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568 articles
Article
The design of Cape Coast Castle and Dixcove Fort, Ghana
04/2023 | 1441 | 165
Pages: 378-393
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.4, showing the double staircase, St George Castle, Elmina, Ghana. (Photograph the author).
Attributed works:
10. Gate, Fort St Anthony, Axim, Ghana. 1515, present structure before 1637. (Photograph the author).
Attributed works:
11. Bell gable in Western Spur, Cape Coast Castle, Ghana. 1771 or 1778. (Photograph the author).
Attributed works:
12. Northern Wing, Cape Coast Castle, Ghana, here attributed to Nicholas Lomax and Robert Spooner. 1773–78 and 1822–24. (Photograph the author).
Attributed works:
13. Part of the Northern Wing intended for a chapel, Cape Coast Castle, Ghana, here attributed to Nicholas Lomax and Robert Spooner. 1773–78 and 1822–24. (Photograph the author).
Attributed works:
14. West terrace, Bedford Square, London, by Thomas Leverton and others. 1775–83. (Photograph the author).
Attributed works:
15. Plan and elevation of a Country House in the Modern Taste. Engraving. (From J. Crunden: Convenient and Ornamental Architecture, London 1767; Getty Research Institute, Los Angeles).
Attributed works:
16. The Five Orders of Architecture. (From R. Dodsley: The Preceptor: Containing a General Course of Education, London 1769, I, between pp.176 and 177; Boston Public Library).
Attributed works:
17. Detail of Ground plan of Dix Cove Fort, by Justly Watson. 1756. Ink and coloured wash on paper, 29 by 47 cm. (National Archives, London).
Attributed works:
18. Plan of the Fort at Dix-Cove, by Thomas Pye. 1749. Ink and coloured wash on paper. (National Archives, London).
Attributed works:
19. Spur court, Dixcove Fort, Ghana. 1747–50. (Photograph the author).
Attributed works:
2. West tower, St George Castle, Elmina, Ghana. 1482. (Photograph the author).
Attributed works:
20. Detail of a bay on the northern range, Spur Court, Dixcove Fort, Ghana. (Photograph the author).
Attributed works:
21. Tuscan Order, by John Sturt. Engraving. (From S. Le Clerc: A Treatise of Architecture with Remarks and Observations, London 1732; Getty Research Institute, Los Angeles).
Attributed works:
22. Courtyard, Maison Pépin, Gorée, Senegal. 1780–84. (Photograph the author).
Attributed works:
3. The main gate, Christiansborg Castle, Osu (Accra), Ghana. 1790. (Photograph the author).
Attributed works:
4. The main courtyard and double staircase, St George Castle, Elmina, Ghana. Before 1665. (Photograph the author).
Attributed works:
5. View of Fort Royale du Senegal from the Coast of [. . .] Guinea. 1694. Ink and coloured wash on paper. (Archives Nationales d’Outre-Mer, Aix-en-Provence).
Attributed works:
6. View of Fort Christiansborg [Christiansborg Castle, Osu] from the Shore. March 1764. Ink and coloured wash on paper. (Danish National Archives).
Attributed works:
7. Ground plan of Cape Coast Castle, by Justly Watson. 1756. Ink and coloured wash on paper, 47 by 69 cm. (National Archives, London).
Attributed works:
8. Western block, Cape Coast Castle, Ghana. 1768. (Photograph the author).
Attributed works:
9. Interior of main entrance, Fort St Sebastian, Shama, Ghana. 1520–26, present structure 1640–42. (Photograph the author).
Article
The finding of the infant Bacchus
02/2022 | 1427 | 164
Pages: 180-183
related names
Author:
Hendrikman, Lars (Hendrikman, Lars)
Subjects
dates:
sources:
Illustrations
Attributed works:
5. Young Bacchus, after Godfried Maes. After 1762. Oil on canvas, 63 by 54.7 cm. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
6. Fig.5, photographed in 2012 before cleaning and removal of overpaint in 2020. (Bonnefanten, Maastricht; photograph Peter Cox).
Attributed works:
7. The finding of the infant Bacchus on Chios, by Godfried Maes. Last quarter of the 17th century. Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Courtesy F. Baulme Fine Arts).
Attributed works:
8. The infant Bacchus entrusted to the nymphs of Nysa; the death of Echo and Narcissus, by Nicolas Poussin. 1657. Oil on canvas, 122.6 by 180.5 cm. (Harvard Art Museums).
