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28 articles
Article
Four wooden ceilings from the Torrijos Palace, Toledo
12/2023 | 1449 | 165
Pages: 1272–1289
related names
Author:
McSweeney, Anna (McSweeney, Anna)
Author:
Rosser-Owen, Mariam (Rosser-Owen, Mariam)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
10. Tile panel possibly from the Torrijos Palace. Attributed to Hernando de Loaysa, Talavera de la Reina, c.1600. Tin-glazed earthenware. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Attributed works:
19. Groundplan of the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 [1894], p.104; Biblioteca Nacional de España , Madrid).
Attributed works:
2. Opening page of the 1902 article on the Torrijos Palace, showing a plaster lintel above a door in the palace. (From ‘El Palacio de Torrijos’, Por Esos Mundos (April 1902), p.342; Victoria and Albert Museum, London).
Attributed works:
20. Exterior façade of the Torrijos Palace, showing the portal and one of the windows with a balcony. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.102; Biblioteca Nacional de España , Madrid).
Attributed works:
22. Staircase in the Torrijos Palace. (From E. María Repullés y Vargas: ‘El Palacio de Torrijos’, Resumen de Arquitectura 1 (1894), p.103; Biblioteca Nacional de España , Madrid).
Attributed works:
23. The groundplan shown in Fig.19, overlaid to show the location of the four ceilings, the main portal and the patio. (© Mariam Rosser-Owen). A. Ceiling from a room on the south-west side of Torrijos Palace, now in château de Villandry, Loire (Fig.12) B. Ceiling from a room on the north-west side of Torrijos Palace, now in the V&A (Fig.1) C. Staircase on the north-east side of Torrijos Palace (Fig.22) D. Ceiling from a room on the north-east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retamar (Fig.15) E. Ceiling from a room on the north-east side of Torrijos Palace, now in MAN (Fig.8) F. Portal on the east side of Torrijos Palace, now in Finca El Alamín, Santa Cruz del Retama (Fig.13) G. Courtyard of Torrijos Palace (Fig.4) H. Ceiling from a room on the south-east ceiling side of Torrijos Palace, now in Fine Arts Museums, San Francisco (Fig.5)
Attributed works:
25. The ceiling in Fig.8 shown in situ in the Torrijos Palace. Photograph, 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.344).
Attributed works:
27. The ceiling in Fig.12 shown in situ in the Torrijos Palace. Photograph. 1902. (From ‘El Palacio de Torrijos’, Por Esos Mundos, April 1902, p.346; Victoria and Albert Museum, London).
Attributed works:
29. Diagram of an interlace panel on a strapwork carpentry ceiling, by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
3. The ceiling shown in Fig.1 in situ in the Torrijos Palace. Photograph, 1905. (Victoria and Albert Museum, London, Archive, Central Inventory Register, 1905, MA/30/233).
Attributed works:
30. Diagram of cartabones by Diego López de Arenas. (From Breve compendio de la carpintería de lo blanco y tratado de alarifes, Seville 1633, repr. 1727; National Art Library Special Collections; Victoria and Albert Museum, London).
Attributed works:
6. Plaster cast of the frieze originally below the ceiling shown in Fig.1, c.1910. Plaster, each section approx. 150 by 110 cm. (Victoria and Albert Museum, London).
Western art unattributed:
1. A ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; with modern plaster of Paris panels, width 6 m. (Victoria and Albert Museum, London).
Western art unattributed:
11. Friezes from the Torrijos Palace. c.1490. Plaster, 133 by 312 by 8 cm. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
12. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding, width approx. 5.5 m. (château de Villandry, Loire; photograph Frédéric Paillet).
Western art unattributed:
13. Portal from the Torrijos Palace. c.1490. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
14. Plinth for a statue of the Virgin on the altar of the chapel at Finca El Alamín, Santa Cruz del Retamar, made from part of the ceiling shown in Fig.15. Early sixteenth century, carved wood. (Photograph Peter Kelleher 2022).
Western art unattributed:
15. Ceiling from the Torrijos Palace. Early sixteenth century. Carved wood. (Chapel, Finca El Alamín, Santa Cruz del Retamar; photograph Peter Kelleher 2022).
