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Exhibition Review

Edward Burne-Jones. Tate Britain, London

01/2019 | 1390 | 161

Pages: 72-74

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Reviewer:

Harrison, Martin (Harrison, Martin)

Subjects

art literature:

Ruskin, John

artists:

Burne-Jones, Edward

dates:

2010-2019

media:

Paintings / Drawings / Watercolours / Stained glass / Tapestries

museums and institutions:

Tate Britain, London, Great Britain

places:

Great Britain / London

subjects:

British painting / Pre-Raphaelite / Pre-Raphaelite Brotherhood / Aesthetic Movement / Taste (aesthetics) / Style / Visual sources / Influence / Iconography / Portraits / Sitters / Women / Psychoanalysis / Design / Decorative arts / James Powell & Sons / Literature in art

Illustrations

Attributed works:

19. Depths of the sea, by Edward Burne-Jones. 1886. Canvas, 197 by 75 cm. (Private collection; exh. Tate Britain, London).

Attributed works:

20. Dido and Cleopatra from Chaucer’s ‘Legend of Good Women’, designed by Edward Burne-Jones and made by Morris, Marshall, Faulkner & Co. Stained glass panel, 47 by 50.4 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).

Attributed works:

21. The wine of Circe, by Edward Burne-Jones. 1863–69. Watercolour and bodycolour on paper, 71.1 by 101.6 cm. (Private collection; exh. Tate Britain, London).

Book Review

Windows for the World: Nineteenth-Century Stained Glass and the International Exhibitions, 1851–1900. By Jasmine Allen

12/2018 | 1389 | 160

Pages: 1073-1074

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Reviewer:

Harrison, Martin (Harrison, Martin)

Subjects

art literature:

Winston, Charles

artists:

Pugin, Augustus Welby Northmore / Parry, Thomas Gambier / Day, Lewis F. / Suffling, Ernest R. / Wiley, Kehinde / Millais, John Everett / Heaton, Butler and Bayne / Gibbs, Alexander

dates:

1850-1899

media:

Stained glass

places:

Great Britain / France / United States

subjects:

Glassmakers / Exhibitions / Cultural history / Politics / Nationalism / Race / Slavery / Style / Iconography / Historiography / Pre-Raphaelite

Illustrations

Attributed works:

4. Madonna and Child, by Kehinde Wiley. 2016. Stained glass in an aluminium frame, 249 by 117 cm. (© Kehinde Wiley Studio; courtesy the artist and Galerie Templon, Paris and Brussels).

Publication Received

Frederick Walker and the Idyllists. By Donato Esposito

08/2018 | 1385 | 160

Pages: 709-710

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Reviewer:

Goldman, Paul (Goldman, Paul)

Subjects

artists:

Walker, Frederick / Pinwell, George John / North, John William / Lawson, Cecil Gordon / Macbeth, R. W. / Mason, George Heming / Millet, Jean-François, 1814-1875 / Gogh, Vincent van / Turner, Joseph Mallord William

dates:

1850-1899

media:

Paintings / Prints / Engravings / Watercolours

places:

Great Britain

subjects:

British painting / Victorian / Realism / Pre-Raphaelite / Barbizon (style) / Illustrations / Illustrators / Surveys

Illustrations

Attributed works:

11. The bathers, by Frederick Walker. 1865–68. Canvas, 92.7 by 214.7 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images ).

Exhibition Review

The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London

08/2018 | 1385 | 160

Pages: 678-681

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Reviewer:

Yarker, Jonathan (Yarker, Jonathan)

Subjects

art literature:

Berger, John / Solkin, David H., London, Great Britain

artists:

Rowlandson, Thomas / Cope, Charles West / Kauffmann, Angelica / Wilkie, David / Bigg, William Redmore / Morland, George / Mulready, William, I, 1786-1863 / Wilton, Joseph / Turner, Joseph Mallord William / Constable, John / Sims, Charles / Munnings, Alfred James / Lewis, Wyndham / Piper, Myfanwy / Churchill, Winston / Annigoni, Pietro / Blake, Peter / Bowling, Frank / Nicholson, Ben / Hitchens, Ivon / Chipperfield, David / Barry, James, 1741-1806 / Gibson, John / Reynolds, Joshua / Gainsborough, Thomas / Lawrence, Thomas / Michelangelo / Leonardo da Vinci / Nevay, Giacomo / Blake, William

artists:

