Monet and the Impressionist
Cityscape
Edited by Ralph Gleis and Josephine
Hein. 120 pp. incl. 82 col. + b. & w. ills.
(Staatliche Museen zu Berlin and
Hirmer, Munich, 2024), £29.95. ISBN
978–3774–4404–9. |
:
subjects:
Monet and London: Views of the
Thames
Courtauld Gallery, London
27th September 2024–19th January
2025 |
:
Illustrations
Attributed works:
1. Waterloo
bridge, effet de
soleil (sunlight
effect), by Claude
Monet. 1903.
Oil on canvas,
73.8 by 98.1
cm. (Milwaukee
Art Museum;
exh. Courtauld
Gallery, London).
Attributed works:
2. Charing Cross
Bridge, la Tamise
(the Thames), by
Claude Monet.
1903. Oil on
canvas, 73.4 by
100.3 cm. (Musée
des Beaux-
Arts, Lyon;
exh. Courtauld
Gallery, London).
Attributed works:
3. Quai du
Louvre, by
Claude Monet.
1867. Oil on
canvas, 65.1
by 92.6 cm.
(Kunstmuseum
Den Haag; exh.
Nationalgalerie,
Berlin).
Catalogue: Henri de Toulouse-Lautrec:
Parigi 1886–1901. Edited by Jean-David
Jumeau-Lafond and Francesco Parisi.
367 pp. incl. 286 col. and 8 b. & w. ills
(Dario Cimorelli Editore, Milan, 2024),
€34. ISBN 979–1–25561–053–3. |
:
subjects:
Henri de Toulouse-Lautrec:
Parigi 1886–1901
Palazzo Roverella, Rovigo
24th February–30th June |
:
Illustrations
Attributed works:
15. Dr Gabriel
Tapié de
Céyleran,
by Henri de
Toulouse-
Lautrec. 1893–
94, oil on canvas.
(Musée Toulouse-
Lautrec, Albi;
exh. Palazzo
Roverella,
Rovigo).
Attributed works:
16. The
misunderstood,
by André
Devambez.
c.1904. Oil on
canvas, 91.7 by
111.5 cm. (Musée
des Beaux-
Arts, Quimper;
exh. Palazzo
Roverella,
Rovigo).
Attributed works:
17. Madame
Berthe Bady,
by Henri de
Toulouse-
Lautrec. 1897, oil
on cardboard,
68.9 by 57.5 cm.
(Musée Toulouse-
Lautrec, Albi;
exh. Palazzo
Roverella,
Rovigo).
1. Louis XIV, by Henri de Villers after Claude I Ballin. 1754 (after a wax of
1672). Uniface bronze, diameter 165 mm. (with frame). (Private collection).
Attributed works:
2. Louis XIV, by Jean Warin. 1665. Marble, height 106 cm. (Château
de Versailles).
Attributed works:
3. Abraham Simon, by Georges Vertue after G. Kneller. First half
of the 18th century. Red chalk and wash on paper, 16 by 13.1cm.
(British Museum, London).
Attributed works:
4. Louis XIV, by Robert Nanteuil. 1664. Engraving, 40.2 by 31.5 cm.
(plate). (Bibliothèque nationale de France, Paris).
Attributed works:
5. Ferrante Loffredo, Marquess of Trevico. French, mid-16th century.
Wax on glass, diameter 10 cm. (Frick Collection, New York).
Attributed works:
6. Louis XIV, by Francesco Bertinetti. 1672. Uniface bronze, diameter
140 mm. (Musée du Louvre, Paris).
Attributed works:
7. Claude Ballin orfèvre, by Jacques Lubin. c.1675–1700. Etching
and engraving, 25.1 by 19.5 cm. (British Museum, London).
Attributed works:
8. Louis XIV, by Jean Warin. 1665. Gold, diameter 100 mm. (Bibliothèque
nationale de France, Paris).
Attributed works:
9. Louis XIV, after Claude I Ballin. 1750–1800 (after a wax of 1672).
Uniface bronze, diameter 165 mm. (Musée du Louvre, Paris).
Book Review
Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism
Surrealists in New York: Atelier 17 and
the Birth of Abstract Expressionism
By Charles Darwent. 264 pp. incl. 93 b. & w. ills.
(Thames and Hudson, London and New York,
2023), £25. ISBN 978–0–500–09426–6. |
:
Illustrations
Attributed works:
5. Centauresse, by Stanley William Hayter.
1944. Colour engraving and soft-ground
etching, 28.6 by 23.2 cm. (National Gallery
of Art, Washington).
Gwen John:
Art and Life in Paris and London. By Alicia
Foster. 272 pp. incl. 122 col. ills. (Thames and
Hudson, London and New York, 2023), £30.