Western art unattributed:
16. Ceiling in the grandest room of the palace at Ocaña. 1475–80. Wood, probably pine, with painting and gilding. (Photograph Peter Kelleher 2022).
Western art unattributed:
17. Ceiling in the Throne Hall of the Comares Palace, Alhambra, Granada. 1350. Wood, including pine and cedar, with painting, 11.3 by 11.3 m. (Photograph Simon Lane).
Western art unattributed:
18. Portal of the Colegiata del Santísimo Sacramento, Torrijos. 1509–18. (Photograph Peter Kelleher 2022).
Western art unattributed:
21. Staircase in the palace at Ocaña. 1475–80. (Photograph Peter Kelleher 2022).
Western art unattributed:
24. Panel from a frieze in the Torrijos Palace. c.1490. Plaster, 38 by 55 by 4 cm. (Museo Santa Cruz, Toledo; photograph Mariam Rosser-Owen).
Western art unattributed:
26. Section of the frieze from the ceiling shown in Fig.8. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Western art unattributed:
28. Exterior of the ceiling shown in Fig.8. (Photograph Peter Kelleher 2022).
Western art unattributed:
4. Courtyard of the Torrijos Palace. Photograph, c.1904. (Instituto del Patrimonio Cultural de España, Ministerio de Cultura y Deporte, VN-10440).
Western art unattributed:
5. Ceiling from the Torrijos Palace. c.1490. Wood, including pine and walnut, with painting and gilding, width 5.72 m. (Museum of the Legion of Honor, San Francisco; Fine Arts Museums of San Francisco).
Western art unattributed:
7. Panel from the original frieze below the ceiling shown in Fig.1. c.1490. Plaster, 29.5 by 58 by 5.5 cm. (Victoria and Albert Museum, London).
Western art unattributed:
8. Ceiling from the Torrijos Palace. c.1490. Wood, probably pine, with painting and gilding; 5.5 by 5.5 m. (Museo Arqueológico Nacional, Madrid; photograph Peter Kelleher 2022).
Western art unattributed:
9. Lintel and doorway from the Torrijos Palace. c.1490. Plaster. (Casa Platón Páramo, Oropesa; photograph Peter Kelleher 2022).
Exhibition Review
The Making of Rodin
10/2021 | 1423 | 163
Pages: 939-941
related names
Reviewer:
Vandenbrouck, Melanie (Vandenbrouck, Melanie; Vandenbrouck-Przybylski, Melanie)
Subjects
artists:
dates:
media:
museums and institutions:
Reviewed Items
subjects:
The Making of Rodin Tate Modern, London 18th May–21st November | :
Illustrations
Attributed works:
7. Torso of the study for St John the Baptist, by Auguste Rodin. 1878–87. Plaster, 53 by 27 by 18.5 cm. (Musée Rodin, Paris; exh. Tate Modern, London).
Attributed works:
8. Hands, by Auguste Rodin. c.1880–1917. Plaster and terracotta, dimensions variable. (Musée Rodin, Paris; © Agence photographique du Musée Rodin; photograph Jérôme Manoukian; exh. Tate Modern, London).
Attributed works:
9. Hanako mask, type E, by Auguste Rodin. 1907–08. Terracotta, 18 by 12 by 10.4 cm. (Musée Rodin, Paris; exh. Tate Modern, London).
Exhibition Review
Sculptures infinies: Des collections de moulages à l’ère digitale / Infinite Sculpture: From the Antique Cast to the 3D Scan
04/2021 | 1417 | 163
Pages: 364-366
related names
Reviewer:
Reynolds-Kaye, Jennifer (Reynolds-Kaye, Jennifer)
Subjects
art literature:
Reviewed Items
subjects:
Sculptures infinies: Des collections de moulages   l’ re digitale / Infinite Sculpture: From the Antique Cast to the 3D Scan Edited by Penelope Curtis and Pascale Le Thorel. 174 pp. incl. 54 col. + 27 b. & w. ills. (Beaux-Arts de Paris  ditions, 2020), €39. ISBN 978–2–84056–685–4. | :
Illustrations
Attributed works:
15. Casts from nature used to teach anatomy, at the Faculdade de Belas-Artes, University of Lisbon, 2020. (Photograph Carlos Azevedo).
