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17 articles
Exhibition Review
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s. Blanton Museum of Art, University of Texas at Austin
05/2020 | 1406 | 162
Pages: 451-453
related names
Reviewer:
Reynolds, Ann (Reynolds, Ann)
Subjects
art literature:
places:
Reviewed Items
subjects:
The Avant-garde Networks of ‘Amauta’: Argentina, Mexico, and Peru in the 1920s Blanton Museum of Art, University of Texas at Austin 16th February–17th May | :
Illustrations
Attributed works:
22. Mayor of Chinchero, by José Sabogal. 1925. Oil on canvas, 169 by 109 cm. (Pinacoteca Municipal Ignacio Merino, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
24. Installation photograph of The Avantgarde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s at the Blanton Museum of Art, University of Texas at Austin, 2020.
Attributed works:
25. Mexican flag, by Lola Velásquez de Cueto. 1920s. Silk tapestry made with chain stitch, 42 by 150 cm. (Private collection, Lima;   Sucesi n Mireya Cueto; photograph of Lance Aaron; exh. Blanton Museum of Art, University of Texas at Austin).
Attributed works:
Opposite 23. Allegory to the farmers, by Carlos Quízpez As n. 1928. Oil on canvas, approx. 190 by 150 cm. (Universidad Nacional de Ingenier a, Lima; exh. Blanton Museum of Art, University of Texas at Austin).
Book Review
Cristóbal de Villalpando: Mexican Painter of the Baroque. By Jonathan Brown et al.
10/2018 | 1387 | 160
Pages: 879-880
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
Illustrations
Attributed works:
3. Moses and the brazen serpent and the Transfiguration of Jesus, by Cristóbal de Villalpando. 1683. Canvas, 8.65 by 5.50 m. (Cathedral of Our Lady of the Immaculate Conception, Puebla; courtesy Dirección General de Sitios y Monumentos del Patrimonio Cultural).
Exhibition Review
Frida Kahlo: Making Her Self Up. Victoria and Albert Museum, London
10/2018 | 1387 | 160
Pages: 862-863
related names
Reviewer:
Oliver, Sophie (Oliver, Sophie)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
18. Self-portrait, by Frida Kahlo. 1948. Panel, 50 by 40 cm. (Private collection; exh. Victoria and Albert Museum, London).
Attributed works:
20. Self-portrait on the border between Mexico and the United States of America, by Frida Kahlo. 1932. Oil on metal, 31 by 35 cm. (Modern Art International Foundation; courtesy María and Manuel Reyero; exh. Victoria and Albert Museum, London).
Western art unattributed:
19. Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle). (Museo Frida Kahlo, Mexico City; exh. Victoria and Albert Museum, London).
Book Review
Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940. By John Lear
08/2018 | 1385 | 160
Pages: 706-707
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
places:
Illustrations
Attributed works:
9. Detail of The worker’s struggle against monopolies, by Pablo O’Higgins. 1934. Fresco. (Mercado Abelardo Rodriguez, Mexico City; photograph John Lear).
Book Review
Painted in Mexico, 1700–1760: Pinxit Mexici. Edited by Ilona Katzew
07/2018 | 1384 | 160
Pages: 607-608
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
media:
patrons:
Illustrations
Attributed works:
4. View of the Plaza Mayor of Mexico, by Juan Patricio Morlete Ruiz. 1770. Canvas, 96.8 by 151 cm. (National Museum of Fine Arts, Malta).
Exhibition Review
Rufino Tamayo. Washington
02/2018 | 1379 | 160
Pages: 154-155
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
20. New York seen from the terrace, by Rufino Tamayo. 1937. Canvas, 51.8 by 87.3 cm. (FEMSA Collection; © Tamayo Heirs; exh. Smithsonian Museum of American Art, Washington).
Attributed works:
21. The family, by Rufino Tamayo. 1925. Canvas, 71.1 by 83.8 cm. (William and Christopher Brunder Collection; © Tamayo Heirs; exh. Smithsonian Museum of American Art, Washington).
