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Article

Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered

11/2018 | 1388 | 160

Pages: 938-945

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Author:

McConkey, Kenneth (McConkey, Kenneth)

Subjects

artists:

Clausen, George / Puvis de Chavannes, Pierre / Wollen, William Barnes / Jack, Richard / Mostyn, Thomas Edwin / Olivier, Herbert Arnould / Lavery, John / Brangwyn, Frank / Sickert, Walter / Orpen, William

artists:

Rousseau, Victor

dates:

1900-1949 / 1910-1919

media:

Paintings

museums and institutions:

Royal Academy of Arts, London, Great Britain / The Imperial Arts League, London, Great Britain / New English Art Club (NEAC)

places:

Belgium / Great Britain / London

subjects:

British painting / World War (1914-1918) / Franco-Prussian War (1870-1871) / War / Soldiers / Ruins / Damage to works of art / Lost works / Art criticism / Criticism / Critical Reception / Exhibitions / Exhibition reviews / Influence / Identification / Sitters / Allegory / Allegorical figures / Symbolism (artistic concept) / Colour / Style / Neo-classicism / Realism / Murals / Figure paintings / Portraits / Landscapes (visual works) / Flower pieces / Workers / Nudes

Illustrations

Attributed works:

1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).

Attributed works:

10. Detail of Fig.1.

Attributed works:

11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).

Attributed works:

12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).

Attributed works:

2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).

Attributed works:

3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).

Attributed works:

4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).

Attributed works:

5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).

Attributed works:

6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).

Attributed works:

7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).

Attributed works:

8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.

Attributed works:

9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).

Article

‘Foolish wisdom’: Adriaen van de Venne and Frans Hals’s ‘Pekelharing’

02/2016 | 1355 | 158

Pages: 94-100

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Author:

Buijsen, Edwin (Buijsen, Edwin)

Subjects

artists:

Venne, Adriaen Pietersz van de / Hals, Frans

dates:

1620-1629 / 1630-1639

subjects:

Dutch painting / Prints / Copies / Portraits / Iconography / Comedy / Satire / Allegorical figures / Allegory / Virtue and Vice / Comedians

subjects:

Collections, Private

Illustrations

Attributed works:

12. Foolish wisdom, by Adriaen van de Venne. c.1631 (Private collection, United States)

Attributed works:

13. Detail of Fig.12

Attributed works:

14. Pekelharing, by Frans Hals. c.1628-30 (Gemäldegalerie Alte Meister, Kassel)

Attributed works:

15. Pekelharing, by Jonas Suyderhoef after Frans Hals. c.1630-40 (Rijksmuseum, Amsterdam)

Attributed works:

16. The mulatto (Pekelharing), by Frans Hals. c.1628-30 (Museum der bildenden Künste, Leipzig)

Attributed works:

18. Three doctors, of Law, Theology and Medicine, by Adriaen van de Venne. 1625-26. Fol.36 in Adriaen van de Venne's Album (British Museum, London)

Western art unattributed:

17. Pekelharing, by an anonymous artist, after Frans Hals. Frontispiece to Nugae venales, sive Thesaurus ridendi & jocandi, 1648, n.p. (Koninklijke Bibliotheek, The Hague)

Article

‘Portrait of a woman with a book’: a ‘newly discovered fantasy figure’ by Fragonard at the National Gallery of Art, Washington

04/2015 | 1345 | 157

Pages: 248-254

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Author:

Delaney, John K. (Delaney, John K.)

Author:

Jackall, Yuriko (Jackall, Yuriko)

Author:

Swicklik, Michael (Swicklik, Michael)

Subjects

artists:

Fragonard, Jean-Honoré

artists:

Saint-Aubin, Gabriel de

dates:

1760-1769

museums and institutions:

National Gallery of Art, Washington, United States

subjects:

Half-length portraits / Allegorical figures / Collections, Public / Identification / Technical analysis / Radiographs / Sketches / Scientific analysis / Alterations / French painting

Illustrations

Attributed works:

17. Young girl reading, by Jean-Honoré Fragonard (National Gallery of Art, Washington)

Attributed works:

18. Portrait of M. de La Bretèche, by Jean-Honoré Fragonard (Musée du Louvre, Paris)

Attributed works:

