wood. (Church of Loreto, Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
9. St Michael, attributed to José Brasanelli. c.1723. Polychrome wood, height 140 cm. (Santa María de Fe, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Western art unattributed:
13. St Michael. Chiloé, late eighteenth or early nineteenth century. Polychrome wood, height 139 cm. (Nuestra Señora de Gracia, Nercón, Chiloé; photograph the author).
Western art unattributed:
2. St Michael. Germany, eighteenth century. Gilded and painted wood, 179.1 by 81.3 by 39.4 cm. (Saint Louis Art Museum).