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01/2024 | 1450 | 166
Pages: i-xx
Subjects
Illustrations
Attributed works:
A farmyard scene, by Adriaen van Utrecht (1599–1652). 1647. Oil on canvas, 115 by 161 cm. [ARS ANTIQUA, MILAN/BRAFA]
Attributed works:
A sculpture of the Virgin of the Assumption Attributed to Alejo de Vahía, active in Palencia around 1473-1515 Gilt and polychromed wood, around 1509 Gift of Sir Michael Craig-Martin R.A. [Spanish Gallery, The Auckland Project]
Attributed works:
A young man wearing a studio cap, by Lorenzo Baldissera Tiepolo (1736–76). Black and red chalk, 41.2 by 28.5 cm. [NICHOLAS HALL, NEW YORK/Master Drawings New York]
Attributed works:
Artemisia Gentileschi (1593–after 1654), The Penitent Magdalene, c. 1625/30 [Robilant & Voena]
Attributed works:
Carnival at the bistrot, Paris, by Pablo Picasso (1881–1973). c.1908. Watercolour on paper, 22.5 by 21 cm. [PATRICK BOURNE & CO., LONDON/Master Drawings New York]
Attributed works:
CIRCLE OF PAOLO VERONESE Possibly a portrait of Isabella Andreini (1562 - 1604) Oil on canvas 85.25 in. (H) x 56 in. (W) [Sloane Street Auctions]
Attributed works:
Crucifix. Spain, c.1550. Silver gilt and rock crystal with polychrome, height 41 cm. [GALERIE BERNARD DE LEYE, BRUSSELS/BRAFA]
Attributed works:
Embroidery Workshop of the Monastery of the Escorial (Spanish, 16th Century) The Pharaoh’s Judgment, ca. 1585 Pen and brown ink with brown washes, highlighted in white on blue paper Extensively pricked for transfer throughout, 304 x 193 mm [Christopher Bishop Fine Art/Master Drawings New York]
Attributed works:
Envy (Invidia) from the seven deadly sins, engraved by Pieter van der Heyden (1530–72), after Pieter Bruegel the Elder (c.1525–69), published by Hieronymus Cock (1518–70). c.1558. Ink on paper, 29.7 by 22.6 cm. [CHAMBRE PROFESSIONNELLE BELGE DE LA LIBRAIRIE ANCIENNE ET MODERN (CLAM), BRUSSELS/BRAFA]
Attributed works:
Figures in a wooded landscape with mountains behind, by Denijs van Alsloot (1570–1626) and the workshop of Jan Brueghel the Elder (1568–1625). Early 17th century. Oil on panel, 117 by 173 cm. [DE JONCKHEERE, GENEVA AND PARIS/BRAFA]
Attributed works:
From ‘The smoking mother’, by Laure Prouvost. 2023. (Commissioned for Burlington Contemporary Journal 9).
Attributed works:
GIAMBOLOGNA (1529–1608) Mars cast before 1577, probably in the 1560s by Zanobi Portignani Estimate on request [Christie's]
Attributed works:
Horizon, by Max Ernst (1891–1976). 1926. Oil on panel, 24.2 by 18.5 cm. [GALERIE DE LA BÉRAUDIÈRE, BRUSSELS/BRAFA]
Attributed works:
La fin du voyage, by Paul Delvaux (1897–1994). 1968. Oil on canvas, 165.1 by 145 cm. [OPERA GALLERY, GENEVA/BRAFA]
Attributed works:
LIPPO VANNI. Sienese, active 1344-1376 A predella panel: the Marriage of the Virgin Siena, c.1345 Tempera on wood panel 24.6 x 28.5 cm Provenance:Collection of Walter Savage Landor (1775-1864), Villa Gherardesca, Fiesole. [Brimo de Laroussilhe]
Attributed works:
Piazza d’Italia con Arianna, by Giorgio de Chirico (1898–1978). 1950s. Oil on canvas, 70 by 100 cm.[REPETTO GALLERY, LUGANO/BRAFA]
Attributed works:
Prometheus, by Giovanni Battista Langetti (1625–76). c.1660. Oil on canvas, 88 by 114 cm. [GIAMMARCO CAPPUZZO FINE ART, LONDON/BRAFA]
Attributed works:
Red Blue Chair, designed by Gerrit Thomas Rietveld (1888–1964). Designed 1919–23, made in 1970. Beechwood and plywood with stain and paint, height 86 cm [GALERIE VAN DEN BRUINHORST, KAMPEN, OVERIJSSEL/BRAFA]
Attributed works:
Sir Edward Burne-Jones (1833-1898) Study for ‘The Nativity’ for St John’s, Torquay. Watercolour, gouache and gold paint. 1887. 14x21.5 inches. [Abbott and Holder]
Attributed works:
Study for the Sala di Apollo (Pitti Palace), by Ciro Ferri (1634–89). c.1659–61. Black chalk, heightened with white, on prepared blue-grey paper, 26.5 by 39 cm. CHRISTOPHER BISHOP FINE ART, NEW YORK/Master Drawings New York]
Attributed works:
The Grey Castle; a view on the Mosel or the Rhine, by J.M.W. Turner (1775–1851). c.1841. Pencil and watercolour, 15.9 by 23.5 cm. [ABBOTT & HOLDER, LONDON/Master Drawings New York]
Attributed works:
Two female nudes, by Gustav Klimt (1862–1918). c.1902. Black chalk on buff paper, 44.3 by 30.9 cm. [STEPHEN ONGPIN, LONDON/Master Drawings New York]
Attributed works:
Virgin and Child in oak, Brabant, Brussels, attributed to Jan Borman I and his workshop (active from 1479 to 1520), circa 1480/90H. 142.5 cm [Giquello]
Attributed works:
Winter landscape, by Väinö Blomstedt (1871–1947). 1904. Oil on board, 39 by 49.5 cm. [AMBROSE NAUMANN, NEW YORK/Master Drawings New York]
Non-western art unattributed:
A Fine and Rare Ancient Kushan Northern India Uttar Pradesh Monumental Red Sandstone Torso Fragment of the Buddha Wearing his Monastic Robe ‘Sanghati’ with Traces of a Lotus Halo the Body Well Defined with a Deeply Carved Navel 1st – 2nd Century AD [Finch & Co]
Non-western art unattributed:
Female figure, by Baule people. Ivory Coast, 19th century. Wood, height 60 cm.[ MONTAGUT GALLERY, BARCELONA/BRAFA]
Western art unattributed:
A pierced flamboyant Gothic canopy. Northern France, 15th century. Limestone, height 30 cm.[DEI BARDI ART, BRUSSELS/BRAFA]
Western art unattributed:
Pseudo-corinthian Capitals North Adriatic Late 11th – early 12th Century White marble, 47x40x40 cm [Mearini Fine Art/BRAFA]
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
Subjects
dates:
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Exhibition Review
Giorgio de Chirico: La Peinture métaphysique
08/2020 | 1409 | 162
Pages: 708-711
related names
Reviewer:
Loreti, Silvia (Loreti, Silvia)
Subjects
art literature:
collectors and dealers:
museums and institutions:
Reviewed Items
subjects:
Giorgio de Chirico: La Peinture métaphysique Edited by Paolo Baldacci, with contributions by Ilaria Cicali, Cécile Debray, Cécile Girardau, Annabelle Görgen-Lammers, Giovanni Lista and Federica Rovati. 232 pp. incl. numerous col. + b. & w. ills. (Musée de l’Orangerie, Paris, and Hazan, Vanves, 2020), £49.99. ISBN 978–2–7541–1135–5. | :
Illustrations
Attributed works:
19. The uncertainty of the poet, by Giorgio de Chirico. 1913. Oil on canvas, 106 by 94 cm. (Tate, London; courtesy Musée d’Orsay, Paris).
Attributed works:
20. The child’s brain (The revenant), by Giorgio de Chirico. 1914. Oil on canvas, 80 by 65 cm. (Moderna Museet, Stockholm; courtesy Musée d’Orsay, Paris).
Attributed works:
21. Tobias’s dream, by Giorgio de Chirico. 1917. Oil on canvas, 58.5 by 48 cm. (The Bluff Collection, New York; courtesy Musée d’Orsay, Paris).
Book Review
Giorgio de Chirico: Catalogo Generale. Volume 2: 1910–1975; Volume 3: 1913–1976; and Volume 4: 1913–1975. Edited by Fondazione Giorgio e Isa de Chirico
01/2020 | 1402 | 162
Pages: 83-84
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Giorgio de Chirico: Catalogo Generale Edited by Fondazione Giorgio e Isa de Chirico. Volume 2: 1910–1975. 520 pp. incl. approx. 500 col. + b. & w. ills. (Maretti Editore, Imola, 2015), £275. ISBN 978–889–885–559–9. Volume 3: 1913–1976. 472 pp. incl. 475 col. + b. & w. ills. (Maretti Editore, Imola, 2016), £275. ISBN 978–8–898–85578–0. Volume 4: 1913–1975. 512 pp. incl. 451 col. + 475 b. & w. ills. (Maretti Editore, Imola, 2018), £275. ISBN 978–88–9397–000–6. | :
Illustrations
Attributed works:
8. School of gladiators: the fighting, by Giorgio De Chirico. 1928. Oil on canvas, 160 by 240 cm. (Casa Museo Boschi Di Stefano, Milan; Bridgeman Images).
