• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
6394 articles
Letter
Young Bellini
09/2022 | 1434 | 164
Pages: 837-838
Buy / subscribe
related names
Author:
Wallace Maze, Daniel (Wallace Maze, Daniel)
Subjects
artists:
Bellini, Giovanni
subjects:
art history publishing / Reviews
Article
Caravaggio’s ‘Crucifixion of St Andrew’ and the problem of autograph replicas
06/2018 | 1383 | 160
Pages: 454-461
Subscribe to read
related names
Reviewer:
Spear, Richard E. (Spear, Richard E.)
Subjects
art literature:
Papi, Gianni, Florence, Italy / Bellori, Giovanni Pietro
artists:
Caravaggio, Michelangelo Merisi da / Finson, Louis
dates:
1590-1609 / 2010-2019
media:
Paintings
museums and institutions:
Palazzo Barberini, Rome, Italy
patrons:
Pimentel de Herrera, Juan Alfonso, 5th Duke of Benavente
places:
Italy / Naples / Rome / Spain
subjects:
Italian painting / Reviews / Exhibition reviews / Copies / Tracings / Attribution / Attributions / Dating / Technical analysis / Scientific analysis / Conservation / Radiographs / Ultraviolet photographs / Pigments / Connoisseurship / Christian iconography
subjects:
Andrew, Saint
subjects:
ArsRoma
Illustrations
Attributed works:
1. Detail of Fig.3, showing the soldier’s armour.
Attributed works:
2. Detail of Fig.4, showing the soldier’s armour.
Attributed works:
3. Crucifixion of St Andrew, by Caravaggio. 1606–07. Canvas, 202.5 by 152.7 cm. (Cleveland Museum of Art; Leonard C. Hanna Jr. Fund, 1976.2).
Attributed works:
4. Crucifixion of St Andrew, here identified as a copy after Caravaggio. Canvas, 198 by 148.5 cm. (Spier Collection, London).
Attributed works:
5. Detail of Fig.3, showing St Andrew’s head.
Attributed works:
6. Detail of Fig.4, showing St Andrew’s head.
Attributed works:
7. Detail of Fig.3, showing St Andrew’s right foot (Photograph author).
Attributed works:
8. Detail of Fig.4, showing St Andrew’s right foot (Photograph author)
Attributed works:
9. Overlay of the contours of Flagellation, by Caravaggio (Museo Nazionale di Capodimonte, Naples) in green, onto a copy of Flagellation in S. Domenico Maggiore, Naples, in red. From G.S. Ghia and C. Strinati, eds.: Caravaggio nel patrimonio del Fondo Edifici di Culto. Il Doppio e la Copia, Rome 2017.
Book Review
The Francis Bacon catalogue raisonné
06/2018 | 1383 | 160
Pages: 486-489
Subscribe to read
related names
Reviewer:
Ades, Dawn (Ades, Dawn)
Subjects
art literature:
Rothenstein, John / Read, Herbert (H. R.) / Penrose, Roland / Richardson, John / Sylvester, David / Nochlin, Linda
artists:
Bacon, Francis, 1909-1992
dates:
1930-1939 / 1940-1949 / 1950-1999 / 2010-2019
media:
Paintings
places:
Great Britain
subjects:
British painting / Reviews / Catalogues raisonnés / Attributions / Attribution / Identification / Bibliographies / Biographies / Iconography
Illustrations
Attributed works:
1. Study for portrait of Van Gogh VI, by Francis Bacon. 1957. Canvas, 202.5 by 142 cm. (Arts Council Collection; © The Estate of Francis Bacon; DACS 2018).
Attributed works:
2. Triptych inspired by the Oresteia of Aeschylus, by Francis Bacon. 1981. Canvas, 198 by 147.5 cm. (Astrup Fearnley Museet, Oslo; © The Estate of Francis Bacon; DACS 2018).