Attributed works:
16. Cast from nature (edition 1 / 2), by Christine Borland. 2010–11. Plaster, steel and plastered cloth, variable dimensions. (National Galleries of Scotland, Edinburgh).
Attributed works:
17. Installation view of Infinite Sculpture: From the Antique Cast to the 3D Scan at the Ecole des Beaux-Arts, Paris, 2020. (Photograph Nicolas Brasseur).
Exhibition Review
Une antiquité moderne
12/2020 | 1413 | 162
Pages: 1097-1098
related names
Reviewer:
Varela Braga, Ariane (Varela Braga, Ariane)
Subjects
art literature:
Reviewed Items
subjects:
Une antiquité moderne Edited by Jean-Luc Martinez and Elisabeth Le Breton. 272 pp. incl. 62 col. + 57 b. & w. ills. (Oficina Libraria, Milan, 2019), €39. ISBN 978–88–336–7077–5. | :
Illustrations
Attributed works:
16. The older son from the Niobe Group, moulded by Giovanni Arnaldi. 1686–87. Plaster cast, 120 by 125 by 60 cm. (Villa Medici, Rome; photograph Daniele Molajoli, Académie de France à Rome– Villa Médicis, 2019).
Western art unattributed:
17. Commodus as Hercules. c.1673– 84. Plaster cast, 237 by 62 by 82 cm. (Villa Medici, Rome; photograph Daniele Molajoli, Académie de France à Rome – Villa Médicis, 2019).
Article
Designs by John Gibson for the Gibson Gallery at the Royal Academy of Arts
11/2020 | 1412 | 162
Pages: 947-955
related names
Author:
Frasca-Rath, Anna (Frasca-Rath, Anna)
Author:
Wickham, Annette (Wickham, Annette)
Subjects
dates:
Illustrations
Attributed works:
1. Wounded warrior, by John Gibson. 1860s. Marble, 193 by 101 by 66 cm. (Royal Academy of Arts, London).
Attributed works:
10. Detail of an elevation recording the arrangement of casts on the the south and north walls of the smaller room in the Gibson Gallery, attributed to the office of Sydney Smirke. 1874. Pencil with black ink and wash on wove paper, 38.9 by 56.4 cm. (Royal Academy of Arts, London).
Attributed works:
11. Resurrection. Angel, mother and infant (Monument to Lady Leicester), by John Gibson. c.1844. Plaster, 181 by 126.5 cm. (Photograph © Royal Academy of Arts, London / Paul Highnam).
Attributed works:
12. Venus, by John Gibson. 1850s. Plaster, 172 by 50.8 by 46 cm. (Photograph © Royal Academy of Arts, London / Paul Highnam).
Attributed works:
13. The Gibson Gallery and Diploma Gallery, Burlington House, London. Centre right is Gibson’s marble Bacchus (1856–60) and William Theed’s portrait bust of Gibson (1868) on display alongside paintings from the RA collection following a rearrangement of the galleries. (Repr. The Sphere, 23rd February 1929).
Attributed works:
14. Floorplan showing the Gibson Gallery as completed, attributed to Sydney Smirke. June 1874. Pencil with black ink and wash on wove paper, 38.8 by 55.5 cm. (Royal Academy of Arts, London).
Attributed works:
2. The Royal Academy of Arts Library, Burlington House, London, which occupies the space of the Gibson Gallery. The central sculpture is Wounded warrior by John Gibson. Photograph 2011. (Photograph © Royal Academy of Arts, London / Francis Ware).
Attributed works:
3. Design for the layout of the Gibson Gallery, by John Gibson. c.1864. A list on the facing page is inscribed ‘Bassorelievi’ with the heading ‘A list of my models in plaster executed at Rome’. Pen and ink on paper, (Royal Academy of Arts, London).
