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2 articles
Book Review
Symbolist Landscapes: The Place of Painting in the Poetry and Criticism of Mallarme and His Circle
10/1990 | 1051 | 132
Pages: 728
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Author:
Gale, Matthew (Gale, Matthew; G., M.)
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Reviewed Items
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Symbolist Landscapes: The Place of Painting in the Poetry and Criticism of Mallarme and His Circle | author: Kearns, James
Article
The Uncertainty of the Painter: De Chirico in 1913
04/1988 | 1021 | 130
Pages: 268-276
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Author:
Gale, Matthew (Gale, Matthew; G., M.)
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Illustrations
Attributed works:
1. Surprise, by Giorgio de Chirico. 1913. 102 by 74 cm. (Whereabouts Unknown).
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2. Drawing after Surprise, by Giorgio de Chirico. 1913. Pen and Ink on Paper. (Dimensions and Whereabouts Unknown).
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3. Diagram Showing Painting Underlying Surprise by Giorgio de Chirico, Referred to Here as Piazza.
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4. Anxious Journey, by Giorgio de Chirico. 1913. 74.3 by 106.7 cm. (Lillie P. Bliss Bequest, Museum of Modern Art, New York).
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5. Diagram Showing Painting Underlying Anxious Journey, by Giorgio de Chirico, Identified Here as Cavourian Enigma.
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6. Cavourian Enigma, by Giorgio de Chirico. 1913. Pencil and Pen and Ink on Paper, 12.7 by 9.5 cm. (Private Collection).
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7. Gare Montparnasse (Melancholy of Departure), by Giorgio de Chirico. 1914. 140 by 184.5 cm. (Gift of J. T. Soby, Museum of Modern Art, New York).
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8. Diagram Showing Painting Underlying Gare Montparnasse, by Giorgio de Chirico, Referred to Here as Montparnase Self-Portrait.
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9. 'Le silence du bonheur (Stendhal)', by Giorgio de Chirico. 1913. Pen and Ink on Paper. (Cranet de Chirico, MP 3950, Musee Picasso, Paris).