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387 articles
Article
Lucchese patronage in Papal Avignon: the chapel of Carlo Spiafame in Notre-Dame-des-Doms
02/2025 | 1463 | 167
Pages: 96–114
related names
Author:
Nuttall, Geoffrey (Nuttall, Geoffrey)
Subjects
dates:
places:
Illustrations
Attributed works:
10. Vaults of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1412–18. (Courtesy the diocèse d’Avignon).
Attributed works:
11. Interior of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
12. Detail of a column and the Spiafame eagle, carved by Guillaume de Lonay(?). c.1418. (Notre-Dame-des-Doms, Avignon; with the kind permission of the diocèse d’Avignon).
Attributed works:
14. Tomb of the Spiafame family, by Guillaume de Lonay (?), Notre-Damedes- Doms, Avignon. 1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
15. Baptism of Christ with saints and members of the Landi family, by a follower of Giovannino dei Grassi. c.1400–05. Fresco. (Museo del Palazzo Farnese, Piacenza; Photo Scala, Florence).
Attributed works:
17. Road to Calvary, from the Grandes Heures of Jean de Berry, attributed to Jacquemart de Hesdin. c.1400. Illumination on vellum, 37.9 by 28.3 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
18. Detail of Baptism of Christ, by Thomas Patch after Spinello Aretino. 1772. Engraving. (British Museum, London).
Attributed works:
19. Detail of Baptism of Christ, from the Belles Heures of Jean de Berry, by the Limbourg Brothers. 1405–1408/1409. Illumination on vellum, 23.8 by 17 cm. (Met Cloisters, New York, object no.fol.211v).
Attributed works:
2. Detail of ground-plan of Notre-Dame-des-Doms, Avignon, showing the Spiafame Chapel (A), the narthex (B) and the porch (C). (From Plan de la cathédrale d’Avignon et ses dépendances, by E. Danjoy, Paris 1890; Archives Nationales, Paris).
Attributed works:
20. Entombment (Sielern Triptych), attributed to Robert Campin. c.1425. Oil on panel, 60 by 48.9 cm. (Courtauld Gallery, London).
Attributed works:
23. Virgin and Child with St Stephen and St Lucy, by Jacques Yverni. c.1425. Tempera and gold on panel and canvas, 163 by 200 cm. (Galleria Sabauda, Musei Reali di Torino; courtesy the Italian Ministry of Culture; Bridgeman Images).
Attributed works:
24. Crucifixion with the Virgin, Mary Magdalene, St Michael and donor presented by St Anthony Abbot, by Robin Favier and Jacques Yverni(?). 1415–25. Fresco. S. Antoine de Vienne. (© Yann Forget; Wikimedia Commons).
Attributed works:
25. Virgin of mercy with saints and scenes from the resurrection of Christ, by Jean Mirailhet. 1425. Face of the Virgin and the figures of St Cosmos and St Damien repainted by Ludovico Brea(?). c.1515. Tempera on panel, 260 by 219 cm. (Chapel of the Confraternity of the Pénitents Noirs, Nice).
Attributed works:
3. Spiafame Chapel with the porch of the cathedral to the right, north side of Notre-Dame-des-Doms, Avignon. 1412–23. (Photograph the author).
Attributed works:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Attributed works:
9. Map of Avignon, showing Notre-Dame-des-Doms (top circle), Livreé Albano (centre circle) and le Petit Paradis (bottom circle). (From Atlas van Loon, Amsterdam 1663, X).
Western art unattributed:
1. Baptism (the Spiafame Baptism). c.1422–28. Fresco. (Notre-Damedes- Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
13. The blocked north window of the Spiafame Chapel, Notre-Dame-des- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
16. Detail of the Spiafame Baptism, showing Margarita di Cacherano della Rocca with her daughters, Agnes and Catherine, Notre-Damedes- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
21. Detail of the Spiafame Baptism, showing the family at prayer, Notre-Dame-des-Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
22. Arms of the Caetani dell’ Aquila. c.1340. (Livrée Ceccano-Bibliothèque municipal, Avignon).
Western art unattributed:
4. Interior of Notre-Dame-des-Doms, Avignon, with the Spiafame Chapel on the left, looking towards the nave. (Courtesy the diocèse d’Avignon).
