museums and institutions:
Attributed works:
1. Wounded warrior, by John Gibson. 1860s. Marble,
193 by 101 by 66 cm. (Royal Academy of Arts, London).
Attributed works:
10. Detail of an elevation recording the arrangement of casts on the
the south and north walls of the smaller room in the Gibson Gallery,
attributed to the office of Sydney Smirke. 1874. Pencil with black ink and
wash on wove paper, 38.9 by 56.4 cm. (Royal Academy of Arts, London).
Attributed works:
11. Resurrection. Angel, mother and infant (Monument to Lady
Leicester), by John Gibson. c.1844. Plaster, 181 by 126.5 cm. (Photograph
© Royal Academy of Arts, London / Paul Highnam).
Attributed works:
12. Venus, by John Gibson. 1850s. Plaster, 172 by 50.8 by 46 cm.
(Photograph © Royal Academy of Arts, London / Paul Highnam).
Attributed works:
13. The Gibson Gallery and Diploma Gallery, Burlington House, London.
Centre right is Gibson’s marble Bacchus (1856–60) and William Theed’s
portrait bust of Gibson (1868) on display alongside paintings from the
RA collection following a rearrangement of the galleries. (Repr. The
Sphere, 23rd February 1929).
Attributed works:
14. Floorplan showing the Gibson Gallery as completed, attributed
to Sydney Smirke. June 1874. Pencil with black ink and wash on wove
paper, 38.8 by 55.5 cm. (Royal Academy of Arts, London).
Attributed works:
2. The Royal Academy of Arts Library, Burlington House, London,
which occupies the space of the Gibson Gallery. The central sculpture
is Wounded warrior by John Gibson. Photograph 2011. (Photograph
© Royal Academy of Arts, London / Francis Ware).
Attributed works:
3. Design for the layout of the Gibson Gallery, by John Gibson. c.1864.
A list on the facing page is inscribed ‘Bassorelievi’ with the heading ‘A
list of my models in plaster executed at Rome’. Pen and ink on paper,
(Royal Academy of Arts, London).
Attributed works:
4. Floor plan with layout of sculpture and casts in the Gibson Gallery,
by John Gibson. 1864. Black ink over pencil on tracing paper mounted
on wove paper, 43.5 by 26.9 cm. (Royal Academy of Arts, London).
Attributed works:
5. Design for the arrangement of the entrance wall of the second
room of the Gibson Gallery, by John Gibson, showing seated male
portraits. Black ink on laid paper mounted on laid paper,
27 by 20.3 cm. (Royal Academy of Arts, London; see also Fig.6).
Attributed works:
6. Reconstruction based on a drawing by John
Gibson, showing the arrangement of the casts on the entrance wall
of the second room of the Gibson Gallery, with seated male portraits.
Here and in Fig.8 missing reliefs are represented by drawings by
Gibson, (Royal Academy of Arts, London).
Attributed works:
7. Reconstruction based on a drawing by John Gibson, showing the
arrangement of the casts on the wall opposite the entrance to the
second room of the Gibson Gallery, with idealised female figures.
(Royal Academy of Arts, London).
Attributed works:
8. Reconstruction based on a drawing by John Gibson, showing the
arrangement of the casts on the left-hand wall of the second room
of the Gibson Gallery, with reliefs on mythological themes. (Royal
Academy of Arts, London).
Attributed works:
9. Reconstruction based on a drawing by John Gibson, showing
the arrangement of the casts on the right-hand wall of the second
room of the Gibson Gallery, with reliefs on religious themes. (Royal
Academy of Arts, London).
