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90 articles
Exhibition Review
Vermeer
05/2023 | 1442 | 165
Pages: 544-546
related names
Reviewer:
Ducos, Blaise (Ducos, Blaise)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Vermeer Rijksmuseum, Amsterdam 10th February–4th June | :
Illustrations
Attributed works:
1. Officer and laughing girl, by Johannes Vermeer. c.1657– 58. Oil on canvas, 50.5 by 46 cm. (Frick Collection, New York; exh. Rijksmuseum, Amsterdam).
Attributed works:
2. The lacemaker, by Johannes Vermeer. Here dated c.1669–70. Oil on canvas, 24.5 by 21 cm. (Musée du Louvre, Paris; exh. Rijksmuseum, Amsterdam).
Attributed works:
3. The milkmaid, by Johannes Vermeer. c.1658–58. Oil on canvas, 45.5 by 41 cm. (exh. Rijksmuseum, Amsterdam).
Article
New light on the nineteenth-century history of Vermeer’s ‘A maid asleep’
02/2023 | 1439 | 165
Pages: 165-169
related names
Author:
WATSON, Andrew M. (WATSON, Andrew M.)
Subjects
Illustrations
Attributed works:
1. John Waterloo Wilson. c.1870s. Blackand- white photograph on porcelain, 18.5 by 14.5 cm. (Private collection).
Attributed works:
2. Léon Gauchez, by William Quiller Orchardson. 1895. Oil on canvas, 114 by 100 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels; photograph Photo d’art Speltdoorn & Fils, Brussels).
Attributed works:
3. A maid asleep, by Johannes Vermeer. c.1656–67. Oil on canvas, 87.6 by 76.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. Petrus Scriverius, by Frans Hals. 1626. Oil on panel, 22.2 by 16.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Anna van der Aar, by Frans Hals. 1626. Oil on panel, 22.2 by 16.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6. Sleeping woman, by Esaias Boursse. 1660s. Oil on wood, 50.8 by 40.6 cm. (Private collection; photograph BPK; Jörg P. Anders).
Attributed works:
7. A maid asleep, by Charles-Jean-Louis Courtry after Vermeer. 1881. Etching, 20 by 17.2 cm. (From ‘Les ventes d’art et de curiosité’, L’Art 24, part 1, 1881).
Exhibition Review
Johannes Vermeer: On Reflection
01/2022 | 1426 | 164
Pages: 62-64
related names
Reviewer:
Waiboer, Adriaan E. (Waiboer, Adriaan E.)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Johannes Vermeer: On Reflection Gemäldegalerie Alte Meister, Dresden 10th September 2021– 2nd January 2022 | :
Illustrations
Attributed works:
10. Temptation, by Jan Verkolje. 1678. Oil on canvas, 70 by 66 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
8. Young woman reading a letter at an open window, by Johannes Vermeer. c.1657– 59. Oil on canvas, 97.8 by 104.6 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
9. Woman holding a balance, by Johannes Vermeer. c.1664. Oil on canvas, 39.7 by 35.5 cm. (National Gallery of Art, Washington; exh. Gemäldegalerie Alte Meister, Dresden).
Article
The restoration of ‘Young woman reading a letter at an open window’ by Johannes Vermeer: final report
10/2021 | 1423 | 163
Pages: 916-925
related names
Author:
Neidhardt, Uta (Neidhardt, Uta)
Author:
Schölzel, Christoph (Schölzel, Christoph)
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Young woman reading a letter at an open window, by Johannes Vermeer. c.1657–59. Oil on canvas, 83 by 64.5 cm. Photographed after restoration, 2021. (Staatliche Kunstsammlungen, Gemäldegalerie Alte Meister, Dresden; photograph Wolfgang Kreische).
Attributed works:
10. Interior of the Oude Kerk in Delft, by Gerard Houckgeest. 1654. Oil on panel, 49 by 41 cm. (Rijksmuseum, Amsterdam; photograph Frans Pegt).
Attributed works:
12. A mother’s duty, by Pieter de Hooch. c.1660–61. Oil on canvas, 52.5 by 61 cm. (Rijksmuseum, Amsterdam).
Attributed works:
13. An officer and a standing woman, by Hendrick van der Burch. c.1665. Oil on canvas, 57.8 by 64.1 cm. (Philadelphia Museum of Art).
