1. Seated male nude, by Raphael. c.1511–14. Black chalk, 34.4 by 26.7 cm. (Ashmolean Museum, Oxford).
Attributed works:
10. Infra-red reflectograph of Venus, Vulcan, Cupid and five putti, by Giulio Romano. c.1530. Panel, 37.6 by 24.3 cm. (Musée du Louvre, Paris).
Attributed works:
2. Two figure studies and drafts of a sonnet, by Raphael. c.1508–10. Black
chalk, pen and brown ink over blind stylus, 38.8 by 23.6 cm. (Ashmolean
Museum, Oxford).
Attributed works:
3. A standing figure and a drapery study, by Raphael. c.1499–1502. Pen and brown ink and black chalk, 25.4 by 21.6 cm. (Ashmolean Museum, Oxford).
Attributed works:
4. Portrait of a boy, here attributed to Giulio Romano. c.1516–18. Canvas, 43.8 by 29 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
5. Portrait of a woman, by Giulio Romano. c.1518–20. Panel, 59.5 by 44 cm. (Musée des Beaux-Arts, Strasbourg).
Attributed works:
6. The Transfiguration with nude figures, school of Raphael. c.1519–20. Pen and brown ink, over some black chalk, 53.6 by 37.7 cm. (Albertina, Vienna).
Attributed works:
7. Overlay highlighting the spolvero on The heads and hands of two apostles, by Raphael. c.1519–20. Black chalk over pounced underdrawing with some white heightening, 49.9 by 36.4 cm. (Ashmolean
Museum, Oxford).
Attributed works:
8. Detail of Fig.6. Compare with the overlay in Fig.7.
Attributed works:
9. Venus, Vulcan, Cupid and five putti, here attributed to Giulio Romano. c.1518–20. Pen and ink, heightened with white over traces of black chalk and stylus, 37.1 by 24.2 cm. (Musée du Louvre, Paris).
1. Torment of St Anthony, by Michelangelo Buonarroti. 1487–88. Tempera on panel, 47 by 34.9 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
2. Detail of a processed infra-red reflectance hyperspectral imagery of Fig.1, showing a brushed compositional sketch attributed to Michelangelo Buonarroti. (Image courtesy John Delaney in collaboration with the paintings conservation department at the Kimbell Art Museum, Fort Worth).
Attributed works:
3. Study of a standing male nude seen from the back, by Michelangelo Buonarroti. Pen and brown ink over traces of black chalk, 38.7 by 19.5 cm. (Albertina, Vienna).
Attributed works:
4. Sketchbook sheet for the ancestors of Christ inn the Sistine ceiling: sleeping figure, by Michelangelo Buonarroti. Black chalk, 13.5 by 14.8 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Study for a reclining nude for the New Sacristy of S. Lorenzo, Florence, by Michelangelo Buonarroti. Black chalk, 25.8 by 33.2 cm. (Ashmolean Museum, Oxford).
7. Sleeping reclining male nude with boy-genius, attributed to Michelangelo Buonarroti. Black chalk, 18.7 by 12.4 cm. (Städel Museum, Frankfurt am Main).
Book Review
Art Royal: Meisterzeichnungen aus dem Louvre. By Regina Kaltenbrunner, Peter Laub and Eva Léchelle
63. Virgin and Child enthroned with angels, and a separate study of a cherub's head, by Titian. c.1517-20 (Christ Church, Oxford; exh. Ashmolean Museum, Oxford)
Attributed works:
64. The triumph of St George, by Vittore Carpaccio. c.1500-04 (Galleria degli Uffizi, Florence; exh. Ashmolean Museum, Oxford)
Attributed works:
65. Lagoon view with the island of San Michele, by Canaletto. c.1742-44 (Ashmolean Museum, Oxford)
Attributed works:
66. Head of Giuliano de'Medici, by Jacopo Tintoretto. 1540s or later (Christ Church, Oxford; exh. Ashmolean Museum, Oxford)
Book Review
Italian Master Drawings from the Princeton University Art Museum, L.M.Giles, L. Markey and C. Van Cleave, eds.
27. Medea, by Paul Cézanne after Eugène Delacroix (Kunsthaus Zürich; exh. Museum of Fine Arts, Budapest)
Attributed works:
28. Medée furieuse, by Marie-Alexandre (Menut) Alophe after Eugène Delacroix (Département littérature et art, Bibliothèque national de France, Paris; exh. Museum of Fine Arts, Budapest)
Attributed works:
29. Bellona, by Paul Cézanne after Peter Paul Rubens (Private collection; exh. Museum of Fine Arts, Budapest)
Attributed works:
30. Cardinal Richelieu, by Paul Cézanne after Gian Lorenzo Bernini (Kunstmuseum Basel; exh. Museum of Fine Arts, Budapest)
Attributed works:
31. Detail of the Portrait of Cardinal Armand-Jean du Plessis, duc de Richelieu, by Gian Lorenzo Bernini (Musée du Louvre, Paris; exh. Museum of Fine Arts, Budapest)
61. The meeting of Christ and Zacchaeus, by Giovanni Domenico Tiepolo. 1775–80. Brown ink and wash over black chalk on paper, 45.8 by 35.6 cm. (Exh. Katrin Bellinger at Colnaghi, London).
Attributed works:
62. James Byres (1734–1817), by Anton von Maron. c.1768. Canvas, 73.4 by 60.6 cm. (Exh. Colnaghi, London).
Attributed works:
63. Card players, by Gerard ter Borch. c.1659. Canvas laid down on panel, 46.7 by 36.8 cm. (Exh. Johnny Van Haeften, London).
Attributed works:
64. Blackcock, by Edwin Landseer. 1848. Ink wash heightened with blue and red chalks on paper, 22.8 by 28 cm. (Exh. Lowell Libson, London).
Attributed works:
65. Jacob’s dream, by John Constable after Aert de Gelder. c.1832. Ink and wash on paper, 17.5 by 15 cm. (Exh. W.S. Fine Art Andrew Wyld, London).
Article
Thomas Lawrence and the Royal Academy’s cartoon of ‘Leda and the swan’ after Michelangelo
12. Self-portrait, by Thomas Lawrence. c.1825. Canvas, 91 by 71.4 cm. (Royal Academy of Arts, London)
Attributed works:
13. William Lock and his daughter Amelia, by Thomas Lawrence. c.1796. Black and red chalk on paper, 29.8 by 24.1 cm. (Private collection).
Attributed works:
14. The Antique School at Old Somerset House, by E.F. Burney. 1779. Pen and ink with watercolour on paper, 33.5 by 48.5 cm. (Royal Academy of Arts, London).
Western art unattributed:
11. Leda and the swan, after Michelangelo. Sixteenth century. Black chalk on paper, 170.1 by 248.8 cm. (Royal Academy of Arts, London).
Publication Received
Raphael to Renoir. Drawings from the Collection of Jean Bonna