ISBN 978–0–500–02557–4 |
:
subjects:
Gwen John: Art and Life in
London and Paris
Pallant House Gallery, Chichester
13th May–8th October |
:
Illustrations
Attributed works:
16. Woman
dressing, by
Gwen John.
c.1907. Grey
wash and white
gouache on
brown paper,
27.6 by 23.2 cm.
(Yale Center
for British Art,
New Haven;
exh. Pallant
House Gallery,
Chichester).
Attributed works:
17. Modèle assise
dans un fauteuil,
se coiffant
(Model seated in
a chair, combing
her hair), by
Édouard Vuillard.
c.1903. Oil on
board, 61 by
67 cm. (Pallant
House Gallery,
Chichester).
Attributed works:
18. Young
woman holding
a black cat,
by Gwen John.
c.1920–25. Oil
on canvas, 46 by
29.8 cm. (Tate;
exh. Pallant
House Gallery,
Chichester).
Short Notice
The new museum in the Bibliothèque nationale, Paris
1. Aerial view of the Palais Mazarin, Paris, at the end of the seventeenth
century. Engraving. (From L. de Laborde: De l’organisation des
bibliothèques dans Paris, 4e lettre: Le palais Mazarin et les habitations
de ville et de campagne au XVIIe siècle, Paris 1845, facing p.5).
Attributed works:
10. Throne from the treasury of Saint-Denis (‘Throne of Dagobert’). Late
8th–early 9th century. Copper alloy with iron, remains of gilding, height
104 cm. (Bibliothèque nationale de France, Paris).
Attributed works:
2. Cardinal Mazarin shown in the upper gallery of his hôtel, by Robert
Nanteuil. 1659. Etching, 46.5 by 56.8 cm. (Bridgeman Images).
Attributed works:
3. The galerie Mazarin. (Bibliothèque nationale de France, Paris;
photograph Guillaume Murat).
Attributed works:
4. Plan of the ground level of the Bibliothèque nationale
‘site Richelieu’. (After Atelier Bruno Gaudin).
Attributed works:
5. Plan of the first floor of the Bibliothèque nationale
‘site Richelieu’. (After Atelier Bruno Gaudin).
Attributed works:
6. The first-floor landing of the Bibliothèque national ‘site Richelieu’
and the entrance to the salle des Colonnes. (Bibliothèque nationale
de France, Paris; photograph Guillaume Murat).
Attributed works:
7. The salle des Colonnes. (Bibliothèque nationale de France, Paris;
photograph Guillaume Murat).
Attributed works:
8. The salle Barthélemy, the former reading room of the département
des Monnaies, médailles et antiques. (Bibliothèque nationale de
France, Paris; photograph Guillaume Murat).
Attributed works:
9. The salon de Louis XV, the former cabinet des Médailles
(Bibliothèque nationale de France, Paris; photograph
Jean-Christophe Ballot).
Murillo: Persuasion and Aura
By Benito Navarrete Prieto. 348 pp. incl. 272 col.
+ 14 b. & w. ills. (Harvey Miller, London, 2021),
£149. ISBN 978–1–912554–40–9. |
:
Illustrations
Attributed works:
5. Rue Gervais-Laurent, by Charles Marville.
c.1865–66. Albumen print, 27.2 by 36.6 cm.
(Bibliothèque de l'Hôtel de Ville, Paris).
Book Review
Cryptes médiévales et culte des saints en Île-de-France et en Picardie. Edited by Paul Gillon and Christian Sapin.
Cryptes médiévales et culte des saints
en Île-de-France et en Picardie
Edited by Paul Gillon and Christian Sapin.
528 pp. incl. 485 col. + b. & w. ills. (Presses
universitaires du Septentrion, Villeneuve
d’Ascq, 2019), €35. ISBN 978–2–7574–2852–8. |
:
Illustrations
Attributed works:
2. Reconstruction of the east end of the
abbey of Saint-Denis; on the left in the
Carolingian period, and on the right as
rebuilt 1140–44. (M. Wyss and J.-P. Marie,
Unité archéologie de Saint-Denis).
Article
Rejection and revenge: Adolphe Willette, Jacques-Louis David and Henri Gervex
3. The tennis court oath, by Jacques-Louis David. 1791. Graphite,
pen and sepia wash heightened with white on paper, 65 by 105 cm.
(Musée national du Château de Versailles; Bridgeman Images).
Attributed works:
4. The painting jury – a sketch of the painting by Gervex
after Jacques-Louis David, by Adolphe Willette. Photomechanical
process, 31 by 45 cm. (Le Chat noir, 2nd May 1885).
Attributed works:
5. Masthead of Le Chat Noir, no.1 (14th January 1882), by Henri Pille.
(Private collection).