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Ingres, Raphael and the ‘tableaux de tapisserie’ in Meaux Cathedral

08/2023 | 1445 | 165

Pages: 836–841

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related names

Author:

Morrison, Alexandra (Morrison, Alexandra)

Subjects

artists:

Ingres, Jean-Auguste-Dominique / Raphael / Boullogne, Bon / Corneille the Younger, Michel (1642–1708) / Mosnier, Pierre (1641–1703) / Verdier, François

buildings:

Meaux Cathedral

buildings:

Cappella Sistina, Palazzo del Vaticano, Rome, Italy

museums and institutions:

Musée du Louvre, Paris, France / Gobelins Manufactory

subjects:

French art / Italian art / Renaissance art / Tapestries / Copies / Cartoons (working drawings)

Illustrations

Attributed works:

1. Raphael and the Fornarina, by Jean-Auguste-Dominique Ingres. 1814. Oil on canvas, 64.8 by 53.3 cm. (Harvard Art Museums / Fogg Museum; Bridgeman Images).

Attributed works:

2. Conversion of the proconsul, by Raphael and workshop. 1515–16. Bodycolour over charcoal underdrawing on paper mounted on canvas, 342 by 446 cm. (Victoria and Albert Museum, London).

Attributed works:

3. Blinding of Elymas, by Pieter van Aelst and workshop. 1517–19. Wool, silk and gilt-metal-wrapped thread, 501 by 579 cm. (Vatican Museums).

Attributed works:

4. Blinding of Elymas. 1666–73. Oil on canvas, approx. 390 by 490 cm. (Cathédrale Saint-Étienne, Meaux; photograph Yvan Bourhis, Département de Seine-et-Marne).

Attributed works:

5. Doña Isabel de Requesens, vicereine of Naples (formerly identified Jeanne d’Aragon), here attributed to Louis-Nicolas-Philippe-Auguste de Forbin after Raphael and Giulio Romano. c.1800. Oil on canvas, 102.8 by 85.1 cm. (Private collection).

Attributed works:

6. The choir of Meaux Cathedral. Before 1899. Postcard. (Collection of the author.)

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