Attributed works:
4. Floor plan with layout of sculpture and casts in the Gibson Gallery, by John Gibson. 1864. Black ink over pencil on tracing paper mounted on wove paper, 43.5 by 26.9 cm. (Royal Academy of Arts, London).
Attributed works:
5. Design for the arrangement of the entrance wall of the second room of the Gibson Gallery, by John Gibson, showing seated male portraits. Black ink on laid paper mounted on laid paper, 27 by 20.3 cm. (Royal Academy of Arts, London; see also Fig.6).
Attributed works:
6. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the entrance wall of the second room of the Gibson Gallery, with seated male portraits. Here and in Fig.8 missing reliefs are represented by drawings by Gibson, (Royal Academy of Arts, London).
Attributed works:
7. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the wall opposite the entrance to the second room of the Gibson Gallery, with idealised female figures. (Royal Academy of Arts, London).
Attributed works:
8. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the left-hand wall of the second room of the Gibson Gallery, with reliefs on mythological themes. (Royal Academy of Arts, London).
Attributed works:
9. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the right-hand wall of the second room of the Gibson Gallery, with reliefs on religious themes. (Royal Academy of Arts, London).
Article
In search of Hanako: fifty portraits by Rodin
10/2020 | 1411 | 162
Pages: 850-859
related names
Author:
Ariot, Chloé (Ariot, Chloé)
Author:
Cascio, Agnès (Cascio, Agnès)
Author:
Mary, Guylaine (Mary, Guylaine)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Portraits of Hanako by Auguste Rodin assembled in the conservation studio of the Musée Rodin, Meudon, February 2019. (© Musée Rodin – Jérôme Manoukian).
Attributed works:
10. Diagram showing the development of Auguste Rodin’s portraits of Hanako. (© Agnès Cascio / Guylaine Mary).
Attributed works:
11. Detail of Type F bust, S.00029, showing traces of the cruciform network of seam lines from the first mould. (© Agnès Cascio / Guylaine Mary).
Attributed works:
12. Juxtaposition of the profiles of Types A to G. (© Agnès Cascio / Guylaine Mary).
Attributed works:
13 and 14. Details (enlarged 3x) demonstrating the progression from Type F to Type C. The star-shaped seam-line network in the mould M.00579 appears first on the Type F bust, S.00559 and then on the Type C mask, S.00538. (© Agnès Cascio / Guylaine Mary).
Attributed works:
15 and 16. Details (enlarged 2x) demonstrating the progression from Type B (S.00552) to Type D (S.00544). (Photograph © Agnès Cascio / Guylaine Mary).
Attributed works:
17. Hanako-Beethoven, by Auguste Rodin. 1912. Plaster reworked with modelling clay, height 53.5 cm. (Musée Rodin, Paris, S.02242; photograph © Musée Rodin).
Attributed works:
18. Detail of Hanako, mask (Type C) in clay, by Edward Steichen. c.1910–11. Platinotype, 31.6 by 24.3 cm. (Musée Rodin, Paris; © Musée Rodin).
Attributed works:
2. Hanako, mask (Type A), by Auguste Rodin. 1907. Terracotta, height 16.4 cm. (Musée Rodin, Paris, S.00196; photograph © Agence photographique du musée Rodin – Pauline Hisbacq).
Attributed works:
3. Hanako standing, by the Fudji (New York studio). 1909[?]. Photograph. (Musée Rodin, Paris).
Attributed works:
4. Hanako, mask on a disc (Type B), by Auguste Rodin. c.1910–11. Plaster, height 22.5 cm. (Musée Rodin, Paris, S.00552; photograph © Musée Rodin).
Attributed works:
5. Hanako, mask on a disc (Type C), by Auguste Rodin. c.1910–11. Plaster, height 26 cm. (Musée Rodin, Paris, S.00538; photograph © Agence photographique du musée Rodin – Pauline Hisbacq).
Attributed works:
6. Hanako, mask (Type D), by Auguste Rodin. c.1910–11. Plaster, height 24.7 cm. (Musée Rodin, Paris, S.00554; photograph © Agence photographique du musée Rodin – Pauline Hisbacq)
Attributed works:
7. Hanako, mask (Type E), by Auguste Rodin. c.1907–08. Terracotta, height 26.6 cm. (Musée Rodin, Paris, S.00194; photograph © Agence photographique du musée Rodin – Pauline Hisbacq).