Attributed works:
3. Study from the human body, by Francis Bacon. 1949. Canvas, 147.5 by 131 cm. (National Gallery of Victoria, Melbourne; © The Estate of Francis Bacon; DACS 2018).
Attributed works:
4. Head VI, by Francis Bacon. 1949. Canvas, 93.2 by 76.5 cm. (Hayward Gallery, London; © The Estate of Francis Bacon; DACS 2018).
Attributed works:
5. Sketch of a biomorph, by Francis Bacon. c.1936. Dark brown ink on lined paper, approx. 16.4 by 11.9 cm. (Dublin City Gallery, The Hugh Lane; © The Estate of Francis Bacon; DACS 2018).
Letter
Académie Royale: A History in Portraits
04/2018 | 1381 | 160
Pages: 275
Subscribe to read
related names
Author:
Marandet, François (Marandet, François)
Subjects
art literature:
Sterling, Charles / Blunt, Anthony (A. B.; A. F. B) / Stuffmann, Margret
artists:
Blanchard, Jacques / La Fosse, Charles de, 1636-1716 / Colombel, Nicolas
dates:
1600-1699 / 1700-1799
media:
Paintings
places:
France
subjects:
Académie royale de peinture et de sculpture, Paris, France
subjects:
French painting
subjects:
Portraits
subjects:
Reviews
subjects:
Correspondence
Exhibition Review
French eighteenth-century paintings in American museums. Washington
08/2017 | 1373 | 159
Pages: 669-670
Subscribe to read
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
dates:
1700-1799 / 2010-2019
museums and institutions:
National Gallery of Art, Washington, United States
places:
United States / Washington DC
subjects:
Reviews / Exhibitions / French painting / Collections, Public
subjects:
American (United States of America)
Illustrations
Attributed works:
83. The Arts in supplication, by Carl van Loo. 1764 (Frick Art & Historical Center, Pittsburgh; exh. National Gallery of Art, Washington)
Attributed works:
84. Arria and Paetus, by François André Vincent. 1784 (Saint Louis Art Museum; exh. National Gallery of Art, Washington)
Attributed works:
85. An interior with a lady, her maid and a gentleman, by Louis Rolland Trinquesse. 1776 (Wadsworth Atheneum, Hartford CT; exh. National Gallery of Art, Washington)
Exhibition Review
Venice Biennale. Venice
08/2017 | 1373 | 159
Pages: 667-668
Subscribe to read
related names
Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
dates:
2010-2019
museums and institutions:
Biennale di Venezia, Venice, Italy
places:
Venice / Italy
subjects:
Reviews / Exhibitions / Biennale di Venezia, Venice, Italy
Illustrations
Attributed works:
80. Rituel en quatre couleurs, by Antoni Miralda, Dorothée Selz, Joan Rabascall and Jaume Xifra. 1971 (Courtesy Filmoteca de Catalunya, Barcelona; exh. Arsenale, Venice)
Attributed works:
81. Film still from Tremble Tremble, by Jesse Jones. 2017 (Courtesy the artist; exh. Ireland Pavilion, Arsenale, Venice)
Attributed works:
82. Eliza Douglas and Lea Welsch in Faust, by Anne Imhof. 2017 (Courtesy the artist; photograph Nadine Fraczkowski; exh. German Pavilion, Giardini, Venice)
Exhibition Review
Philip Guston. Venice and London
08/2017 | 1373 | 159
Pages: 665-666
Subscribe to read
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
artists:
Guston, Philip
dates:
2010-2019
museums and institutions:
Gallerie dell'Accademia, Venice, Italy
places:
Venice / London / Italy / England
private galleries:
Hauser & Wirth, London, Great Britain
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
77. Untitled, by Philip Guston. 1951-52 (Private collection, New York; exh. Gallerie dell'Accademia, Venice)
Attributed works:
78. Pantheon, by Philip Guston. 1973 (Private collection; exh. Gallerie dell'Accademia, Venice)
Attributed works:
79. Poor Richard, by Philip Guston. 1971 (Estate of Philip Guston; exh. Hauser & Wirth, London)
Exhibition Review
Gothic boxwood miniatures. Toronto, New York and Amsterdam
08/2017 | 1373 | 159
Pages: 663-664
Subscribe to read
related names
Reviewer:
Thornton, Dora (Thornton, Dora)
Subjects
dates:
2010-2019
museums and institutions:
Rijksmuseum, Amsterdam, Netherlands / Art Gallery of Ontario, Toronto, Canada / The Cloisters, New York, United States
places:
United States / Toronto / New York / Netherlands / Canada / Amsterdam
subjects:
Reviews / Exhibitions / Wood sculpture / Carvings / Boxwood / Gothic (Medieval)
Illustrations
Attributed works:
76. Prayer nut, by Adam Dircksz. c.1500-30 (Kunstkammer, Copenhagen; exh. Rijksmuseum, Amsterdam)
Western art unattributed:
74. Initial P with the Legend of St Philip, by an anonymous sculptor. c.1500-before 1506 (Metropolitan Museum of Art, New York; exh. Rijksmuseum, Amsterdam)
Western art unattributed:
75. St George and the dragon, by an anonymous sculptor. c.1520 (Victoria and Albert Museum, London; exh. Rijksmuseum, Amsterdam)
Exhibition Review
Valentin de Boulogne. New York and Paris
08/2017 | 1373 | 159
Pages: 660-663
Subscribe to read
related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
artists:
Boulogne, Valentin de
dates:
2010-2019
museums and institutions:
Musée du Louvre, Paris, France / Metropolitan Museum of Art, New York, United States
places:
United States / Paris / New York / France
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
69. Crowning with thorns, by Valentin de Boulogne. c.1613-14 (Private collection; exh. Musée du Louvre, Paris)
Attributed works:
70. The fortune teller with soldiers, by Valentin de Boulogne. c.1616-20 (Toledo Museum of Art; exh. Musée du Louvre, Paris)
Attributed works:
71. The fortune teller with soldiers, by Jean Ganière after Valentin de Boulogne. c.1640 (Bibliothèque Nationale de France, Paris)
Attributed works:
72. Concert with eight figures, by Valentin de Boulogne. 1628-30 (Musée du Louvre, Paris)
Attributed works:
73. Crowning with thorns, by Sebastiano Vaiani, after Annibale Carracci. 1627 (British Museum, London)
Exhibition Review
Modern sculpture. Yorkshire
08/2017 | 1373 | 159
Pages: 658-659
Subscribe to read
related names
Reviewer:
Vernon, Jonathan (Vernon, Jonathan ; V., J.)
Subjects
artists:
Cragg, Tony / Armitage, Kenneth
dates:
2010-2019
museums and institutions:
Stanley and Audrey Burton Gallery, University of Leeds, Leeds, Great Britain / Yorkshire Sculpture Park, West Bretton, Wakefield, Great Britain / Djanogly Art Gallery, Nottingham, Great Britain
places:
West Bretton / Wakefield / Nottingham / Leeds / England
subjects:
Reviews / Exhibitions / British sculpture
subjects:
Sculpture / Modern Art
subjects:
Open air exhibitions
Illustrations
Attributed works:
66. People in the wind, by Kenneth Armitage. 1950 (Victoria Art Gallery, Bath; exh. Stanley & Audrey Burton Gallery, University of Leeds)
Attributed works:
67. Points of view, by Tony Cragg. 2013 (Courtesy the artist; exh. Yorkshire Sculpture Park)
Attributed works:
68. Installation view of Kaleidoscope: Colour and Sequence in 1960s British Art at the Longside Gallery, Yorkshire Sculpture Park, showing Thebes (1966; Arts Council Collection), by William Tucker (foreground) and Quinquereme (1966; Arts Council Collection), by Tim Scott (upper right)
next
load more