Attributed works:
9. Bacchus turns Acoetes’ crew into dolphins, by Godfried Maes. Last quarter 17th century, Black chalk, pen and black ink and grey and brown wash on paper, approx. 18 by 24 cm. (Leiden University Library, Print Room).
Book Review
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen. By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer
03/2020 | 1404 | 162
Pages: 266-268
related names
Reviewer:
Dawson, Aileen (Dawson, Aileen)
Subjects
Reviewed Items
subjects:
Raffinesse im Akkord: Meissener Porzellanmalerei und ihre Grafischen Vorlagen By Claudia Bodinek, with contributions by Peter Braun, Tobias Pfeifer-Helke und Claudia Schnitzer. 2 vols, 768 pp. incl. 1,394 col. + 34 b. & w. ills. (Michel Imhof Verlag, Munich, 2018),  135. ISBN 978–3–7319–0472–4. | :
Illustrations
Attributed works:
7. ‘Philis lors qu’a nos yeux le lapin tu caresse.’, by Marie-Jeanne Renard Dubos after Madeleine Fran oise Basseporte. c.1700. Engraving and etching, 20.9 by 15.2 cm. (Meissen Archive). Snuffbox, Meissen. c.1740. Gold and porcelain, diameter 7.6 cm. (Private collection).
Book Review
Joseph-Benoît Suvée, 1743–1807: un artiste entre Bruges, Rome et Paris. By Sophie Join-Lambert and Anne Leclair
09/2019 | 1398 | 161
Pages: 788-789
related names
Reviewer:
Bordes, Philippe (Bordes, Philippe; Bordes, Phillipe)
Subjects
places:
Illustrations
Attributed works:
5. Portrait of a man (Charles-Louis Trudaine de Montigny?), by Joseph-Benoît Suvée. 1794. Oil on canvas, 60 by 48.5 cm. (Musée des Beaux-Arts, Tours; photograph Dominique Couineau).
Letter
Bronzes from the collection of the bailli de Breteuil in the Musée du Louvre
02/2019 | 1391 | 161
Pages: 100-101
related names
Compiler:
Malgouyres, Philippe (Malgouyres, Philippe)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
2. A dog, by Jean-Robert Ango after Fig.1. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Attributed works:
3. Minerva, also called Livia or Agrippina as Pallas, by Jean-Robert Ango after Fig.4. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil)
Attributed works:
4. Minerva, also called Livia or Agrippina as Pallas, by Luigi Valadier. Bronze, marble and gilt bronze, 27.3 by 9 by 9 cm. (Musée du Louvre, Paris).
Attributed works:
5. Modesty, also called Agrippina, by Luigi Valadier. Bronze, marble and gilt bronze, 27 by 9 by 9 cm. (Musée du Louvre, Paris).
Western art unattributed:
1. A dog. Possibly Roman. Bronze, 7.8 by 12.2 by 10 cm. (Musée du Louvre, Paris).
Book Review
Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated Edited by David Fleming, Ruth Kenny and William Laffan
12/2018 | 1389 | 160
Pages: 1077-1078
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
6. Installation view of Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated, City Assembly Room, Dublin (16th June–29th July 2018). (Courtesy Irish Georgian Society).
Article
A Renaissance bronze in Birmingham, the bailli de Breteuil and Luigi Valadier
11/2018 | 1388 | 160
Pages: 928-937
related names
Author:
Warren, Jeremy (Warren, Jeremy)
Subjects
dates:
Illustrations
Attributed works:
10. Allegorical figure, by Jean-Robert Ango after a terracotta relief by François Berruer. 1767. Red chalk, 43.8 by 28.4 cm. (Marquis de Breteuil).
Attributed works:
11. The Callipygian Venus, by Jean-Robert Ango, after a marble statue attributed to Jean Louis Breton after a drawing by Laurent Guiard. 1765. Black chalk, 28.2 by 22 cm. (Marquis de Breteuil).
Attributed works:
12. A Furietti centaur, one of a pair, by Jean-Robert Ango, after bronze statuettes after the antique statues. c.1765–70. Black chalk, 28.4 by 22 cm. and 28.7 by 22 cm. (Marquis de Breteuil).
