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645 articles
Exhibition Review
Leighton and Landscape: Impressions from Nature
03/2025 | 1464 | 167
Pages: 279–81
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Leighton and Landscape: Impressions from Nature Leighton House Museum, London 16th November 2024–27th April 2025 | :
Illustrations
Attributed works:
16. A pool, Findhorn River, N.B., by Frederic Leighton. 1880s. Oil on panel, 12 by 18.5 cm. (Leighton House, London).
Attributed works:
17. A coast scene, Ireland: storm effect, by Frederic Leighton. c.1874. Oil on canvas, 13.5 by 27.6 cm. (Leighton House, London).
Attributed works:
18. Damascus: night, by Frederic Leighton. 1873. Oil on canvas, 31 by 19 cm. (Leighton House, London).
Article
Charles XV’s ‘Norwegian landscape’ in the Museum Gustavianum, Uppsala
07/2024 | 1456 | 166
Pages: 696–703
related names
Author:
Mebius, Eva-Charlotta (Mebius, Eva-Charlotta; Mebius, Eva-Charlotta)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Norwegian landscape, here identified as a view of Romsdalen, by Charles XV of Sweden. 1857. Oil on canvas, 49.5 by 60 cm. (Gustavianum, Uppsala).
Attributed works:
10. Stop on the banks of Vindelälven, West Bothnia, by Fritz von Dardel. 1858. Pen, ink and wash on paper, 20.9 by 33.8 cm. (sheet). (Nationalmuseum, Stockholm).
Attributed works:
2. Charles XV of Sweden in his studio in the Royal Palace, Stockholm, by Pierre Tetar van Elven. Oil on canvas, 68 by 98 cm. (Nationalmuseum, Stockholm).
Attributed works:
3. View from Romsdal, by Thomas Fearnley. 1838. Oil on canvas, 57 by 70 cm. (National Museum, Oslo).
Attributed works:
4. Freja’s Stone, landscape from Sognefjord, by Charles XV of Sweden. Engraving. (From När och Fjerran: Illustrerad Litteraturtidskrift, December 1876).
Attributed works:
5. Gudvangen, by Thomas Fearnley. 1839. Oil on paper laid down on wood, 18 by 28 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. From Romsdalen, towards Isterdalen, by Thomas Fearnley. c.1841. Graphite on paper, 39.7 by 50 cm. (National Museum, Oslo).
Attributed works:
7. The Bishop, King and Queen, seen from Grytten and Lakseteine, by Thomas Fearnley. 1836. Graphite on paper, 14 by 21.8 cm. (National Museum, Oslo).
Attributed works:
8. The landing of Sinclair in Romsdal, by Adolph Tidemand and Morten Müller. 1876. Oil on canvas, 178 by 290 cm. (National Museum, Oslo).
Attributed works:
9. View from the Hotel Aak towards Isdalen/Isterdalen in Romsdalen, by Knud Knudsen. 1870. Albumen print on paper, 13.4 by 18 cm. (National Museum, Oslo).
Exhibition Review
Théodore Rousseau, 1812–1867: La voix de la forêt
07/2024 | 1456 | 166
Pages: 732–5
related names
Reviewer:
Marchetti, Elena (Marchetti, Elena)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Théodore Rousseau, 1812–1867: La voix de la forêt Petit Palais, Paris 5th March–7th July | :
Illustrations
Attributed works:
10. Le Mont Blanc, vu du col de la Faucille, effet de tempête, by Théodore Rousseau. Begun 1834. Oil on canvas, 146.5 by 242 cm. (Ny Carlsberg Glyptotek, Copenhagen; exh. Petit Palais, Paris).
Attributed works:
11. La Mare aux fées, forêt de Fontainebleau, by Théodore Rousseau. c.1848. Oil on canvas, 60.9 by 114.3 cm. (Private collection; exh. Petit Palais, Paris).
Attributed works:
9. Entrée de la vieille futaie de la Reine-Blanche, by Théodore Rousseau. c.1860. Brown ink on grey-blue paper, 13.3 by 20.7 cm. (Musée des Beaux-Arts de Dijon; exh. Petit Palais, Paris).
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
03/2024 | 1452 | 166
Pages: 278–285
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Recollection of the festival (Courage, Knowledge and Labour collaborate to establish the reign of Concord), by Jean-Charles Cazin. 1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91 cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas, 74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin. c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83. Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin. 1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles; Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84. Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin. c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
Article
Poussin and opera: the subject of ‘Landscape with a man killed by a snake’
06/2023 | 1443 | 165
Pages: 590–600
related names
Author:
Jewitt, James R. (Jewitt, James R.)