Blow, Sandra

buildings:

Burlington House, London, Great Britain / Somerset House, London, Great Britain

dates:

2010-2019

media:

Paintings / Sculpture / Drawings / Watercolours / Frames / Architecture

museums and institutions:

Royal Academy of Arts, London, Great Britain

places:

Great Britain / London

subjects:

British painting / British architecture / Art schools / Academies / Study and teaching / Portraits / Landscapes (visual works) / Genre paintings / Satire / Abstract art / Pre-Raphaelite / Collecting / Casts (sculpture) / Copies / Copying / Internet and art history

Illustrations

Attributed works:

18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).

Attributed works:

19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).

Attributed works:

20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).

Attributed works:

21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).

Article

Rediscovering Celia Anna Levetus

01/2018 | 1378 | 160

Pages: 31-37

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Author:

Mitchell, Rebecca N. (Mitchell, Rebecca N.)

Subjects

artists:

Levetus, Celia / Greenaway, Kate

dates:

1890-1899 / 1900-1909

media:

Book illustrations

places:

England / Birmingham

styles:

Arts and Crafts movement / Pre-Raphaelite

subjects:

Women artists

Illustrations

Attributed works:

1. Death of the tulip, by Celia Anna Levetus. Illustration from Commonwealth 1, no.2 (1896), facing p.64.

Attributed works:

2. Headpiece by Celia Anna Levetus for ‘The Art of Prose Story’, The Quest 2, no.4 (November 1895), p.16.

Attributed works:

3. The cinder-youth and the three damsels, by Celia Anna Levetus. Illustration from Ignácz Kúnoz’s Turkish Fairy Tales and Folk Tales, trans. R. Nisbet Bain, London 1896, p.90. (Photograph courtesy the Cadbury Research Library, University of Birmingham).

Attributed works:

4. The dawn of love, by Celia Anna Levetus. Illustration from English Illustrated Magazine (September 1896), p.502.

Attributed works:

5. The Hanuca hymn, by Celia Anna Levetus. Illustration from E. de Haas: ‘Men and women of mark in modern Judea’, leather-bound album, Jewish Museum, London, C 1997.1, p.267 (© Jewish Museum, London).

Attributed works:

6. Illustration by Celia Anna Levetus for ‘Introduction’, from W. Blake: Songs of Experience, London 1902, facing p.3.

Attributed works:

7. A reading from Herrick, by Celia Anna Levetus. The Yellow Book 9 (1896), p.103. (Photograph courtesy the Cadbury Research Library, University of Birmingham).

Attributed works:

8. Bookplate for Joe Burroughs, by Celia Anna Levetus. Reprinted in ‘Modern book-plate designers, no. 14—Miss Celia Levetus’, Ex-Libris Journal (1897), p.111.

Attributed works:

9. Bookplate for Violet Holden, by Celia Anna Levetus. Reprinted in ‘Modern book-plate designers, no. 14—Miss Celia Levetus’, Ex-Libris Journal (1897), p.113.

Article

Paula Modersohn-Becker’s self-portraits and the influence of Dante Gabriel Rossetti

08/2017 | 1373 | 159

Pages: 617-622

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Author:

Jelbert, Rebecca (Jelbert, Rebecca)

Subjects

artists:

Modersohn-Becker, Paula / Rossetti, Dante Gabriel

dates:

1900-1909

subjects:

Influence / German painting / Self-portraits / Worpswede colony / Pre-Raphaelite

Illustrations

Attributed works:

21. Self-portrait with a bowl and a glass, by Paula Modersohn-Becker. c.1904 (Sander Collection)

Attributed works:

22. The day dream, by Dante Gabriel Rossetti. 1880 (Victoria and Albert Museum, London)

Attributed works:

23. Self-portrait nude with amber necklace, by Paula Modersohn-Becker. 1906 (Private collection; © Paula-Modersohn-Becker-Stiftung, Bremen)