Western art unattributed:
5. Inscription above the entrance to the Spiafame Chapel flanked by the family’s coats of arms. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
6. Exterior wall of the Spiafame Chapel, looking towards the porch. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
8. Detail of the Spiafame Baptism, showing the family at prayer before the baptism of Christ. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Article
No sorrow like unto my sorrow: Philip the Bold, the Great Cross at Champmol and the Battle of Nicopolis
10/2024 | 1459 | 166
Pages: 997–1027
related names
Author:
Nash, Susie (Nash, Susie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. David and Jeremiah on the Well of Moses (base of the Great Cross), by Claus Sluter and workshop. 1395–1404. Asnières stone with traces of gilding and polychromy, height approx.5 m. from ground level. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
10. Detail of the Well of Moses, showing the scroll held by David. (Photograph the author).
Attributed works:
11. Detail of the Well of Moses, showing the scroll held by Jeremiah. (Photograph the author).
Attributed works:
12. Detail of the Well of Moses, showing the angel over the left shoulder of Jeremiah. (Photograph the author).
Attributed works:
13. Mourner from the tomb of Philip the Bold. Completed by 1411. Alabaster, height 41 cm. (Musée des Beaux-Arts, Dijon; photograph the author).
Attributed works:
14a–d. Details of the Well of Moses showing the scrolls held by (a) Zechariah, (b) Isaiah, (c) Daniel and (d) Moses. (Photographs the author).
Attributed works:
15. Crucifixion, fol.17 of the Biblia Pauperum. Northern Netherlands, c.1395–1400. Illumination on parchment. (British Library, London, Kings MS 5; Alamy Stock Photo).
Attributed works:
16. Ring with a portrait of John the Fearless. Paris, c.1410. Gold, agate(?), jet, emerald and ruby, 2.3 by 1.5 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; Jean-Gilles Berizzi).
Attributed works:
17. Detail of the Well of Moses, showing the angel between Daniel and Isaiah.
Attributed works:
19. Jeremiah and Peter, fol.2r of the Petites Heures of Jean de Berry. Paris, c.1375–90. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Lat.18014; photograph BnF).
Attributed works:
2. Daniel and Isaiah on the Well of Moses (base of the Great Cross). (Photograph the author).
Attributed works:
20. Prophet Micah, fol.29v of the Psalter of Jean de Berry by André Beauneveu. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.13091; photograph BnF).
Attributed works:
22a–c. Details of the Well of Moses, showing (a) David’s robe and tassels; (b) Daniel’s sleeves, robe and belt; and (c) Isaiah’s bag, belt and robe. (Photographs the author).
Attributed works:
23 a–c. Details of the Well of Moses, showing (a) Daniel, (b) Isaiah and (c) Jeremiah’s shoes. (Photograph the author).
Attributed works:
24. Detail of the Well of Moses, showing the pocket and hem on David’s robe. (Photograph the author).
Attributed works:
25. Detail of the Well of Moses, showing the pattern of Isaiah’s robe. (Photograph the author).
Attributed works:
27. Detail of the Well of Moses, showing the pseudo-Arabic script on edge of Jeremiah’s robe. (Photograph the author).
Attributed works:
28. Virgin and Child with Butterflies, attributed to Jean Malouel. c.1410. Oil on cloth, 107.5 by 80.9 cm. (Gemäldegalerie, Berlin).
Attributed works:
29. Portal of Chartreuse de Champmol, by Claus Sluter and workshop. 1389–98. Asnières stone. (Chartreuse de Champmol, Dijon).
Attributed works:
3. Reconstruction of two views of the Great Cross. (Drawings by Matilde Grimaldi; © the author).
Attributed works:
30. Detail of Fig.29, showing prophets on corbels below St John the Baptist.
Attributed works:
31. Detail of Fig.29, showing prophets on corbels below St Catherine.
Attributed works:
32 a–c. Details of the Well of Moses, showing the ermine on the robes of (a) David, (b) Jeremiah and (c) Zechariah. (Photograph the author).
Attributed works:
33. Trinity with the last communion and martyrdom of St Denis, by Jean Malouel and Henry Bellechose. Begun 1398, completed 1416. Oil on panel transferred to canvas, 162 by 211 cm. (Musée du Louvre, Paris; photograph RMN-Louvre; Tony Querrec).