23. Portrait of a woman, formerly known as Marie-Madeleine Guimard, by Jean-Honoré Fragonard (Musée du Louvre, Paris)

Attributed works:

25. Cross-section of Young girl reading taken at 62.1 by 46.5 cm from the bottom left corner (area of the former feather)... . Sampling and initial analysis by Barbara Berrie. Final analysis and photograph by Michael Palmer

Attributed works:

26. Detail of Fig.7, showing Young girl reading

Attributed works:

27. Hypothetical simulation of the figure in the painting underlying Young girl reading, here designated Portrait of a woman with a book, developed using information obtained through the imaging techniques described in this study. Image by Becca Goodman and Denis Doorly

Attributed works:

28. Detail of the Catalogue de Tableaux et Marbres, by Gabriel Jacques de Saint-Aubin. 11th March 1776 (Philadelphia Museum of Art, John G. Johnson Collection)

Western art unattributed:

19. X-radiograph of Young girl reading obtained using Carestream System

Western art unattributed:

20. False-colour infra-red reflectogram

Western art unattributed:

21. Overlay of details from the X-radiograph and false-colour image showing that the noses, chins and foreheads in the two images align, demonstrating that the 'male' face of the X-radiograph and the 'female' face of the false-colour image are one and the same

Western art unattributed:

22. XRF element maps showing: 1) lead...; 2) iron oxide...; 3) mercury...

Western art unattributed:

24. Details showing 1) the feather behind the head of the current model in Young girl reading as seen in the equalised high-resolution colour image of the painting; 2) the same area seen through reflectance transformation imaging (RTI) showing the texture of the feature; 3) the feather in Portrait of M. de La Bretèche

Article

Fragonard’s ‘fantasy figures’: prelude to a new understanding

04/2015 | 1345 | 157

Pages: 241-247

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Author:

Dupuy-Vachey, Marie-Anne (Dupuy-Vachey, Marie-Anne)

Subjects

artists:

Fragonard, Jean-Honoré

artists:

Saint-Aubin, Gabriel de

dates:

1760-1769

subjects:

Sketches / Drawings / French painting / Half-length portraits / Allegorical figures / Identification / Sitters

subjects:

Collections, Private

Illustrations

Attributed works:

10. Detail of Portrait of the Abbé de Saint-Non, by Jean-Honoré Fragonard (Musée du Louvre, Paris)

Attributed works:

12. Hypothetic installation of one wall of Fragonard's 'fantasy figures'. Digital rendering by Adam Davies and Yuriko Jackall based upon contemporary architectural plans

Attributed works:

13. Portrait of François-Henri, duc d'Harcourt, by Jean-Honoré Fragonard (Private collection)

Attributed works:

14. Detail of Catalogue de Tableaux et Marbres, 11th March 1776. Printed text and drawn illustrations by Gabriel Jacques de Saint-Aubin (Philadelphia Museum of Art, John G. Johnson Collection)

Attributed works:

16. The happy family, by Jean-Honoré Fragonard (Fuji Art Museum, Tokyo)

Attributed works:

6. Anne-Louise Brillon de Jouy, by Jean-Honoré Fragonard (Musée du Louvre, Paris)

Attributed works:

7. Sheet of sketches, by Jean-Honoré Fragonard (Photograph courtesy of Hubert Duchemin and Lisas Sharifzadeh)

Attributed works:

8. Reconstruction of Fragonard's paintings on the sheet of sketches with their traditional titles as of June 2012: 1) Young girl reading (National Gallery of Art, Washington); 2) Portrait of a woman holding a dog (Metropolitan Museum of Art, New York); 3) Marie-Madeleine Guimard (Musée du Louvre, Paris); 4) Portrait of a lady as a vestal, said to be The Présidente Aubry (Private collection); 5) Portrait of a man, called The writer, or Inspiration (Musée du Louvre, Paris); 6) Portrait of a young woman, called L'Etude (Musée du Louvre, Paris); 7) Portrait of M. de la Bretèche (Musée du Louvre, Paris); 8) Portrait of the Abbé de Saint-Non (Musée du Louvre, Paris); 9) Portrait of a singer (private collection); 11) Portrait of a man, called The actor (private collection); 12) Portrait of Diderot (Musée du Louvre, Paris); 13) Portrait of a young artist, called Naigeon (Musée du Louvre, Paris); 14) The warrior (The Sterling and Francine Clark Art Institute, Williamstown); 17) Cavalier seated by a fountain (MNAC, Barcelona)

