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890 articles
Article
Titian’s ‘Allegory of Prudence’ and Philip II
03/2023 | 1440 | 165
Pages: 258-268
related names
Author:
Markou, Georgios E. (Markou, Georgios E.)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Allegory of Prudence, by Titian. 1555–60. Oil on canvas, 75.5 by 68.4 cm. (National Gallery, London).
Attributed works:
10. Prudentia, a tapestry from the series Los Honores, by Pieter van Aelst. 1520–25. Gold, silver, silk and wool, 490 by 820 cm. (Royal Palace of La Granja de San Ildefonso; Bridgeman Images).
Attributed works:
11. The death of Actaeon, by Titian. 1559–75. Oil on canvas, 178.4 by 198.1 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
12. Proposed frontispiece for Antonio Herrera y Tordesillas, General history of the world in the age of Philip II, the Prudent. 1599. Engraving. (Archivo Histórico Nacional, Madrid, Consejos 4416/101).
Attributed works:
2. X-radiograph of Fig.1, digitally adjusted to remove the effect of the stretcher.
Attributed works:
3. Impresa of the de’ Farri press. 1544. Woodcut. (From H. Barbarosa: Il comento di Marsilio Ficino sopra il Conuito di Platone, Venice 1544).
Attributed works:
4. Impresa of the de’ Farri press. 1555. Woodcut. (From A. Appiano: Historia Delle Guerre Esterne de’ Romani Di Appiano, Venice 1555).
Attributed works:
5. Sol. 1556. Woodcut. (From G.P. Valeriano: Hieroglyphica, sive de sacris Aegyptiorum aliarumque gentium literis, commentariorum libri LVIII, Basel 1556, Liber XXXII, fol.229r).
Attributed works:
6. Hispania. 1556. Woodcut. (From G.P. Valeriano: Hieroglyphica sive De sacris aegyptiorvm centivm literis, Basel 1556, Liber XXXII, fol.228v).
Attributed works:
7. Impresa of Philip II, by Nicolò Nelli. 1566. Engraving. (From G. Ruscelli: Le imprese illustri, Venice 1566, p.232).
Attributed works:
8. Impresa of Elisabeth of Valois, by Nicolò Nelli. 1566. Engraving. (From G. Ruscelli: Le imprese illustri, Venice 1566, p.312).
Attributed works:
9. Detail of the Nobilitas tapestry from the series Los Honores, showing (left) Apollo (‘Phoebus’), by Pieter van Aelst. 1520–25. Gold, silver, silk and wool, 500 by 860 cm. (Royal Palace of La Granja de San Ildefonso; Bridgeman Images).
Book Review
Popular Art and the Avant-Garde: Vincent van Gogh’s Collection of Newspaper and Magazine Prints
08/2021 | 1421 | 163
Pages: 771-772
related names
Reviewer:
Korda, Andrea (Korda, Andrea )
Subjects
Reviewed Items
subjects:
Popular Art and the Avant-Garde: Vincent van Gogh’s Collection of Newspaper and Magazine Prints By Vincent Alessi. 234 pp. incl. 10 col. + 40 b. & w. ills. (Monash University Publishing, Clayton, 2020), £30.99. ISBN 978–1–925495–73–7. | :
Illustrations
Attributed works:
6. The poor and money, by Vincent van Gogh. 1882. Chalk, watercolour and pen and ink on paper, 37.9 by 56.6 cm. (Van Gogh Museum, Amsterdam).
Book Review
Jasper Johns: Pictures within Pictures,1980–2015. By Fiona Donovan
02/2019 | 1391 | 161
Pages: 175-176
related names
Reviewer:
Costello, Eileen (Costello, Eileen)
Subjects
artists:
media:
places:
Illustrations
Attributed works:
7. Untitled, by Jasper Johns. 1983–84. Black and coloured ink on plastic, 72.5 by 92.4 cm. (Collection of the artist).
Exhibition Review
Edward Burne-Jones. Tate Britain, London
01/2019 | 1390 | 161
Pages: 72-74
related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
19. Depths of the sea, by Edward Burne-Jones. 1886. Canvas, 197 by 75 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
20. Dido and Cleopatra from Chaucer’s ‘Legend of Good Women’, designed by Edward Burne-Jones and made by Morris, Marshall, Faulkner & Co. Stained glass panel, 47 by 50.4 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
21. The wine of Circe, by Edward Burne-Jones. 1863–69. Watercolour and bodycolour on paper, 71.1 by 101.6 cm. (Private collection; exh. Tate Britain, London).
Exhibition Review
Theodoor van Loon: A Caravaggist Painter Between Rome and Brussels. Centre for Fine Arts, Brussels (BOZAR)
01/2019 | 1390 | 161
Pages: 65-67
related names
Reviewer:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
10. David triumphant, by Theodor van Loon. 1607–09. Canvas, 168.5 by 122 cm. (Private collection; exh. Centre for Fine Arts, Brussels).