Attributed works:
34. The crosses or ‘Montjoies’ of St Denis. French, 17th century. Ink on paper. (BnF Cabinet d’Estamps, Paris, Est. coll. Lallement de Betz, Vx 16 fol.115).
Attributed works:
35. Fol.64 of the Grandes Heures of Philip the Bold. 1370s. (Bibliothèque Royale de Belgique, Brussels, MS 11035–37).
Attributed works:
36. Fols.226v–227r of the Grandes Heures of Philip the Bold. 1370s. (Fitzwilliam Museum, Cambridge, MS 3-1954).
Attributed works:
37. Detail of the Well of Moses, showing the text in Jeremiah’s open book. (Photograph the author).
Attributed works:
38. Detail of the Well of Moses, showing the sunburst motif in tin relief moulding behind the angel between David and Moses. (Photograph the author).
Attributed works:
39. Detail of the Well of Moses, showing the remains of painted sunbursts around circular coats of arms on the pillar. (Photograph the author)
Attributed works:
4. View of the Chartreuse de Champmol, by Aimé Piron. 1686. (Portfueille de la Chartreuse; Bibliotheque Municipale, Dijon).
Attributed works:
40. The Well of Moses, by Emile Sagot. 1839. Engraving, 42 by 36 cm. (BnF Cabinet d’Estamps, Paris, Est.H 117 558 Va21 topographie).
Attributed works:
41. Oak, hawthorn and hops forming the vault in tower of Jean sans Peur, Hôtel d’Artois, Paris. 1408–11. (Photograph the author).
Attributed works:
42. Detail of the Well of Moses, showing the thistle on the corbel below Jeremiah. (Photograph the author).
Attributed works:
43. Votive reliquary of Charles the Bold, by Gerard Loyet. 1467–71. Gold and enamel, 53 by 32 by 17.5 cm. (Cathedral Treasury, Liège).
Attributed works:
44. Detail of the Well of Moses, showing showing the span of the well; the original viewing distance would be outside the brick walls. (Photograph the author).
Attributed works:
5. View of building constructed in 1638 around the Well of Moses. (Chartreuse de Champmol, Dijon; photograph the author).
Attributed works:
6. Massacre of the prisoners after the battle of Nicopolis, fol.607v of Chroniques de Froissart, Bruges, c.1460. Illumination on parchment. (Bibliothèque nationale de France, Paris, MS Fr.2646).
Attributed works:
7. Payment of the ransom to Bayezid, fol.267v of the Passages oultremer de Sébastien Mamerot by Jean Colombe. c.1474–75. Illumination on parchment. (Bibliothèque nationale de France, Paris, S Fr.5594).
Attributed works:
8. Detail of the Well of Moses, showing the book and scroll held by Jeremiah. (Photograph the author).
Attributed works:
9. Pietà, by Enguerrand Quarton. c.1450. Oil on panel, 163 by 219 cm. (Musée du Louvre, Paris; © GrandPalaisRmn; René-Gabriel Ojeda).
Western art unattributed:
18. Tile showing sheep sheltering under a tree. Burgundian, c.1385–90. Glazed terracotta with engobe decoration, 13 by 13 cm. (Germolles Chateau; photograph the author).
Western art unattributed:
21. Detail of the Calvary of Philip the Bold showing Christ at the column with prophets. Paris, 1403. Gold, enamel and precious stones. (Cathedral Treasury, Esztergom; photograph Attila Mudrák).
Article
A Valencian tin-glazed and lustred dish for the Duke of Burgundy
08/2024 | 1457 | 166
Pages: 764–780
related names
Author:
Kingwill, Susannah (Kingwill, Susannah)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
11. Dish with the arms of the Duke of Burgundy. Valencian, probably Manises workshop. 1404–29. Tin-glazed earthenware with lustre decoration, diameter 47.5 cm. (Museo Lázaro Galdiano, Madrid).