Attributed works:

9. Detail of Saint-Non in Fig.7

Western art unattributed:

11. Anne-Louise Brillon de Jouy. French school (Courtesy of a private collection)

Western art unattributed:

15. Label affixed to the stretcher of Fig.16

Article

Two coral cabinets made for Claude Lamoral I, Prince de Ligne and Viceroy of Sicily

07/2014 | 1336 | 156

Pages: 428-439

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Author:

Tavella, Mario (Tavella, Mario)

Subjects

artists:

Sansone, Michele, 17th c Sicilian furniture maker / Soli, Andrea, 17th c Sicilian furniture maker / Piscaturi, Giovanni, 17th c Sicilian furniture maker

dates:

1660-1719

museums and institutions:

Museum of Fine Arts, Boston, United States

patrons:

Lamoral, Claude, I, Third Prince de Ligne et du Saint Empire, Viceroy of Sicily, 1618-1679

places:

Palermo / Sicily / Trapani

subjects:

Cabinets (furniture) / Furniture / Coral / Sicilian / Commissions / Silverwork / Pietre Dure / Payments / Collections, Private

subjects:

Iconography / Allegorical figures / Allegory

Illustrations

Attributed works:

13. Cappella del Crocifisso, by Angelo Italia (Monreale Cathedral)

Attributed works:

18. (Centre). Inlaid table top. Florence, 1550-1600 (Istituto di Mineralogia, Florence)

Attributed works:

20. Detail of Tabernacle, altar of the Holy Sacrament, by Pompeo Targone (S. Giovanni Laterano, Rome)

Attributed works:

7. Claire-Marie de Nassau-Siegen, Princess de Ligne, by Mademoiselle de Nassau (Château de Beloeil)

Attributed works:

8. Project for the east side of the park of château de Beloeil, by La Marcade (Château de Beloeil)

Western art unattributed:

1. Cabinet I, viewed from the side, and Cabinet II (Figs. 2 and 3)

Western art unattributed:

10. Detail of an altar frontal. Sicilian (S. Giuseppi dei Teatini, Palermo)

Western art unattributed:

11. Detail of the de Ligne coat of arms on Cabinet II (Fig. 3)

Western art unattributed:

12. Detail of the main portal of the Chiesa dell'Annunziata, Palazzolo Acreide, Syracuse

Western art unattributed:

14. Project for a chapel. Anonymous, seventeenth century (Galleria regionale della Sicilia di Palazzo Abatellis, Palermo)

Western art unattributed:

15. Detail of the Solomonic columns in coral and stones on Cabinet II (Fig. 3)

Western art unattributed:

16. Detail of Cabinet I (Fig. 2)

Western art unattributed:

17. (Left). Inlaid panel. Messina, seventeenth century (With the kind permission of Regione Siciliana, Ass. e Dip. dei Beni Culturali e della Identita' siciliana, Museo interdisciplinare regionale, Messina)

Western art unattributed:

19. (Right). Detail of the Chapel of St Philip Neri (S. Ignazio dell'Olivella, Palermo)

Western art unattributed:

2. Cabinet I, viewed from the front. Palermo and Tapani, 1670-73. (Private collection; on loan to the Museum of Fine Arts, Boston; photography copyright of Sotheby's)

Western art unattributed:

21. Embossed silver band of running flower and foliage ornament on Cabinet II (Fig. 3)

Western art unattributed:

22. Silver marks RVP (Regis Urbs Panorami) and DDNC (Consul Domenico di Napoli) on Cabinet II (Fig. 3)

Western art unattributed:

3. Cabinet II, viewed from the front. Palermo and Tapani, 1670-73. (Private collection; on loan to the Museum of Fine Arts, Boston; photography copyright of Sotheby's)

Western art unattributed:

4. Agates on the left side of Cabinet II (Fig. 3)

Western art unattributed:

5. Coral works of art previously in the collection of the Princes de Ligne (Private collections)

Western art unattributed:

6. Claude Lamoral I, Prince de Ligne. Belgian school (Château de Beloeil)

Western art unattributed:

9. Cabinet. Palermo and Trapani (Formerly in the Princes de Ligne collection; present whereabouts unknown)

Article

A ‘higher style’ of looking: Thomas Cole and popular media

06/2014 | 1335 | 156

Pages: 385-390

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related names

Author:

Ikemoto , Wendy (Ikemoto , Wendy)

Subjects

artists:

Cole, Thomas, 1801-1848

dates:

1820-1829 / 1830-1849

subjects:

American painting (United States of America) / Critical Reception / Panoramas / Landscapes (visual works) / Topographical views / Religious art

subjects:

Art market / Allegorical figures

Illustrations

Attributed works:

46. Diorama, Park Square, Regents Park: Plan of the principal story, designed by A. Pugin and built by J. Morgan, J. Britton and A. Pugin: Illustrations of the Public Buildings of London. With historical and descriptive accounts of each edifice, London 1825

Attributed works:

47. Past, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)

Attributed works:

48. Present, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)

Attributed works:

49. View of Schroon Mountain, Essex County, New York, after a storm, by Thomas Cole (Cleveland Museum of Art)

Attributed works:

50. Expulsion from the Garden of Eden, by Thomas Cole (Museum of Fine Arts, Boston)

Attributed works:

51. The Cross and the world: study for Two youths enter upon a pilgrimage - one to the Cross, the other to the world, by Thomas Cole (Edwin A. Ulrich Museum of Art, Wichita State University Endowment Association Art Collection)

Attributed works:

52. Departure, by Thomas Cole (Corcoran Gallery of Art, Washington)

Attributed works:

53. Return, by Thomas Cole (Corcoran Gallery of Art, Washington)

Attributed works:

54. Diagram showing the landscapes depicted in Departure and Return

Attributed works:

55. Section of the Rotunda, Leicester Square, in which is exhibited the panorama, by Robert Mitchell (British Museum, London). From R. Mitchell: Plans and Views in Perspective, with Descriptions of Buildings Erected in England Wales, London 1801

Article

Alfred Stevens’s images from ‘The Faerie Queene’ rediscovered

04/2009 | 1273 | 151

Pages: 212-218

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related names

Author:

Sladen, Teresa (Sladen, Teresa)

Subjects

art literature:

Stannus, Hugh

artists:

Stevens, Alfred, British artist, 1817-1875 / Collmann, Leonard William / Raphael

dates:

1850-1859

museums and institutions:

Victoria and Albert Museum, London, Great Britain / Fitzwilliam Museum, Cambridge, Great Britain / British Museum, London, Great Britain

places:

London

print:

Stevens, Alfred, British artist, 1817-1875

subjects:

British painting / Lost works / Interior design / Preliminary drawings / Drawings / Rooms / Houses / Unexecuted designs / Allegorical figures / Wall paintings

subjects:

Commissions / Copies / Collections, Public

Illustrations

Attributed works:

10. Drawing of Cymoent squared for transfer, by Alfred Stevens. 1854–55. Graphite with traces of brown ink and whitening, 22.4 by 19.6 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

11. Justice, by Raphael. 1508–09. Fresco (detail of the vault of the Stanza della Segnatura, Vatican).

Attributed works:

12. Drapery study for Amoret, by Alfred Stevens. c.1854. Red chalk, 20.5 by 16.3 cm. (British Museum, London).

Attributed works:

13. Study of a seated nude, by Alfred Stevens. c.1850. Red chalk, dimensions unknown. (Formerly in the collection of Alfred Drury; present whereabouts unknown).

Attributed works:

14. Briana, by Alfred Stevens. c.1855. Parris’s medium on canvas, 39.4 by 36.8 cm. (Private collection).

Attributed works:

15. Belphoebe, by Alfred Stevens. c.1855. Parris’s medium on canvas, 42.5 by 34.8 cm. (Private collection).

Attributed works:

16. Autotype photograph showing the painting of Belphoebe by Alfred Stevens. From H. Stannus: Alfred Stevens and his Work, London 1891, pl.XXX.