Attributed works:
2. Young woman standing at a virginal, by Johannes Vermeer. c.1670–72. Oil on canvas, 51.7 by 45.2 cm. (National Gallery, London).
Attributed works:
3. Fig.1, photographed after the removal of overpaint in 2021, showing the edges of the painting (Staatliche Kunstsammlungen, Gemäldegalerie Alte Meister, Dresden; photograph Wolfgang Kreische).
Attributed works:
4. Detail of Fig.3, showing the upper-left corner of the painting.
Attributed works:
5. Detail of Fig.3, showing the lower-right corner of the painting, with the foot of a wine glass.
Attributed works:
6. Detail of Fig.1, showing the painting of Cupid in the background.
Attributed works:
7. A lady writing a letter, with her maid, by Johannes Vermeer. c.1670/72. Oil on canvas, 71.1 by 60.5 cm. (National Gallery of Ireland, Dublin; Bridgeman Images).
Attributed works:
8. Inconcussa fide (Oprecht), by Otto van Veen. 1608. Engraving, 20.2 by 15.1 cm. (From Amorum emblemata, Antwerp 1608, p.28; © Dresden, SLUB/Deutsche Fotothek).
Attributed works:
9. Officer and laughing girl, by Johannes Vermeer. c.1657–60. Oil on canvas, 50.5 by 46 cm. (The Frick Collection, New York; photograph Michael Bodycomb).
Western art unattributed:
11. The terrace. Delft, c.1660. Oil on canvas, 106.9 by 87.4 cm. (Art Institute of Chicago; Bridgeman Images).
Exhibition Review
Velázquez, Rembrandt, Vermeer: Parallel Visions. Museo Nacional del Prado, Madrid; and Rembrandt–Velázquez: Dutch and Spanish Masters. Rijksmuseum, Amsterdam
01/2020 | 1402 | 162
Pages: 61-64
related names
Reviewer:
Kent, Isabelle (Kent, Isabelle )
Subjects
dates:
Reviewed Items
subjects:
Velázquez, Rembrandt, Vermeer: Parallel Visions Museo Nacional del Prado, Madrid 25th June–29th September 2019 Rembrandt–Velázquez: Dutch and Spanish Masters Rijksmuseum, Amsterdam 11th October 2019–19th January | :
Illustrations
Attributed works:
12. View of the gardens of the Villa Medici in Rome, by Diego Velázquez. c.1630. Oil on canvas, 48.5 by 43 cm. (Museo Nacional del Prado, Madrid; exh. Rijksmuseum, Amsterdam).
Attributed works:
13. View of houses in Delft (the little street), by Johannes Vermeer. c.1658. Oil on canvas, 54.3 by 44 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Agnus Dei, by Francisco de Zurbarán. 1635– 40. Oil on canvas, 37.3 by 62 cm. (Museo Nacional del Prado, Madrid, exh. Rijksmuseum, Amsterdam).
Attributed works:
15. Interior of the Sint- Odulphuskerk in Assendelft, by Pieter Jansz Saenredam. 1649. Oil on panel, 49.6 by 75 cm. (Rijksmuseum, Amsterdam).
Editorial
Out of the attic
09/2019 | 1398 | 161
Pages: 707
Short Notice
A footnote on the provenance of Vermeer’s ‘Young woman standing at a virginal’ in the National Gallery, London
09/2019 | 1398 | 161
Pages: 747-749
related names
Author:
Grijzenhout, Frans (Grijzenhout, Frans)
Subjects
museums and institutions:
Illustrations
Attributed works:
4. Young woman standing at a virginal, by Johannes Vermeer. c.1670–72. Oil on canvas, 51.8 by 45.2 cm. (National Gallery, London; Bridgeman Images).
Article
The restoration of ‘Young woman reading a letter at an open window’, by Johannes Vermeer: an interim report
06/2019 | 1395 | 161
Pages: 452-463
related names
Author:
Neidhardt, Uta (Neidhardt, Uta)
Author:
Schölzel, Christoph (Schölzel, Christoph)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Young woman reading a letter at an open window, by Johannes Vermeer, showing the painting before the start of the current conservation work. c.1657–59. Canvas, 83 by 64.5 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; H.-P. Klut).