Attributed works:
8. Hanako, bust portrait (Type F), by Auguste Rodin. 1907, cast made in 1910. Plaster, height 47.7 cm. (Musée Rodin, Paris, S.00559; photograph © Agence photographique du musée Rodin – Pauline Hisbacq).
Attributed works:
9. Hanako, mask (Type G), by Auguste Rodin. c.1907?. Terracotta, height 21.3 cm. (Musée Rodin, Paris, S.00549; photograph © Agence photographique du musée Rodin – Pauline Hisbacq).
Article
Picasso and the foundry of Emile Robecchi during the Second World War
05/2020 | 1406 | 162
Pages: 420-431
related names
Author:
Finn, Clare (Finn, Clare)
Subjects
artists:
media:
places:
subjects:
Illustrations
Attributed works:
1. Picasso with La femme en robe longue (Woman in a long dress) and Tête casquée (Head of a warrior), by Robert Capa. 1944. Photograph. (  Robert Capa and International Center of Photography / Magnum Photos).
Attributed works:
2. Tête de taureau (Head of a bull), by Picasso. Photographed by Brassa  in 1931. Repr. in D.-H. Kahnweiler: Les Sculptures de Picasso, Paris 1948.
Attributed works:
3. Tête de mort (Death’s head), by Picasso. 1941. Bronze and copper, 25 by 21 by 31 cm. (Musée national Picasso-Paris;   Photo Josse / Bridgeman Images; DACS, London 2020).
Attributed works:
4. Picasso with L’orateur (The orator), photographed in his studio on rue des Grands-Augustines, Paris, in 1939, by Brassaï. (Repr. in Brassa : Conversations avec Picasso, London 1967, pp.70–71, ill. 16).
Attributed works:
5. Musicians for a Nativity/manger, by Appel.les Fenosa. 1941. Bronze, 17 by 12.3 by 11 cm. (Fundacio Fenosa, El Vendrell, Tarragona).
Attributed works:
6. Le chat accroupi (Crouching cat), by Picasso. 1943. Plaster, length 51.4 cm. (Repr. in D.-H. Kahnweiler: Les Sculptures de Picasso, Paris 1948, no.212).
Attributed works:
7. Picasso’s studio on rue des Grands-Augustines, Paris, photographed in 1944 shortly after the Liberation, with Man with sheep in plaster on the left, Cat in bronze in the centre and Crouching cat in plaster on the right, by Henri Cartier-Bresson. 1944. (  Henri Cartier-Bresson / Magnum Photos).
Attributed works:
8. Cover for Les Sculptures de Picasso (1948), showing Le Main Droit de Picasso, by Brassaï.
Article
Royal wooden funeral effigies at Westminster Abbey
01/2019 | 1390 | 161
Pages: 26-35
related names
Author:
Blessley, Krista (Blessley, Krista)
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
10. Detail of Fig.8, showing the hip joint. (© The Dean and Chapter of Westminster).
Attributed works:
11. Axonometric diagram showing the jointing of the effigy in Fig.8, by Krista Blessley. (© The Dean and Chapter of Westminster).
Attributed works:
12. Effigy head and bust of Anne of Denmark, by Maximilian Colt. 1619. Probably pine, 47 by 45 by 25 cm. (Westminster Abbey, London; WA 0893; © The Dean and Chapter of Westminster)
Attributed works:
13. Detail of Fig.12, showing the blue vein painted on the left temple. (© The Dean and Chapter of Westminster).
Attributed works:
14. Effigy body of James I, by Maximilian Colt. 1625. Probably pine, 178 by 50 by 29cm. (Westminster Abbey, London; WA 1016; © The Dean and Chapter of Westminster).
Attributed works:
15. Some of the royal funeral effigies at Westminster Abbey in 1949, showing their condition after the Second World War. From R.P. Howgrave-Graham: ‘Royal effigies at Westminster Abbey: modern treatment leads to valuable discoveries’, Country Life, 11th January 1952, pp.82–84.
