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11 articles
Book Review
Stanhope Forbes: Father of the Newlyn School. By Elizabeth Knowles
04/2018 | 1381 | 160
Pages: 353
Exhibition Review
Van Eyck and the Pre-Raphaelites. London
03/2018 | 1380 | 160
Pages: 244-246
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
17. Mariana, by John Everett Millais. 1851. Panel, 59.7 by 49.5 cm. (Tate, London).
Attributed works:
18. Portrait of Giovanni (?) Arnolfini and his wife (‘The Arnolfini portrait’), by Jan van Eyck. 1434. Panel, 82.2 by 60 cm. (National Gallery, London).
Attributed works:
19. ‘Take your son, Sir!’, by Ford Madox Brown. 1851–52, enlarged and reworked 1856–57. Canvas, 70.5 by 38.1 cm. (Tate, London).
Book Review
Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War. By Elizabeth Prettejohn
01/2018 | 1378 | 160
Pages: 69-70
related names
Reviewer:
Tromans, Nicholas (Tromans, Nicholas)
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art literature:
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places:
subjects:
Illustrations
Attributed works:
5. The Adoration of the Kings and Annunciation, by Edward Burne-Jones for St Paul’s, Brighton. 1860–61. (Private collection).
Article
Pre-Raphaelites or ante-Dürerites?
08/1995 | 1109 | 137
Pages: 501-508
related names
Author:
Langley, Jane (Langley, Jane)
Subjects
dates:
places:
Illustrations
Attributed works:
25. The Arnolfini Portrait, by Jan van Eyck. 1434. Oak Panel, 81.8 by 59.7 cm. (National Gallery, London).
Attributed works:
26. The Lady of Shalott, by William Holman Hunt. 1850. Black Chalk, Pen and Ink, 23.5 by 14.2 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
27. Take Your Son, Sir, by Ford Madox Brown. 1851, 1856-57. Oil on Paper Mounted on Canvas, 70.4 by 38.1 cm. (Tate Gallery, London).
Attributed works:
28. The Seeds and Fruits of English Poetry, by Ford Madox Brown. 1845-51, 1853. 34 by 46 cm. (Ashmolean Museum, Oxford).
Attributed works:
29. The St Ursula Reliquary, by Hans Memling. Before 1489. Oil and Gilt on Wood, 37.5 by 25.5 cm. (Each Panel) (St John's Hospital, Bruges).
Attributed works:
30. Strayed Sheep, by William Holman Hunt. 1852. 43.2 by 58.4 cm. (Tate Gallery, London).
Attributed works:
31. Sir Thomas More and His Daughter, by John Rogers Herbert. 1844. 86.2 by 112 cm. (Tate Gallery, London).
Attributed works:
32. Our Saviour Subject to His Parents in Nazareth, by John Rogers Herbert. 1847. 81.6 by 129.7 cm. (Guildhall Gallery, London).
Attributed works:
33. Christ in the House of His Parents, by John Everett Millais. 1849. 86.4 by 139.7 cm. (Tate Gallery, London).
Attributed works:
34. Ophelia, by John Everett Millais. 1851-52. 76.2 by 111.8 cm. (Tate Gallery, London).
Book Review
The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait
03/1995 | 1104 | 137
Pages: 187-188
related names
Reviewer:
Vale, Malcolm (Vale, Malcolm)
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Reviewed Items
works:
The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait | author: Hall, Edwin
Book Review
Jan van Eyck's Arnolfini Portrait. Stories of an Icon
12/1994 | 1101 | 136
Pages: 844
related names
Reviewer:
Vale, Malcolm (Vale, Malcolm)
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artists:
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Reviewed Items
works:
Jan van Eyck's Arnolfini Portrait. Stories of an Icon | author: Seidel, Linda
Short Notice
Jan van Eyck's Arnolfini Group: An Addition to Its History
03/1953 | 600 | 95
Pages: 97-98
related names
Author:
Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)
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artists:
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Letter
Jan van Eyck's Arnolfini Portrait
12/1934 | 381 | 65
Pages: 296-297
related names
Author:
Panofsky, Erwin (Panofsky, Erwin)
Author:
Robertson, Martin (Robertson, Martin)
Subjects
artists:
subjects:
Letter
Jan van Eyck's Arnolfini Portrait
10/1934 | 379 | 65
Pages: 189
related names
Author:
Hill, George Francis (Hill, George Francis; Hill, George Francis; H., G. F.; Hill, George F.; Hill, George; H., G.)
Subjects
artists:
Letter
Jan van Eyck's Arnolfini Portrait
09/1934 | 378 | 65
Pages: 135
related names
Author:
Dimier, Louis (Dimier, Louis; Dimier, L.)
Subjects
artists:
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