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2180 articles
Supplement
Dutch museum acquisitions (2015–19) supported by the Vereniging Rembrandt
12/2020 | 1413 | 162
Pages: 1121-1132
related names
Author:
Hecht, Peter (Hecht, Peter)
Subjects
places:
Illustrations
Attributed works:
1. Richly clad woman, by Jan van Steffeswert. 1510. Boxwood, height 18.2 cm. Acquired by the Bonnefanten, Maastricht, in 2020, with the support of the Vereniging Rembrandt (thanks in part to its Themafonds Beeldhouwkunst and Schoufour- Martin Fonds) and the BankGiro Loterij. (Photograph Peter Cox).
Attributed works:
10. Vase of flowers in a stone niche, by Roelant Savery. 1615. Oil on panel, 63.2 by 44.7 cm. Acquired in 2016 by the Mauritshuis, The Hague, with the support of the Vereniging Rembrandt (thanks in part to its Themafonds 17de-eeuwse Schilderkunst), the BankGiro Loterij and a private individual.
Attributed works:
11. Still life of flowers with a crown imperial fritillary in a stone niche, by Jacob Woutersz Vosmaer. 1613. Oil on panel, 110 by 79 cm. Acquired in 2019 by the Rijksmuseum, Amsterdam, with the support of the Vereniging Rembrandt (thanks in part to its Nationaal Fonds Kunstbezit, its Themafonds 17de-eeuwse schilderkunst and the Prins Bernhard Cultuurfonds), the Mondriaan Fonds, the Ministry of Education, Culture and Science’s Nationaal Aankoopfonds, the BankGiro Loterij, a private individual and the Rijksmuseum International Circle.
Attributed works:
12. Portrait of Edzard Jacob Tjarda van Starckenborgh, by Martinus van Grevenbroeck. c.1670–73. Oil on panel, 76.5 by 62 cm. Acquired in 2017 by the Landgoed Verhildersum, Leens, with the support of the Vereniging Rembrandt (thanks in part to its BankGiro Loterij Aankoopfonds) and various private individuals.
Attributed works:
14. Drinking vessel, engraved with the names of twenty-two aristocratic Frisian men and women, attributed to the Gelaesenhuys Workshop, Antwerp. c.1599. Glass, height 17.8 cm. Acquired in 2019 by the Ottema Kingma Stichting, with the support of the Vereniging Rembrandt (thanks in part to its Saskia Fonds), on long-term loan to the Fries Museum, Leeuwarden. (Photograph Michiel Stokmans).
Attributed works:
15. Cross-section of a house on fire, preparatory study by Jan van der Heyden for a print in ‘Beschryving der nieuwlijks uitgevonden [. . .] brand-spuiten’, Amsterdam 1690. c.1690. Black chalk, pen and brown ink with grey wash on paper, 34 by 46.1 cm. Acquired in 2019 by the Amsterdam City Archives with the support of the Vereniging Rembrandt (thanks in part to its KOG-Vereniging Rembrandt Fonds, Themafonds Prenten en Tekeningen and Kruger Fonds), the Mondriaan Fonds, the City of Amsterdam, the Stichting Vrienden Stadsarchief Amsterdam and the Stichting Genootschap Amsterdam Museum.
Attributed works:
16. The Battle at Solebay, showing the ‘Royal James’ on fire, by Thomas Pointz after Willem van de Velde the Elder. c.1685–88. Tapestry, wool and silk, 330 by 457 cm. Acquired in 2019 by the Scheepvaartmuseum, Amsterdam, with the support of the Vereniging Rembrandt (thanks in part to its Rembrandt UK Circle), the Ministry of Education, Culture and Science’s Nationaal Aankoopfonds, the Mondriaan Fonds, the Vereeniging Nederlandsch Historisch Scheepvaart Museum, the BankGiro Loterij, the Samenwerkende Maritieme Fondsen and Het Compagnie Fonds.
Attributed works:
17. Monumental organ clock, by Charles Clay, with sculpture by J.M. Rysbrack and a painting on the clock-face by Jacopo Amigoni. 1783. Oak, mahogany, pine, ebony, brass, gilt bronze, silver, copper, painting in oil, 252 by 120 by 120 cm. Acquired in 2016 by the Museum Speelklok, Utrecht, with the support of the Vereniging Rembrandt (thanks in part to its Stortenbeker Fonds and Fonds van de Utrecht & Gooi Cirkel), the Mondriaan Fonds, the BankGiro Loterij, the VSBfonds, the City of Utrecht and the Stichting Vrienden Museum Speelklok.
