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23 articles
Exhibition Review
André Charles Boulle
10/2024 | 1459 | 166
Pages: 1056–59
related names
Reviewer:
Collins, Alexander (Collins, Alexander)
Subjects
dates:
Reviewed Items
subjects:
André Charles Boulle Musée Condé, Chantilly 8th June–6th October | :
Illustrations
Attributed works:
1. Bureau plat, attributed to André Charles Boulle. c.1720. Walnut, oak, brass, turtleshell, ebony, gilt bronze and leather, 78 by 197 by 93 cm. (Châteaux de Versailles et de Trianon; exh. Musée Condé, Chantilly).
Attributed works:
2. Design for an armoire, attributed to André Charles Boulle. Red chalk and pencil on paper, 40.1 by 26.3 cm. (Musée des Arts Décoratifs, Paris; exh. Musée Condé, Chantilly).
Attributed works:
3. Bookbinding, attributed to André Charles Boulle. 1688. Walnut, brass, tin, turtleshell, silver, iron and silk, 54.5 by 39 cm. (Bibliothèque nationale de France, Paris; exh. Musée Condé, Chantilly).
Exhibition Review
Ingres: The Artist and his Princes
10/2023 | 1447 | 165
Pages: 1133–1135
related names
Reviewer:
McKillop, Beth (McKillop, Beth)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Ingres: L’Artiste et ses Princes. Edited by Mathieu Deldicque and Nicole Garnier-Pelle. 288 pp. incl. 234 col. + b. & w. ills. (Château de Chantilly, and In Fine éditions d’art, Paris, 2023), €34. ISBN 978–2–38203–119–3. | :
subjects:
Ingres: The Artist and his Princes Musée Condé, Chantilly 3rd June–1st October | :
Illustrations
Attributed works:
11. Self-portrait at the age of twenty-four, by Jean-Auguste- Dominique Ingres. 1804, reworked 1841–51. Oil on canvas, 77 by 61 cm. (Musée Condé, Chantilly).
Attributed works:
12. Antiochus and Stratonice, by Jean-Auguste- Dominique Ingres. 1840. Oil on canvas, 57 by 98 cm. (Musée Condé, Chantilly).
Attributed works:
13. Madame Duvaucey, by Jean-Auguste- Dominique Ingres. 1807. Oil on canvas, 76 by 59 cm. (Musée Condé, Chantilly).
Article
Delacroix in Morocco and Andalusia: rediscovered notebooks and drawings
03/2023 | 1440 | 165
Pages: 226-257
related names
Author:
Hannoosh, Michèle (Hannoosh, Michèle)
Subjects
dates:
Illustrations
Attributed works:
1. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.26v; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
10. Woman of Tangier hanging laundry, by Eugène Delacroix. 1833. Lithograph, 19.3 by 25.7 cm. (Yale University Art Gallery, New Haven).
Attributed works:
11. Mule-drivers of Tetuan, by Eugène Delacroix. 1832. Watercolour on paper, 25.2 by 32.5 cm. (Musée archéologique municipal, Laon).
Attributed works:
12. Mule-drivers of Tetuan, by Eugène Delacroix. 1833. Lithograph, 28.7 by 38.9 cm. (Clark Art Institute, Williamstown; Bridgeman Images).
Attributed works:
13. Study of muledrivers, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.20v; private collection).
Attributed works:
14. Study for ‘Mule-drivers of Tetuan’, by Eugène Delacroix. 1832. Graphite and pen on paper, 19.5 by 30.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Agence Bulloz).
Attributed works:
15. Study of Arab men, by Eugène Delacroix. 1832. Watercolour and graphite on laid paper, 21.1 by 28.9 cm. (National Gallery of Art, Washington).
Attributed works:
16. Studies of Arab men, by Eugène Delacroix. 1832. Graphite on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.16v and 17r; private collection).
Attributed works:
17. Study of doors, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.15r; private collection).
Attributed works:
18. Woman in a mantilla, by Eugène Delacroix. 1832. Watercolour over graphite on cream wove paper, 22 by 17 cm. (Location unknown, formerly in a private collection; from L’Art expressif au XIXe siècle français, Paris 1960).
Attributed works:
19. Interior of a building in Seville, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 20.6 by 16.4 cm. (Aubry sketchbook, fols.29v–30r; private collection).
Attributed works:
2. Front cover of Eugène Delacroix’s ‘English sketchbook’. 1825. 12 by 19.5 cm. (Musée national Eugène Delacroix, Paris).