Attributed works:
13. Satyr holding grapes with panther, and Figure of a warrior, known as the Executioner, by Jean-Robert Ango, after bronze statuettes attributed to Massimiliano Soldani-Benzi and François Duquesnoy. 1765. Black chalk, 28.2 by 21.7 cm. (Marquis de Breteuil).
Attributed works:
14. Assemblage with a vase and a plaque depicting Henri IV, by Jean-Robert Ango, after a model attributed to Jacques-Laure Le Tonnelier, bailli de Breteuil and Luigi Valadier. c.1765–70. Red chalk, 47.5 by 34.8 cm. (Marquis de Breteuil).
Attributed works:
15. Seated Rome, by Luigi and Giuseppe Valadier. 1780–86. Hardstones, silver- and bronze-gilt, height 46 cm. (Musée du Louvre, Paris).
Attributed works:
3. Jacques-Laure Le Tonnelier, bailli de Breteuil, by Louis Jacques Pilon. 1785. Plaster, height 87 cm. (Marquis de Breteuil).
Attributed works:
4. Boy riding upon a horse, by the workshop of Severo Calzetta (Severo da Ravenna). c.1510–30. The base is here attributed to the workshop of Luigi Valadier, Rome. c.1770–80. Bronze, marble and gilt-bronze, 18 by 22 cm. (Musée du Louvre, Paris).
Attributed works:
5. The salon of the bailli de Breteuil in Palazzo Malta, Rome, by Hubert Robert. c.1765. Red chalk, 34.9 by 48.8 cm. (Musée du Louvre, Paris).
Attributed works:
6. Agrippina as Minerva, by Jean-Robert Ango, after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 22 cm. (Marquis de Breteuil).
Attributed works:
7. Figure of a boy (‘Souffleur de bulles de savon’), by Jean-Robert Ango after a bronze statuette, model by François Duquesnoy. c.1765–70. Red chalk, 21.7 by 18.8 cm. (Marquis de Breteuil).
Attributed works:
8. Detail from Antique vases and statuettes and a modern vase, by Jean-Robert Ango after antique models and a bronze model by Luigi Valadier, incorporating designs by François Duquesnoy. 1765. Black chalk. 27.5 by 43.5 cm. (Marquis de Breteuil).
Attributed works:
9. A dog, by Jean-Robert Ango after a possibly Roman bronze statuette. c.1765–70. Black chalk, 28 by 21.5 cm. (Marquis de Breteuil).
Western art unattributed:
1. Boy riding upon a goat. Italian, probably Padua, early sixteenth century. The base is here attributed to the workshop of Luigi Valadier, Rome, c.1770–80. Bronze, marble and gilt-bronze, 21.7 by 22.1 cm. (Barber Institute of Fine Arts, University of Birmingham).
Western art unattributed:
2. Detail of Fig.1, showing the shell.
Article
Giovanni Francesco Arrighi: a newly discovered account book
10/2018 | 1387 | 160
Pages: 824-832
related names
Author:
Montagu, Jennifer (Montagu, Jennifer)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Reliquary, by Giovanni Francesco Arrighi. 1722. Silver, height 120 cm. (S. Maria di Monserrato, Rome).
Attributed works:
2. Reliquary, by Giovanni Francesco Arrighi. 1727/28. Silver, height 77 cm. (Museo Diocesano, Jesi).
Attributed works:
3. Above Detail of Fig.4.
Attributed works:
4. Right Crucifix, by Giovanni Giardini. c.1706. Bronze, ebony and ivory, height 230 cm. (Notre-Dame, Paris).
Attributed works:
5. Detail of Pietà, by Giovanni Giardini. 1688–1702. Gilt bronze on velvet, 54.5 by 33.5 cm. (Private collection; photograph Sotheby’s, London).
Attributed works:
6. The Agony in the garden, after Angelo de Rossi, attributed to Giovanni Francesco Arrighi. c.1700. Copper, 53 by 46.5 cm. (National Gallery of Art, Washington).
Book Review
The Enchanted World of German Romantic Prints, 1770–1850. Edited by John Ittmann
10/2018 | 1387 | 160
Pages: 881-882
Book Review
L’Empire des roses: Chefs-d’oeuvre de l’art persane du XIXe siècle. Edited by Gwenaëlle Fellinger
10/2018 | 1387 | 160
Pages: 874-875
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