Attributed works:
18. Pale kangaroo mouse, by Aert Schouman. 1786. Black chalk and watercolour, 22 by 16.1 cm. Acquired in 2015 by the Dordrechts Museum with the support of the Vereniging Rembrandt and the VSBfonds.
Attributed works:
19. Dutch girl at breakfast, by Jean-Etienne Liotard. c.1756. Oil on canvas, 46.8 by 39 cm. Acquired in 2016 by the Rijksmuseum, Amsterdam, with the support of the Vereniging Rembrandt (thanks in part to its Nationaal Fonds Kunstbezit), the BankGiro Loterij, the Mondriaan Fonds, the VSBfonds, the Rijksmuseum Fonds, the Rijksmuseum International Circle and various private individuals.
Attributed works:
20. Hanukia, known as the Rintel menorah, by Pieter Robol II. 1753. Silver, 103 by 131 cm. Acquired in 2016 by the Joods Historisch Museum, Amsterdam, with the support of the Vereniging Rembrandt (thanks in part to its Themafonds Zilver), the Ministry of Education, Culture and Science, the Mondriaan Fonds and the VSBfonds.
Attributed works:
22. Eight-part folding screen with a view of Deshima in the bay of Nagasaki, by Kawahara Keiga. c.1836. Ink and pigments on silk, mounted on a wooden frame, 171.2 by 457.6 cm. Acquired in 2018 by the Museum Volkenkunde, Leiden, with the support of the Vereniging Rembrandt (thanks in part to its Themafonds Toegepaste kunst en Design, the fund of the Utrecht & Gooi Cirkel and Van Rijn Fonds), the Mondriaan Fonds, the VSBfonds, the BankGiro Loterij and the Vereniging van Vrienden van Museum Volkenkunde.
Attributed works:
23. Portrait of Felix Auerbach, by Edvard Munch. 1906. Oil on canvas, 85.4 by 77.1 cm. Acquired in 2017 by the Van Gogh Museum, Amsterdam, with the support of the Vereniging Rembrandt (thanks in part to its Maljers-de Jongh Fonds and the Prins Bernhard Cultuurfonds), the BankGiro Loterij, the VSBfonds and the members of The Yellow House.
Attributed works:
24. Entrance of the theatre, by Lawrence Alma-Tadema. 1866. Oil on canvas, 70.4 by 98.4 cm. Acquired in 2015 by the Fries Museum, Leeuwarden, with the support of the Vereniging Rembrandt (thanks in part to its Saskia Fonds and Van Rijn Fonds), the BankGiro Loterij, the Mondriaan Fonds, the Wassenbergh-Clarijs- Fontein Stichting and the Vrienden van het Fries Museum.
Attributed works:
25. Peasant burning weeds, by Vincent van Gogh. 1883. Oil on canvas on panel, 30.5 by 39.7 cm. Acquired in 2019 by the Van Gogh Museum, Amsterdam, and Drents Museum, Assen, with the support of the Vereniging Rembrandt (thanks in part to its Themafonds Impressionisme/ Claude Monet Fonds, Hendrickje Fonds and the Prins Bernhard Cultuurfonds), the Mondriaan Fonds and the BankGiro Loterij, with special funding for the Drents Museum from the Province of Drenthe, the Beringer Hazewinkel Fonds, the Stichting Vrienden van het Drents Museum and the Stichting Steunfonds, and for the Van Gogh Museum from the Vincent van Gogh Stichting.
Attributed works:
26. Contra-composition VII, by Theo van Doesburg. 1924. Oil on canvas, 45.3 by 45 cm. Acquired in 2017 by the Museum De Lakenhal, Leiden, with the support of the the Vereniging Rembrandt (thanks in part to its Nationaal Fonds Kunstbezit, Van Lith-Dumont Fonds and BankGiro Loterij Aankoopfonds), the Mondriaan Fonds, the VSBfonds, the Vereniging van Belangstellenden in Museum De Lakenhal, the Lucas van Leyden Mecenaat, the City of Leiden, the De Banderfonds administered by the Prins Bernhard Cultuurfonds, and various private individuals.
Attributed works:
27. Four-part tea set, by Jan Eisenloeffel, produced by Stoffels and Co., Amsterdam. c.1903. Silver and ebony, various sizes. Acquired in 2017 by the Drents Museum, Assen, with the support of the Vereniging Rembrandt.
Attributed works:
28. Coffee pot, by Emmy Roth. c.1930. Silver and ivory, height 29 cm. Acquired in 2017 by the Museum Boijmans Van Beuningen, Rotterdam, with the support of the Vereniging Rembrandt and the Mondriaan Fonds.
