The Avant-garde Networks of
‘Amauta’: Argentina, Mexico, and
Peru in the 1920s
Blanton Museum of Art, University
of Texas at Austin
16th February–17th May |
:
Illustrations
Attributed works:
22. Mayor of
Chinchero, by
José Sabogal.
1925. Oil on
canvas, 169
by 109 cm.
(Pinacoteca
Municipal Ignacio
Merino, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
24. Installation
photograph
of The Avantgarde
Networks
of Amauta:
Argentina,
Mexico, and Peru
in the 1920s at the
Blanton Museum
of Art, University
of Texas at Austin,
2020.
Attributed works:
25. Mexican flag,
by Lola Velásquez
de Cueto. 1920s.
Silk tapestry
made with chain
stitch, 42 by
150 cm. (Private
collection, Lima;
Sucesi n Mireya
Cueto; photograph
of Lance Aaron;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Attributed works:
Opposite
23. Allegory to
the farmers, by
Carlos Quízpez
As n. 1928. Oil on
canvas, approx.
190 by 150 cm.
(Universidad
Nacional de
Ingenier a, Lima;
exh. Blanton
Museum of Art,
University of
Texas at Austin).
Book Review
Cristóbal de Villalpando: Mexican Painter of the Baroque. By Jonathan Brown et al.
3. Moses and the brazen serpent and the Transfiguration of Jesus, by Cristóbal de Villalpando. 1683. Canvas, 8.65 by 5.50 m. (Cathedral of Our Lady of the Immaculate Conception, Puebla; courtesy Dirección General de Sitios y Monumentos del Patrimonio Cultural).
Exhibition Review
Frida Kahlo: Making Her Self Up. Victoria and Albert Museum, London
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Book Review
Painted in Mexico, 1700–1760: Pinxit Mexici. Edited by Ilona Katzew
18. The Castello di Miramare, Trieste, designed by Carl Junker. 1856-70
Attributed works:
21. The visit of the Viceroy Francisco Fernandez de la Cueva, Duke of Alburquerque and Marquess of Cuellar, and his wife to the Canal de la Viga and to the quarter of Ixtacalco, by Pedro de Villegas. 1706 (Museo Soumaya, Mexico City)
Western art unattributed:
17. Portrait of Maximilian, Emperor of Mexico, c.1864. Photograph (Library of Congress, Washington. Copy photograph by J. Malovich, Trieste. Original glass negative made by Mathew Brady Studio)
Western art unattributed:
19. Chinoiserie scenes, by an anonymous Mexican painter. c.1718 (Museo Storico del Castello di Miramare, Trieste)
Western art unattributed:
20. The Conquest of Mexico, by Pedro de Villegas. 1718. Reverse of Fig.19
Exhibition Review
Mexican modernism. Paris and Dallas; Philadelphia, Mexico City and Houston
78. Self-portrait on the border line between Mexico and the United States, by Frida Kahlo. 1932 (Banco de México Diego Rivera & Frida Kahlo Museums Trust, Mexico City; exh. Museo del Palacio de Bellas Artes, Mexico City)
Attributed works:
79. Detail of Río Juchitán, by Diego Rivera. 1953-55 (Museo Nacional de Arte, Mexico City, on loan from Instituto Nacional de Bellas Artes; exh. Grand Palais, Paris, and Dallas Museum of Art)
Attributed works:
80. Optic Parable, by Manuel Alvarez Bravo. 1931 (Philadelphia Museum of Art; exh. Museo del Palacio de Bellas Artes, Mexico City)
Book Review
Painting in Latin America, 1550–1820: From Conquest to Independence, L.E. Alcalá and J. Brown, eds.
55. Mezquital Crucifixion. Anonymous artist working in New Spain. c.1585. Polychromed cornstalk paste, 160 by 140 by 50 cm. (Durango Cathedral; exh. Centro Cultural, Tijuana).
Western art unattributed:
56. St Francis of Assisi. Anonymous artist working in ?Spain. Seventeenth century. Carved, polychromed and gilded wood, 130 by 65 cm. (Museo Nacional del Virreinato, Tepoltzotlán; exh. Centro Cultural, Tijuana).
Western art unattributed:
57. The martyrdom of San Felipe de Jesús. Anonymous artist working in New Spain. c.1650. Canvas, 152.4 by 121.9 cm. (Museo Regional de Guadalupe; exh. Centro Cultural, Tijuana).