Attributed works:
18. Fragment from the Arcade of the Tomb of John the Fearless and Margaret of Bavaria, by Jean de la Huerta. c.1443–55. Alabaster, 14 by 12.8 by 5.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
19. Tile fragment from the Chartreuse de Champmol decorated with the lion of Flanders, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18 by 18 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
2. Detail of fol.188v of the Breviary of John the Fearless, showing the Burgundian duke (left) and duchesses’ (right) arms. Between 1413 and 1419. Illumination on parchment. (British Library, London, MS 2897).
Attributed works:
20. Tile fragment from the Chartreuse de Champmol decorated with the armorial bands of Burgundy, by Jean de Giron. 1383–89. Tin-glazed earthen tile decorated with a cobalt glaze, estimated dimensions of original tile 18.5 by 13 by 3 cm. (Musée des Beaux Arts, Dijon).
Attributed works:
4. Dish with the arms of the King of France (centre), the dauphin (top), Philip the Good (lower left) and Isabella of Portugal (lower right). Valencian, probably Manises workshop, c.1456–61. Tin-glazed earthenware decorated with cobalt and lustre glazes, dimensions unknown (formerly in the Rothschild Collection; © Christie’s, London).
Attributed works:
6. The Last Supper of Solsona, by Jaume Ferrer the Elder. 1400–33. Oil on panel, 115 by 327 cm. (Museo Diocesano Y Comarcal, Solsona; Getty Images).
Attributed works:
7. Detail of Fig.6, showing the foliage motifs on a lustred dish.
Attributed works:
8. The Portinari Altarpiece, by Hugo van der Goes. 1476–79. Oil on panel, central panel 253 by 304 cm., wings each 253 by 141 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
9. Detail of the central panel of Fig.8, showing the foliate design on the arbarello. (Bridgeman Images).
Western art unattributed:
1. Dish with the arms of the Duke of Burgundy. Valencian. 1404–29. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 38.1 cm. (Wallace Collection, London).
Western art unattributed:
10. Dish with the arms of René of Anjou. Valencian, probably Manises workshop. c.1450. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 47.6 cm. (British Museum, London).
Western art unattributed:
12. Hanap decorated with the emblems of John the Fearless. French. c.1405–19. Pounced and gilded silver, height 23.7 cm. (Badisches Landesmuseum, Karlsruhe; from R. Lightbown: Secular Goldsmiths’ Work in Medieval France: A History, London 1978, plate XXIV).
Western art unattributed:
13. Bowl with the arms of the duke of Burgundy engraved on its base. French, Dijon. Second half of 14th–first third of 15th century. Hammered silver with gilded silver cast decoration, diameter 16.8 cm. (Museum of Fine Arts, Boston).
Western art unattributed:
14. Le Livre de Merveilles du Monde, fol.226. c.1410–12. Illumination on parchment, 42 by 29.8 cm. (Bibliotheque Nacional, Paris, MS Fr 2810 fol.226; Bridgeman Images).
Western art unattributed:
15. Le Livre de l’information des rois et princes, fol.81r. 1400–19. Illumination on parchment, 36 by 20.8 cm. (Bibliothèque Royale Belgique, Brussels, KRB MS 9475).
Western art unattributed:
16. Sculpted vault, Tour de Jean sans Peur. French. 1409–11. Stone. (Photograph the author).
Western art unattributed:
17. Comparison of the Wallace dish wreath (Fig.1) with the hops from Figs.14, 15, 13 and 16.
Western art unattributed:
3. Reverse of Fig.1. (Photograph the author).
Western art unattributed:
5. Dish with IHS monogram and floral pattern. Valencian, probably Manises workshop, 1430–60. Tin-glazed earthenware decorated with cobalt and lustre glazes, diameter 46 cm. (Metropolitan Museum of Art, New York).
Article
A boxwood ‘Calvary’ attributed to Claus Sluter
11/2022 | 1436 | 164
Pages: 1064-1077
related names
Author:
Scholten, Frits (Scholten, Frits)
Subjects
dates:
Illustrations
Attributed works:
1. Calvary, by Nikolaus Elscheidt. c.1868. Boxwood, height 62.8 cm. (Victoria and Albert Museum, London).
Attributed works:
10. Detail of Fig.2, showing the base and acanthus scroll. (Photograph Frits Scholten).
Attributed works:
11. The portal of the Chartreuse de Champmol, by Claus (‘Claes’) Sluter and workshop. 1391–93. Limestone (pierre d’Asnières), height of figures 129 to 170 cm. (Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
12. Weepers from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410. Grenoble alabaster, white Carrara marble and black Dinant marble (limestone). (Musée des Beaux-Arts, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
13. The Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), height 520 cm. (Chartreuse de Champmol, Dijon; photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
14. Detail of Fig.2 showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
15. Weeper from the Tomb of Philip the Bold, by Claus (‘Claes’) Sluter. Claus (‘Claes’) de Werve and workshop, c.1391–1410. Grenoble alabaster, height 42 cm. (Cleveland Museum of Art).