Subjects
artists:
dates:
museums and institutions:
patrons:
Illustrations
Attributed works:
1. Landscape with a man killed by a snake, here identified as Landscape with Aristaeus and Python, by Nicolas Poussin. 1648. Oil on canvas, 118.2 by 197.8 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
10. Landscape with Polyphemus, by Nicolas Poussin. 1649. Oil on canvas, 148.5 by 197.5 cm. (State Hermitage Museum, St Petersburg; photograph Vladimir Terebenin).
Attributed works:
2. Landscape with a man killed by a snake, by Étienne Baudet after Nicolas Poussin. 1701. Engraving with etching, 57.5 by 76.0 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
3. Landscape with a man killed by a snake, by J.M.W. Turner after Nicolas Poussin. 1799. Ink and watercolour with scraping-out on white wove paper, 7.9 by 13 cm. (Tate Britain, London).
Attributed works:
4. Landscape with Orpheus and Eurydice, by Nicolas Poussin. c.1650. Oil on canvas, 124 by 200 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
5. The Arcadian shepherds, by Nicolas Poussin. c.1638–40. Oil on canvas, 85 by 121 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
6. Detail of Fig.1, showing the running figure.
Attributed works:
7. The death of Eurydice, by Nicolas Poussin. c.1626. Oil on canvas, 63 by 77 cm. (Private collection; courtesy Robilant+Voena).
Attributed works:
8. The death of Eurydice, by Niccolò dell’Abate. c.1552–71. Oil on canvas, 189.2 by 237.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
9. Aristaeus. Roman. c. AD 130–38. Marble, height 196 cm. (Musée du Louvre, Paris; Bridgeman Images).
Book Review
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology
05/2023 | 1442 | 165
Pages: 568-569
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
places:
subjects:
Reviewed Items
subjects:
Woodland Imagery in Northern Art, c.1500–1800: Poetry and Ecology By Leopoldine van Hogendorp Prosperetti. 160 pp. incl. 68 col. ills. (Lund Humphries, London, 2022), £39.95. ISBN 978–1–84822–494–0. | :
Exhibition Review
Sargent and Spain
05/2023 | 1442 | 165
Pages: 551-554
related names
Reviewer:
Dini, Jane (Dini, Jane)
Subjects
dates:
Reviewed Items
subjects:
Sargent and Spain Fine Arts Museums of San Francisco, Legion of Honor 11th February–14th May | :
Illustrations
Attributed works:
10. La Carmencita, by John Singer Sargent. 1890. Oil on canvas, 229 by 140 cm. (Musée d’Orsay, Paris; exh. Legion of Honor, San Francisco).
Attributed works:
11. Spanish Roma dwelling, by John Singer Sargent. 1912. Oil on canvas, 71.4 by 91.4 cm. (Addison Gallery of American Art, Philips Academy, Andover MA; Bridgeman Images; exh. Legion of Honor, San Francisco).
Attributed works:
12. Majorcan fisherman, by John Singer Sargent. 1908. Oil on canvas, 69.9 by 54.6 cm. (Private collection; exh. Legion of Honor, San Francisco).
Exhibition Review
Visionary Romantics: Balke, Lucas, Hertervig
05/2023 | 1442 | 165
Pages: 549-551
related names
Reviewer:
Jackson, David (Jackson, David)
Subjects
dates:
Reviewed Items
subjects:
Visionary Romantics: Balke, Lucas, Hertervig Museo Lázaro Galdiano, Madrid 16th March–21st May | :
Illustrations
Attributed works:
7. Mountainous landscape, by Eugenio Lucas Velázquez. 1850– 70. Ink, wash and watercolour on paper, 45 by 60.7 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
8. Northern lights by North Cape, by Peder Balke. 1870. Oil on panel, 20 by 24 cm. (The Gundersen Collection, Oslo).
Attributed works:
9. Landscape, by Lars Hertervig. c.1870s. Watercolour and gouache on paper, 18 by 26 cm. (Stavanger Art Museum).
Article
Becoming ‘obeliscal’: Van Gogh, ancient Egypt and the global Orient – II: obelisks
04/2023 | 1441 | 165
Pages: 394-411
related names
Author:
Hall, James (Hall, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Landscape in Provence by night, by Vincent van Gogh. 1890. Oil on canvas, 90.6 by 72 cm. (Kröller-Muller Museum, Otterlo; Bridgeman Images).
