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402 articles
Exhibition Review
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain
05/2025 | 1466 | 167
Pages: 494–7
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
Reviewed Items
subjects:
Breaking Lines: Futurism and the Origins of Experimental Poetry: Dom Sylvester Houédard and Concrete Poetry in Post-war Britain Estorick Collection, London 15th January–11th May | :
Illustrations
Attributed works:
13. Madrigale veneziano (Venetian madrigal) from Aeromusiche d’alfabeto in libertà: Marinetti Crali Cenisi, by Tullio Crali. 1944. (Private collection; exh. Estorick Collection, London).
Attributed works:
14. ishtar’s descent, by Dom Sylvester Houédard. 1971. Typed page 29.7 x 21 cm. (Courtest Lisson Gallery, London; exh. Estorick Collection, London).
Attributed works:
15. Untitled, by Dom Sylvester Houédard. 1967. Newspaper cuttings, fabric and PVC plastic, 35.7 by 33.7 cm. (Courtesy Lisson Gallery, London; exh. Estorick Collection, London).
Article
Stanley Spencer, postcards, small books and old masters
09/2023 | 1446 | 165
Pages: 952–67
related names
Author:
Martineau, Jane (Martineau, Jane; Martineau, Jane; M., J.T.)
Subjects
Illustrations
Attributed works:
1. Sir Stanley Spencer; Sydney Spencer; Gilbert Spencer; William ‘Pa’ Spencer, by Philip Edward Morrell. 1914. Vintage snapshot print, 6.1 by 10.3 cm. (National Portrait Gallery, London).
Attributed works:
10. Postcard of a corbel in Exeter Cathedral sent by Desmond Chute to Stanley Spencer, 21st June 1916. (John Spencer collection; JS 32).
Attributed works:
11. Roger Fry’s glass slide of Masaccio’s St Peter healing with his shadow. (Archive Centre, King’s College, Cambridge; REF 2, box 32).
Attributed works:
12. St George, by Donatello. (Frontispiece of H. Rea: Donatello: Il maestro di chi sanno, London 1900).
Attributed works:
13. Postcard of Gentile Bellini’s Finding of the True Cross sent by Henry Lamb to Stanley Spencer. (John Spencer collection; JS 50).
Attributed works:
14. Postcard of Giotto’s Joachim and the shepherds sent by Jas Wood to Stanley Spencer, 17th October 1927. (UCL Art Museum, University College London; UCL 82).
Attributed works:
15. Reverse of Fig.14.
Attributed works:
16. Postcard of Pieter Bruegel’s Autumn sent by Gilbert Spencer to Stanley Spencer, 1934. (John Spencer collection; JS 82).
Attributed works:
2. Stanley Spencer’s postcard album open to showing a Virgin or saint holding a book, Tonnerre stone, c.1390–1400, Musée national du Moyen Age, Thermes de Cluny, Paris (inv. Cl.18931), and the Court of Pan, by Luca Signorelli, formerly in the collection of the Staatlichen Museen zu Berlin. (UCL Art Museum, University College London; UCL 4 and 5).
Attributed works:
3. Letter from Stanley Spencer to the Raverats illustrating the shape of the reliefs on the campanile of Florence Cathedral. 12th April 1913. (Tate Archive, TGA 8116/21).
Attributed works:
4. Roger Fry’s glass slide of Andrea Pisano’s Creation of Eve from the campanile of Florence Cathedral. (Archive Centre, King’s College, Cambridge; REF 2, box 13).
Attributed works:
5. Postcard of the Entombment of Christ, by Donatello, sent from Gwen Darwin to Stanley Spencer, 11th March 1914. (John Spencer collection; JS 6).
Attributed works:
6. Reverse of UCL 51.
Attributed works:
7. Three postcards superimposed to illustrate the west wall of the apse of S. Francesco, Arezzo, by Piero della Francesca, sent by Gwen Raverat to Stanley and Gilbert Spencer, 25th March 1914. (UCL Art Museum, University College London; UCL 53, 50 and 51).
Attributed works:
8. Roger Fry’s glass slides of Piero della Francesca’s Death of Adam. (Archive Centre, King’s College, Cambridge; REF 2, boxes 19 and 32).
Attributed works:
9. Reproduction of the Lion of St Mark, by Vittore Carpaccio, from The Masterpieces of Carpaccio and Giorgione published by Gowans & Gray, 1911.
Book Review
Les Années 1910: Arts décoratifs, mode, design
08/2022 | 1433 | 164
Pages: 828
related names
Reviewer:
Deltour, Louis (Deltour, Louis)
Subjects
dates:
Reviewed Items
subjects:
Les Années 1910: Arts décoratifs, mode, design Edited by Jérémie Cerman. 442 pp. incl. 82 col. + 58 b. & w. ills. (Peter Lang, Brussels, 2021), £41. ISBN 978–2–8076–0896–2. | :
Short Notice
Rediscovered drawings by Erwin Dominik Osen
03/2020 | 1404 | 162
Pages: 224-227
related names
Author:
Blackshaw, Gemma (Blackshaw, Gemma)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
14. Portrait of a patient, by Erwin Dominik Osen. 1915. Graphite and watercolour on paper, 56.7 by 39.8 cm. (Leopold Museum, Vienna).
Attributed works:
15. Portrait of a patient, by Erwin Dominik Osen. 1915. Graphite and watercolour on paper, 48.3 by 32 cm. (Leopold Museum, Vienna).
Attributed works:
16. Erwin Dominik Osen, nude with crossed arms, by Egon Schiele. 1910. Black chalk, watercolour and gouache on paper, 44.7 by 31.5 cm. (Leopold Museum, Vienna; photograph Manfred Thumberger).