Attributed works:
29. On the IJ in 1837, by Charles Leickert. 1870. Oil on canvas, 102 by 150 cm. Acquired in 2019 by the Veenkoloniaal Museum, Veendam, with the support of the Vereniging Rembrandt (thanks in part to its Groninger Fonds), the J.B. Scholtenfonds and various private individuals.
Attributed works:
3. Triptych with Madonna and saints, with scenes of the Passion on the wings; when closed: Christ carrying the cross, by the Master of St Veronica. c.1410. Oil on oak panel, 70 by 32.5 (central panel), 70 by 16 cm. (wings). Acquired in 2018 by the Museum Boijmans Van Beuningen, Rotterdam, with the support of the Vereniging Rembrandt (thanks in part to its Fonds voor Klassieke Beeldende Kunst, Themafonds Middeleeuwen en Renaissance, and the Prins Bernhard Cultuurfonds), the Mondriaan Fonds, the BankGiro Loterij, the Stichting Bevordering van Volkskracht, the Prins Bernhard Cultuurfonds (thanks in part to its Breeman Talle Fonds), the Stichting Museum Boijmans Van Beuningen, and various private individuals.
Attributed works:
30. Le miroir vivant, by René Magritte. 1928. Oil on canvas, 54.5 by 73 cm. Acquired in 2015 by the Museum Boijmans Van Beuningen, Rotterdam, with the support of the Vereniging Rembrandt (thanks in part to its Dura Kunstfonds), the Mondriaan Fonds, the Stichting Museum Boijmans Van Beuningen, the Stichting Fonds Willem van Rede, the Prins Bernhard Cultuurfonds (thanks in part to its Breeman Talle Fonds), the BankGiro Loterij and various private individuals.
Attributed works:
31. Durban, South Africa: four women on a bench labelled Europeans / Blankes; a man passing by, dummy material for the photobook Sweet life, by Ed van der Elsken. 1960–66. Vintage print photograph, mounted on one of a series of eighty-six sheets, 22.5 by 34 cm. Acquired in 2016 by the Universitaire bibliotheken, Leiden, with the support of the Vereniging Rembrandt (thanks in part to its BankGiro Loterij Aankoopfonds) and the Mondriaan Fonds.
Attributed works:
32. Gewitterfront, by Neo Rauch. 2016. Oil on canvas, 150 by 100 cm. Acquired in 2016 by the Museum De Fundatie, Zwolle, with the support of the Vereniging Rembrandt (thanks in part to its Titus Fonds), the BankGiro Loterij, the Mondriaan Fonds and the VSBfonds.
Attributed works:
33. Cupboard with twelve Old Testament scenes, by Hendrik Nicolaas Werkman. 1943. Oak cupboard, height 184 cm.; paintings on plywood panels, each 26 by 40 cm. Acquired in 2017 by the Groninger Museum, Groningen, with the support of the Vereniging Rembrandt (thanks in part to its E.A. en C.M. Alkema-Hilbrands Fonds), the BankGiro Loterij, the Stichting Beringer Hazewinkel, the Stichting J.B. Scholtenfonds, the Stichting H.S. Kammingafonds, the Groninger Museum Salon, the Vereniging Vrienden van het Groninger Museum, and Han Leutscher-Hazelhoff in memory of Dick Leutscher.
Attributed works:
34. Detail of Tomb of the unknown craftsman, by Grayson Perry. 2011–16. Cast iron, oil paint, glass, rope, wood and flint celt, height 305 cm. Acquired in 2016 by the Bonnefanten, Maastricht, with the support of the Vereniging Rembrandt (thanks in part to its Titus Fonds and Innorosa Fonds) and the Mondriaan Fonds.
Attributed works:
35. Grand stairwell installation, by Dale Chihuly. 2018. Seventy elements of handblown glass, installed on three walls twelve metres high. Acquired in 2019 by the Groninger Museum with the support of the Vereniging Rembrandt (thanks in part to its Titus Fonds, Themafonds Glas, Innorosa Fonds and Groninger Fonds), the Mondriaan Fonds, the De Marees van Swinderen-de Blocq van Scheltinga bequest, the Van Os-Van Calcar bequest, de Groninger Museum Salon, the BankGiro Loterij, Reineke Bennema and Willem Bok and Het Singeldorp. (Photograph Siese Veenstra).
Attributed works:
36. Farewell to Washington Square, by Paul Thek. 1972. Acrylic on canvas, 244.3 by 167.5 cm. Acquired in 2019 by the Kunstmuseum, The Hague, with the support of the Vereniging Rembrandt (thanks in part to its Titus Fonds, Coleminks Fonds and Themafonds Naoorlogse en Hedendaagse kunst) and the Mondriaan Fonds.
