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774 articles
Exhibition Review
The Northern Renaissance Galleries
12/2024 | 1461 | 166
Pages: 1243–5
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Reviewer:
Nuttall, Paula (Nuttall, Paula)
Subjects
dates:
2020-2030
museums and institutions:
Galleria degli Uffizi, Florence, Italy
subjects:
Netherlandish painting / German painting / Displays / designed by / Collections
Reviewed Items
subjects:
The Northern Renaissance Galleries Gallerie degli Uffizi, Florence From 31st July | :
Illustrations
Attributed works:
7. Installation view of the third room of the Northern Renaissance Galleries of the Gallerie degli Uffizi, Florence.
Attributed works:
8. Man with a letter, by Hans Memling. c.1480. Oil on panel, 25 by 35 cm. (Gallerie degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Triptych of the raising of Lazarus, by Nicolas Froment. 1461. Oil on panel, 134 by 350 cm. (Gallerie degli Uffizi, Florence).
Article
Holbein in exhibitions in Frankfurt and London
02/2024 | 1451 | 166
Pages: 166–170
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Reviewer:
Goldring, Elizabeth (Goldring, Elizabeth)
Subjects
artists:
Holbein, Hans the Younger, ca. 1497-1543 / Holbein, Hans the Elder, ca.1465-1524 / Burgkmair, Hans, the elder
artists:
Holbein, Ambrosius / Hilliard, Nicholas / Eyck, Jan van
dates:
1500-1549
museums and institutions:
Städel Museum, Frankfurt am Main, Germany / Queen's Gallery, Buckingham Palace, London, Great Britain
subjects:
German painting / British painting / Tudor / Courts (social groups) / Portraits / Attributions / Sitters
Reviewed Items
subjects:
Holbein and the Renaissance in the North, Städel Museum, Frankfurt,(2nd November 2023–18th February 2024) | :
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November 2023–14th April 2024) | :
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the Elder. c.1512. Silverpoint on prepared paper, reworked with brush and ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett; exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh. Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein (?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman Images; exh. Städel Museum, Frankfurt).
Attributed works:
4. Thomas More, by Hans Holbein the Younger. c.1527. Black and coloured chalks, pricked for transfer to a wooden panel, 39.8 by 29.9 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
5. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm. (Städel Museum, Frankfurt).
Attributed works:
6. Anne Boleyn, by Hans Holbein the Younger. c.1532–36. Black and coloured chalks on pink prepared paper, 28.2 by 19.3 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Attributed works:
7. Unidentified man, perhaps George Cornwall, by Hans Holbein the Younger. c.1543? Black and coloured chalks with black and brown inks on pink prepared paper, 27.9 by 19.1 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust; exh. Queen’s Gallery, London).
Book Review
Albrecht Dürer: Documentary Biography. By Jeffrey Ashcroft
02/2019 | 1391 | 161
Pages: 169-170
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Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
artists:
Dürer, Albrecht
dates:
1450-1499 / 1500-1549
media:
Documents / Inscriptions / Paintings / Woodcuts / Prints
places:
Germany / Nuremberg
subjects:
German painting / Artists' writings / Art theory / Biographies / Poetry / Correspondence / Translations / Language / Historical context
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
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Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Nevinson, C. R. W. / Picasso, Pablo / Moore, Henry Spencer, 1898-1986 / Beckmann, Max / Braque, Georges / Epstein, Jacob, 1880-1959 / Lehmbruck, Wilhelm / Ernst, Max / Barlach, Ernst / Nash, Paul / Orpen, William / Spencer, Stanley / Mare, André / Grosz, George / Tonks, Henry
artists:
Lenk, Franz / Jouve, Paul / Birkle, Albert / Branson, Clive
dates:
2010-2019
media:
Paintings / Sculpture / Photographs / Videos / Documents / Pastels / Drawings
museums and institutions:
Tate Britain, London, Great Britain
places:
Great Britain / London
subjects:
World War (1914-1918) / World War (1939-1945) / Politics / War Artists / Collections, Public / Archives / Diaries / Correspondence / Soldiers / Nazism / Fascism / Class / Futurism / Abstract art / Figurative art / Neo-classicism / Military art and science / Destruction / Dada / Surrealism / Ruins / War memorials / British painting / French painting / German painting
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Exhibition Review
Georg Baselitz at eighty
09/2018 | 1386 | 160
Pages: 766-771
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Reviewer:
Weikop, Christian (Weikop, Christian)
Subjects
artists:
Baselitz, Georg / Schönebeck, Eugen / Friedrich, Caspar David / Richter, Ludwig / Pforr, Franz / Kiefer, Anselm / Nolde, Emil / Kirchner, Ernst Ludwig / De Kooning, Willem
dates:
2010-2019
media:
Paintings / Sculpture
museums and institutions:
Fondation Beyeler, Riehen, Basel, Switzerland / Hirshhorn Museum and Sculpture Garden, Washington, United States / Galerie Werner & Katz, Berlin, Germany
places:
Switzerland / Basel / United States / Washington DC / Germany
subjects:
German painting / Beauty / Romanticism / Portraits / Landscapes (visual works) / Figure paintings / Nudes / World War (1939-1945) / Nazism / Politics / Brücke / Expressionism / Neo-Expressionist / Carving (processes) / Colour / Polychromy / Brushwork / Style / Influence
Illustrations
Attributed works:
1. Man in the moon – Franz Pforr, by Georg Baselitz. 1965. Canvas, 161.9 by 129.9 cm. (National Gallery of Art, Washington; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
2. Opposite The naked man, by Georg Baselitz. 1962. Canvas, 114 by 146 cm. (Private collection, Seattle; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
3. Meissen woodsmen, by Georg Baselitz. 1969. Canvas, 250 by 200 cm. (Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
4. Orange eater IX, by Georg Baselitz. 1981. Oil and tempera on canvas, 146 by 114 cm. (Skarstedt, New York; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
5. Below The Brücke chorus, by Georg Baselitz. 1983. Canvas, 280 by 450 cm. (Private collection; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
6. My new hat, by Georg Baselitz. 2003. Cedarwood and oil paint, 310.5 by 83.5 by 107 cm. (Pinault Collection, Venice; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Attributed works:
8. Dystopian couple, by Georg Baselitz. 2015. Canvas, 400 by 600 cm. (Courtesy the artist and White Cube; exh. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington).