Attributed works:
10. Detail of Fig.13, showing Cupid
Attributed works:
11. Above Young woman interrupted at music, by Johannes Vermeer. c.1658–59. Canvas, 39.3 by 44.4 cm. (The Frick Collection, New York).
Attributed works:
12. The music lesson, by Johannes Vermeer. c.1662–63. Canvas, 74 by 64.5 cm. (Royal Collection, © Her Majesty Queen Elizabeth II, 2019).
Attributed works:
13. Fig.1, photographed in March 2019 during removal of the overpainting layer. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische).
Attributed works:
14. A maid asleep, by Johannes Vermeer. c.1656–57. Canvas, 87.6 by 76.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
15. Portrait of a dead child with three putti, by Jacob van Loo. c.1650– 60. Canvas on panel, 96 by 91.5 cm. (Rijksgebouwendienst, Johan de Witthuis, The Hague).
Attributed works:
2. Cross section in visible light of a sample from the overpainted background of Fig.1: (0) ground layer; (1) imprimitura; (2) original reddish paint layer; (3a and 3b) transparent binder layers; (4a and 4b) overpaint. (Hochschule für Bildende Künste, Dresden; C. Herm).
Attributed works:
3. Cross section under UV-fluorescence of a sample from the overpainted background of Fig.1: (0) ground layer; (1) imprimitura; (2) original reddish paint layer; (3a, 3b) transparent binder layers; (4a) overpaint. (Hochschule für Bildende Künste, Dresden; C. Herm).
Attributed works:
4. X-radiograph image of Fig.1. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; Fine Arts Museum of San Francisco; W. Kreische).
Attributed works:
5. Fig.1 as it appeared during removal of its varnish. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische).
Attributed works:
6. Macrophotograph detail of Fig.1, showing Cupid’s eye after removal of the overpainting layer, with craquelure. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische and C. Schölzel).
Attributed works:
7. Detail of Fig.1, showing Cupid after the partial removal of the overpainting layer. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden; W. Kreische).
Attributed works:
8. Left Young woman standing at a virginal, by Johannes Vermeer. c.1670–72. Canvas, 51.8 by 45.2 cm. (National Gallery, London).
Attributed works:
9. Detail of Fig.8, showing Cupid
Article
Benjamin Altman’s loans to the 1909 Hudson–Fulton exhibition at the Metropolitan Museum of Art
04/2018 | 1381 | 160
Pages: 305-310
related names
Author:
Mascolo, Marco M. (Mascolo, Marco M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Portrait of a man (‘The Auctioneer’), by Rembrandt van Rijn. c.1658. Canvas, 108.6 by 86.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Man with a magnifying glass, by Rembrandt van Rijn. c.1660. Canvas, 91.4 by 74.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. Woman with a pink, by Rembrandt van Rijn. c.1660. Canvas, 92.1 by 74.6 cm. (Metropolitan Museum of Art, New York).
Attributed works:
4. Wheat fields, by Jacob van Ruisdael. c.1670. Canvas, 100 by 130.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
5. Merrymakers at Shrovetide, by Frans Hals. c.1616–17. Canvas, 131.4 by 99.7 cm (Metropolitan Museum of Art, New York).
Attributed works:
6. A maid asleep, by Johannes Vermeer. c.1656–57. Canvas, 87.6 by 76.5 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Vermeer and the masters of genre painting. Paris, Dublin and Washington
11/2017 | 1376 | 159
Pages: 931-932
related names
Reviewer:
Brown, Christopher (Brown, Christopher)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Vermeer and Dutch Genre Painting at the Musée du Louvre, Paris, the National Gallery of Ireland, Dublin, and National Gallery of Art, Washington. | :
Illustrations
Attributed works:
61. Girl with a pearl necklace by Johannes Vermeer. c. 1662-65 (Gemäldegalerie, Staatliche Museen zu Berlin; exh. national Gallery of Art, Washington).
Attributed works:
62. Woman writing a letter, by Gerard ter Borch. c.1655-56 (Mauritshuis, The Hague; exh. National Gallery of Art, washington).
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