Attributed works:

24. Venus Verticordia, by Dante Gabriel Rossetti. 1864-68 (Russell-Cotes Art Gallery and Museum, Bournemouth)

Attributed works:

25. Self-portrait on my sixth wedding anniversary, by Paula Modersohn-Becker. 1906 (Museum Böttcherstrasse, Paula Modersohn-Becker Museum, Bremen; © Paula-Modersohn-Becker-Stiftung, Bremen)

Attributed works:

26. Ecce Ancilla Domini! (The Annunciation), by Dante Gabriel Rossetti. 1849-50 (Tate, London)

Attributed works:

27. The Annunciation, by Dante Gabriel Rossetti. 1855 (Agnew's Gallery, London)

Attributed works:

28. Verkündigung (Annunciation), by Paula Modersohn-Becker. c.1905 (Vatican Museums, Rome)

Attributed works:

29. Compostion with three female figures, a self-portrait in the middle, by Paula Modersohn-Becker. 1907 (Destroyed in Elberfeld, Germany in 1943; © Paula-Modersohn-Becker-Stiftung, Bremen)

Attributed works:

30. Astarte Syriaca, by Dante Gabriel Rossetti. 1877 (Manchester Art Gallery)

Exhibition Review

Pre-Raphaelites: Beauty and Rebellion. Liverpool

05/2016 | 1358 | 158

Pages: 390–91

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Reviewer:

Sloan, Rachel (Sloan, Rachel)

Subjects

dates:

2010-2019

museums and institutions:

Walker Art Gallery, Liverpool, Great Britain

places:

Liverpool / England

subjects:

Reviews / Exhibitions / Pre-Raphaelite Brotherhood / Pre-Raphaelite / Patronage

Illustrations

Attributed works:

61. Isabella, by John Everett Millais. 1849 (National Museums Liverpool; exh. Walker Art Gallery, Liverpool)

Attributed works:

62. The rainbow, by William Davis. c.1858 (National Museums Liverpool; exh. Walker Art Gallery, Liverpool)

Article

Edward Burne-Jones, William Morris, Dante Gabriel Rossetti, Harry Ward and illuminated manuscripts

09/2015 | 1350 | 157

Pages: 599-601

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Author:

McEvansoneya, Philip (McEvansoneya, Philip)

Subjects

art literature:

Ward, Henry Leigh Douglas, 1825-1906

artists:

Burne-Jones, Edward / Morris, William / Rossetti, Dante Gabriel

dates:

1830-1859

subjects:

Illuminated manuscripts / Pre-Raphaelite / Pre-Raphaelite Brotherhood / Visual sources / Copying / Romance literature

Illustrations

Attributed works:

1. Jane Morris's jewel box, by Dante Gabriel Rossetti, Eizabeth Siddall and Philip Webb. Before 1862 (Society of Antiquaries of London, Kelmscott Manor)

Attributed works:

2. Collected Works of Christine de Pizan ('The Book of the Queen'), by the Master of the Cité des Dames. c.1410-c.1414 (British Library, London, Harleian MS 4431, fol.376r, detail)

Publication Received

Edward Burne-Jones’ Mythical Paintings: The Pygmalion of the Pre-Raphaelite Painters. By Liana de Girolami Cheney, with a foreward by Alicia Craig Faxon.

05/2015 | 1346 | 157

Pages: 358

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Reviewer:

Mann, Fiona (Mann, Fiona)

Subjects

artists:

Burne-Jones, Edward

subjects:

Pre-Raphaelite / British painting / Classical mythology / Love / Beauty / Art theory / Visual sources

Publication Received

Pre-Raphaelite Masculinities: Constructions of Masculinity in Art and Literature. Edited by Amelia Yeates and Serena Trowbridge.

05/2015 | 1346 | 157

Pages: 358

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Reviewer:

Ormond, Leonée (Ormond, Leonée; O., L.)

Subjects

subjects:

Pre-Raphaelite Brotherhood / Pre-Raphaelite / Poetry / Literature / British painting / Gender studies

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