Attributed works:
16. Detail of Fig.2, showing the Virgin Mary. (Photograph Renate Neder).
Attributed works:
17. Detail of Fig.11, showing the figure of St Catherine. (Photograph Azoor Photo/Alamy Stock Photo).
Attributed works:
18. Detail of Fig.13, showing the faces of the Virgin and Child. (Photograph Frits Scholten).
Attributed works:
19. Detail of Fig.1, showing the face of the Virgin. (Photograph Renate Neder).
Attributed works:
2. Calvary, here attributed to Claus (‘Claes’) Sluter. c.1400. Boxwood, height 56 cm. (Rijksmuseum, Amsterdam; photograph Renate Neder).
Attributed works:
20. Detail of Fig.2, showing a side view of the arm of St John. (Photograph Renate Neder).
Attributed works:
21. Detail of Fig.2, showing St John. (Photograph Renate Neder).
Attributed works:
22. Detail of the face of the choir boy (Weeper no.1) from the tomb of Philip the Bold, by Claus (‘Claes’) Sluter, Claus (‘Claes’) de Werve and workshop. c.1391–1410. Carrara marble and gilding, figure height 38.5 cm. (Musée des Beaux-Arts de Dijon; photograph Frits Scholten).
Attributed works:
23. Detail of the figure of Jeremiah, from the base of the Great Cross (‘Well of Moses’) by Claus (‘Claes’) Sluter and workshop, 1395–1404. Limestone (pierre d’Asnières and pierre d’Ys), figure height 520 cm. (Chartreuse de Champmol, Dijon; photograph © Manuel Cohen).
Attributed works:
24. Yvain and the lion, detail of a capital of the fireplace in the Salle des gardes at Château de Germolles, by Claus (‘Claes’) Sluter and workshop, after c.1386–93. Limestone (pierre d’Asnières), height c.25 cm. (Photograph M. Pinette).
Attributed works:
25. Detail of the Annunciation to the Virgin from the left wing of the Crucifixion Retable, by Melchior Broederlam. c.1394–99. Oil on panel, length of wing 125 cm. (Musée des Beaux-Arts, Dijon; photo © Musée des Beaux-Arts de Dijon/Français Jay).
Attributed works:
26. Fragments of the legs of Christ, from the Great Cross (‘Well of Moses’), by Claus (‘Claes’) Sluter and workshop. 1395–1404. Limestone (pierre d’Asnières), height 59 cm. (Musée Archéologique, Dijon; photograph © Musée Archéologique de Dijon/François Perrodin).
Attributed works:
27. Detail of Fig 2, showing the underside of the base. (Photograph Frits Scholten).
Attributed works:
28. Detail of St Jerome in his study, from a Bible moralisée attributed to the Rohan Masters. c.1415. Pen and ink on vellum, 41.5 by 29 cm. (Bibliothèque nationale, Paris, inv. Ms.fr. 166, fol.A).
Attributed works:
29. The Burgundian lion preventing the Orléans wolf from seizing the French crown, from a manuscript of Justification by Jean Petit, attributed to the workshop of the Bedford Master. c.1409. Miniature on vellum, 19.3 by 14 cm. (Österreichische Nationalbibliothek, Vienna, inv. Cod. 2657, fol.1v).
Attributed works:
3. Detail of Fig.2, showing the figure of Christ. (Photograph Renate Neder).
Attributed works:
4. Side view of the sculpture illustrated in Fig.2. (Photograph Renate Neder).
Attributed works:
5. Christ as Man of Sorrows, by Frans Crabbe. c.1525. Engraving, hand-coloured and heightened with gold, 15.5 by 10.7 cm. (Rijksmuseum, Amsterdam).
