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12 articles
Exhibition Review
Hand in Hand: Sculpture and Colour in the Spanish Golden Age
02/2025 | 1463 | 167
Pages: 166–168
related names
Reviewer:
Hellwig, Karin (Hellwig, Karin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Hand in Hand: Sculpture and Colour in the Spanish Golden Age Museo Nacional del Prado, Madrid 19th November 2024–2nd March 2025 | :
Illustrations
Attributed works:
4. Christ of forgiveness, by Luis Salvador Carmona. 1756. Polychrome wood enhanced by other media, 163 by 91.5 by 90 cm. (Clarisas Capuchinas, Nava del Rey; exh. Museo Nacional del Prado, Madrid).
Attributed works:
5. St Dominic of Guzmán, by Juan Martínez Montañés (sculptor) and Francisco Pacheco (polychrome artist). 1605–09. Polychrome wood, 147 by 126 by 68 cm. (Museo de Bellas Artes, Seville; exh. Museo Nacional del Prado, Madrid).
Attributed works:
6. Christ on the Cross, by Sánchez Cotán. Oil on canvas, 220 by 120 cm. (Museo de Bellas Artes, Granada; exh. Museo Nacional del Prado, Madrid).
Exhibition Review
Luisa Roldán: Escultora real
02/2025 | 1463 | 167
Pages: 164–164
related names
Reviewer:
Trusted, Marjorie (Trusted, Marjorie)
Subjects
dates:
Reviewed Items
subjects:
Luisa Roldán: Escultora real Museo Nacional de Escultura, Valladolid 29th November 2024–9th March 2025 | :
Illustrations
Attributed works:
1. Virgin and Child, by Luisa Roldán. 1699. Polychromed terracotta, 48 by 26 by 24 cm. (Convento San José del Carmen, Seville; exh. Museo Nacional de Escultura, Valladolid).
Attributed works:
2. St Servando, by Luisa Roldán. 1687. Polychromed wood with paste stones and silver accoutrements, 145 by 80 by 40 cm. (Cádiz Cathedral; exh. Museo Nacional de Escultura, Valladolid).
Attributed works:
3. Ecstasy of Mary Magdalene, by Luisa Roldán. c.1689–96. Polychromed terracotta, 21 by 31.5 by 26 cm. (Museo Nacional de Escultura, Valladolid).
Article
Chiloé’s ‘St Michael’: reconsidering sources for the Hispano-Chilote school of sculpture
11/2021 | 1424 | 163
Pages: 1020-1027
related names
Author:
Gillett, Molly-Claire (Gillett, Molly-Claire)
Subjects
dates:
places:
Illustrations
Attributed works:
1. St Michael, here attributed to a pupil of José Brasanelli and dated c.1720–60. Polychrome wood. (San Francisco, Castro, Chiloé; photograph the author).
Attributed works:
10. St Gabriel, attributed to José Brasanelli. c.1722. Polychrome wood, height 139 cm. (Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
11. Detail of Fig.1, showing the carving of the face and neck.
Attributed works:
12. Detail of Angel, by José Brasanelli, showing the carving of the face and neck. c.1710–20. Polychrome wood. (Museo Julio Castilhos, Porte Alegre).
Attributed works:
3. St Michael, by José Brasanelli. c.1710. Polychrome wood. (Itauguá, Paraguay).
Attributed works:
4. St Joaquim, attributed to Johannes Bitterich. c.1718–20. Polychrome wood, 95 by 30 by 50 cm. (Sacristy, Santiago Cathedral; photograph the author).
Attributed works:
5. Dying St Francis Xavier, attributed to Jacob Kelner. c.1748–67. Polychrome wood, 50 by 170 by 80 cm. (Cathedral, Santiago; photograph the author).
Attributed works:
6. Detail of Fig.1, showing the carving of the skirt.
Attributed works:
7. Detail of Fig.4, showing the carving of the skirt.
Attributed works:
8. Virgin Immaculate, attributed to José Brasanelli. c.1720–23. Polychrome wood. (Church of Loreto, Santa Rosa, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Attributed works:
9. St Michael, attributed to José Brasanelli. c.1723. Polychrome wood, height 140 cm. (Santa María de Fe, Paraguay; photograph courtesy Gauvin Alexander Bailey).
Western art unattributed:
13. St Michael. Chiloé, late eighteenth or early nineteenth century. Polychrome wood, height 139 cm. (Nuestra Señora de Gracia, Nercón, Chiloé; photograph the author).
