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2 articles
Article
A statuette from the workshop of Leonardo da Vinci
11/2012 | 1316 | 154
Pages: 768-772
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related names
Author:
Luchs, Alison (Luchs, Alison)
Author:
May, Katherine (May, Katherine)
Author:
Sturman, Shelley (Sturman, Shelley)
Subjects
artists:
Leonardo da Vinci
artists:
workshop of
dates:
1490-1499
museums and institutions:
Museo Poldi Pezzoli, Milan, Italy
subjects:
Italian sculpture / Brass / Metalwork / Attribution / Attributions / Collections, Public
Illustrations
Attributed works:
22. Detail of the Cowering warrier, from the workshop of Leonardo da Vinci. c.1490-95. Brass, 11.5 by 5.5 by 11 cm. (Museo Poldi Pezzoli, Milan, on deposit from the Fondazione Mario e Fosca Crespi).
Attributed works:
23. Cowering warrier, from the workshop of Leonardo da Vinci. c.1490-95. Brass, 11.5 by 5.5 by 11 cm. (Museo Poldi Pezzoli, Milan, on deposit from the Fondazione Mario e Fosca Crespi).
Attributed works:
24. Fig.23, viewed from a different angle.
Attributed works:
25. Photograph of the Cowering warrier when in the collection of Prince Trivulzio in 1907; from W. von Bode: Italienische Bronzestatuetten der Renaissance, Berlin 1907, II, p. 15, pl. 132.
Attributed works:
26. Fig.23, viewed from a different angle.
Attributed works:
27. Fig.23, viewed from behind.
Attributed works:
28. Fig.23, viewed from a different angle.
Attributed works:
29. Study for the equestrian statue of Francesco Sforza, by Leonardo da Vinci. c.1484. Silverpoint on white paper, covered with a blue preparation, 11.6 by 10.3 cm. (Royal Library, Windsor Castle).
Attributed works:
30. Four studies for an equestrian statue after Leonardo, by a follower of Leonardo da Vinci. c.1490-1510. Engraving, 21.7 by 16 cm. (British Museum, London).
Attributed works:
31. Muzio Attendolo Sforza on horseback, attributed to the Master B.F. and Antonio da Monza. 1491. Parchment, 33 by 22 cm. Fol.4v. from the Vita di Muzio Attendolo Sforza, text of 1458 by Antonio Minuti da Piacenza, transcribed in Milan by Bartolomeo Gambagnola of Cremona. (Bibliothèque Nationale de France, Paris, MS ital. 372).
Attributed works:
33. Inkstand with allegory of Fortune, by Peter Vischer the Younger. c.1515-25. Brass, 15.7 cm. high. (Ashmolean Museum, Oxford).
Attributed works:
34. Fig.33, viewed from behind.
Western art unattributed:
32. A warrier, North Italian (Paduan?). c.1500-25. Bronze, 17.3 by 13.7 by 10.7 cm. (National Gallery of Art, Washington).
Article
‘Beautiful in form and execution’: the design and construction of Andrea Riccio’s Paschal candlestick
10/2009 | 1279 | 151
Pages: 666-672
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related names
Author:
Cristanetti, Simona (Cristanetti, Simona)
Author:
Pincus, Debra (Pincus, Debra)
Author:
Serres, Karen (Serres, Karen)
Author:
Smith, Dylan (Smith, Dylan)
Author:
Sturman, Shelley (Sturman, Shelley)
Subjects
artists:
Riccio, Andrea
buildings:
Basilica di Sant' Antonio, Padua, Italy
dates:
1500-1519
print:
Riccio, Andrea
subjects:
Candelabras (candleholders) / Candleholders / Candlesticks / Sculpture / Bronzes / Techniques / Commissions / Visual sources / Antiquity
Illustrations
Attributed works:
10. Detail of Fig.8, left side of the Adoration of the Magi relief on the second register.
Attributed works:
11. Detail of Fig.8, centaurs on the sixth register. Photograph courtesy of Davide Banzato.
Attributed works:
12. Detail of Fig.8, showing the opening at the top of the head of one of the satyrs on the third register. Photograph courtesy of Davide Banzato.
Attributed works:
13. Detail of Fig.8, cast-in join visible at the corner of the Scene of sacrifice before the statue of the risen Christ relief on the second register.
Attributed works:
14. Detail of Fig.8, a standing female figure on the fourth register, with evidence of planishing. Photograph courtesy of Davide Banzato.
Attributed works:
15. Detail of Fig.8, diamond-shaped cast-in join behind one of the satyrs on the third register.
Attributed works:
16. Detail of Fig.8, incisions on the medallions worn by the griffins on the fourth register.
Attributed works:
17. Detail of Fig.9, attachment points of a putto, joined at the back and bottom, on the fifth register.
Attributed works:
18. Detail of Fig.8, putti drum, showing the undecorated internal collar and the joining shells.
Attributed works:
19. Detail of Fig.8, cross mark on the foot of a female sphinx (eighth register) and corresponding cross on the upper surface of the putti drum (seventh register).
Attributed works:
5. Choir of the Basilica del Santo, Padua, showing, at left, the Paschal candlestick.
Attributed works:
6. Diagram of the choir of the Basilica del Santo, Padua, showing the original placement of Riccio’s candlestick and Donatello’s high altar in grey and present arrangement in black.
Attributed works:
8. Paschal candlestick, by Andrea Riccio. 1507–16. Bronze, 3.92 m. high. (Basilica del Santo, Padua). The divisions between the separately cast sections are delineated in white. Photograph courtesy of Davide Banzato.
Attributed works:
9. Detail of Fig.8, fifth register. Photograph courtesy of Davide Banzato.
Western art unattributed:
7. Roman candelabrum. Julio-Claudian period(?) Marble, 2.40 m. high. (Galleria dei Candelabri, Vatican Museums, Vatican City).