Attributed works:
6. Calvary, by the Master of the Colmar Crucifixion (Hermann Schadeberg?). c.1410. Tempera on panel, 126 by 87 cm. (Unterlinden Museum, Colmar; photograph © Musée d’Unterlinden, Dist. RMN-Grand Palais / image Musée d’Unterlinden de Colmar).
Attributed works:
7. Detail of Fig.2, showing the lioness and cubs. (Photograph Renate Neder).
Attributed works:
8. Detail of Fig.2, showing the angel. (Photograph Renate Neder).
Attributed works:
9. An angel with a branch of acanthus, from the Hours of René d’Anjou, by the Master of the Parement of Narbonne. c.1405–10. Miniature on vellum, 22 by 16.5 cm. (British Library, London, MS Egerton 1070, fol.94v).
Western art unattributed:
30. Crucifixion. Second half of the nineteenth century. Photograph by Ludwig Bosten. (From Sammlung mittelalterlicher Bildwerke [. . .] von Dr Franz Bock, 1894; Suermondt-Ludwig-Museum, Aachen, inv.SK-14).
Article
The Ludovisi Tondo: a rediscovered sculpture by Jacopo della Quercia
01/2021 | 1414 | 163
Pages: 5-14
related names
Author:
Cova, Paolo (Cova, Paolo)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The central courtyard of Rocchetta Mattei. 2019. The Ludovisi Tondo is above the doorway on the right. (Photograph G. Castellani).
Attributed works:
10. Detail of Original sin, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
11. Detail of Expulsion from the Garden of Eden, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
12. Detail of the Drunkenness of Noah, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
13. Detail of the Sacrifice of Isaac, by Jacopo della Quercia, showing Abraham and the angel. 1425–28. Candoglia marble, 91 by 97 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
14. Detail of Fig.5, showing the horse’s legs.
Attributed works:
15. Detail of The flight into Egypt, by Jacopo della Quercia, showing the donkey’s legs. 1432–34. Candoglia marble, 71 by 100 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
16. Detail of Fig.5, showing the horse’s muzzle.
Attributed works:
17–19. Detail of Fig.5, showing traces of polychromy on the armour; detail of Fig.19, showing painted decoration on the border of the Virgin’s cloak; and Virgin and Child, by Jacopo della Quercia. c.1430. Polychromed wood, height 178 cm. (Musée du Louvre, Paris).
Attributed works:
2. Corbels from the tomb of Giovanni da Legnano, by Jacobello and Pierpaolo Dalle Masegne. 1383. Istrian stone, left corbel 75 by 30 by 76 cm.; right corbel 75 by 30 by 76.5 cm. (Rocchetta Mattei; photograph G. Castellani).
Attributed works:
20. The murder of Buondelmonte Buondelmonti at Ponte Vecchio, by Pacino di Buonaguida. c.1340. Tempera on parchment. (From Nuova Cronica by Giovanni Villani, Biblioteca Apostolica Vaticana, Rome, MS L VIII 296).
Attributed works:
21. Detail of Fig.5, showing the armour.
Attributed works:
22. Detail of Virgin and Child with saints, by Jacopo della Quercia, showing St George. 1435–37. Marble, 102 by 98 cm. (Museo Civico Medievale, Bologna; photograph M. Berardi).
Attributed works:
23. Detail of the Horses of St Mark. 2nd or 3rd century AD. Gilt copper, 238 by 252 cm. (St Mark’s, Venice).
Attributed works:
24. Detail of Fig.5, showing the horse’s head.
Attributed works:
3. The central courtyard of Rocchetta Mattei. Photograph, c.1865. (Archivio A. Rapparini, Camugnano; photograph P. Poppi).
Attributed works:
4. The memorial to Niccolò and Giovanni Ludovisi, by Marcello Oretti. Pen and ink on paper. (Biblioteca Comunale dell’Archiginnasio, Bologna; MS B.114, c.261, fol.261).
Attributed works:
5. The Ludovisi Tondo, here attributed to Jacopo della Quercia. Here dated c.1428–32. Istrian stone, diameter 85 cm. (Rocchetta Mattei; photograph G. Castellani).
Attributed works:
6 and 7. Details of Fig.5 and Fig.9, showing the heads of Niccolò Ludovisi and Adam.