Attributed works:
20. Le picador, by Eugène Delacroix. Watercolour and graphite on paper, 28.8 by 21.9 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
21. Bullfighters, by Eugène Delacroix. 1832(?). Graphite on paper, 18.1 by 22.4 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
22. Picador, by Antonio Carnicero. 1787–90. Hand-coloured etching, 17.7 by 28 cm. (From Colección de las principales suertes de una corrida de toros, pl.III; British Museum, London).
Attributed works:
23. Detail of a sketch of Sidi Kasem (fol.15r), by Eugène Delacroix. 1832. Graphite on paper. (Meknes notebook, fols.14v–15r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
24. Sketch of a horse slipping, by Eugène Delacroix. 1832. Graphite on paper, 19.3 by 12.7 cm. (Meknes notebook, fol.13v; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
25. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.11v–12r; Orientalist Museum, Doha).
Attributed works:
26. View of Sidi Kasem, by Eugène Delacroix. 1832. Graphite on paper, 6.1 by 17.6 cm. (Roux sketchbook, fols.12v–13r; Orientalist Museum, Doha).
Attributed works:
27. View en route to Zerhoun?, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 16 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
28. Study of figures in Morocco, by Eugène Delacroix. 1832. Graphite and brush on paper, 18.3 by 18.3 cm. (Morgan Library and Museum, New York).
Attributed works:
29. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.22r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
3. Dominican convent, Cadiz, by Eugène Delacroix. 1832. Watercolour and graphite on paper, 9.5 by 15.2 cm. (Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
30. Study of horsemen, by Eugène Delacroix. 1832. Graphite and watercolour on paper, 15.8 by 21.2 cm. (Louvre sketchbook 1757, fol.23r; Musée du Louvre, Paris; © RMN-Grand Palais; Michel Urtado).
Attributed works:
31. Arab cavalry practicing a charge, by Eugène Delacroix. 1833. Oil on canvas, 60.5 by 74.5 cm. (Städel Museum, Frankfurt).
Attributed works:
32. Botzaris attacks the Turkish camp, by Eugène Delacroix. 1862. Oil on canvas, 65 by 73 cm. (Toledo Museum of Art).
Attributed works:
33. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.24v–25r; Musée du Louvre, Paris; © RMN-Grand Palais; Michèle Bellot).
Attributed works:
34. Scenes in Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, each page 19.3 by 12.7 cm. (Meknes notebook, fols.25v and 26r; Musée du Louvre, Paris; © RMN-Grand Palais; Gérard Blot).
Attributed works:
35. Sheet of studies from Meknes, by Eugène Delacroix. 1832. Ink and watercolour on paper, 20.4 by 25.7 cm. (Library of Congress, Washington).
Attributed works:
4. Christopher Columbus and his son at La Rábida, by Eugène Delacroix. 1838. Oil on canvas, 90.3 by 118 cm. (National Gallery of Art, Washington; Bridgeman Images).
Attributed works:
5. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.34r; private collection).
Attributed works:
6. Study of a monk, by Eugène Delacroix. 1832. Graphite on paper, 16.4 by 10.3 cm. (Aubry sketchbook, fol.31r; private collection).
Attributed works:
7. Woman of Tangier hanging laundry, by Eugène Delacroix. 1832. Graphite on paper, 18 by 23.1 cm. (Musée du Louvre, Paris; © RMNGrand Palais; Michel Urtado).
Attributed works:
8. Study of a doorway and Study of a woman hanging laundry, by Eugène Delacroix. 1832. Graphite and ink on paper, each page 16.4 by 10.3 cm. (Aubry sketchbook, fols.8v and 9r; private collection).
Attributed works:
9. A woman bathing and her Moorish servant, by Eugène Delacroix. 1832. Watercolour and graphite on white wove paper, 16 by 18.3 cm. (Fogg Museum, Harvard Art Museums, Cambridge MA).
Article
Innovation and empiricism: Delacroix’s ‘Taking of Constantinople by the Crusaders’
12/2022 | 1437 | 164
Pages: 1196-1209
related names
Author:
Lee, Simon (Lee, Simon)
Subjects
dates:
museums and institutions:
museums and institutions:
Illustrations
Attributed works:
1. Taking of Constantinople by the Crusaders, by Eugène Delacroix. 1840. Oil on canvas, 410 by 498 cm (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
10. Sketch for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Oil on canvas, 33 by 41 cm. (Musée Condé, Chantilly).
Attributed works:
11. Sketch for the Taking of Constantinople, here attributed to Eugène Delacroix. 1840. Oil on canvas, 65 by 81 cm. (Private collection; photograph courtesy of Collins Fine Art Ltd, New York).
