Museo Internazionale del
Tappetto Antico, Brescia
From 14th October 2023 |
:
Illustrations
Attributed works:
5. Isfahan carpet
with palmettes
and cloudbands.
Central Persia,
first quarter of
the 17th century.
Cotton and
wool, 492 by
211 cm. (Museo
Internazionale
del Tappetto
Antico, Brescia).
Attributed works:
6. View of
the façade
of the Museo
Internazionale del
Tappetto Antico,
Brescia, designed
by OBR. 2023.
Attributed works:
7. Installation
view of the Museo
Internazionale del
Tappetto Antico,
Brescia.
Standing on Holy Ground in the
Middle Ages
By Lucy Donkin. 504 pp. incl. 76 col. + 8 b. & w.
ills. (Cornell University Press, Ithaca, 2022),
$69.95. ISBN 978–1–5017–5112–7. |
:
Exhibition Review
The Tudors: Art and Majesty in Renaissance England
10. Angel bearing
a candlestick
(one of a pair),
by Benedetto
da Rovezzano.
1524–29. Bronze,
101 by 50 by 33
cm. (Victoria and
Albert Museum,
London; exh.
Metropolitan
Museum of Art,
New York).
Attributed works:
11. Elizabeth I
(Sieve Portrait),
by Quentin
Metsys the
Younger. 1583.
Oil on canvas,
124.5 by 91.5
cm. (Pinacoteca
Nazionale, Siena;
exh. Metropolitan
Museum of Art,
New York).
Attributed works:
12. Henry VIII, by
Hans Holbein the
Younger. c.1537.
Oil on panel, 28
by 20 cm. (Museo
Nacional Thyssen-
Bornemisza,
Madrid; exh.
Metropolitan
Museum of Art,
New York).
Exhibition Review
Sallandrouze de Lamornaix 1801–1878: Histoire d’une manufacture d’ exception
Sallandrouze de Lamornaix 1801–
1878: Histoire d’une manufacture
d’ exception
Edited by Jean-François Luneau.
656 pp. incl. 350 col. + b. & w. ills.
(Silvana Editoriale, Milan, and Cité
internationale de la tapisserie, Aubusson,
2021), €49. ISBN 978–88–366–4874–0. |
:
Illustrations
Attributed works:
10. Pile carpet,
woven by Jean
Sallandrouze
after a design by
Louis Berthault.
c.1812–17. Linen
and wool, 1209 by
785 cm. (Mobilier
national, Paris;
photograph
Isabelle Bideau).
Attributed works:
11. Design for
a carpet, by
Amédée Couder.
c.1836–39.
Gouache on
paper with
gold highlights,
35.5 by 67.5
cm. (Musée des
Beaux-Arts de
la Ville de Paris,
Paris).
Attributed works:
12. Model for a
large overdoor
with the coatof-
arms of the
United Kingdom,
by Amédée
Couder. 1850.
Tempera on
canvas, 402 by
190 cm. (Musée
des arts et
métiers, Paris).
Tappeti orientali da Palazzo Pitti al
Quirinale
By Marco Spallanzani with Maria Taboga. 144 pp.
incl. numerous col. + b. & w. ills. (Sagep Editori,
Genoa, 2020), €50. ISBN 978–88–9363–714–1. |
:
Illustrations
Attributed works:
4. Detail of Tappeto da caccia, by Ghiyath
al-Din Jami. Persia 1542. Wool and gold and
silver gilt thread, 682 by 335 cm. (Poldi Pezzoli
Museum, Milan).
1. Rug designed by Francis Bacon, and made by the Wilton Royal
Carpet Factory Company Ltd. 1929. Wool, 212 by 126 cm. (Francis
Bacon MB Art Foundation. MB Art Collection; Estate of Francis
Bacon; DACS London 2020; photograph Francis Bacon MB Art
Foundation/MB Art Collection).
Attributed works:
2. Francis Bacon’s studio at 17 Queensberry Mews West, London.
(Repr. in The Studio, August 1930, pp.141).
Attributed works:
3. Gouache, by Francis Bacon. 1929. Gouache, distemper and watercolour
on paper, 35.5 by 25 cm. (Francis Bacon MB Art Foundation.
MB Art Collection; Estate of Francis Bacon; DACS London 2020;
photograph Francis Bacon MB Art Foundation/MB Art Collection).
