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3 articles
Article
Aesthetes in business: the Raes and D.G. Rossetti
01/2004 | 1210 | 146
Pages: 13-19
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related names
Author:
Treuherz, Julian (Treuherz, Julian)
Subjects
artists:
Rossetti, Dante Gabriel
artists:
Morris, William
collectors and dealers:
Rae, George / Rae, Julia
dates:
1800-1899
places:
England / London
print:
Rossetti, Dante Gabriel
subjects:
British painting / Pre-Raphaelite Brotherhood / Pre-Raphaelite
Illustrations
Attributed works:
10. Paolo and Francesca da Rimini, by Dante Gabriel Rossetti. 1855. Watercolour, 24.8 by 44.5 cm. (Tate, London).
Attributed works:
12. Sibylla Palmifera, by Dante Gabriel Rossetti. 1865–70. 98.4 by 84 cm. (Lady Lever Art Gallery, Port Sunlight).
Attributed works:
8. The wedding of St George and the Princess Sabra, by Dante Gabriel Rossetti. 1857. Watercolour, 34.3 by 34.3 cm. (Tate, London).
Attributed works:
9. The blue closet, by Dante Gabriel Rossetti. 1857. Watercolour, 34.3 by 24.8 cm. (Tate, London).
Attributed works:
Dancing girl resting, by Albert Moore. 1864. 57.2 by 46 cm. (Pre-Raphaelite Inc., courtesy of Julian Hartnoll).
Attributed works:
Monna Vanna, by Dante Gabriel Rossetti. 1866. 88.9 by 86.4 cm. (Tate, London).
Attributed works:
News from my lad, by James Campbell. 1858–59. 51.7 by 47 cm. (The Walker, Liverpool).
Attributed works:
Portrait of George Rae, by Frank Holl. 1883. 125.8 by 99.1 cm. (HSBC Group Archive).
Attributed works:
Sketch for picture arrangement in a letter from D.G. Rossetti to George Rae, 22nd March 1864 (Lady Lever Art Gallery, Port Sunlight).
Attributed works:
The beloved, by Dante Gabriel Rossetti. 1864–66. 82.5 by 76.2 cm. (Tate, London).
Article
Edward Lear in Syracuse
09/2002 | 1194 | 144
Pages: 532-538
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Author:
Treuherz, Julian (Treuherz, Julian)
Subjects
artists:
Lear, Edward
dates:
1800-1899
places:
England / Italy / Siracusa
subjects:
British painting / Landscapes (visual works)
Illustrations
Attributed works:
1. The City of Syracuse from the Ancient Quarries Where the Athenians Were Imprisoned BC 413, by Edward Lear. RA 1853. 122 by 183 cm. (Madresfield Court, Trustees of Lord Beauchamp's 1963 Settlement).
Attributed works:
2. The Ear of Dionysius, by Edward Lear. June 1842. Pencil Heightened with White, 25.2 by 17 cm. (Private Collection).
Attributed works:
3. Study of Rocks and Trees at Syracuse, by Edward Lear. 12th June 1847. Sepia Ink, Wash and Pencil, 13.4 by 31.7 cm. (Department of Printing and Graphic Arts, Houghton Library, Harvard College Library, Cambridge, MA).
Attributed works:
4. The quarries of Syracuse, by Edward Lear. 11th June 1847. Sepia Ink, Water-Colour, Body-Colour and Pencil, 33 by 48.3 cm. (Spooner Bequest, Courtauld Institute Gallery, London).
Attributed works:
5. The quarries of Syracuse, by Edward Lear. 12th June 1847. Sepia Ink and Pencil, 17.5 by 25 cm. (Department of Printing and Graphic Arts, Houghton Library, Harvard College Library, Cambridge, MA).
Attributed works:
6. The quarries of Syracuse, by Edward Lear. 12th June 1847. Sepia Ink, Water-Colour and Pencil, 35.2 by 50.5 cm. (National Museums and Galleries on Merseyside, Walker Art Gallery, Liverpool).
Attributed works:
7. Casale Garden, by Edward Lear. 12th June 1847. Sepia Ink, Wash and Pencil, 17.5 by 26 cm. (Department of Printing and Graphic Arts, Houghton Library, Harvard College Library, Cambridge, MA).
Attributed works:
8. Our English Coasts 1852 (Strayed Sheep), by William Holman Hunt. RA 1853. 43.2 by 58.4 cm. (© Tate, London, 2002).
Attributed works:
9. P. Travels from Ipsica to Modica on the Backs of Several Jackdaws, by Edward Lear. 1847. (From G. Proby: Lear in Sicily, London [1938]).
Article
New Light on John Souch of Chester
05/1997 | 1130 | 139
Pages: 300-307
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related names
Author:
Treuherz, Julian (Treuherz, Julian)
Subjects
artists:
Souch, John
dates:
1600-1699
places:
England
subjects:
British painting / Documents
subjects:
Portraits
Illustrations
Attributed works:
1. George Puleston of Emral, Flintshire (d.1634), by John Souch. 76.2 by 63.5 cm. (Tate Gallery, London; Appendix No.1).
Attributed works:
10. Colonel Thomas Legh of Adlington, Cheshire (d.1644), by John Souch. 1632. 100.4 by 80 cm. (Private Collection; Appendix No.2).
Attributed works:
11. Colonel Thomas Legh of Adlington, Cheshire (d.1644), Attributed to John Souch. 1632. 99 by 81.3 cm. (Mrs. C. J. Legh, Adlington Hall, Cheshire; Appendix No.8).
Attributed works:
12. An Unknown Man, Perhaps Captain Robert Greenwood of Ashbourne Derbyshire, Circle of John Souch. (Private Collection; Appendix No.12).
Attributed works:
13. Sir John Done (1577-1629), Circle of John Souch. 97.8 by 79.7 cm. (Latham Family; On Loan to the Grosvenor Museum, Chester; Appendix No.15).
Attributed works:
2. Detail of Fig.9, Showing Signature. [Sir Thomas Aston at the Deathbed of His Wife, by John Souch. 1635. 203.2 by 215.1 cm. (Manchester City Art Gallery; Appendix No.4).]
Attributed works:
3. Double Portrait of an Unknown Couple, by John Souch. 1640. 101.6 by 126.4 cm. (Grosvenor Museum, Chester; Appendix no.5)
Attributed works:
4. Pelham Corbet of Albright Hussey, Shropshire, by John Souch. 1634. 180.4 by 96.5 cm. (Private Collection; Appendix No.3)
Attributed works:
5. Robert Davies III (1616-66) and His Mother Anne Davies of Gwysamey, Flintshire, by John Souch. 160 by 99 cm. (Private Collection; Appendix No.6)
Attributed works:
6. Sir Peter Legh of Lyme, Cheshire (d.1635), Attributed to John Souch. 1625. 64.7 by 59.7 cm. (Private Collection; Appendix No.7).
Attributed works:
7. Sir Roger Puleston (1565-1618), Attributed to John Souch. 73.7 by 61 cm. (Present Location Unknown; Appendix No.10)
Attributed works:
8. Sir Cecil (1599-1672) and Dame Penelope Trafford (1603-38), Attributed to John Souch. 1636. 193 by 226.1 cm. (Edric van Vredenburgh; Appendix No.9).
Attributed works:
9. Sir Thomas Aston at the Deathbed of His Wife, by John Souch. 1635. 203.2 by 215.1 cm. (Manchester City Art Gallery; Appendix No.4).