Attributed works:
12. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839–40. Graphite on paper, 20.7 by 33.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 42753).
Attributed works:
2. Louis-Philippe and the royal family visit the Salles des croisades at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm (Musés des châteaux de Versailles et de Trianon).
Attributed works:
3. Detail of Fig.1, showing the group of the old man, woman and child.
Attributed works:
4. Detail of Fig.1, showing the group of Baudouin and the mounted crusaders.
Attributed works:
5. Detail of Fig.1, showing the group of women.
Attributed works:
6. Detail of Fig.1, showing a soldier assaulting an old man.
Attributed works:
7. Ptolemais delivered to Philippe-Auguste and Richard the Lionheart of England, 11th or 12th July 1191, by Merry-Joseph Blondel. 1840. Oil on canvas, 406 by 494 cm. (Grande Salle, Salles des croisades, Château de Versailles; Bridgeman Images).
Attributed works:
8. Detail of Fig.1, showing the reflection in the lid of the gold casket.
Attributed works:
9. Drawing for the Taking of Constantinople, by Eugène Delacroix. c.1839-40. Graphite on paper, 18.1 by 27.8 cm. (Département des Arts Graphiques, Musée du Louvre, Paris, RF 9368).
Exhibition Review
Albrecht Dürer: Print and Renaissance
09/2022 | 1434 | 164
Pages: 904-906
related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Albrecht Dürer: Print and Renaissance Musée Condé, Chantilly 4th June–2nd October | :
Illustrations
Attributed works:
1. Installation view of Albrecht Dürer: Print and Renaissance at Musée Condé, Chantilly, 2022. (Photograph Armin Kunz).
Attributed works:
2. Head of a bearded old man, by Albrecht Dürer. c.1505(?). Pen and brown ink, 18.7 by 13.1 cm. (Fondation Custodia, Paris; exh. Musée Condé, Chantilly).
Attributed works:
3. St Jerome by the pollard willow, by Albrecht Dürer. 1512. Drypoint, 20.9 by 17.6 cm. (Bibliothèque nationale de France, Paris; exh. Musée Condé, Chantilly).
Article
Observing the artist at work: a drawing by Verrocchio in Palermo
03/2020 | 1404 | 162
Pages: 204-215
related names
Author:
Nathan, Johannes (Nathan, Johannes)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Kneeling Virgin and Child (Virgin adoring the Christ Child?), by Andrea del Verrocchio. Probably later 1460s. Black chalk, white heightening, wash and pen and ink on paper, 20.5 by 17.4 cm (irregular). (Galleria Regionale della Sicilia, Palazzo Abatellis, Palermo).
Attributed works:
10. Study for a Virgin with the Christ Child, by Andrea del Verrocchio. Probably 1470s. Black chalk on lightly prepared paper, 28.2 by 19.3 cm. (Galleria degli Uffizi, Florence).
Attributed works:
11. Detail of Fig.1, showing the drapery.
Attributed works:
12. Detail of The Baptism of Christ, by Andrea del Verrocchio, Leonardo da Vinci and assistant(s). Probably mid-1470s. Oil on panel, 177 by 151 cm. (Galleria degli Uffizi, Florence).
Attributed works:
13. David, by Andrea del Verrocchio. Before 1476. Bronze, height 126 cm. (Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
14. Detail of Equestrian monument to Bartolomeo Colleoni, by Andrea del Verrocchio. c.1485 onwards (completed posthumously, unveiled 1496). Bronze, height of detail approx. 50 cm. (Campo SS. Giovanni e Paolo, Venice; Bridgeman Images).
Attributed works:
15. Study for an Adoration of the shepherds, by Leonardo da Vinci. Probably late 1470s or early 1480s. Leadpoint partly reworked with pen and ink and wash, 11.9 by 13.5 cm (irregular). (Galleria dell’Accademia, Venice; Bridgeman Images).
Attributed works:
16. Drapery study of a kneeling woman, by Leonardo da Vinci. 1470s. Silverpoint and white heightening on red prepared paper, 25.7 by 19 cm. (Istituto Nazionale della Grafica, Rome).
Attributed works:
17. Verso of Fig.1 in UV-light, revealing two studies of nude male youths and a study of the head of an old man.
Attributed works:
18. Copy after a study for Verrocchio’s ‘David’ and study of a Christ Child, from the workshop of Francesco di Simone Ferrucci. Later 1480s. Pen and brown ink and wash over metalpoint on rose-washed paper (page of a now dismembered sketchbook), 26 by 19 cm. (Musée du Louvre, Paris; RMN-Grand Palais).