Attributed works:
8. Creation of Eve, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 89 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Attributed works:
9. Creation of Adam, by Jacopo della Quercia. 1425–28. Candoglia marble, 91 by 97 cm. (Porta Magna, S. Petronio, Bologna; photograph A. Ventura).
Article
Mapping gold leaf in Gentile da Fabriano’s paintings: a case study
12/2019 | 1401 | 161
Pages: 988-995
related names
Author:
Llewellyn, Laura (Llewellyn, Laura)
Author:
MacLennan, Douglas (MacLennan, Douglas)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Coronation of the Virgin, by Gentile da Fabriano, c. 1420. Tempera and gold leaf on panel, 93 x 64.1 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
2. Madonna and Child enthroned, by Gentile da Fabriano. c.1420. Tempera on poplar panel, 95.7 by 56.5 cm. (Samuel H. Kress Collection, National Gallery of Art, Washington). The blue outline represents the scanned region.
Attributed works:
3. Corrected gold (AuL [9.712keV]) MA-XRF element distribution map of the scanned region of Fig.1. Scanning parameters: 37kV, 1000 μA, spotsize Ø1mm, 25mm/sec scan rate, 40ms/pixel dwell time. MA-XRF image collected and processed by John K. Delaney and Kathryn Dooley, National Gallery of Art, Washington.
Attributed works:
4. Detail of Fig.5.
Attributed works:
5. Nativity, by Gentile da Fabriano. c.1420–22. Tempera and gold leaf on panel, 72.1 by 42.6cm. (J. Paul Getty Museum, Los Angeles). The blue outline represents the scanned region.
Attributed works:
6. Corrected gold (AuL [9.712keV]) MA-XRF element distribution map of the scanned region of Fig.5. Scanning parameters: 50kV, 600A, spotsize Ø450m, 33mm/sec scan rate, 15ms/pixel dwell time.
Attributed works:
7. The painting illustrated in Fig.1. The blue outline represents the scanned region.
Attributed works:
8. Corrected gold (Au Lα [9.712 keV]) MA-XRF element distribution map of the scanned region of Fig.7. Scanning parameters: 50 kV, 600 μA, spot size Ø 530 μm, 66.3 mm/sec scan rate, 8 ms/pixel dwell time.
Article
Intertwined birds: Islamic artistic presence in Korean ceramics in the Goryeo period
10/2019 | 1399 | 161
Pages: 811-819
related names
Author:
Han, In-Sung Kim (Han, In-Sung Kim)
Subjects
media:
places:
Illustrations
Attributed works:
6. Ivory casket, by Muhammad ibn Zayyan. Cuenca, 1026. Elephant ivory, height 19cm. (Museo de Burgos, Burgos).
Non-western art unattributed:
1. Pillow. Korea (Goryeo), thirteenth century. Stoneware with celadon glaze, 9.1 by 21.5cm. (Museum of Oriental Ceramics, Osaka).
Non-western art unattributed:
10. Dish. Egypt, Fatimid, 10th century, with modern restorations. Earthenware. diameter 13.6cm. (Benaki Museum, Athens).
Non-western art unattributed:
12. Court lady’s pouch. Korea (Joseon), nineteenth century. Silk with gold thread, 11 by 12 cm. (National Palace Museum of Korea, Seoul).
Non-western art unattributed:
2. Lidded container (‘hap’). Korea (Goryeo), thirteenth century. Stoneware with celadon glaze, 3.1.cm. by 6.8 cm. (Horim Museum, Seoul).
Non-western art unattributed:
5. Sword hilt. Korea (Silla), fifth or sixth century AD. Gold and iron, length 13.8cm. (Leeum, Samsung Museum of Art, Seoul).
Non-western art unattributed:
7. Phial. East Iran, late twelfth century. Brass, inlaid with silver, height 12.8 cm. (Idemitsu Museum of Art, Tokyo).
Non-western art unattributed:
8. Mural decoration depicting a pair of peafowl with intertwined necks in the eastern Kharraqan tomb tower, near Qazvin, Iran. Seljuk period, 1067–68. From D. Stronach and T.C. Young Jr.: ‘Three octagonal Seljoq tomb towers from Iran’, Iran 4 (1966), pp.1–20, plate XVe.