Book Review
Giorgio de Chirico: The Changing Face of Metaphysical Art. Edited by Victoria Noel-Johnson
11/2019 | 1400 | 161
Pages: 976-977
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
museums and institutions:
subjects:
Reviewed Items
subjects:
Giorgio de Chirico: The Changing Face of Metaphysical Art Edited by Victoria Noel-Johnson. 264 pp. incl. 209 col. ills. (Skira, Milan, 2019), £29.95. ISBN 978–88–572–4058–9. | :
Illustrations
Attributed works:
7. Ulysses, by Giorgio de Chirico. 1922. Tempera on canvas, 90 by 70 cm. (Private collection).
Exhibition Review
Lee Miller and Surrealism in Britain. The Hepworth Wakefield
10/2018 | 1387 | 160
Pages: 863-865
related names
Reviewer:
Matheson, Neil (Matheson, Neil)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
21. Portrait of space, near Siwa, Egypt, by Lee Miller. 1937. Gelatin silver print, 29.2 by 23.3 cm. (© Lee Miller Archives, East Sussex; exh. The Hepworth Wakefield).
Attributed works:
22. A l’heure de l’observatoire – Les amoureux, by Man Ray. 1932–34/1970. Coloured lithograph after oil painting. 68 by 104 cm. (Collection Clo and Marcel Fleiss, Paris; exh. The Hepworth Wakefield).
Book Review
De Chirico and the United Kingdom (c.1916–1978). By Victoria Noel-Johnson
08/2018 | 1385 | 160
Pages: 707-708
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
10. Seated nude with pink and yellow drape, by Giorgio de Chirico. 1947. Canvas, 109 by 84 cm. (Musée d’Art moderne de la Ville de Paris).
Exhibition Review
Magic Realism
04/2018 | 1381 | 160
Pages: 338-340
related names
Reviewer:
Rylands, Philip (Rylands, Philip)
Subjects
art literature:
dates:
media:
Illustrations
Attributed works:
19. The daughters of Lot, by Carlo Carrà. 1919. Canvas, 110 by 80 cm. (MART, Rovereto).
Attributed works:
20. The pupils, by Felice Casorati. 1927–28. Panel, 169 by 151 cm. (Galleria d’Arte Moderna ‘Empedocle Restivo’, Palermo; exh. MART, Rovereto).
Attributed works:
21. The juggler, by Antonio Donghi. 1936. Canvas, 114 by 86.5 cm. (Unicredit Art Collection; exh. MART, Rovereto).
Exhibition Review
Reading de Chirico. London
12/2017 | 1377 | 159
Pages: 1009-1010
related names
Reviewer:
Radford, Robert (Radford, Robert)
Subjects
Reviewed Items
styles:
Reading de Chirico at Tornabuoni Art, London | :
Illustrations
Attributed works:
68. Horses by the sea, by Giorgio de Chirico. c.1935 (Robert Casamonti Collection, Florence; exh. Tornabuoni Art, London).
Attributed works:
69. Still life, by Giorgio de Chirico. 1958. (Robert Casamonti Collection, Florence; exh. Tornabuoni Art, London).
Article
Reconsidering Giorgio de Chirico’s early exhibition history: ‘The red tower’ and ‘The enigma of a day’
10/2017 | 1375 | 159
Pages: 807-811
related names
Author:
Greeley, Anne (Greeley, Anne)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
40. The rose tower, by Giorgio de Chirico. 1913 (Barnes Foundation, Philadelphia; © 2017 Artists Rights Society, New York, and SIAE, Rome; photograph Scala and Art Resource, New York).
Attributed works:
41. The red tower, by Giorgio de Chirico. 1913 (Peggy Guggenheim Collection, Venice; © 2017 Artists Rights Society, New York, and SIAE, Rome; photograph Scala and Art Resource, New York).
Attributed works:
42. The enigma of a day, by Giorgio de Chirico. 1914 (Museu de Arte Contemporânea da Universidade de São Paolo; © 2017 Artists Rights Society, New York and SIAE, Rome).
Attributed works:
43. Illustration from Caras y Caretas (25th April 1914) of the 1914 salon des Independants, showing the version of Enigma of a day now in São Paolo. (Photograph Jer Nelson).
Attributed works:
44. The eniga of a day, by Giorgio de Chirico. 1914 (Museum of Modern Art, New York; © 2017 Artists Rights Society, New York, and SIAE, Rome).
Attributed works:
45. André Breton in front of Giorgio de Chirico's The enigma of a day. Photograph by Man Ray. 1925 (© Man Ray Trust, Artists Rights Society, New York, and ADAGP, Paris, 2017).
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