Attributed works:

17. Nude study for Radigund, by Alfred Stevens. 1852–54. Red chalk, 41.2 by 31.7 cm. (Victoria and Albert Museum, London).

Attributed works:

18. The full-size plaster model of Valour for the Wellington Memorial, London, by Alfred Stevens. 1859–67. (Victoria and Albert Museum, London).

Attributed works:

19. Radigund, by Alfred Stevens. c.1855. Parris’s medium on canvas, 41.2 by 31.7 cm. (Private collection).

Attributed works:

5. Autotype photograph showing the painting of Una by Alfred Stevens with its decorative surround. From H. Stannus: Alfred Stevens and his Work, London 1891, pl.XXVIII.

Attributed works:

6. Decorative scheme for the drawing room, 11 Kensington Palace Gardens, London, by Alfred Stevens. c.1854. Graphite, 23.5 by 56.4 cm. (Victoria and Albert Museum, London).

Attributed works:

7. Design for a covered vase, by Alfred Stevens. c.1860. Graphite, ink and watercolour, 23.4 by 27 cm. (Fitzwilliam Museum, Cambridge).

Attributed works:

8. Britomart redeems faire Amoret, by William Etty. c.1833. Canvas, 90.8 by 66 cm. (Tate, London).

Attributed works:

9. Preliminary studies of Una, Britomart and Serena, by Alfred Stevens. c.1854. Graphite, 31.7 by 25.4 cm. (Victoria and Albert Museum, London).

Article

‘Others see it yet otherwise’: <i>disegno</i> and <i>pictura</i> in a Flemish gallery interior

02/2007 | 1247 | 149

Pages: 85-91

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Author:

Gorman, Michael John (Gorman, Michael John)

Author:

Marr, Alexander (Marr, Alexander)

Subjects

artists:

Crespi, Daniele / Francken, Frans, II, 1581-1642 / Oddi, Muzio

collectors and dealers:

Rothschild family

dates:

1620-1629 / 1630-1639

print:

Flemish art

subjects:

Flemish painting / Provenance / Interiors / Mathematics / Science / Identification / Allegorical figures / Collections, Private / Composition (artistic arrangement) / Paintings within paintings

subjects:

Disegno / Pittura

Illustrations

Attributed works:

19. The interior of a picture gallery with allegorical figures, by Adriaen van Stalbemt. Panel, 72.9 by 104.1 cm. (Whereabouts unknown).

Attributed works:

20. Detail from frontispiece of Tabulae Rudolphinae showing a portrait of Johannes Kepler, by Georg Celer. 1627. Engraving. (Courtesy of the Bundy Library, Cambridge, MA; now relocated to the Huntington Library, Pasadena).

Attributed works:

23. Portrait of Mutio Oddi, by Johannes Troschel. 1624. Engraving, from M. Oddi: Degli horologi solari, Milan 1614.

Attributed works:

24. Portrait of Mutio Oddi and Peter Linder, by Daniele Crespi. c.1625. Canvas. (Private collection, Milan).

Western art unattributed:

13.The interior of a picture gallery with personifications of Pictura and Disegno, by an anonymous Flemish painter. Late 1620s. Copper, 56.5 by 82.2 cm. (Private collection, New York).

Western art unattributed:

14. Detail of Fig.13 showing the Linder coat of arms.

Western art unattributed:

15. The Linder coat of arms. (From O. Neubecker: Grosses Wappen-Bilder-Lexikon der bürgerlichen Geschlechter Deutschlands, Österreichs und der Schweiz, Augsburg 1992, p.518).

Western art unattributed:

16. Portrait medal of Mutio Oddi. 1627. (From P.A. Gaetani: Museum Mazzuchellianum, seu numismata virorum doctrina praestantium, Venice 1761–63).

Western art unattributed:

17. Detail of Fig.13 showing portrait medal (top right) bearing the faint inscription ‘MUTUIS ODD . . . URB’.

Western art unattributed:

18. Detail of Fig.13 showing central octagonal table.

Western art unattributed:

21. Interior of a picture gallery, by an anonymous Flemish artist. Pen and brown ink with brown wash over graphite, 39.7 by 60.6 cm. (Royal Collection, Windsor).

