47. Trade Card of Thomas Moore between 1752 and 1763. Reproduced by Courtesy of the Trustees of the British Museum.
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48. Trade Card of Moore & Co., 1790's. Reproduced by Courtesy of the Trustees of the British Museum.
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49. The Tribune at Strawberry Hill. Anonymous Illustration of a Carpet Probably Hand-Knotted at Moorfields, 1764-65. Reproduced by Courtesy of the Lewis Walpole Library, Farmington, Connecticut.
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50. The Round Drawing Room at Strawberry Hill, by John Carter, Showing the Border of a Moorfields Pile Carpet in the Foreground. Seen Through the Door is the Gallery with Strip Carpeting. Reproduced by Courtesy of the Lewis Walpole Library, Farmington, Connecticut.
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51. Carpet (Two-Thirds) in the Red Drawing Room at Syon House. Made by Thomas Moore in 1769. Reproduced by Courtesy of His Grace the Duke of Northumberland.
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52. Detail of Name and Date on the Carpet at Syon House. Reproduced by Courtesy of His Grace the Duke of Northumberland.
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53. Carpet (Detail) in the Drawing Room at Osterley Park House. Made at Moorfields in the Late 1770's. Figs. 53-56 Reproduced by Courtesy of the Victoria and Albert Museum.
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54. Detail of Warp of Carpet in the Drawing Room at Osterley. Figs. 53-56 Reproduced by Courtesy of the Victoria and Albert Museum.
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55. Carpet (Detail) in the Tapestry Room at Osterley Park House. Made at Moorfields in the Late 1770's. Figs. 53-56 Reproduced by Courtesy of the Victoria and Albert Museum.
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56. Detail of Warp of Carpet in the Tapestry Room at Osterley. Figs. 53-56 Reproduced by Courtesy of the Victoria and Albert Museum.
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57. Carpet (Part Shown) From the Throne Room in Carlton House. Made at Moorfields, 1789-90. Reproduced by Gracious Permission of H. M. the Queen.