Western art unattributed:
2. St Michael. Germany, eighteenth century. Gilded and painted wood, 179.1 by 81.3 by 39.4 cm. (Saint Louis Art Museum).
Book Review
The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice
06/2021 | 1419 | 163
Pages: 551-552
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
Reviewed Items
subjects:
The Conservation of Medieval Polychrome Wood Sculpture: History, Theory, Practice By Michele D. Marincola and Lucretia Kargère. 296 pp. incl. 175 col. + 30 b. & w. ills. (Getty Conservation Institute, Los Angeles, 2020), £55. ISBN 978–1–60606–655–3. | :
Exhibition Review
Arnt the Sculptor of Images: Master of Animated Sculptures
09/2020 | 1410 | 162
Pages: 797-799
related names
Reviewer:
Petzel, Klara Katharina (Petzel, Klara Katharina)
Subjects
art literature:
dates:
museums and institutions:
Reviewed Items
subjects:
Arnt the Sculptor of Images: Master of Animated Sculptures Museum Schnütgen, Cologne 25th June–20th September | :
Illustrations
Attributed works:
7. Lamentation of Christ retable, by the workshop of Master Arnt of Kalkar and Zwolle. c.1483. Oak and original polychromy, 97.5 by 45 by 21.5 cm. (closed). (Musée de Cluny – Musée National du Moyen Âge, Paris; exh. Museum Schnütgen, Cologne; photograph © bpk/RMN – Grand Palais, Jean-Gilles Berizzi).
Attributed works:
8. Christ in the tomb, by the workshop of Master Arnt of Kalkar and Zwolle. 1486–87. Oak and recent polychromy over older layers, length 188 cm. (St Nicolai, Kalkar; exh. Museum Schnütgen, Cologne; photograph Stephan Kube).
Attributed works:
9. Detail of the St George retable, showing the inner shrine, by the workshop of Master Arnt of Kalkar and Zwolle. 1483–87. Oak and original polychromy, 362 by 241 by 45.5 cm. (St Nicolai, Kalkar; exh. Museum Schnütgen, Cologne; photograph Stephan Kube).
Exhibition Review
Montañés: maestro de maestros
08/2020 | 1409 | 162
Pages: 704-705
related names
Reviewer:
Ellis, Morlin (Ellis, Morlin)
Subjects
art literature:
places:
Reviewed Items
subjects:
Montañés: maestro de maestros Edited by Ignacio Cano Rivero, Ignacio Hermoso Romero and María del Valme Muñoz Rubio. 294 pp. incl.numerous col. ills. (Junta de Andalucía and Consejería de Cultura y Patrimonio Histórico, Seville, 2019), €30. ISBN 978–84–9959–337–1. | :
Illustrations
Attributed works:
13. The sculptor Juan Martínez Montañés, by Francisco Varela. 1616. Oil on canvas, 63 by 55.5 cm. (Ayuntamiento de Sevilla; on loan to the Fundación Fondo de Cultura de Sevilla (Focus)).
Attributed works:
14. St Francis Borgia, by Juan Martínez Montañés and Francisco Pacheco. c.1624. Polychromed wood, height 173.5 cm. (Church of the Annunciation, Seville Cathedral).
Attributed works:
15. St Joseph with the Christ Child, by Juan Martínez Montañés and an unknown polychromer. 1610–20 and eighteenthcentury. Polychromed wood, height 170 cm. (Church of Santa María Magdalena, Seville).
Short Notice
A miniature Netherlandish portable altarpiece rediscovered
07/2020 | 1408 | 162
Pages: 592-594
Subjects
dates:
Illustrations
Attributed works:
3. Portable altarpiece with the Adoration of the Magi. c.1520. Oak, lead, glass, tin, paint and gilding, 23.5 by 29.5 cm. (Victoria and Albert Museum, London).
Western art unattributed:
2. Portable altarpiece with Christ as the Man of Sorrows. c.1525–40. Oak, lead, glass, copper, paint and gilding, 23.3 by 29.5 by 6.5 cm. (Rijksmuseum, Amsterdam).
Western art unattributed:
Portable altarpiece with the Coronation of the Virgin. c.1520. Oak, lead, glass, tin, paint and gilding, 23.6 by 29.7 cm. (Caramoor Center for Music and Arts, Katonah NY).