Attributed works:
4. Rug, designed by Francis Bacon, and made by the Wilton Royal
Carpet Factory Company Ltd. 1929. Wool, 200 by 120 cm. (Francis
Bacon MB Art Foundation. MB Art Collection; Estate of Francis
Bacon; DACS London 2020; photograph Francis Bacon MB Art
Foundation/MB Art Collection).
Attributed works:
5. Rug, designed by Francis Bacon and made by the Wilton Royal
Carpet Factory Company Ltd. c.1929. Wool, 208.8 by 122 cm. (Location
unknown; Estate of Francis Bacon; DACS London 2020).
Attributed works:
6. Francis Bacon’s Queensberry Mews West Studio, by Roy de
Maistre. 1930. Oil on canvas, 60 by 44.5 cm. (The Estate of Francis
Bacon Collection).
Attributed works:
7. A room scheme by Francis Bacon, including furniture and a rug
designed by him. The rug was made by the Wilton Royal Carpet Factory
Company Ltd. c.1929. Wool, 240 by 122 cm. ( Estate of Francis Bacon.
All Rights Reserved; DACS London 2020).
Attributed works:
8. Still life, by Roy de Maistre. 1933. Oil on canvas, 91.4 by 60.8
cm. (National Gallery of Australia, Canberra; courtesy Francis Bacon
Estate; Caroline de Mestre Walker).
Attributed works:
9. A room scheme with a rug designed by Francis Bacon and made
c.1930–33 by the Wilton Royal Carpet Factory Company Ltd. The
materials and dimensions of the rug are unknown. ( British Library
Board; HIU.LD48).
Exhibition Review
The Decorated Word: Writing and Picturing in Islamic Calligraphy. Metropolitan Museum of Art, New York
14. Untitled, by
Golnaz Fathi.
2013. Acrylic,
pen and varnish
on canvas.
Two panels,
100 by 140 cm.
(Metropolitan
Museum of Art,
New York).
Non-western art unattributed:
12. Bifolium from
a Qur’an with
a star-shaped
prostration
mark. Egypt
or Syria,
13th century.
Ink, opaque
watercolour and
gold on paper,
50.8 by 67.4 cm.
(Metropolitan
Museum of Art,
New York).
Non-western art unattributed:
13. Calligraphic
galleon with the
names of the
Seven Sleepers,
by ‘Abd al-Qadir
Hisari. 1180 AH/
AD 1766–67.
Ink and gold
on paper, 48.3
by 43.2 cm.
(Metropolitan
Museum of Art,
New York).
Book Review
Islam e Firenze: Arte e collezionismo dai Medici al Novecento. Edited by Giovanni Curatola; and Immagini d’Oriente: La riscoperta dell’arte islamica nell’Ottocento. Edited by Alessandro Diana and Simona Mammana
Islam e Firenze: Arte e collezionismo
dai Medici al Novecento
Edited by Giovanni Curatola. 352 pp. incl.
386 col. ills. (Giunti, Florence, 2018),
Islam e Firenze: Arte e collezionismo
dai Medici al Novecento
Edited by Giovanni Curatola. 352 pp. incl.
386 col. ills. (Giunti, Florence, 2018). |
:
Illustrations
Attributed works:
5. Sforza-Clark circular table carpet, by a
Mamluk workshop, Cairo. First half of the 16th
century. Wool pile on wool warp, 223 by 244
cm. (Museum of Islamic Art, Doha).
Exhibition Review
Ernst Ludwig Kirchner: Imaginary Travels. Bundeskunsthalle, Bonn
16. Interior of the
Brücke Studio,
Berliner Straße
80, Dresden,
by Ernst Ludwig
Kirchner. 1910.
Glass plate
negative, 18 by
13 cm. (Kirchner
Museum,
Davos; exh.
Bundeskunsthalle
Bonn).
Attributed works:
17. Bed for Erna
Kirchner, by Ernst
Ludwig Kirchner.
1919. Swiss pine
and larch, 110 by
96 by 276 cm.
(Kirchner Museum,
Davos; exh.
Bundeskunsthalle,
Bonn).
Attributed works:
18. Pair of
acrobats –
sculpture, by
Ernst Ludwig
Kirchner. 1932.
Canvas, 85.5 by
72 cm. (Kirchner
Museum, Davos;
exh. Bundeskunsthalle,
Bonn).
Book Review
On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court. By Erin Griffey