Attributed works:
11. Christ and the woman taken in adultery, here attributed to Bartolomeo Manfredi. 1619–20. Canvas, 120 by 184.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Centre for Fine Arts, Brussels).
Attributed works:
12. St Elizabeth of Hungary, by Theodor van Loon. 1613–15. Canvas, 207 by 143 cm. (Monastery of the Discalced Carmelites, Brussels; exh. Centre for Fine Arts, Brussels).
Exhibition Review
Ribera: Art of Violence. Dulwich Picture Gallery, London
01/2019 | 1390 | 161
Pages: 58-60
related names
Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
Subjects
dates:
places:
Illustrations
Attributed works:
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).
Exhibition Review
The Birth of Gothic Sculpture: Saint-Denis, Paris, Chartres 1135–1150. Musée de Cluny – Musée national du Moyen Âge, Paris
12/2018 | 1389 | 160
Pages: 1042-1044
related names
Reviewer:
Stratford, Neil (Stratford, Neil)
Subjects
dates:
places:
Illustrations
Western art unattributed:
5. Initial T to St Jerome’s prologue to the Book of Joshua, c.1145–50. Parchment, 53 by 36.5 cm. (Bibliothèque Nationale de France, Paris; MS Lat. 55, fol.78; exh. Musée de Cluny, Paris; photograph Philippe Plagnieux).
Western art unattributed:
6. Detail of colonnette from the south door, right jamb of the west façade of Saint-Denis. c.1135–40, Limestone, (Musée de Cluny, Paris; photograph Philippe Plagnieux).
Western art unattributed:
7. Voussoir with two headless figures from the portal of Saint-Pierre, Lagny-sur-Marne. Midtwelfth century. Limestone, 50 by 47 by 30 cm. (Église paroissiale Notre-Dame-des-Ardents-et-Saint-Pierre, Lagny-sur-Marne; exh. Musée de Cluny, Paris; photograph Philippe Plagnieux).
Western art unattributed:
8. Signum Tau, medallion from stained-glass window with scenes of the Passion in the ambulatory of Saint-Denis. 1140–1144. Diameter 57 cm. (Dépôt de Champs-sur-Marne, basilique-cathédrale, Saint-Denis; exh. Musée de Cluny, Paris; photograph Philippe Plagnieux).
Book Review
Lorenzo Ghiberti’s Gates of Paradise: Humanism, History, and Artistic Philosophy in the Italian Renaissance. By Amy R. Bloch; Il Paradiso ritrovato: Il restauro della Porta del Ghiberti. Edited by Annamaria Giusti
11/2018 | 1388 | 160
Pages: 979-980
related names
Reviewer:
Palozzi, Luca (Palozzi, Luca)
Subjects
dates:
places:
Illustrations
Attributed works:
3. Genesis, from the east door of the Baptistery, Florence, by Lorenzo Ghiberti. 1425–52. Gilded bronze, 79.4 by 79.4 cm. (Museo dell’Opera del Duomo, Florence).
Article
The making of Picasso’s ‘Woman in a long dress’
11/2018 | 1388 | 160
Pages: 920-927
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. Woman in a long dress, by Pablo Picasso. Here dated 1941–42. Bronze, 161.3 by 53.7 by 45.7 cm. (Private collection; photograph W.B. Dewey; © DACS London, 2018).
Attributed works:
3. Portrait of the artist’s mother, by Pablo Picasso. 1896. Pastel on paper, 49.8 by 39 cm. (Museu Picasso, Barcelona; Bridgeman Images; © DACS London, 2018).
Attributed works:
4. Portrait of Yadwiga, by Henri Rousseau. 1895. Canvas, 160 by 105 cm. (Musée Picasso, Paris; Bridgeman Images).
Attributed works:
5. Picasso and his stove, rue des Grands Augustins, by Brassaï. 1939. (Private collection / Photo © Christie’s Images; Bridgeman Images).
Attributed works:
6. Picasso’s Head of a bull with an arm from Easter Island, by Brassaï. 1943. Gelatin silver print, 17.7 by 24 cm. (Musée National Picasso, Paris; © DACS London, 2018).
Attributed works:
7. Head of a bull, by Pablo Picasso. 1942. Bicycle saddle and handlebars, 33.5 by 43.5 by 19 cm. (Musée National Picasso, Paris; © DACS London, 2018).
Attributed works:
8. ‘L’Aubade’ and ‘Woman in a long dress’ in Picasso’s rue des Grands Augustins studio, Paris, by Brassaï. 1946. Photograph. (Musée National Picasso, Paris; © DACS London, 2018).
Attributed works:
9. Front steps of La Californie with Picasso and the welder at work, by David Douglas Duncan. 1957. (From D.D. Duncan: Goodbye Picasso, New York 1975, p.65).
Western art unattributed:
2. Female statue, known as the Woman of Auxerre, c.640–630 BC. Limestone, height 75 cm. (Musée du Louvre, Paris; Bridgeman Images).
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