Attributed works:
19. Study of a male nude, attributed to Andrea del Verrocchio or a member of his workshop. c.1470. Metalpoint with heightening and pen and ink on prepared paper, 27.8 by 10.9 cm. (Hamburger Kunsthalle, Kupferstichkabinett).
Attributed works:
2. Kneeling Virgin and Child (Virgin adoring the Christ Child?), by a follower of Andrea del Verrocchio. Probably later 1460s or early 1470s. Black chalk and white heightening (oxidised) over indications in stylus or erased leadpoint on paper, 19.8 by 17 cm (irregular). (British Museum, London).
Attributed works:
20. St John the Baptist, by Leonardo da Vinci. c.1480. Metalpoint and heightening on blue prepared paper, 17.8 by 22.2 cm. (The Royal Library, Windsor Castle; Royal Collection; © Her Majesty Queen Elizabeth II, 2020).
Attributed works:
3. Kneeling Virgin and other studies, from the workshop of Francesco di Simone Ferrucci. Later 1480s. Pen and brown ink over leadpoint or black chalk on rose washed-paper, 27.4 by 19.8 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
4. Kneeling Virgin adoring the Christ Child, attributed to Andrea del Verrocchio, probably 1470s. Tempera and oil on canvas (transferred from panel), 106.7 by 76.3 cm. (Scottish National Gallery, Edinburgh; Bridgeman Images).
Attributed works:
5. Head of a woman, by Andrea del Verrocchio. Probably 1470s. Charcoal on paper, 32.5 by 27.2 cm. (British Museum, London).
Attributed works:
6. Detail of Study for a funerary monument to Doge Andrea Vendramin, by Andrea del Verrocchio. Probably early 1480s. Leadpoint partly reworked with pen and brown ink, brush and brown wash on paper, 27.3 by 17.5 cm. (Victoria and Albert Museum, London).
Attributed works:
7. Studies of putti, by Andrea del Verrocchio. Perhaps 1470s. Pen and ink on paper, 15.8 by 21 cm. (Musée du Louvre, Paris; RMN-Grand Palais).
Attributed works:
8. Detail of Beheading of St John the Baptist, by Andrea del Verrocchio. 1477–78. Silver with blue smalt mounted on wood, height of detail approx. 15 cm. (Museo dell’Opera del Duomo, Florence; Bridgeman Images).
Attributed works:
9. UV-light photograph of the drawing shown in Fig.1, revealing the use of wash and a faded number ‘37’ in the lower right corner.
Exhibition Review
Le Grand Condé. Chantilly
12/2016 | 1365 | 158
Pages: 996-997
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
59. King Sisyphus and Queen Cassiopeia thanking Perseus for rescuing their daughter Andromeda, by Pierre Mignard. 1679 (Musée du Louvre, Paris; exh. Domaine de Chantilly)
Attributed works:
60. Bust of Louis II de Bourbon, Prince of Condé, in a cuirass, by Antoine Coysevox. c.1676 (Musée du Louvre, Paris; exh. Domaine de Chantilly)
Attributed works:
61. Portrait of Louis II de Bourbon, Prince of Condé, in costume, by Juste d'Egmont. After 1662 (Musée Condé, Chantilly; exh. Domaine de Chantilly)
Publication Received
Le Ci nous dit: L’image médiévale et la culture des laïcs au XIVe siècle: les enluminures du manuscrit de Chantilly
01/2013 | 1318 | 150
Pages: 40-41
related names
Reviewer:
Jackson, Deirdre (Jackson, Deirdre)
Subjects
dates:
museums and institutions:
Publication Received
The Condé Museum at the Château de Chantilly
07/2010 | 1288 | 152
Pages: 483
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
Subjects
museums and institutions:
Reviewed Items
subjects:
The Condé Museum at the Château de Chantilly | author: Garnier-Pelle, Nicole
Exhibition Review
Marie d'Orléans
09/2008 | 1266 | 150
Pages: 632-633
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
dates:
places:
Reviewed Items
subjects:
Marie d’Orléans: Princesse et artiste romantique 1813–1839 | institution: Château de Chantilly , institution: Musée Condé , institution: Musée du Louvre
Illustrations
Attributed works:
68. Maquette, Ange de la Résignation, here attributed to Henri Chapu (after the statue by Marie d’Orléans). c.1889–91. Terracotta, 29 cm. high. (Musée Condé, Chantilly).
Attributed works:
69. Salon of Princess Marie at the Tuileries, by Prosper Lafay. c.1838. Canvas, 55 by 87 cm. (Château de Versailles; exh. Musée du Louvre, Paris).
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