By using this website you agree to our Cookie policy

Search

6 articles
Book Review
Thomas Cole’s Studio: Memory and Inspiration
04/2023 | 1441 | 165
Pages: 466-468
related names
Reviewer:
Wilson, John (Wilson, John)
Subjects
Reviewed Items
subjects:
Thomas Cole’s Studio: Memory and Inspiration Edited by Annette Blaugrund and Kate Menconeri. 128 pp. incl. 156 col. ills. (Thomas Cole National Historic Site, Catskill, and Hirmer Publishers, Munich), £29.95. ISBN 978–3–7774–3636–4. | :
Illustrations
Attributed works:
13. Thomas Cole’s New Studio, reconstructed 2015, at the Thomas Cole National Historic Site, Catskill. (Courtesy Thomas Cole National Historic Site, Catskill, and OTTO Archive, New York; photograph Peter Aaron).
Attributed works:
14. Installation view of Thomas Cole’s Studio: Memory and Inspiration at Thomas Cole National Historic Site, Catskill, 2022. (Courtesy Thomas Cole National Historic Site, Catskill).
Attributed works:
15. Composite of Emily Cole sitting in Thomas Cole’s studio, at Cedar Grove, Catskill, New York. c.1880. Albumen print. (Albany Institute of History & Art Library) and Landscape with clouds, by Thomas Cole. 1846–47. Oil on canvas, 121.9 by 182.9 cm. (Private collection).
Article
A ‘higher style’ of looking: Thomas Cole and popular media
06/2014 | 1335 | 156
Pages: 385-390
related names
Author:
Ikemoto , Wendy (Ikemoto , Wendy)
Subjects
dates:
Illustrations
Attributed works:
46. Diorama, Park Square, Regents Park: Plan of the principal story, designed by A. Pugin and built by J. Morgan, J. Britton and A. Pugin: Illustrations of the Public Buildings of London. With historical and descriptive accounts of each edifice, London 1825
Attributed works:
47. Past, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)
Attributed works:
48. Present, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)
Attributed works:
49. View of Schroon Mountain, Essex County, New York, after a storm, by Thomas Cole (Cleveland Museum of Art)
Attributed works:
50. Expulsion from the Garden of Eden, by Thomas Cole (Museum of Fine Arts, Boston)
Attributed works:
51. The Cross and the world: study for Two youths enter upon a pilgrimage - one to the Cross, the other to the world, by Thomas Cole (Edwin A. Ulrich Museum of Art, Wichita State University Endowment Association Art Collection)
Attributed works:
52. Departure, by Thomas Cole (Corcoran Gallery of Art, Washington)
Attributed works:
53. Return, by Thomas Cole (Corcoran Gallery of Art, Washington)
Attributed works:
54. Diagram showing the landscapes depicted in Departure and Return
Attributed works:
55. Section of the Rotunda, Leicester Square, in which is exhibited the panorama, by Robert Mitchell (British Museum, London). From R. Mitchell: Plans and Views in Perspective, with Descriptions of Buildings Erected in England Wales, London 1801
Short Notice
An oil sketch by Thomas Cole: of the Ruins of Kenilworth Castle
09/2002 | 1194 | 144
Pages: 557-559
related names
Author:
Siegel, Nancy (Siegel, Nancy)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
38. The Ruins of Kenilworth Castle, by Thomas Cole. 1841. Oil on Millboard, 25.4 by 35.6 cm. (Worth B. Stottlemyer Collection, Juniata College Museum of Art, Huntingdon, PA).
Attributed works:
39. Kenilworth Castle, Warwickshire, England, by Thomas Cole. 1841. Graphite on Paper, 26 by 36.4 cm. (Detroit Institute of Arts, Founders Society Purchase, William H. Murphy Fund).
Attributed works:
40. Kenilworth Castle, Warwickshire, England, by Thomas Cole. 1841. Graphite on Paper, 26 by 36.4 cm. (Detroit Institute of Arts, Founders Society Purchase, William H. Murphy Fund).
Attributed works:
41. The Ruins at Taormina, by Thomas Cole. 1842. Oil and Pencil on Board, 30.5 by 41 cm. (Courtesy Berry-Hill Galleries, Inc., New York).
Book Review
The Art of Thomas Cole: Ambition and Imagination
01/1991 | 1054 | 133
Pages: 40-41
related names
Reviewer:
Wilton, Andrew (Wilton, Andrew)
Subjects
dates:
places:
Reviewed Items
subjects:
The Art of Thomas Cole: Ambition and Imagination | author: Parry, Ellwood C.
Supplement
Acquisitions of American Art (1776-1980) by British and American Museums: Supplement
11/1981 | 944 | 123
Pages: 713-714
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
artists:
dates:
dates:
museums and institutions:
places:
subjects:
Illustrations
Attributed works:
Fig. 124. Mrs James Smith and Grandson, by Charles Willson Peale (1741-1827). 92 by 74.2 cm, 1776. (Purchase/Gift 1981).
