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3 articles
Article
Chiloé’s ‘St Michael’: reconsidering sources for the Hispano-Chilote school of sculpture
11/2021 | 1424 | 163
Pages: 1020-1027
related names
Author:
Gillett, Molly-Claire (Gillett, Molly-Claire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. St Michael, here attributed to a pupil of José Brasanelli and dated c.1720–60. Polychrome wood. (San Francisco, Castro, Chiloé; photograph the author).
Attributed works:
10. St Gabriel, attributed to José Brasanelli. c.1722. Polychrome wood, height 139 cm. (Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
11. Detail of Fig.1, showing the carving of the face and neck.
Attributed works:
12. Detail of Angel, by José Brasanelli, showing the carving of the face and neck. c.1710–20. Polychrome wood. (Museo Julio Castilhos, Porte Alegre).
Attributed works:
3. St Michael, by José Brasanelli. c.1710. Polychrome wood. (Itauguá, Paraguay).
Attributed works:
4. St Joaquim, attributed to Johannes Bitterich. c.1718–20. Polychrome wood, 95 by 30 by 50 cm. (Sacristy, Santiago Cathedral; photograph the author).
Attributed works:
5. Dying St Francis Xavier, attributed to Jacob Kelner. c.1748–67. Polychrome wood, 50 by 170 by 80 cm. (Cathedral, Santiago; photograph the author).
Attributed works:
6. Detail of Fig.1, showing the carving of the skirt.
Attributed works:
7. Detail of Fig.4, showing the carving of the skirt.
Attributed works:
8. Virgin Immaculate, attributed to José Brasanelli. c.1720–23. Polychrome wood. (Church of Loreto, Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
9. St Michael, attributed to José Brasanelli. c.1723. Polychrome wood, height 140 cm. (Santa María de Fe, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Western art unattributed:
13. St Michael. Chiloé, late eighteenth or early nineteenth century. Polychrome wood, height 139 cm. (Nuestra Señora de Gracia, Nercón, Chiloé; photograph the author).
Western art unattributed:
2. St Michael. Germany, eighteenth century. Gilded and painted wood, 179.1 by 81.3 by 39.4 cm. (Saint Louis Art Museum).
Article
Two German sculptors who transformed the arts of colonial Chile: Johannes Bitterich and Jacob Kelner
11/2014 | 1340 | 156
Pages: 741-745
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
places:
subjects:
Illustrations
Attributed works:
21. St Anne, here attributed to Johannes Bitterich (Museo del Carmen de Maipú)
Attributed works:
22. St Joaquim, here attributed to Johannes Bitterich (Sacristy, Santiago Cathedral)
Attributed works:
23. Detail of Fig.21
Attributed works:
24. Detail of Fig.22
Attributed works:
25. Detail of Fig.26
Attributed works:
26. Dying St Francis Xavier, here attributed to Jacob Kelner (Cathedral, Santiago)
Attributed works:
27. St Francis Xavier, by Johannes Bitterich (Martinskirche, Bamberg)
Attributed works:
28. St Ignatius of Loyola (detail), by Johannes Bitterich (Martinskirche, Bamberg)
Attributed works:
29. St Cunigunde, by Johannes Bitterich (Chapel, Schloss Weissenstein, Pommersfelden)
Attributed works:
30. St John Nepomuk, circle of Matthias Bernhard Braun (National Gallery, Prague)
Attributed works:
31. St Martin of Tours, by Johannes Bitterich (Chapel, Schloss Weissenstein, Pommersfelden)
Attributed works:
32. Virgin of Sorrows, by Johann Georg Pinsel (Former church of the Poor Clares, Lvov)
Attributed works:
33. St John Nepomuk, by Antoni Osinski (Bernardine Church, Lvov)
Article
The ‘St Sebastian’ of Los Andes: a Chilean cultural treasure re-examined
11/2011 | 1304 | 153
Pages: 721-726
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
14. St Sebastian, here attributed to Adam Engelhard. c.1730–35. Polychrome American cedar with glass eyes, 195 by 95 by 73 cm. (Church of S. Rosa de Los Andes, Chile; photograph by Fernando Guzmán).
Attributed works:
15. Detail of Fig.14.
Attributed works:
16. Detail of Fig.14.
Attributed works:
17. St Ignatius of Loyola, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Fernando Guzmán).
Attributed works:
18. St Francis Xavier, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Fernando Guzmán).
Attributed works:
19. St Francis Borgia, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
21. St Aloysius Gonzaga, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
22. James Chisai, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
23. St Sebastian, by Konrad Hegenauer. c.1760. Polychrome wood. (Marienkapelle, Sankt Georg und Jacobus, Isny im Allgäu; photograph by Peta Gillyatt Bailey).
Attributed works:
26. Death of St Francis Xavier, attributed to Jacob Kellner. After 1748. Polychrome wood, 50 by 170 by 80 cm. (Cathedral Museum, Santiago; photograph by Fernando Guzmán).
Attributed works:
27. Pulpit (detail), attributed to Georg Lanz. After 1751. (Church of La Merced, Santiago).
Attributed works:
St Stanislas Kostka, by Johannes Bitterich. 1711. Polychrome wood (Martinskirche, Bamberg)
Western art unattributed:
24. St Sebastian, anonymous. First half of the eighteenth century. Polychrome wood. (Church of Maria Schnee, Lehenbühl; photograph by Peta Gillyatt Bailey).
Western art unattributed:
25. St Sebastian, anonymous. First half of the eighteenth century. Polychrome wood. (Church of St Wolfgang, Kleukheim; photograph by Peta Gillyatt Bailey).