1. Madonna and Child with Angels, Here Attributed to Gentile da Fabriano. Panel, 50 by 49 cm. (National Gallery, Athens).
Attributed works:
48. Detail from the Madonna and Child with Angels Illustrated in Fig.1. [Here Attributed to Gentile da Fabriano. Panel, 50 by 49 cm. (National Gallery, Athens).]
Attributed works:
49. Detail from the Madonna and Child with Angels Illustrated in Fig.1. [Here Attributed to Gentile da Fabriano. Panel, 50 by 49 cm. (National Gallery, Athens).]
Attributed works:
50. Madonna and Child with Angels, by Gentile da Fabriano. (Pinacoteca Nazionale, Perugia).
1. Detail of the Acolyte, from the Fragment Commemorating the Proclamation of the First Jubilee, Attributed to Giotto. Fresco (After Restoration). 1300-01. (St John Lateran, Rome.)
Letter
The Cleaning of Pictures in Relation to Patina, Varnish and Glazes
25. Microphotograph Showing the Gap Left in the Glaze after Removal (Without Heating) of a Wax Drop from the Cloak of St Peter in Gozzoli's Madonna and Saints in the Pinacoteca, Perugia. 27. Detail from Cloak of St Paul in Gozzoli's Perugia Madonna and Saints, Showing Damaged Area, and Oval Where a Wax Drop Has Been Removed Without Heating.
Article
The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes
2. La Madonna del Bordone, by Coppo di Marcovaldo. Signed and Dated 1261. Panel, after Cleaning. (Chiesa dei Servi, Siena.)
Attributed works:
3. St Terence, by Giovanni Bellini. Detail of the Coronation Altarpiece. Panel, before Cleaning. (Museo, Pesaro.)
Attributed works:
4. Enlarged Detail of the Steps in Fig. 3, Demonstrating the Removal of Marks in Glazing, Together with the Old Varnish.
Attributed works:
5. Detail of the Veil of Coppo's Madonna (Fig. 2), Demonstrating the Removal of the Circular Ornamentation Painted with Transparent Varnish.
Attributed works:
6. Detail of the Cloak of St Peter in Gozzoli's Madonna with Saints (Fig. 7). The Arrow Indicates the Place Where the Removal of a Drop of Wax Discloses the Original Glazing.
Attributed works:
7. Madonna with Saints, by Benozzo Gozzoli, 1456. Panel, before the Recent Restoration. (Pinacoteca, Perugia.)
A-The Assumption, by Filippino Lippi. First Version. Drawing, 25 by 43 cm. (R. Pinacoteca, Siena). The First Version of Filippino Lippi's Assumption
Attributed works:
B-The Apostles of the Assumption, by Filippino Lippi (The Caraffa Chapel, S. Maria Sopra Minerva, Rome). The First Version of Filippino Lippi's Assumption