Attributed works:
4. Seated Virgin with a standing Christ Child, circle of Adriaen van Wesel. c.1480. Oak, with traces of original polychromy, height 28 cm. Acquired in 2016 by the Museum Catharijneconvent, Utrecht, with the support of the Vereniging Rembrandt (thanks in part to its Schoufour-Martin Fonds and Mr J.J.A.M Kennis Fonds), the bequest of Koos Bogaarts, the Vereniging Vrienden van Museum Catharijneconvent, and contributions by friends and family of its former director Henri Defoer.
Attributed works:
5. Christ’s resurrection and triumph over death, devil and sin, by Wouter Pietersz Crabeth I. c.1560–70. Stained glass, 23.2 by 19.7 cm. Acquired in 2018 by the Museum Gouda with the support of the Vereniging Rembrandt (thanks in part to its Mr J.J.A.M. Kennis Fonds) and the Vereniging van Goudse Museumvrienden.
Attributed works:
6. Bell from the church in Alphen, Brabant, by Jan van den Ghein. 1540. Bronze, height 72 cm, diameter 67 cm. Acquired in 2016 by the Museum Klok en Peel, Asten, with the support of the Vereniging Rembrandt (thanks in part to its Mr. J.J.A.M. Kennis Fonds) and the VSBfonds.
Attributed works:
7. Portrait of a nun, perhaps the artist’s half-sister Barbara, by Abraham Bloemaert. c.1612. Red and white chalk on light brown paper, 14.6 by 13.2 cm. Acquired in 2015 by the Teylers Museum, Haarlem, with the support of the Vereniging Rembrandt, the Stichting Nationaal Fonds Kunstbezit and Matthijs de Clerq.
Attributed works:
8. Amorous couple, by Gerrit Pietersz Sweelinck. c.1601. Black chalk, pen and brown ink, brown and blue wash on paper, 13.9 by 9.2 cm. Acquired in 2015 by the Teylers Museum, Haarlem, with the support of the Vereniging Rembrandt, the Stichting Nationaal Fonds Kunstbezit and Matthijs de Clercq.
Attributed works:
9. Banquet of the gods, by Joachim Wtewael. c.1601–03. Oil on copper, 15.5 by 20.5 cm. Acquired in 2019 by the Centraal Museum, Utrecht, with the support of the Vereniging Rembrandt (thanks in part to its Themafonds 17de-eeuwse schilderkunst, Fonds van de Utrecht and Gooi Cirkel, Caius Fonds and the Prins Bernhard Cultuurfonds), the Mondriaan Fonds, the Ministry of Education, Culture and Science’s Nationaal Aankoopfonds and various private individuals.
Non-western art unattributed:
13. Pair of flower pyramids. Delft, c.1690, the top segments Chinese, added c.1700. Delft earthenware and Chinese porcelain, height 153 cm. Acquired in 2019 by the Kunstmuseum, The Hague, with the support of the Vereniging Rembrandt (thanks in part to its Nationaal Fonds Kunstbezit, Van Rijn Fonds and the Stichting Van Rees-Klatte), the Mondriaan Fonds, the Kunstmuseum Fonds and the BankGiro Loterij. (Photograph Gerrit Schreurs).
Non-western art unattributed:
21. Two beauties. Japan, c.1670–80. Kakiemon porcelain, height 39.3 and 38.4 cm. Acquired in 2015 by the Keramiekmuseum Princessehof, Leeuwarden, with the support of the Vereniging Rembrandt (thanks in part to its BankGiro Loterij Aankoopfonds and Themafonds Niet-Westerse kunst), the Mondriaan Fonds and the Wassenbergh-Clarijs-Fontein Stichting.
Western art unattributed:
2. The Ommerschans Sword. c.1500–1350 BC. Bronze, length 68.3 cm. Acquired in 2017 by the Rijksmuseum van Oudheden, Leiden, with the support of the Vereniging Rembrandt (thanks in part to its Van Rijn Fonds, Hendrickje Fonds and Eleonora Jeuken-Tesser Fonds), the Mondriaan Fonds, the BankGiro Loterij and the museum’s RoMeO association of friends.