Western art unattributed:

22. Detail of Fig.13 showing double-portrait.

Article

Guido Reni's 'Fortuna with a Purse' Rediscovered

03/1999 | 1152 | 141

Pages: 156-163

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related names

Author:

Mahon, Denis (Mahon, Denis)

Author:

Pepper, D. Stephen (Pepper, D. Stephen; Pepper, Stephen; Pepper, S.; Pepper, Stephen D.; Pepper, D. S.)

Subjects

artists:

Reni, Guido

dates:

1600-1649

places:

Bologna / Italy

sources:

Baldinucci, Filippo

subjects:

Italian painting / Lost works / Allegorical figures / Allegory / Fortuna

subjects:

Sources

Illustrations

Attributed works:

16. Fortuna with a Purse, by Gerolamo Scarsello, after Guido Reni. Etching, First State, without Inscription, 22.8 by 17.7 cm. (Bartsch XIX, p.253, No.6).

Attributed works:

17. Fortuna with a Crown, by Giovanni Andrea Sirani. 164 by 132 cm. (Accademia di S. Luca, Rome [Ex-Sacchetti]).

Attributed works:

18. Fortuna with a Crown, by Guido Reni. 168 by 138 cm. (Private Collection, Denmark).

Attributed works:

19. Fig.22 during Cleaning.

Attributed works:

20. Detail of Fortuna's Hand in Fig.22.

Attributed works:

21. Fortuna with a Purse, Here Classified as a Copy after Fig.22. 188 by 155 cm. (Pinacoteca Vaticana, Rome).

Attributed works:

22. Fortuna with a Purse, Here Attributed to Guido Reni. 158 by 130 cm. (Private Collection, Bologna [Ex-Benadduci]).

Attributed works:

23. Detail of the Amor in Fig.22.

Attributed works:

24. Detail of Fortuna in Fig.22.

Attributed works:

25. Detail of Rape of Europa, by Guido Reni. 177 by 129.5 cm (Whole Painting) (Denis Mahon, London).

Short Notice

Two New Drawings by Hendrick Goltzius

03/1998 | 1140 | 140

Pages: 192-194

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related names

Author:

Leja, Jan (Leja, Jan)

Subjects

artists:

Goltzius, Hendrick

dates:

1550-1599

museums and institutions:

Kunstmuseum, Düsseldorf, Germany

places:

Netherlands

subjects:

Dutch painting / Drawings / Attributions

subjects:

Allegorical figures

Illustrations

Attributed works:

42. Arithmetic, by Hendrick Goltzius. Pen and Brown Ink, Red Wash, 19.8 by 17.9 cm. (Museum Boijmans Van Beuningen, Rotterdam).

Attributed works:

43. Rhetoric, by Hendrick Goltzius. Pen and Brown Ink with Red Wash, 20.8 by 19.8 cm. (Kunstmuseum Düsseldorf im Ehrenhof).

Attributed works:

44. Geometry, by Hendrick Goltzius. Pen and Brown Ink with Red Wash, 20.5 by 15 cm. (Kunstmuseum Düsseldorf im Ehrenhof).

Attributed works:

45. Arithmetica, by Cornelis Cort after Frans Floris. Engraving, 22.7 by 28 cm. (Rijksprentenkabinet, Amsterdam).

Attributed works:

46. Astrologia, by Cornelis Cort after Frans Floris. Engraving, 22.4 by 27.9 cm. (Rijksprentenkabinet, Amsterdam).

Attributed works:

47. Arithmetic, after Frans Floris. Etching, 29.8 by 20.3 cm. (Rijksprentenkabinet, Amsterdam).

Attributed works:

48. Lucretia and Her Maids Spinning, by Hendrick Goltzius. Pen and Black Ink with Grey Wash, 19.4 by 25 cm. (Herzog Anton Ulrich-Museum, Braunschweig).

Attributed works:

49. Phaedra (After an Antique Sarcophagus) from a Sheet of Studies, by Frans Floris. 21.3 by 29.6 cm. (Öffentliche Kunstsammlung, Basel).

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