Attributed works:
22. Fire, by Rufino Tamayo. 1946. Canvas, 111.8 by 86.4 cm. (Collection of Mrs J. Todd Figi; © Tamayo Heirs; exh. Smithsonian Museum of American Art, Washington).
Article
The Emperor of Mexico’s screen: Maximilian I’s ‘biombo’ in Trieste
07/2017 | 1372 | 159
Pages: 536-543
related names
Author:
Morena, Francesco (Morena, Francesco)
Subjects
dates:
Illustrations
Attributed works:
18. The Castello di Miramare, Trieste, designed by Carl Junker. 1856-70
Attributed works:
21. The visit of the Viceroy Francisco Fernandez de la Cueva, Duke of Alburquerque and Marquess of Cuellar, and his wife to the Canal de la Viga and to the quarter of Ixtacalco, by Pedro de Villegas. 1706 (Museo Soumaya, Mexico City)
Western art unattributed:
17. Portrait of Maximilian, Emperor of Mexico, c.1864. Photograph (Library of Congress, Washington. Copy photograph by J. Malovich, Trieste. Original glass negative made by Mathew Brady Studio)
Western art unattributed:
19. Chinoiserie scenes, by an anonymous Mexican painter. c.1718 (Museo Storico del Castello di Miramare, Trieste)
Western art unattributed:
20. The Conquest of Mexico, by Pedro de Villegas. 1718. Reverse of Fig.19
Exhibition Review
Mexican modernism. Paris and Dallas; Philadelphia, Mexico City and Houston
03/2017 | 1368 | 159
Pages: 247-248
related names
Reviewer:
Sullivan, Edward J. (Sullivan, Edward J.; S., E. J.)
Subjects
dates:
Illustrations
Attributed works:
78. Self-portrait on the border line between Mexico and the United States, by Frida Kahlo. 1932 (Banco de México Diego Rivera & Frida Kahlo Museums Trust, Mexico City; exh. Museo del Palacio de Bellas Artes, Mexico City)
Attributed works:
79. Detail of Río Juchitán, by Diego Rivera. 1953-55 (Museo Nacional de Arte, Mexico City, on loan from Instituto Nacional de Bellas Artes; exh. Grand Palais, Paris, and Dallas Museum of Art)
Attributed works:
80. Optic Parable, by Manuel Alvarez Bravo. 1931 (Philadelphia Museum of Art; exh. Museo del Palacio de Bellas Artes, Mexico City)
Book Review
Painting in Latin America, 1550–1820: From Conquest to Independence, L.E. Alcalá and J. Brown, eds.
12/2015 | 1353 | 157
Pages: 856
related names
Reviewer:
Cruz González, Cristina (Cruz González, Cristina)
Subjects
Exhibition Review
Missionary art of Northern New Spain. Tijuana
10/2010 | 1291 | 152
Pages: 702-703
related names
Reviewer:
Wilson, Timothy (Wilson, Timothy; W., T. H.; W., T.; Wilson, Timothy H.; Thw)
Subjects
dates:
museums and institutions:
places:
places:
Reviewed Items
subjects:
The Arts of the Missions of Northern New Spain, 1600–1821 | institution: Antiguo Colegio de San Ildefonso , institution: Centro Cultural , institution: Oakland Museum of California , institution: San Antonio Museum of Art
Illustrations
Western art unattributed:
55. Mezquital Crucifixion. Anonymous artist working in New Spain. c.1585. Polychromed cornstalk paste, 160 by 140 by 50 cm. (Durango Cathedral; exh. Centro Cultural, Tijuana).
Western art unattributed:
56. St Francis of Assisi. Anonymous artist working in ?Spain. Seventeenth century. Carved, polychromed and gilded wood, 130 by 65 cm. (Museo Nacional del Virreinato, Tepoltzotlán; exh. Centro Cultural, Tijuana).
Western art unattributed:
57. The martyrdom of San Felipe de Jesús. Anonymous artist working in New Spain. c.1650. Canvas, 152.4 by 121.9 cm. (Museo Regional de Guadalupe; exh. Centro Cultural, Tijuana).
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