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Article

Pre-Raphaelites or ante-Dürerites?

08/1995 | 1109 | 137

Pages: 501-508

related names

Author:

Langley, Jane (Langley, Jane)

Subjects

dates:

1800-1899

places:

England

subjects:

British painting / Pre-Raphaelite / Visual sources

subjects:

Netherlandish painting / Critical Reception

works:

The Arnolfini Portrait (National Gallery, London)

Illustrations

Attributed works:

25. The Arnolfini Portrait, by Jan van Eyck. 1434. Oak Panel, 81.8 by 59.7 cm. (National Gallery, London).

Attributed works:

26. The Lady of Shalott, by William Holman Hunt. 1850. Black Chalk, Pen and Ink, 23.5 by 14.2 cm. (National Gallery of Victoria, Melbourne).

Attributed works:

27. Take Your Son, Sir, by Ford Madox Brown. 1851, 1856-57. Oil on Paper Mounted on Canvas, 70.4 by 38.1 cm. (Tate Gallery, London).

Attributed works:

28. The Seeds and Fruits of English Poetry, by Ford Madox Brown. 1845-51, 1853. 34 by 46 cm. (Ashmolean Museum, Oxford).

Attributed works:

29. The St Ursula Reliquary, by Hans Memling. Before 1489. Oil and Gilt on Wood, 37.5 by 25.5 cm. (Each Panel) (St John's Hospital, Bruges).

Attributed works:

30. Strayed Sheep, by William Holman Hunt. 1852. 43.2 by 58.4 cm. (Tate Gallery, London).

Attributed works:

31. Sir Thomas More and His Daughter, by John Rogers Herbert. 1844. 86.2 by 112 cm. (Tate Gallery, London).

Attributed works:

32. Our Saviour Subject to His Parents in Nazareth, by John Rogers Herbert. 1847. 81.6 by 129.7 cm. (Guildhall Gallery, London).

Attributed works:

33. Christ in the House of His Parents, by John Everett Millais. 1849. 86.4 by 139.7 cm. (Tate Gallery, London).

Attributed works:

34. Ophelia, by John Everett Millais. 1851-52. 76.2 by 111.8 cm. (Tate Gallery, London).

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