Attributed works:
10. Orchard in blossom, bordered by cypresses, by Vincent van Gogh. 1888. Oil on canvas, 64.9 by 81.2 cm. (Kröller-Muller Museum, Otterlo).
Attributed works:
11. Cypresses and two women, by Vincent van Gogh. 1890. Oil on canvas, 91.6 by 72.4 cm. (Kröller-Müller Museum, Otterlo; Bridgeman Images).
Attributed works:
12. Statue of a married couple. Egyptian (Giza), 2620–2500 BC. 97.7 by 48 cm. (Musée du Louvre, Paris).
Attributed works:
13. Landscape with cottages and boundary post on the Spaarndammerdijk (‘L’Obelisque’), by Rembrandt. c.1650. Etching and drypoint, 8.2 (arched) by 16.1 cm. (British Museum, London).
Attributed works:
14. Starry night, by Vincent van Gogh. 1889. Oil on canvas, 73.7 by 92.1 cm. (Museum of Modern Art, New York; Bridgeman Images).
Attributed works:
15. The Simplest Egyptian house (ground plan), 1875. Engraving, 6.5 by 3.5 cm. (From E.-E. Viollet-le-Duc: Histoire de l’Habitation Humaine: depuis les temps préhistoriques jusqu’à nos jours, Paris 1875, p.90, fig.33: A Garden. B Food Store. C Latrines. D Pigeons. E Chickens. F Medicines. G Courtyard. H and I Bedrooms).
Attributed works:
16. The simplest Egyptian house, 1875. Engraving, 10 by 9 cm. (From E.-E. Viollet-le-Duc: Histoire de l’Habitation Humaine: depuis les temps préhistoriques jusqu’à nos jours, Paris 1875, p.91, fig.34).
Attributed works:
17. Egyptian House at the Exposition Universelle, by Charles Garnier. 1889. (Photograph by G. Massiot & cie).
Attributed works:
18. The raising of the Luxor obelisk. 1836. Gilt bronze inset into the granite base of the Luxor obelisk, place de la Concorde, Paris. (Wikicommons).
Attributed works:
19. Height of the Eiffel Tower compared with the world’s principal monuments. Engraving. (From G. Tissandier: La Tour Eiffel de 300 mètres: description du monument, sa construction, ses organes mécaniques, son but et son utilité, Paris 1889, p.3, fig.1).
Attributed works:
2. The place de la République, Arles, with the obelisk fountain and the Church of Sainte-Anne. (Photograph Wolfgang Moroder).
Attributed works:
20. The Eiffel Tower, by Georges Seurat. ?1889. Oil on panel, 25.1 by 15.7 cm. (Fine Arts Museums of San Francisco; NPL – DeA Picture Library; Bridgeman Images).
Attributed works:
21. The illumination of the Eiffel Tower, by Georges Garen. After 6th May 1889. Chromolithograph, 52.5 by 34 cm. (Wikicommons).
Attributed works:
22. Opening of the Exposition Universelle, by M. Gérardin. Engraving. (Le Monde Illustré, 11th May 1889, pp.316–17).
Attributed works:
23. Egyptian head and figure study, by Vincent van Gogh. 1890. Chalk on paper, 31.4 by 23.9 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
24. Box containing a figurine and a mummified element. Egyptian, 664–332 BC. Paint, wood, linen and human remains, 12.3 by 3.5 by 3.3 cm. (Musée du Louvre, Paris).
Attributed works:
25. Wheatfield, with cypresses, by Vincent van Gogh. 1889. Oil on canvas, 73.2 by 93.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Sir Thomas Elyot, by Hans Holbein the Younger. c.1532–34. Black and coloured chalks, white body colour and brush and ink on pale pink prepared paper, 27.8 by 20.8 cm. (sheet). (Royal Collection Trust / © HM King Charles III 2023).
Attributed works:
4. Self-portrait with portrait of Gauguin, by Émile Bernard. 1888. Oil on canvas, 46 by 56 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
5. Self-portrait dedicated to Paul Gauguin, by Vincent van Gogh. 1888. Oil on canvas, 61.5 by 50.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA; Bridgeman Images).
Attributed works:
6. The blue coffee-pot, by Émile Bernard. 1888. Oil on canvas, 55.2 by 45.8 cm. (Kunsthalle, Bremen).
Attributed works:
7. Still-life with blue enamel coffeepot, earthenware and fruit, by Vincent van Gogh. 1888. Oil on canvas, 65 by 81 cm. (Private collection; Lefevre Fine Art Ltd, London; Bridgeman Images).