Western art unattributed:
7. Georg Baselitz’s studio, Ammersee. (Photograph courtesy Georg Baselitz Archive, Munich).
Exhibition Review
Emil Nolde: Colour is Life. Scottish National Gallery of Modern Art, Edinburgh
08/2018 | 1385 | 160
Pages: 684-686
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Reviewer:
Lloyd, Jill (J. L.) (Lloyd, Jill (J. L.); L., J.)
Subjects
artists:
Nolde, Emil
dates:
2010-2019
media:
Paintings / Prints / Watercolours
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / National Gallery of Ireland, Dublin, Ireland
museums and institutions:
Nolde Foundation Seebüll, Neukirchen, Germany
places:
Great Britain / Edinburgh / Ireland / Dublin
subjects:
German painting / Expressionism / Figurative art / Brücke / Portraits / Colour / Nazism / Politics / Entartete Kunst / Nationalism / Race / Primitivism (Cultural anthropology related concept) / Class / Ethnology / Anthropology / Iconography / Christian iconography
Illustrations
Attributed works:
25. Slowenians, by Emil Nolde. 1911. Canvas, 80 by 69.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
26. Frisians, man and woman, by Emil Nolde. 1910. Canvas, 69.5 by 89.5 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
27. Skater, by Emil Nolde. Watercolour on paper, 25.8 by 18 cm. (Nolde Foundation, Seebüll; exh. Scottish National Gallery of Modern Art, Edinburgh).
Article
Art as diplomacy: John Closterman’s portraits of Carlos II of Spain and his wife Queen Maria Anna of Neuburg
05/2018 | 1382 | 160
Pages: 380-386
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Author:
Martínez Leiva, Gloria (Martínez Leiva, Gloria)
Subjects
artists:
Closterman, John, 1660-1711 / Troy, François de, 1645/6-1730 / Riley, John / Velázquez, Diego
collectors and dealers:
Philip William of Neuberg, Elector Palatine, 1615–1690
dates:
1650-1699
media:
Paintings
patrons:
Charles II, King of Spain, 1661-1700 / Maria Anna of Neuberg, 1667–1740 / Stanhope, James, 1st Earl of Standhope, c.1673–1721
places:
Spain / Madrid
subjects:
German painting / Portraits / Diplomacy / Dress / Grand tours / Collections, Private / Identification / Style / Correspondence
Illustrations
Attributed works:
1. Detail of Fig.2.
Attributed works:
2. Carlos II, by John Closterman. 1698–99. Canvas, 207 by 107 cm. (Private collection).
Attributed works:
3. Maria Anna of Neuburg, by John Closterman. 1698–99. Canvas, 207 by 107 cm. (Private collection).
Attributed works:
4. Queen Mary II, by John Closterman. c.1691. Canvas, 224 by 139 cm. (The Vintners’ Company, London; courtesy Stephen Freeth).
Attributed works:
5. Alexander Stanhope, by John Closterman. 1698–99. Canvas, 231 by 140 cm. (The Administrative Trustees of the Chevening Estate, Kent).
Attributed works:
6. Philip IV as hunter, by Diego Velázquez. c.1632–34. Canvas, 189 by 124 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
7. Portrait of a dwarf, by John Closterman. 1698. Canvas, 166 by 110 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
8. Fille de qualité en habit de chasse (Society woman in hunting dress), by Robert Boonart. c.1693. Engraving, 36 by 25.5 cm. (Bibliothèque Nationale de France, Paris).
Book Review
Adolph Menzel: The Quest for Reality. By Werner Busch
04/2018 | 1381 | 160
Pages: 351-352
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related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
artists:
Menzel, Adolph
dates:
1850-1899
media:
Paintings / Drawings
places:
Germany
subjects:
German painting / Realism / Monographs / Translations
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