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153 articles
Exhibition Review
Ingres: The Artist and his Princes
10/2023 | 1447 | 165
Pages: 1133–1135
related names
Reviewer:
McKillop, Beth (McKillop, Beth)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Ingres: L’Artiste et ses Princes. Edited by Mathieu Deldicque and Nicole Garnier-Pelle. 288 pp. incl. 234 col. + b. & w. ills. (Château de Chantilly, and In Fine éditions d’art, Paris, 2023), €34. ISBN 978–2–38203–119–3. | :
subjects:
Ingres: The Artist and his Princes Musée Condé, Chantilly 3rd June–1st October | :
Illustrations
Attributed works:
11. Self-portrait at the age of twenty-four, by Jean-Auguste- Dominique Ingres. 1804, reworked 1841–51. Oil on canvas, 77 by 61 cm. (Musée Condé, Chantilly).
Attributed works:
12. Antiochus and Stratonice, by Jean-Auguste- Dominique Ingres. 1840. Oil on canvas, 57 by 98 cm. (Musée Condé, Chantilly).
Attributed works:
13. Madame Duvaucey, by Jean-Auguste- Dominique Ingres. 1807. Oil on canvas, 76 by 59 cm. (Musée Condé, Chantilly).
Article
Ingres, Raphael and the ‘tableaux de tapisserie’ in Meaux Cathedral
08/2023 | 1445 | 165
Pages: 836–841
related names
Author:
Morrison, Alexandra (Morrison, Alexandra)
Subjects
buildings:
Illustrations
Attributed works:
1. Raphael and the Fornarina, by Jean-Auguste-Dominique Ingres. 1814. Oil on canvas, 64.8 by 53.3 cm. (Harvard Art Museums / Fogg Museum; Bridgeman Images).
Attributed works:
2. Conversion of the proconsul, by Raphael and workshop. 1515–16. Bodycolour over charcoal underdrawing on paper mounted on canvas, 342 by 446 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Blinding of Elymas, by Pieter van Aelst and workshop. 1517–19. Wool, silk and gilt-metal-wrapped thread, 501 by 579 cm. (Vatican Museums).
Attributed works:
4. Blinding of Elymas. 1666–73. Oil on canvas, approx. 390 by 490 cm. (Cathédrale Saint-Étienne, Meaux; photograph Yvan Bourhis, Département de Seine-et-Marne).
Attributed works:
5. Doña Isabel de Requesens, vicereine of Naples (formerly identified Jeanne d’Aragon), here attributed to Louis-Nicolas-Philippe-Auguste de Forbin after Raphael and Giulio Romano. c.1800. Oil on canvas, 102.8 by 85.1 cm. (Private collection).
Attributed works:
6. The choir of Meaux Cathedral. Before 1899. Postcard. (Collection of the author.)
Article
Hippolyte and Paul Flandrin at Saint-Séverin, Paris
12/2022 | 1437 | 164
Pages: 1178-1189
related names
Author:
Marchetti, Elena (Marchetti, Elena)
Author:
Paccoud, Stéphane (Paccoud, Stéphane)
Subjects
dates:
Illustrations
Attributed works:
1. The chapel of St John the Evangelist, Saint-Séverin, Paris, after restoration, 2022. (© Ville de Paris, COARC/Jean-Marc Moser)
Attributed works:
10. Composition study for the Baptism of Christ, by Paul Flandrin. c.1844. Graphite, black chalk and wash on paper, 63.3 by 30 cm. (Musée du Petit Palais, Paris).
Attributed works:
11. The Ollioules gorges, by Paul Flandrin. 1843. Oil on paper mounted on canvas, 25.5 by 35 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / Gérard Blot).
Attributed works:
12. The Ollioules gorges, by Paul Flandrin. 1843. Graphite and white chalk on brown paper, 31.3 by 23.4 cm. (Musée des Beaux-Arts de Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
13. Christ and the little children, by Hippolyte Flandrin. 1836–38. Oil on canvas, 313 by 441 cm. (Musée d’Art et d’Histoire, Lisieux; © Lyon MBA / Photo Martial Couderette).
Attributed works:
14. The Gulf of Gaeta, by Hippolyte Flandrin. 1838. Graphite and watercolour on paper, 6.9 by 18.6 cm. (Fondation Custodia, Collection Frits Lugt, Paris).