Attributed works:
2. Installation view of The Queen’s Diamond Jubilee Galleries, Westminster Abbey, London, showing the medieval funeral effigies. (© The Dean and Chapter of Westminster)
Attributed works:
3. The funeral of Anne of Bohemia, a detail from Chroniques, by Jean Froissart. South Netherlands, c.1480. Illumination on parchment. (British Library, London; MS Royal 18 E II, vol.IV, fol.227).
Attributed works:
7. Effigy head and bust of Elizabeth of York, probably by Richard Gibson. 1503. Probably pearwood, 65 by 40 by 39 cm. (Westminster Abbey, London; WA 0889; © The Dean and Chapter of Westminster).
Attributed works:
8. Articulated effigy body of Henry, Prince of Wales, by Richard Norris. 1612. Pine or fir wood with iron nails, loops and screws, 161 by 42.5 by 19 cm. Photograph c.1950. (Westminster Abbey, London; WA 1017; © The Dean and Chapter of Westminster).
Attributed works:
9. Detail of Fig.8, showing carpenters’ marks at joints. (© The Dean and Chapter of Westminster).
Western art unattributed:
1. Front, side and back views of the effigy of Edward III. 1377. Walnut, 176 by 42.8 by 27 cm. (Westminster Abbey, London; WA 0886; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of Fig.1, showing plaster underlayer on head. Photograph c.1950s. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. X-radiograph detail of Fig.1, showing plaster underlayer on head. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Front, side and back views of the effigy of Catherine de Valois. 1437. Oak, 165 by 42 by 21 cm. (Westminster Abbey, London; WA 0888; © The Dean and Chapter of Westminster).
Book Review
Agostino Zoppo. By Luca Siracusano
01/2019 | 1390 | 161
Pages: 84-85
related names
Reviewer:
Warren, Jeremy (Warren, Jeremy)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
1. The mountain of Hell, by Agostino Zoppo. 1550–60. Bronze, height 26 cm. (Victoria and Albert Museum, London.)
Article
The making of Picasso’s ‘Woman in a long dress’
11/2018 | 1388 | 160
Pages: 920-927
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. Woman in a long dress, by Pablo Picasso. Here dated 1941–42. Bronze, 161.3 by 53.7 by 45.7 cm. (Private collection; photograph W.B. Dewey; © DACS London, 2018).
Attributed works:
3. Portrait of the artist’s mother, by Pablo Picasso. 1896. Pastel on paper, 49.8 by 39 cm. (Museu Picasso, Barcelona; Bridgeman Images; © DACS London, 2018).
Attributed works:
4. Portrait of Yadwiga, by Henri Rousseau. 1895. Canvas, 160 by 105 cm. (Musée Picasso, Paris; Bridgeman Images).
Attributed works:
5. Picasso and his stove, rue des Grands Augustins, by Brassaï. 1939. (Private collection / Photo © Christie’s Images; Bridgeman Images).
Attributed works:
6. Picasso’s Head of a bull with an arm from Easter Island, by Brassaï. 1943. Gelatin silver print, 17.7 by 24 cm. (Musée National Picasso, Paris; © DACS London, 2018).
Attributed works:
7. Head of a bull, by Pablo Picasso. 1942. Bicycle saddle and handlebars, 33.5 by 43.5 by 19 cm. (Musée National Picasso, Paris; © DACS London, 2018).
Attributed works:
8. ‘L’Aubade’ and ‘Woman in a long dress’ in Picasso’s rue des Grands Augustins studio, Paris, by Brassaï. 1946. Photograph. (Musée National Picasso, Paris; © DACS London, 2018).
Attributed works:
9. Front steps of La Californie with Picasso and the welder at work, by David Douglas Duncan. 1957. (From D.D. Duncan: Goodbye Picasso, New York 1975, p.65).
Western art unattributed:
2. Female statue, known as the Woman of Auxerre, c.640–630 BC. Limestone, height 75 cm. (Musée du Louvre, Paris; Bridgeman Images).
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