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2 articles
Article
The 'Très Riches Heures', the Bedford Workshop and Barthélemy d'Eyck
08/2005 | 1229 | 147
Pages: 526-533
related names
Author:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Presentation in the Temple, from the Très Riches Heures, fol.54v (detail), by the Limbourg brothers. Before 1416. Illumination on parchment, size of folio 29 by 21 cm. (Musée Condé, Chantilly; MS 65).
Attributed works:
10. November, from a Book of Hours, fol.11r (detail), by Barthélemy d'Eyck. c.1445. Illumination on parchment, size of folio 25 by 18.3 cm. (Pierpont Morgan Library, New York; MS M.358).
Attributed works:
11. Visitation, from a Book of Hours, fol.40r (detail), by Barthélemy d'Eyck. c.1445. (Pierpont Morgan Library, New York; MS M.358).
Attributed works:
2. Presentation in the Temple, from the Dunois Hours, fol.99r (detail), from the Bedford Workshop. c.1440. Illumination on parchment, size of folio 13.5 by 9.5 cm. (British Library, London; Yates Thompson MS 3).
Attributed works:
3. January, from the Très Riches Heures, fol.1v (detail), by the Limbourg Brothers.
Attributed works:
4. January, from the Dunois Hours, fol.1r (detail), from the Bedford Workshop.
Attributed works:
5. January, from a Book of Hours, fol.1r (detail), from the Bedford Workshop. Early 1440s. Illumination on parchment, size of folio 21 by 15.8 cm. (Keble College, Oxford; MS 39; by permission of the Warden and Fellows).
Attributed works:
6. October, from the Très Riches Heures, fol.10v (detail), by the Intermediate Master. ?Late 1430s-early 1440s.
Attributed works:
7. October, from a Book of Hours, fol.10r (detail), from the Bedford Workshop. (Keble College, Oxford; MS 39).
Attributed works:
8. December, from the Très Riches Heures, fol.12v (detail), by the Intermediate Master. ?Late 1430s-early 1440s.
Attributed works:
9. December, from the Dunois Hours, fol.12r (detail), from the Bedford Workshop.
Article
A Fourteenth-Century German Triptych in the Courtauld Gallery
10/1997 | 1135 | 139
Pages: 668-675
related names
Author:
Heemstra, Geraldine van (Heemstra, Geraldine van)
Author:
Reynolds, Catherine (Reynolds, Catherine; R., C.)
Author:
Villers, Caroline (Villers, Caroline)
Subjects
dates:
museums and institutions:
places:
subjects:
Illustrations
Western art unattributed:
1. Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 56.5cm. (Closed). (Courtauld Gallery, London).
Western art unattributed:
10. Adoration of the Kings, from the Left Wing of Fig.3. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
11. Cross Section Taken from the Leg of Christ Crucified in Fig.3, Showing Two Layers of Opaque Flesh Paint Mainly Vermilion, Lead White and a Few Particles of Charcoal Black. The Lower Layer Contains Verdigris. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
12. X-Radiograph of a Detail from Fig.10. [Adoration of the Kings, from the Left Wing of Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
2. X-Radiograph Juxtaposing the Wood Grain of the Outer Separated Panels and the Wings of Fig.3. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
3. Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).
Western art unattributed:
4. Cross Section Taken from the Frame Moulding, Showing Darkened Varnish and Overpaint Covering Original Azurite and Gold Leaf. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
5. Cross Section Taken from the Coat of Arms, Showing Silver Leaf over Unpigmented Mordant and on Top of Two Layers of Grass (Verdigris, Lead White and Lead Tin Yellow over Azurite and Lead White).
Western art unattributed:
6. Cross Section Taken from the Coat of Arms, in Ultraviolet Light. The Fluorescence Indicates a Natural Resin Used for the Mordant.
Western art unattributed:
7. Detail of Fig.3 Showing the Coat of Arms Once Believed to Be That of the Estouteville Family. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
8. Detail of Fig.3, Showing the Crucifixion and the Deeply Carved Integral Frame. [Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]
Western art unattributed:
9. Detail of St Joseph from Fig.10 Showing the Fluid Paint Handled Wet in Wet. [Adoration of the Kings, from the Left Wing of Crucifixion Triptych. Western Germany, Late Fourteenth Century. 83.5 by 112 cm. (Open). (Courtauld Gallery, London).]