Attributed works:
15. Archangel Raphael, cartoon for a stained-glass window for the Chapel Saint-Ferdinand, Neuilly-sur-Seine, by Jean Auguste Dominique Ingres, 1842. Oil on canvas, 210 by 92 cm. (Musée du Louvre, Paris; photo © RMN-Grand Palais / René-Gabriel Ojeda).
Attributed works:
16. Head of St John, by Hippolyte Flandrin. 1842. Oil on paper mounted on canvas, 21.9 by 17.6 cm. (Galerie La Nouvelle Athènes, Paris).
Attributed works:
2. Calling of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
3. St John on the Isle of Patmos, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
4. Last Supper, by Hippolyte Flandrin. 1840. Mural painting with wax (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
5. Martyrdom of St John, by Hippolyte Flandrin. 1840. Mural painting with wax. (Chapel of St John the Evangelist, Saint-Séverin, Paris; © Ville de Paris, COARC/Jean-Marc Moser).
Attributed works:
6. Study of Hippolyte Flandrin’s arms for the Last Supper, by Paul Flandrin. 1840. Graphite on squared-up paper, 19.7 by 24.1 cm. (Sterling and Francine Clark Art Institute, Williamstown MA).
Attributed works:
7. Cartoon for the Martyrdom of St John, by Hippolyte Flandrin. 1840. Graphite and stump on squared-up paper, 99 by 90.8 cm. (Musée des Beaux-Arts, Lyon; © Lyon MBA / Photo Martial Couderette).
Attributed works:
8. Preaching of St John the Baptist, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Church of Saint-Séverin, Paris; © Ville de Paris, COARC/Emmanuel Michot).
Attributed works:
9. Baptism of Christ, by Paul Flandrin. 1844–46. Mural painting. (Baptismal Chapel, Saint-Séverin, Paris; © Ville de Paris, COARC / Emmanuel Michot).
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Advertisements (front)
10/2022 | 1435 | 164
Pages: i-xx
Subjects
Illustrations
Attributed works:
A document box (bunko), by Koda Katei (1886–1961). Showa period, 1930s–1950s. Gold makie and coloured lacquers, 41 by 33 by 14 cm. [SIMON PILLING, 8 DUKE STREET, SW1. Asian Art London]
Attributed works:
A white-eared Bulbul, by Reza Abbasi. Safavid Isfahan, Iran, c.1630. Pigments highlighted with gold on paper, 35.2 by 23 cm. CHRISTIE’S, 8 KING STREET SW1[Asian Art LOndon]
Attributed works:
Adventure in technos dystopium – dystopium infi nite triptych, by Orshi Drozdik (b.1946). 1984–95. Gelatin silver photographic print, 250 by 123 cm. [EINSPACH FINE ART AND PHOTOGRAPHY, BUDAPEST. Frieze Masters]
Attributed works:
An exceptionally fi ne saddle. Eastern Tibet or China, 15th–17th century. Iron, silver, gilding, wood and leather, 30 by 56 cm. PETER FINER, 38–39 DUKE STREET, SW1. [Asian Art London]
Attributed works:
Bartolomeo Schedoni The Beheading of St John the Baptist (detail) Oil on panel, 58 x 35 cm, 227/8 x 13¾ in. [TRINITY FINE ART]
Attributed works:
Black jug and lemon sole, by Georges Braque (1882–1963). 1942. Oil on canvas, 50 by 61 cm. [BERNARD JACOBSON GALLERY, LONDON. Frieze Masters]
Attributed works:
Buddha Amoghasiddhi. Tibet, 13th century. Distemper on cloth, 94.9 by 71.6 cm. [CARLTON ROCHELL ASIAN ART, NEW YORK. Frieze Masters]
Attributed works:
CHRISTO (AMERICAN/BULGARIAN 1935-2020) PACKAGE Est. £30,000-50,000 (+ fees). [Dreweatts]
Attributed works:
Denijs van Alsloot (before 1570 – before 1628) and Hendrick de Clerck (c. 1570–1629/30) The Judgement of Midas (detail), oil on canvas, 158.3 x 238.6 cm, Auction: 9 November 2022 [Dorotheum]
Attributed works:
Evaristo Baschenis. Still Life with Musical Instruments. [Galerie Canesso]
Attributed works:
Filippo Pedrini San Pelegrino Laziosi 70*48,5 cm. [Arte-Fact]
Attributed works:
Jean-Siméon CHARDIN Copper pot, cauliflower and mortar with its pestle on an entablature Oil on canvas, signed lower right, 13 × 15,9 in. Provenance: Private collection, Paris Literature: Pierre Rosenberg, L’opera completa di Chardin, Milan, 1983, n. p., n° 77, repr. Estimate: €600 000 - 800 000 [Artcurial]
Attributed works:
John Bull taking a luncheon or British cooks cramming Old Grumble-Gizzard with Bonne-Chère, by James Gillray (1756–1815). 1798. Hand-coloured etching, 25.5 by 36.2 cm. [ANDREW EDMUNDS, LONDON. Frieze Masters]
Attributed works:
Lucio Fontana Madonna and Child, 1954–57 Inscribed ‘fontana’ (lower centre-right) Registered at the Fondazione Lucio Fontana, Milan, no. 73/1 Glazed ceramic 42 x 29 x 10 cm (16 1/2 x 11 3/8 x 4 in.) [Robilant and Voena]
Attributed works:
Mitsumata Wakarenofuchi, from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), by Utagawa Hiroshige (1797–1858). 1857. Woodblock print, 36.5 by 24.6 cm. [ANASTASIA VON SEIBOLD JAPANESE ART, 4 CROMWELL PLACE, SW7. Asian Art London]
Attributed works:
Mr William Shakespeares Comedies, Histories, and Tragedies. Published according to the true Originall Copies. 1632. Paper and calf leather, 32.4 by 21.9 cm. [PETER HARRINGTON RARE BOOKS, LONDON. Frieze Masters]
Attributed works:
Partition, guitare, compotier, by Pablo Picasso (1881–1973). 1924. Oil on canvas, 97.1 by 130.1 cm. [HELLY NAHMAD GALLERY, LONDON. Frieze Masters]
Attributed works:
Portrait of a Zulu, by Frans David Oerder (1867–1944). 1897. Oil on canvas, 53 by 42.9 cm. ELLIOTT FINE ART, LONDON. Frieze Masters]
Attributed works:
Sphynx, by Nikki de Saint Phalle (1930–2002). 1975. Painted polyester, 30 by 28 by 48 cm. [GALERIE MITTERAND, PARIS. Frieze Masters]
Attributed works:
Spring: peasants making merry outside a tavern; Summer: Peasants dance; and Winter: view of a village in the snow, by Pieter Brueghel the Younger (1564–1638). After 1616. Oil on wood, diameter 24.5 cm. [GALERIE DE JONCKHEERE, GENEVA. Frieze Masters]
Attributed works:
Study of the hands of the Virgin, by Jean-Auguste- Dominique Ingres (1780– 1867). c.1836. Pencil on paper, 23.3 by 14.4 cm. [STEPHEN ONGPIN, LONDON. Frieze Masters]
Attributed works:
Untitled (P.C. III), by Nicola Durvasula. 2021. Watercolour, gouache and pencil on paper. 20.5 by 30.5 cm.[ JOOST VAN DEN BERGH, 1 PRINCES PLACE, SW1. Asian Art London]
Non-western art unattributed:
A lion-shaped incense burner. Khorasan, Eastern Iran, 12th century. Cast and open-work bronze, copper alloy, 22.5 by 22.1 by 6 cm. [CHISWICK AUCTIONS, BARLEY MOW CENTRE, W4. Asian Art London]
Non-western art unattributed:
Cintimani tile. Ottoman, 16th century. Ceramic, height 29 cm. ROSEBERY’S, 12 HAY HILL, W1 (BY APPOINTMENT) [Asian Art London]
Non-western art unattributed:
Head of a man. South Arabia, 3rd century BC–1st century AD. Alabaster, height 13 cm. [ARIADNE GALLERIES, LONDON. Frieze Masters]
Non-western art unattributed:
Hexalobed box and cover. China, 18th century. Cinnabar lacquer, 17.5 by 7 cm. [J.A.N. FINE ART, 132–134 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Phoenix head ewer (fengshouhu). China, Tang Dynasty, Gongxian kilns, Henan Province, 7th–8th century. Ceramic, height 33 cm. [MARCHANT, 120 KENSINGTON CHURCH STREET, W8. Asian Art London]
Non-western art unattributed:
Snuff bottle. China, Jingdezhen kilns, 1820–50. Porcelain, height 5.3 cm. [SUSAN PAGE, 15 STRATTON STREET, W1. Asian Art London]
Non-western art unattributed:
Tapir-form vessels (Xizun). Song/Ming Dynasty and 17th/18th century. Archaistic gold and silver-inlaid bronze, largest length 35.5 cm. [BONHAMS, 101 NEW BOND ST, W1. Asian Art London]
Western art unattributed:
Head of an African King, Southern France, c.1120-1150. [Sam Fogg]
Western art unattributed:
Lot 565 A fine miniature lantern clock by Fromanteel of London, 17th cent. Lot 623 A museumquality chalice, Augsburg, Johann David Saler, circa 1705. Lot 3244 A significant Franconian sword with inscription, circa 900 A.D.Lot 47 A lateantique silver casket with Christogram, incised decoration and gilding, 4th century A.D.Lot 372 A Gothic Madonna with apple, Salzburg, circa 1420. [Hermann Historica]
Exhibition Review
Ingres avant Ingres: Dessiner pour peindre
01/2022 | 1426 | 164
Pages: 69-72
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Ingres avant Ingres: Dessiner pour peindre Musée des Beaux-Arts, Orléans 18th September 2021– 9th January 2022 | :
Illustrations
Attributed works:
17. Aglaé Adanson, by Jean-Auguste- Dominique Ingres. c.1802–03. Black crayon, stumping and white chalk highlights, diameter 15.5 cm. (Private collection; exh. Musée des Beaux- Arts, Orléans).
Attributed works:
18. Aphrodite wounded by Diomedes, by Jean-Auguste- Dominique Ingres. c.1805. Oil on panel, 26.6 by 32.6 cm. (Kunstmuseum, Basel; exh. Musée des Beaux-Arts, Orléans).
Attributed works:
19. Danae, by Jean-Auguste- Dominique Ingres. c.1802– 05. Graphite, 10.6 by 9.5 cm. (Musée Ingres Bourdelle, Montauban; exh. Musée des Beaux-Arts, Orléans).
Exhibition Review
Hippolyte, Paul, Auguste: Les Flandrin artistes et frères
10/2021 | 1423 | 163
Pages: 955-958
related names
Reviewer:
Clarke, Michael (Clarke, Michael)
Subjects
art literature:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Hippolyte, Paul, Auguste: Les Flandrin artistes et frères Edited by Elena Marchetti and Stéphane Paccoud. 352 pp. incl. 461 col. + b. & w. ills. (In Fine éditions d’art, Paris, 2021), €39. ISBN 978–2–38203–017–2. | :
Illustrations
Attributed works:
27. Young shepherd, by Hippolyte Flandrin. 1834–35. Oil on canvas, 173.3 by 125.5 cm. (Musée des Beaux- Arts, Lyon).
Attributed works:
28. Antoinette Oudiné, by Hippolyte Flandrin. 1840. Oil on canvas, 83.7 by 65 cm. (Musée des Beaux-Arts, Lyon).
Attributed works:
29. The nave of Saint-Germaindes- Prés, Paris, showing the wall paintings by Hippolyte and Paul Flandrin, 1842–64. (© Ville de Paris, COARC; photograph Claire Pignol).
Book Review
Seen from Behind: Perspectives on the Male Body and Renaissance Art. By Patricia Lee Rubin
09/2019 | 1398 | 161
Pages: 783-785
related names
Reviewer:
Betzer, Sarah (Betzer, Sarah )
Subjects
dates:
Illustrations
Attributed works:
2. Bathers at San Niccolò, by Domenico Cresti, called Passignano. 1600. Oil on canvas, 142.2 by 180.3 cm. (Private collection).
