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2 articles
Article
A recently discovered oil-sketch by John Constable at the Victoria and Albert Museum
12/2013 | 1329 | 155
Pages: 823-826
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Author:
Costaras, Nicola (Costaras, Nicola)
Author:
Evans, Mark (Evans, Mark)
Author:
Richardson, Claire (Richardson, Claire)
Subjects
artists:
Constable, John
dates:
1820-1829
museums and institutions:
Victoria and Albert Museum, London, Great Britain
subjects:
British painting / Oil sketches / Collections, Public / Gifts / Landscapes (visual works)
subjects:
Topographical views
Illustrations
Attributed works:
22. Branch Hill pond: Hampstead, by John Constable (Victoria and Albert Museum, London)
Attributed works:
23. Reverse of Fig. 22: Landscape with a kiln, by John Constable (Victoria and Albert Museum, London)
Attributed works:
24. Octagonal lime kiln erected in 1816 by Edward Burtt, Burgess Park, Southwark. Photograph taken on 1st January 2013
Attributed works:
25. Branch Hill pond, Hampstead, by John Constable (Victoria and Albert Museum, London)
Article
Johannes Vermeer's 'Young woman seated at a virginal'
02/2006 | 1235 | 148
Pages: 89–97
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Author:
Costaras, Nicola (Costaras, Nicola)
Author:
Sheldon, Libby (Sheldon, Libby)
Subjects
artists:
Vermeer, Johannes
dates:
1600-1699
places:
Netherlands
print:
Vermeer, Johannes
subjects:
Dutch painting / Attributions / Conservation / Technical analysis
works:
Vermeer, Johannes / Young woman seated at a virginal (Private collection, USA)
Illustrations
Attributed works:
22. Young woman seated at a virginal, by Johannes Vermeer. 24.7 by 19.3 cm. (Private collection, USA). Photograph before cleaning and restoration.
Attributed works:
23. Lacemaker, by Johannes Vermeer. 24 by 21 cm. (Musée du Louvre, Paris).
Attributed works:
24. Young woman seated at a virginal, by Johannes Vermeer after cleaning and restoration 24.7 by 19.3 cm. (Private collection, USA).
Attributed works:
25. X-radiograph of Lacemaker by Johannes Vermeer.
Attributed works:
26. X-radiograph of Fig.24
Attributed works:
27. Fig.24 overlaid with 'thread lines' from the pin-hole.
Attributed works:
28. Ultramarine of the chair in Fig.24 seen under the microscope, photographed at x70 magnification
Attributed works:
29. Ultramarine particles in Fig.24, in dispersion at x400 magnification.
Attributed works:
30. Detail of Fig.24, showing the dark green of the shadows in the face
Attributed works:
31. Fig.24 seen in infra-red. (Photograph by N. Estaugh).
Attributed works:
33. Yellow paint from the shawl seen in cross-section, showing all the paint layers. Photographed in reflected light at x400 magnification.
Attributed works:
34. Detail of Young woman seated at a virginal, by Johannes Vermeer. c.1670–72. 51.5 by 45.5 cm. (National Gallery, London).
Attributed works:
35. Detail of Fig.24.