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A ‘higher style’ of looking: Thomas Cole and popular media

06/2014 | 1335 | 156

Pages: 385-390

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related names

Author:

Ikemoto , Wendy (Ikemoto , Wendy)

Subjects

artists:

Cole, Thomas, 1801-1848

dates:

1820-1829 / 1830-1849

subjects:

American painting (United States of America) / Critical Reception / Panoramas / Landscapes (visual works) / Topographical views / Religious art

subjects:

Art market / Allegorical figures

Illustrations

Attributed works:

46. Diorama, Park Square, Regents Park: Plan of the principal story, designed by A. Pugin and built by J. Morgan, J. Britton and A. Pugin: Illustrations of the Public Buildings of London. With historical and descriptive accounts of each edifice, London 1825

Attributed works:

47. Past, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)

Attributed works:

48. Present, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)

Attributed works:

49. View of Schroon Mountain, Essex County, New York, after a storm, by Thomas Cole (Cleveland Museum of Art)

Attributed works:

50. Expulsion from the Garden of Eden, by Thomas Cole (Museum of Fine Arts, Boston)

Attributed works:

51. The Cross and the world: study for Two youths enter upon a pilgrimage - one to the Cross, the other to the world, by Thomas Cole (Edwin A. Ulrich Museum of Art, Wichita State University Endowment Association Art Collection)

Attributed works:

52. Departure, by Thomas Cole (Corcoran Gallery of Art, Washington)

Attributed works:

53. Return, by Thomas Cole (Corcoran Gallery of Art, Washington)

Attributed works:

54. Diagram showing the landscapes depicted in Departure and Return

Attributed works:

55. Section of the Rotunda, Leicester Square, in which is exhibited the panorama, by Robert Mitchell (British Museum, London). From R. Mitchell: Plans and Views in Perspective, with Descriptions of Buildings Erected in England Wales, London 1801

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