Article
François Gérard’s portraits of Alexandrine Émilie Brongniart
06/2019 | 1395 | 161
Pages: 482-487
related names
Author:
Galitz, Kathryn Calley (Galitz, Kathryn Calley)
Subjects
dates:
Illustrations
Attributed works:
1. Alexandrine Émilie Brongniart, by François Gérard. 1795. Panel, 86.8 by 55.5 cm. (Private collection; photograph Julien Pepy).
Attributed works:
2. Detail of Fig.1, showing Gérard’s adjustment to a lock of hair on the sitter’s forehead. (Photograph Alice Panhard).
Attributed works:
3. Alexandrine Émilie Brongniart, by François Gérard. 1795. Canvas, 49.53 by 38.1 cm. (Yale University Art Gallery, New Haven CT).
Attributed works:
4. Alexandrine Émilie Brongniart, by Adolphe-Gustave Huot, after François Gérard. 1882. Engraving, 30 by 19.2 cm (image). (Cabinet des Estampes, Bibliothèque nationale de France, Paris).
Attributed works:
5. Mademoiselle Caroline Rivière, by Jean-Auguste-Dominique Ingres. 1806. Canvas, 100 by 70 cm. (Musée du Louvre, Paris).
Attributed works:
6. Cupid and Psyche, by François Gérard. 1798. Canvas, 186 by 132 cm. (Musée du Louvre, Paris).
Attributed works:
7. Alexandrine Émilie Brongniart, by Jean-Auguste-Dominique Ingres, after François Gérard. c. 1795. Pencil on paper, 8.2 by 5.9 cm. (Musée Ingres, Montauban).
Article
From Giotto to the Bushmen: Roger Fry at the Slade 1909–13
09/2018 | 1386 | 160
Pages: 727-733
related names
Author:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
media:
places:
subjects:
Illustrations
Attributed works:
1. Vision, volumes and recession, by Walter Sickert. c.1923, published 1929. Etching, 20 by 11.1 cm. (Courtauld Gallery, London).
Attributed works:
2. The unknown god: Roger Fry preaching the new faith, by Henry Tonks. Exhibited 1923. Canvas, 41.5 by 56 cm. (Private collection; courtesy Pym’s Gallery, London).
Attributed works:
3. Poster for the first Post-Impressionist exhibition, Grafton Galleries, London. 1910. Lettering by Roger Fry. 76.3 by 50.9 cm. (The Courtauld Gallery, London).
Attributed works:
4. The meeting at the Golden Gate from John Ruskin, Giotto and his Works in Padua, Orpington 1900, p.77. (Warburg Institute, London).
Attributed works:
5. Detail of The meeting at the Golden Gate, by Giotto. c.1305. Fresco. (Arena Chapel, Padua; Bridgeman Images).
Attributed works:
6. Some later primitives and Madame Tisceron, by John Currie. 1912. Tempera on canvas, 46 by 127 cm. (The Potteries Museum and Art Gallery, Stoke-on-Trent; Bridgeman Images).
Attributed works:
7. John Donne arriving in heaven, by Stanley Spencer. 1911. Canvas, 37 by 40.5 cm. (Fitzwilliam Museum, Cambridge).
Exhibition Review
Napoleon: Power and Splendour. Virginia Museum of Fine Arts, Richmond
08/2018 | 1385 | 160
Pages: 676-678
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
art literature:
dates:
Illustrations
Attributed works:
15. General Armand-Samuel de Marescot with his wife, Cécile, his son, Antoine-Samuel, his daughter, Joséphine-Cécile, and his motherin-law, Marie-Charlotte d’Artis de Thiézac, by Fortuné Dufau. 1806. Canvas, 240 by 195 cm. (Private collection; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
16. Triumphal march of Napoleon to the Temple of Immortality, by Jean-Baptiste Regnault. 1804–05. Paper mounted on canvas, 52.4 by 93 cm. (Fralin Museum of Art, University of Virginia, Charlottesville; exh. Virginia Museum of Fine Arts, Richmond VA).
Attributed works:
17. Etruscan Scroll Vase, called the Londonderry Vase. Sèvres Imperial Manufactory, after a design by Charles Percier and Alexandre-Théodore Brongniart père, decoration by Gilbert Drouet and Christophe-Ferdinand Caron. 1813. Hard-paste porcelain with polychrome enamel decoration, gilding and ormolu mounts, height 137.2 cm. (Art Institute of Chicago).
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