Article
A reliquary bust from the workshop of Niclaus Gerhaert von Leyden
02/2020 | 1403 | 162
Pages: 102-107
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
places:
places:
Illustrations
Attributed works:
1. St Agnes, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 53.9 by 41.4 by 24.6 cm. (Anglesey Abbey, Cambridgeshire; the National Trust).
Attributed works:
10. Detail of the high altar of St Martin, Lorch am Rhein, by an unknown Middle Rhenish sculptor. Completed 1483. Limewood and oak, 128 by 722 cm. (Bildarchiv Monheim GmbH / Alamy stock photograph).
Attributed works:
2. St Barbara, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 50.5 by 44.5 by 27.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. St Catherine of Alexandria, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 47.3 by 44.8 by 25.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. St Margaret of Antioch, by the workshop of Niclaus Gerhaert von Leyden. c.1465. Walnut, 50.8 by 45.5 by 29.6 cm. (Art Institute of Chicago).
Attributed works:
5. St Agnes, after Niclaus Gerhaert von Leyden. c.1870. Plaster, 53 by 48 by 27 cm. (Musée de l’OEuvre Notre-Dame, Strasbourg).
Attributed works:
6. and 7. Fig.1, photographed from the sides.
Attributed works:
8. Head of a Sibyl, by Niclaus Gerhaert von Leyden. 1463. Sandstone, 23.5 by 30 by 22 cm. (Liebieghaus Skulpturensammlung, Frankfurt; photograph Ruehl und Bormann, Darmstadt).
Attributed works:
9. Fig.1, photographed from the back.
Article
The ‘St Sebastian’ of Los Andes: a Chilean cultural treasure re-examined
11/2011 | 1304 | 153
Pages: 721-726
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Author:
Guzmán, Fernando (Guzmán, Fernando)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
14. St Sebastian, here attributed to Adam Engelhard. c.1730–35. Polychrome American cedar with glass eyes, 195 by 95 by 73 cm. (Church of S. Rosa de Los Andes, Chile; photograph by Fernando Guzmán).
Attributed works:
15. Detail of Fig.14.
Attributed works:
16. Detail of Fig.14.
Attributed works:
17. St Ignatius of Loyola, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Fernando Guzmán).
Attributed works:
18. St Francis Xavier, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Fernando Guzmán).
Attributed works:
19. St Francis Borgia, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
21. St Aloysius Gonzaga, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
22. James Chisai, by Johannes Bitterich. 1711. Polychrome wood. (Martinskirche, Bamberg; photograph by Peta Gillyatt Bailey).
Attributed works:
23. St Sebastian, by Konrad Hegenauer. c.1760. Polychrome wood. (Marienkapelle, Sankt Georg und Jacobus, Isny im Allgäu; photograph by Peta Gillyatt Bailey).
Attributed works:
26. Death of St Francis Xavier, attributed to Jacob Kellner. After 1748. Polychrome wood, 50 by 170 by 80 cm. (Cathedral Museum, Santiago; photograph by Fernando Guzmán).
Attributed works:
27. Pulpit (detail), attributed to Georg Lanz. After 1751. (Church of La Merced, Santiago).
Attributed works:
St Stanislas Kostka, by Johannes Bitterich. 1711. Polychrome wood (Martinskirche, Bamberg)
Western art unattributed:
24. St Sebastian, anonymous. First half of the eighteenth century. Polychrome wood. (Church of Maria Schnee, Lehenbühl; photograph by Peta Gillyatt Bailey).
Western art unattributed:
25. St Sebastian, anonymous. First half of the eighteenth century. Polychrome wood. (Church of St Wolfgang, Kleukheim; photograph by Peta Gillyatt Bailey).
Exhibition Review
The Mystery of Faith. An Eye on Spanish Sculpture 1550–1750
01/2010 | 1282 | 152
Pages: 50-52
related names
Reviewer:
Mulcahy, Rosemarie (Mulcahy, Rosemarie)
Subjects
places:
print:
Reviewed Items
subjects:
The Mystery of Faith. An Eye on Spanish Sculpture 1550–1750 | institution: Coll y Cortés Fine Arts , institution: Matthiesen Gallery
Illustrations
Attributed works:
60. Infant Christ and Infant Baptist, attributed to Felipe de Ribas. c.1640s. Polychromed wood, each 59 by 24 cm. (Exh. Matthiesen Gallery, London).
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