Book Review
Der Salon und die Pariser Kunstszene unter Napoleon I.: Kunstpolitik, Künstlerische Strategien, Internationale Resonanzen, and London and the Emergence of a European Art Market, 1780–1820
07/2020 | 1408 | 162
Pages: 624-625
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
Subjects
dates:
places:
Reviewed Items
subjects:
Der Salon und die Pariser Kunstszene unter Napoleon I.: Kunstpolitik, Künstlerische Strategien, Internationale Resonanzen By Eva Knels. 424 pp. incl. 10 col. + 45 b. & w. ills. (Georg Olms Verlag, Hildesheim, Zurich and New York, 2019), £80. ISBN 978–3–487–15774–0. | :
subjects:
London and the Emergence of a European Art Market, 1780–1820 Edited by Susanna Avery-Quash and Christian Huemer. 304 pp. incl. 70 col. + 17 b. & w. ills. (Getty Research Institute, Los Angeles, 2019), £45. ISBN 978–1–60606–595–2. | :
Illustrations
Attributed works:
1. Vue du Salon de l’an IX, by Antoine Maxime Monsaldy and Simon Pierre Devisme. 1801. Etching, 21.4 by 25.1 cm. (Bibliothèque nationale de France, Paris).
Publication Received
Lambert Sustris. Un artiste de la Renaissance entre Venise et l’Allemagne. By Benjamin Couilleaux
11/2018 | 1388 | 160
Pages: 985
Exhibition Review
Pure Rubens. Museum Boijmans Van Beuningen, Rotterdam
11/2018 | 1388 | 160
Pages: 955-958
related names
Reviewer:
Jaffé, David (Jaffé, David)
Subjects
dates:
Illustrations
Attributed works:
7. Sketch for the Rape of Europa, by Peter Paul Rubens. 1636. Panel, 18.9 by 13.7 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
8. The recognition of Phililpoemen, by Peter Paul Rubens and Frans Snyders. c.1609. Canvas, 201 by 311 cm. (Museo Nacional del Prado, Madrid; exh. Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
9. Sketch for The recognition of Phililpoemen, by Peter Paul Rubens. c.1609. Panel, 50.5 by 66.5 cm. (Musée du Louvre, Paris; exh. Museum Boijmans Van Beuningen, Rotterdam).
Exhibition Review
Kwab: Dutch Design in the Age of Rembrandt. Rijksmuseum, Amsterdam
09/2018 | 1386 | 160
Pages: 781-783
related names
Reviewer:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
13. Ewer, by Adam van Vianen. Utrecht, 1614. Silver-gilt, height 25 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Detail of the choir screen in the Nieuwe Kerk, Amsterdam, designed by Johannes Lutma the Elder. c.1654. Brass, (Nieuwe Kerk, Amsterdam; exh. Rijksmuseum, Amsterdam).
Western art unattributed:
15. Railing. Probably Amsterdam, c.1650. Walnut, height 66.5 cm. (Museum Boijmans van Beuningen, Rotterdam; exh. Rijksmuseum, Amsterdam).
Article
The Art of Conservation XV. The conservation history of the Ghent Altarpiece
09/2018 | 1386 | 160
Pages: 754-765
related names
Author:
Dubois, Hélène (Dubois, Hélène)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).
Attributed works:
3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).
Attributed works:
4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).
Attributed works:
6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).
Attributed works:
8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).
Attributed works:
9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).
Western art unattributed:
10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).
Western art unattributed:
11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).
Western art unattributed:
12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).
Exhibition Review
Van Gogh and Japan. Van Gogh Museum, Amsterdam
06/2018 | 1383 | 160
Pages: 490-492
related names
Reviewer:
Adler, Kathleen (Adler, Kathleen)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Undergrowth with two figures, by Vincent van Gogh. 1890. Canvas, 49.5 by 99.7 cm. (Cincinnati Art Museum; exh. Van Gogh Museum, Amsterdam).
Attributed works:
2. Bridge in the rain (after Hiroshige), by Vincent van Gogh. 1887. Canvas, 73.3 by 53.8 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
3. Courtesan (after Eisen), by Vincent van Gogh. 1887. Canvas, 100.7 by 60.7 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
4. Self-portrait, by Vincent van Gogh. 1888. Canvas, 61.5 by 50.3 cm. (Harvard Art Museums, Cambridge MA; exh. Van Gogh Museum, Amsterdam).
Exhibition Review
The Dutch in Paris
05/2018 | 1382 | 160
Pages: 420-421
related names
Reviewer:
Darwent, Charles (Darwent, Charles)
Subjects
dates:
media:
Illustrations
Attributed works:
20. Flowers in an alabaster vase and fruits on a marble top, by Gerard Van Spaendonck. 1781. Canvas, 100 by 82 cm. (Het Noordbrabants Museum, Den Bosch; exh. Petit Palais, Paris).
Attributed works:
21. Composition no. XIV, by Piet Mondrian. 1913. Canvas, 94 by 65 cm. (Van Abbemuseum, Eindhoven; exh. Petit Palais, Paris).
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