Non-western art unattributed:
9. Detail of an oliphant, showing intertwined birds. Sicily or Italy, eleventh–twelfth century. Elephant ivory, length 69 cm. (National Museums Scotland, Edinburgh).
Non-western art unattributed:
Opposite 11. Cup. Ilkhanate, early fourteenth century. Silver with inlaid gilding, 3.3 by 15.2 cm. (David Collection, Copenhagen).
Non-western art unattributed:
Opposite 3. Bowl decorated with cranes and clouds. Korea (Goryeo), thirteenth century. Stoneware, inlaid in brown and white slip and celadon glazed, 6.5 cm by 19.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Non-western art unattributed:
Opposite 4. Bowl or saucer. Korea (Goryeo), 1250–1300. Stoneware with celadon glaze and gilding, 5.6 by 22.3 cm. (Victoria and Albert Museum, London).
Book Review
Vesperbilder in Bayern von 1380 bis 1430 zwischen Import und einheimischer Produktion. By Ludmila Kvapilová
08/2019 | 1397 | 161
Pages: 689-691
related names
Reviewer:
Weniger, Matthias (Weniger, Matthias)
Subjects
dates:
media:
places:
Reviewed Items
subjects:
Vesperbilder in Bayern von 1380 bis 1430 zwischen Import und einheimischer Produktion By Ludmila Kvapilová. 400 pp. incl. 294 col. + 85 b. & w. ills. (Michael Imhof Verlag, Petersberg, 2017), | :
Illustrations
Western art unattributed:
2. Pietà at Pfettrach near Freising, Prague. c.1390. Limestone, 76 by 79 cm. (Photograph Matthias Weniger).
Article
Bicci di Lorenzo’s altarpiece for the Compagni family chapel in S. Trinita, Florence
01/2019 | 1390 | 161
Pages: 36-43
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Hypothetical reconstruction of the altarpiece for the Compagni chapel in S. Trinita, Florence, by Bicci di Lorenzo with the assistance of Stefano d’Antonio. Reconstruction by the author with the help of Rachel Billinge. Panels photographed by John Hammond. The main tier, roundels and pilasters are illustrated as Fig.2 and the predella panels as Figs.3, 4 and 9.
Attributed works:
2. Altarpiece of the Virgin and Child with Saints for the Compagni chapel in S. Trinita, Florence, by Bicci di Lorenzo, assisted by Stefano d’Antonio, 1434. Egg tempera on wood, 207 by 299.4 cm. (Westminster Abbey, London; WA 0045; © The Dean and Chapter of Westminster).
Attributed works:
3. St John Gualberto and the destruction of the Abbey of Moscheta, by Bicci di Lorenzo. 1434. Egg tempera on panel, 27.5 by 31 cm. (Private collection; courtesy the Salamon Gallery, Milan).
Attributed works:
4. The baptism of Christ, by Bicci di Lorenzo. 1434. Egg tempera on panel, 27.9 by 31 cm. (York Art Gallery; courtesy York Museums Trust).
Attributed works:
5. Detail of Fig.3, showing the head of St John Gualberto.
Attributed works:
6. Detail of Fig.4, showing the head of Christ.
Attributed works:
7. Detail of Fig.1, showing the pilaster figure of St Benedict. (Photograph by John Hammond; © The Dean and Chapter of Westminster)
Attributed works:
8. Detail of Fig.9, showing the Virgin and Child.
Attributed works:
9. Nativity and Adoration of the Shepherds, by Bicci di Lorenzo. 1434. Egg tempera on panel, 25.5 by 62 cm. (Private collection.)
Book Review
The Sobieski Hours: A Most Beautiful Manuscript from the British Royal Collection. Facsimile edition. Commentary by Jenny Stratford and Jane Roberts
12/2018 | 1389 | 160
Pages: 1068-1070
related names
Reviewer:
Law-Turner, Frederica C.E. (Law-Turner, Frederica C.E.)
Subjects
dates:
Illustrations
Attributed works:
2. Pilgrims travelling to Mont-Saint-Michel, from the Sobieski Hours. 1430s. Egg tempera on vellum, 27.5 by 18 cm. (Windsor Castle, Royal Library; f.204v; Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018).
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