Book Review
Giorgio de Chirico: Catalogo Generale. Volume 2: 1910–1975; Volume 3: 1913–1976; and Volume 4: 1913–1975. Edited by Fondazione Giorgio e Isa de Chirico
01/2020 | 1402 | 162
Pages: 83-84
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Giorgio de Chirico: Catalogo Generale Edited by Fondazione Giorgio e Isa de Chirico. Volume 2: 1910–1975. 520 pp. incl. approx. 500 col. + b. & w. ills. (Maretti Editore, Imola, 2015), £275. ISBN 978–889–885–559–9. Volume 3: 1913–1976. 472 pp. incl. 475 col. + b. & w. ills. (Maretti Editore, Imola, 2016), £275. ISBN 978–8–898–85578–0. Volume 4: 1913–1975. 512 pp. incl. 451 col. + 475 b. & w. ills. (Maretti Editore, Imola, 2018), £275. ISBN 978–88–9397–000–6. | :
Illustrations
Attributed works:
8. School of gladiators: the fighting, by Giorgio De Chirico. 1928. Oil on canvas, 160 by 240 cm. (Casa Museo Boschi Di Stefano, Milan; Bridgeman Images).
Article
Duchamp’s ‘Fountain’: the Baroness theory debunked
10/2019 | 1399 | 161
Pages: 804-810
related names
Author:
Bailey, Bradley (Bailey, Bradley)
Subjects
collectors and dealers:
dates:
places:
styles:
Illustrations
Attributed works:
1. Fountain, by Marcel Duchamp. 1917. Photograph Alfred Stieglitz, vintage silver print, 23.5 by 17.8 cm. (© Succession Marcel Duchamp/ DACS London 2019; private collection; courtesy Francis M. Naumann Fine Art, New York).
Attributed works:
2. Louise Varèse, by Brassaï. 1931. Gelatin silver print, 12.2 by 14.9 cm. (Louise Varèse Papers, Sophia Smith Collection, Smith College Libraries, Northampton MA; © RMN-Grand Palais; DACS London 2019).
Attributed works:
3. Letter from Marcel Duchamp to Suzanne Duchamp. 11th April 1917. 23 by 15 cm. (Jean Crotti papers, Archives of American Art, Smithsonian Institution, Washington DC).
Attributed works:
6. Detail of Fig.1, showing the information tag.
Attributed works:
7. Detail of ‘Marcel Duchamp at Play’ an essay by Louise Varèse. Late 1972. (Louise Varèse Papers, Sophia Smith Collection, Smith College Libraries, Northampton MA).
Western art unattributed:
4. Baroness Elsa von Freytag-Loringhoven. 1922. Photograph. (George Grantham Bain Collection, Library of Congress, Washington DC).
Western art unattributed:
5. Louise Varèse, Edgard Varèse, Suzanne Duchamp, Jean Crotti and Mary Reynolds photographed in Paris. 1924. (Jean Crotti papers, Archives of American Art, Smithsonian Institution).
Book Review
History of the Royal Hibernian Academy of Arts. By John Turpin
09/2019 | 1398 | 161
Pages: 789-790
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Book Review
Nature’s Experiments and the Search for Symbolist Form. By Allison Morehead
01/2019 | 1390 | 161
Pages: 94-95
related names
Reviewer:
Thomson, Belinda (Thomson, Belinda)
Subjects
media:
places:
Illustrations
Attributed works:
6. Study for Décor, by Maurice Denis. c.1890–91. Charcoal and pastel on paper, 31.2 by 24.7 cm. (Private collection).
Article
Vasily Kandinsky and the Formal method
12/2018 | 1389 | 160
Pages: 1016-1023
related names
Author:
Bowlt, John E. (Bowlt, John E.)
Subjects
media:
places:
Illustrations
Attributed works:
1. Elementary life of the primary colour and its dependence on the simplest locale, by Vasily Kandinsky. Illustration to the lecture ‘On the Spiritual in Art’ delivered by Nikolai Kul’bin on Kandinsky’s behalf at the All-Russian Congress of Artists, St Petersburg, 29th and 31st December 1911. Published in Russian in I. Repin et al.: Trudy Vserossiiskogo s’ezda khudozhnikov (Transactions of the All-Russian Congress of artists), Petrograd 1914, I, pp.76–77.
Attributed works:
2. Improvisation 10, by Vasily Kandinsky. 1910. Canvas, 120 by 140 cm. (Fondation Beyeler, Basel; photograph courtesy Peter Schibli).
Attributed works:
3. Tsikl lektsii (Cycle of lectures), by Nikolay Punin. Petrograd 1920. Cover designed by Kazimir Malevich. (Photograph courtesy Museum of Modern Art, New York).
Attributed works:
5. Black lines, by Vasily Kandinsky. 1913. 129.4 by 131.1 cm. (Solomon R. Guggenheim Museum, New York; Bridgeman Images).
Attributed works:
6. Painting with the red spot, by Vasily Kandinsky. 1914. Canvas, 130 by 130 cm. (Centre Georges Pompidou, Paris; Bridgeman Images).
Non-western art unattributed:
4. Members of RAKhN (Russian Academy of Artistic Sciences) in the building of Svomas (Free State Art Studios), Moscow, June 1921. From left to right: Robert Fal’k, Evsei Shor, Nikolai Uspensky, Vasily Kandinsky, Evgenii Pavlov and Aleksandr Shenshin. Reproduced in C. Derouet and J. Boissel, eds.: exh. cat. Œuvres de Vassily Kandinsky (1866–1944), Paris (Centre Georges Pompidou) 1984, p.156.
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