Attributed works:
8. Stela of Princess Nefertiabet, with funerary feast. Egyptian, 2590– 2533 BC. Limestone with black, yellow and red paint, 37.7 by 52.5 by 8.3 cm. (Musée du Louvre, Paris).
Attributed works:
9. A Sunday on the Grande-Jatte, by Georges Seurat. 1884–86. Oil on canvas, 208 by 308 cm. (Art Institute of Chicago; Bridgeman Images).
Short Notice
Looking slowly with Cezanne
04/2023 | 1441 | 165
Pages: 422
related names
Author:
Smith, Paul (Smith, Paul)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
1. Basket of apples, by Paul Cezanne. c.1893. Oil on canvas, 60 by 85 cm. (Art Institute of Chicago).
Attributed works:
10. Curtain, pitcher and a fruit bowl, by Paul Cezanne. 1893–94. Oil on canvas, 59.7 by 73 cm. (Private collection).
Attributed works:
11. Still life with apples, by Paul Cezanne. 1893–94. Oil on canvas, 65.8 by 81.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
12. Still life with a ginger jar and eggplants, by Paul Cezanne. 1893–94. Oil on canvas, 72.4 by 91.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
14. Mont Sainte-Victoire, by Paul Cezanne. 1902–06. Oil on canvas, 64.8 by 81.3 cm. (Philadelphia Museum of Art).
Attributed works:
15. Mont Saint-Victoire seen from the Bibémus Quarry, by Paul Cezanne. c.1895–99. Oil on canvas, 65.1 by 81.3 cm. (Baltimore Museum of Art; Bridgeman Images).
Attributed works:
16. Still life with plaster cupid, by Paul Cezanne. c.1894. Oil on paper on board, 70.6 by 57.3 cm. (Courtauld Institute Gallery, London).
Attributed works:
17 and 18. Cupid, by Hébert fils mouleur, after François Duquesnoy. c.1900. Plaster, height 45.7 cm. Photographed at a distance of approx. 65 cm. (Photograph the author).
Attributed works:
19. Bathers (Les grandes baigneuses), by Paul Cezanne. c.1894–1905. Oil on canvas, 127.2 by 196.1 cm. (National Gallery, London).
Attributed works:
2. Auvers, panoramic view, by Paul Cezanne. 1873–75. Oil on canvas, 65.2 by 81.3 cm. (Art Institute of Chicago).
Attributed works:
20. Detail of Fig.19, showing the head of the figure fifth from the left. (Photograph the author).
Attributed works:
21. Ginger jar. China, c.1900. Stoneware, height 13.7 cm. Photographed from a distance of approx. 22 cm. (Photograph the author).
Attributed works:
22. Detail of Fig.25, showing the eye-socket on the right of the hindmost skull. (Photograph the author).
Attributed works:
23. The hindmost skull shown in Fig.25. (Atelier Cezanne, Aix-en- Provence; photograph the author).
Attributed works:
24. Still life with ginger jar, sugar bowl and oranges, by Paul Cezanne. 1902–06. Oil on canvas, 60.6 by 73.3 cm. (Museum of Modern Art, New York).
Attributed works:
25. Three skulls on a patterned carpet, by Paul Cezanne. 1904. Oil on canvas, 54.5 by 65 cm. (Kunstmuseum Solothurn; Bridgeman Images).
Attributed works:
3. Madame Cezanne in a red armchair, by Paul Cezanne. c.1877. Oil on canvas, 72.4 by 55.9 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Madame Cezanne in a yellow chair, by Paul Cezanne. 1888–90. Oil on canvas, 80.9 by 64.9 cm. (Art Institute of Chicago).
Attributed works:
5. The sea at L’Estaque behind trees, by Paul Cezanne. 1878–79. Oil on canvas, 73 by 92 cm. (Musée Picasso, Paris; Bridgeman Images).
Attributed works:
6. The Gulf of Marseilles seen from L’Estaque, by Paul Cezanne. 1878–79. Oil on canvas, 59 by 73 cm. (Musée d’Orsay, Paris; Bridgeman Images).
Attributed works:
7. Photograph of the motif in Fig.8 taken on 27th September 2022 at 17:24. (Photograph the author).
Attributed works:
8. Cliffs in L’Estaque, by Paul Cezanne. 1882–85. Oil on canvas, 73 by 92 cm. (Collection Museu de Arte de São Paolo; Bridgeman Images).
Attributed works:
9. Betschdorf jug. c.1900. Stoneware, height 25.8 cm. (Photograph the author).
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