Attributed works:
Fig. 125 Tourists, by Duane Hanson (b. 1925). Fibre Glass and Polyester Resin, Fully Clothed, Height: (Man) 152 cm, (Woman) 160 cm, 1970. (Gallery Purchase 1979).
Attributed works:
Fig. 126. Boy with Bagpipe, by Joseph Stella (1877-1946). Charcoal and Pencil, 55.3 by 40.7 cm, c. 191012. (Gift 1980).
Attributed works:
Fig. 127. Meetinghouse Hill, Roxbury, Massachusetts, by John Ritto Penniman (1781-1841). 73.6 by 94 cm, 1799. (Museum Purchase 1979).
Attributed works:
Fig. 128. Market Day or Going to Market, by George Caleb Bingham (1811-79). 37.2 by 58.8 cm, c. 1842. (Museum Purchase 1979).
Attributed works:
Fig. 129. Bowery Nocturne, by Raphael Soyer (b. 1899). Lithograph, 32.4 by 45.8 cm, 1933. (Gift of Raphael and Rebecca Soyer, 1981).
Attributed works:
Fig. 130. Dancers on a Plane: Merce Cunningham, by Jasper Johns (b. 1930). Encaustic and Collage, 199.7 by 161.5 cm, 1980. (Gallery Purchase 1981).
Attributed works:
Fig. 131. Down 18th Street (Corner Apartments), by Wayne Thiebaud (b. 1920). Oil and Charcoal, 122 by 91.5 cm, 1980. (Museum Purchase 1981).
Attributed works:
Fig. 132. Number, 1950, by Jackson Pollock (1912-56). 136.5 by 99 cm, 1950. (Museum Purchase 1981).
Attributed works:
Fig. 133. Untitled, by Robert Morris (b. 1931). Wood and Lead, 91.5 by 91.5 by 94 cm, 1964. (Gift of the Society for Contemporary Art, 1980).
Attributed works:
Fig. 134, Il Penseroso, by Thomas Cole (1801-48). 82 by 122 cm, 1845. (Museum Purchase 1981).
Attributed works:
Fig. 135. Long Neck Point from Contentment Island, by John Frederick Kensett (1816-72). 38 by 61 cm, c. 1872. (Gift of the Museum's Women's Committee 1981).
Attributed works:
Fig. 136. Drawing, by Arshile Gorky (1904-48). Ink, 61 by 78.7 cm, 1931-32. (Gift 1980).
Attributed works:
Fig. 137. Plain, by Philip Guston (1913-80). 175.2 by 236.2 cm, 1979. (Fellows of the Museum of Art Fund, 1980).
Attributed works:
Fig. 138. Marilyn Monroe (Diptych), by Andy Warhol (b. 1928). Polymer and Silkscreen on Two Canvas Panels, Each 205.7 by 144.8 cm, 1962. (Gallery Purchase 1980).
Attributed works:
Fig. 139. Three Flags, by Jasper Johns (b. 1930). Encaustic, 78.4 by 115.6 cm, 1958. (Museum Purchase 1980).
Exhibition Review
Current and Forthcoming Exhibitions: U. S. A. [Thomas Cole at the Kennedy Galleries, New York]
03/1965 | 744 | 107
Pages: 152-156
related names
Reviewer:
Lanes, Jerrold (Lanes, Jerrold)
Subjects
dates:
subjects:
Illustrations
Attributed works:
66. Whitby Abbey, Yorkshire, by Thomas Cole. Canvas, 76.2 by 121.9 cm. (Exh. Baltimore Museum of Art.) Courtesy of the Florence Lewison Gallery, New York. 67. Moses on the Mount, by Thomas Cole. Canvas, 121.9 by 153 cm. (Shelburne Museum, Shelburne, Vt.; exh. Baltimore Museum of Art.)
Attributed works:
69. Study for Desolation, from The Course of Empire, by Thomas Cole. Panel, 25.4 by 40.6 cm. (Exh. Kennedy Galleries, Inc., New York.)
Attributed works:
70. Colosseum, Rome, by Thomas Cole. c.1832. Canvas, 25.4 by 45.7 cm. (Exh. Kennedy Galleries, Inc., New York.)
Attributed works:
71. Study for The Vision, from The Cross and the World, by Thomas Cole. c.1847. Panel, 30.5 by 45.7 cm. (Exh. Kennedy Galleries, Inc., New York.)
Attributed works:
72. Study for Manhood, from The Voyage of Life, by Thomas Cole. Panel, 28 by 43.2 cm. (Exh. Kennedy Galleries, Inc., New York.)